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It’s 1967 and your train from Sandusky, Ohio, just rolled into Grand Central. You’ve got a suitcase in one hand and your portfolio in the other. You exit the station and take a right, uptown, before realizing it’s the wrong way. (It’s ok, you’re not from around here). So you turn around, and head down to 223 East 31st Street, the studio of the celebrated designer Herb Lubalin, who was about to give you your first assignment in the big city.
And so begins the career of legendary illustrator Brad Holland — a 50-plus year career that put him on the Mt Rushmore of contemporary American Illustration alongside Milton Glaser, Edward Sorel, Ralph Steadman, Seymour Chwast, and the recently-departed Marshall Arisman.
A production of Magazeum LLC ©2021–2025
By Patrick Mitchell4.8
5959 ratings
It’s 1967 and your train from Sandusky, Ohio, just rolled into Grand Central. You’ve got a suitcase in one hand and your portfolio in the other. You exit the station and take a right, uptown, before realizing it’s the wrong way. (It’s ok, you’re not from around here). So you turn around, and head down to 223 East 31st Street, the studio of the celebrated designer Herb Lubalin, who was about to give you your first assignment in the big city.
And so begins the career of legendary illustrator Brad Holland — a 50-plus year career that put him on the Mt Rushmore of contemporary American Illustration alongside Milton Glaser, Edward Sorel, Ralph Steadman, Seymour Chwast, and the recently-departed Marshall Arisman.
A production of Magazeum LLC ©2021–2025

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