In this episode, journalist and author Liz Pelly (Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist) brings together two singular songwriters — Hayden Pedigo and S.G. Goodman — for a candid exploration of songwriting, place, and authenticity. From the wide-open stillness of West Texas, where Pegido draws inspiration from Sacred Harp singing and the power of silence, to Kentucky’s storytelling traditions that infuse S.G.’s gritty, heartfelt lyrics, these two artists trace the threads between "country" and modern experimentation. Along the way, they talk about how humor, vulnerability, and real life people shape their art — and what it means to stay true to yourself in a noisy, judgmental world.

Journalist Piotr Orlov (of Dada Strain) speaks with Brian Carpenter of Ghost Train Orchestra and collaborator Joan Wasser (a.k.a. Joan As Police Woman) about interpreting the works of Moondog—the blind composer, poet, and New York street icon whose rhythmic inventions, unforgettable melodies, and striking persona (not to mention an iconic Viking costume) made him an underground legend of 20th-century music. Hear this exciting project at Big Ears 2026.

Composer, vocalist, and project-maker Lisa Bielawa joins renowned classical and new music journalist Steve Smith to discuss her extraordinary Broadcast works, with a spotlight on Knoxville Broadcast, a large-scale site-specific “spatial symphony” commissioned by Big Ears Festival. The project gathers Appalachian musicians, choirs, orchestras, and community ensembles who gradually expand outward in waves of sound, transforming the landscape into an immersive sonic experience. Bielawa also reflects on the origins of Broadcast, community participation, and her wide-ranging career.

Two time GRAMMY winner, vocalist and MacArthur Fellow Cécile McLorin Salvant joins critic Natalie Weiner to unpack what it means to be called a jazz singer. Salvant reflects on her musical upbringing in both classical and jazz traditions, contrasting the discipline of one with the freedom of the other. She also shares her excitement about moving beyond "jazz," previewing her brand new Nonesuch Records album Oh, Snap , on which she layers dance grooves into daring audio collages. The conversation touches on her interpretation of the John Henry legend, and her blossoming practice in the visual arts, partly inspired by her mother and grandmother. It’s a revelatory portrait of an artist who remains rooted in song, while constantly expanding her palette as a multimedia post-genre artist. Here’s their conversation.

Big Ears Festival founder Ashley Capps joins NPR Music critic Ann Powers (a longtime friend of the festival and fellow Tennessee resident) to discuss the recent unveiling of the 2026 festival lineup. From legends like David Byrne, Laurie Anderson, John Zorn and Pat Metheny to trailblazers like Flying Lotus, Marc Ribot, Wild Up, and Hania Rani, along with a smorgasbord of today’s most compelling artists across genres. Their conversation reveals a behind-the-scenes look at curatorial vision and execution, nurturing community, and encouraging musical discovery.

Hear a panel discussion from Big Ears 2025 titled 1965: Sound, Fire & Revolution, where guitarist Nels Cline, bassist Melvin Gibbs, and drummer Chad Taylor, join critic and author Nate Chinen to reflect on a landmark year in music and culture. 1965 gave us works like A Love Supreme, Complete Communion, and Fire Music—that reshaped jazz and echoed broader upheaval. Sixty years later, these artists revisit that seismic moment, revealing how its sounds and struggles still resonate powerfully in our present.

Hear a deep and searching live conversation from Big Ears 2025 between NPR Music critic and author Ann Powers and three remarkable artists whose practices reach far beyond the boundaries of genre — vocalist, double bassist and composer ganavya, multi-instrumentalist and scene-connector Carlos Niño, and British poet, saxophonist and troubadour Alabaster DePlume. 

In this wide-ranging interview, they explore themes of interdependence, the evolving meaning of “community,” and the porous line between art and everyday life. They challenge the language we use to describe music and the commodification of creative labor, while offering alternative frameworks grounded in love, joy, ancestry, and intuition.

At our 2025 festival, NPR critic and author Ann Powers sat down with legendary producer and music historian Joe Boyd for a wide-ranging conversation about his life in music. Boyd reflects on his recently published opus The Roots of Rhythm Remain, and a life at the intersection of sound and history in this intimate and revealing podcast episode.

On this episode, we listen in on a rare exchange between Charles Lloyd — the legendary saxophonist, bandleader, composer, and NEA Jazz Master — and Don Was — President of Blue Note Records — recorded live at the Blue Note Lounge in Jackson Terminal during Big Ears 2025.

Three sharp-eared critics who attended Big Ears 2025—Bill Pearis (BrooklynVegan), Jennie Punter (Musicworks Magazine), and Natalie Weiner (Don't Rock the Inbox)—gather to reflect on the vast sonic and interdisciplinary arts landscape they encountered. From singular encounters to shared moments of awe, they explore the music, the food and the spirit of Knoxville.

This talk reveals how Big Ears offers not one experience, but countless parallel journeys that may touch, or never overlap at all. We also pay tribute to the late Michael Hurley.

Music featured in this episode:

Terry Riley - “In C”

Eiko Ishibashi - “Evil Does Not Exist”

Hu Vibrational - “Calling to the Water Goddess”

Tindersticks - “Don’t Walk, Run” 

Immersion - “State of Motion”

Immanuel Wilkins - “MOSHPIT”

Susan Alcorn - “Pedernal”

Fieldwork - “Bend”

Ambrose Akinmusire - “To: Taymoor”

Michael Hurley - “Hog of the Forsaken”