Today I spoke to Blindboy Boatclub – a multi-disciplinary Irish artist and author of the recently published short story collection Topographia Hibernica, a tongue-in-cheek update to the original. Blindboy exploded onto the international scene in late 2010 with his band The Rubberbandits and segued into a weekly podcast which is a cultural phenomenon, with over 1.2 million monthly listeners. He has released three critically acclaimed short story collections and this is his latest one.

I thoroughly enjoyed Topographia Hibernica and its absurd, empathetic depictions of contemporary Irish society, flora and fauna. If you’re a fan of dynamic short stories with a hard & modern edge, this will appeal to you. Tonally, it’s gritty, subversive, and slightly surreal, and narrows in on the way we relate to animals and the natural world in modern culture. Above all, many of the stories are funny. There was something in the energy here that reminded me of early short stories by the Scottish writer Irvine Welsh. The book is a relatively easy read – not lighthearted, but still accessible – and its thematic threads of animal kingdoms interacting with elements of contemporary mythology holds the collection together in a really coherent way. 

This episode features an extremely wide-reaching conversation, dipping in and out of Irish folklore, Hiberno English, the impending collapse in global biodiversity, Hieronymus Bosch, creating art with ‘fire in your veins’, and a plethora of other fascinating topics. What shines through our conversation most apparently is the remarkable breadth of Blindboy’s knowledge, and the all-consuming way he approaches creative pursuits. Incredibly informed and interested in the world around him, he’s an artist in the truest sense of the word.

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Books mentioned in the episode:

During the episode, Blindboy talked about the Argentinian horror short story collection, The Dangers of Smoking in Bed by Mariana Enríquez (2021); Dance Move, by Wendy Erskine (2022), an eclectic collection of stories set in Belfast; A Shock, by Keith Ridgeway (2021), a subversive novel exploring the absurdity of contemporary London life; The Wounded Cormorant and Other Stories by Liam O’Flaherty (1973), a compassionate portrayal of Irish nature; and Neuromancer, by William Gibson (1984), a genre-forming cyberpunk novel.

His favourite book that I’ve probably never heard of was Ossian’s Ride, by Fred Hoyle (1951), a sci-fi detective novel, where Ireland has become a technological superpower.

The best book he’s read in the last 12 months was Homesick for Another World, by Ottessa Moshfegh (2017), a collection of 14 short stories, most of which were originally published in The Paris Review. 

The book he would take to a Desert Island would be The Third Policeman, by Flann O’Brien (1967) a dark, surrealist murder mystery set in a village police force.

Finally, a book that changed his mind is The Dead, which is the final, novella-length, story from James Joyce’s collection Dubliners (1914).

Lit with Charles loves reviews. If you enjoyed this episode, I’d be so grateful if you could leave a review of your own, and follow me on Instagram at ⁠@litwithcharles⁠. Let’s get more people listening – and reading!

Find Blindboy:

Instagram: @blindboyboatclub