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While often overshadowed by his association with his longtime employer and collaborator Duke Ellington, composer/arranger and pianist Billy Strayhorn (born November 29, 1915) was no less a genius in his own right. In a life cut short by cancer at the age of 51, he produced a huge catalog of original music, all of it bearing his unique harmonic and melodic stamp. In his autobiography and in a spoken word passage in his Second Sacred Concert, Ellington listed what he considered Strayhorn's "four major moral freedoms": freedom from hate, unconditionally, freedom from self-pity (even through all the pain and bad news), freedom from fear of possibly doing something that might possibly help another more than it might himself, and freedom from the kind of pride that might make a man think that he was better than his brother or his neighbor.
Jazz pianist Fred Hersch wrote of Strayhorn: "He was a quadruple threat: a great composer of jazz tunes, a first-rate jazz pianist, a remarkable songwriter (music and lyrics), and one of the all-time great arrangers for jazz orchestra."
By Jazz Legends4.7
3232 ratings
While often overshadowed by his association with his longtime employer and collaborator Duke Ellington, composer/arranger and pianist Billy Strayhorn (born November 29, 1915) was no less a genius in his own right. In a life cut short by cancer at the age of 51, he produced a huge catalog of original music, all of it bearing his unique harmonic and melodic stamp. In his autobiography and in a spoken word passage in his Second Sacred Concert, Ellington listed what he considered Strayhorn's "four major moral freedoms": freedom from hate, unconditionally, freedom from self-pity (even through all the pain and bad news), freedom from fear of possibly doing something that might possibly help another more than it might himself, and freedom from the kind of pride that might make a man think that he was better than his brother or his neighbor.
Jazz pianist Fred Hersch wrote of Strayhorn: "He was a quadruple threat: a great composer of jazz tunes, a first-rate jazz pianist, a remarkable songwriter (music and lyrics), and one of the all-time great arrangers for jazz orchestra."

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