
Sign up to save your podcasts
Or
“Maestro,” about the legendary conductor and composer Leonard Bernstein, is nominated for seven Academy Awards, including Best Picture, as well as Best Actor for Bradley Cooper—who is not only the film’s star but its director and co-writer. Cooper’s movie focusses less on Bernstein’s musical triumphs, as a dominant figure in classical music for decades, than on his extremely complicated personal life. Bernstein was married to the actress Felicia Montealegre, played in the film by Carey Mulligan, but lived as a proudly nonmonogamous bisexual. “I had no desire to make a bio-pic,” Cooper tells David Remnick, of a man whose life is so well documented. Despite his track record as a box-office draw and critical success, Cooper endured a string of rejections from major studios when he shopped around a movie about classical music, shot largely on black-and-white film. Academy nominations aside, for Cooper, the experience of getting to play Bernstein and actually conducting the London Symphony Orchestra—“the scariest thing I’ve ever done, hands down,” he tells David Remnick—was reward enough: he had been practicing conducting an orchestra since his early childhood.
The segment originally broadcast on November 24, 2023.
4.2
54775,477 ratings
“Maestro,” about the legendary conductor and composer Leonard Bernstein, is nominated for seven Academy Awards, including Best Picture, as well as Best Actor for Bradley Cooper—who is not only the film’s star but its director and co-writer. Cooper’s movie focusses less on Bernstein’s musical triumphs, as a dominant figure in classical music for decades, than on his extremely complicated personal life. Bernstein was married to the actress Felicia Montealegre, played in the film by Carey Mulligan, but lived as a proudly nonmonogamous bisexual. “I had no desire to make a bio-pic,” Cooper tells David Remnick, of a man whose life is so well documented. Despite his track record as a box-office draw and critical success, Cooper endured a string of rejections from major studios when he shopped around a movie about classical music, shot largely on black-and-white film. Academy nominations aside, for Cooper, the experience of getting to play Bernstein and actually conducting the London Symphony Orchestra—“the scariest thing I’ve ever done, hands down,” he tells David Remnick—was reward enough: he had been practicing conducting an orchestra since his early childhood.
The segment originally broadcast on November 24, 2023.
9,129 Listeners
3,902 Listeners
90,613 Listeners
38,151 Listeners
3,308 Listeners
3,912 Listeners
503 Listeners
2,087 Listeners
27,495 Listeners
86,163 Listeners
111,044 Listeners
2,239 Listeners
6,741 Listeners
15,326 Listeners
1,446 Listeners
3,243 Listeners
574 Listeners