In this episode, we’re talking about a huge Edward Gorey collection that recently arrived at the shop. The author of over 100 books, Gorey is best known for his stylized pen-and-ink drawings, enigmatic narratives, and sinister sense of humor. He also designed book covers and drew illustrations for works by Samuel Beckett, H.G. Wells, John Updike, and Charles Dickens—among many others—and even created the sets and costumes for a 1977 production of Dracula. We’ll explore Gorey’s prolific career and his life on Cape Cod, talk about the logistics of acquiring this collection, and delve into the book buying circumstances that are too scary for Ken on this haunting new #brattlecast.

After a successful weekend at the Boston Book Fair, Ken joked to a friend of the shop that the fair wasn’t perfect: we didn’t sell all the books that we brought. Which raised the interesting question: what do you do with the books that don’t sell? Join us for a look at the Brattle lifecycle: the journey of a book from inside the shop to the outdoor sale lot, becoming less and less expensive until it arrives… hopefully into the hands of a loving customer! It’s a challenge to bring in fresh books every day without ending up buried in them—you can help by visiting us on West Street and taking a few (dozen?) home with you.

Ever wonder how to move 20,000 books? In this episode, we lay out the logistics of our largest book buys, from the initial phone call to the transportation, storage, and sweat-soaked tee shirts. Despite all the hard work, it’s always an exciting treasure hunt—and, as the number of general secondhand book stores dwindles, the Brattle is one of the few shops that’s able to tackle tens of thousands of volumes at a time. Join us for a look behind the scenes in this heavy-duty #brattlecast.

Today we’re leafing through the August 1942 issue of Ladies’ Home Journal. Although it’s just one magazine, it contains a wealth of information about women’s lives in World War II-era America: from hot fashion trends to newly available manufacturing jobs. There are beautifully illustrated soap advertisements, fiction by Pearl Buck, and a column in which First Lady Eleanor Roosevelt answers readers’ questions about why she never changes her hairstyle. Some of the content reads as humorously archaic today, while other sections could fit right into this month’s Vogue. Join us for a deep dive into homemaking on the home front in this victorious new #brattlecast.

All Aboard! It’s the episode you’ve been waiting for: vintage railroad timetables. Despite the potentially dry subject matter, it’s a surprisingly scenic ride. Dating back to the early 1900's, many of these schedules are illustrated with smaller-scale (and more affordable) versions of gorgeous travel posters—advertisements for the destinations themselves, but also for the relatively new concept of train tourism. We’ll look at routes to Lake George, Pikes Peak, the Adirondacks, and many other destinations on this timely #brattlecast.

We’re so excited for the 46th annual Boston International Antiquarian Book Fair, a great opportunity to rub elbows with book dealers—and enthusiasts—from all over the world. This year’s fair takes place at the Hynes Convention Center on the weekend of November 8–10. Admission is free on Saturday and Sunday—but we know a guy who can get you free passes for Friday night, too (it’s Ken; reach out to the shop if you’re interested).

The book fair truly has something for everyone, from medieval manuscripts to modern first editions—and it’s fun to hold these rare items in your hands and discuss them with their knowledgeable and enthusiastic dealers. Plus, there’ll be a full lineup of speakers, a city-wide week of auxiliary events, and the Brattle’s famous jar of peanut M&Ms.

For more information visit abaa.org/bostonbookfair; we hope to see you there!

Called to look at a collection of materials on Boston-area schools, Ken came across a group of yearbooks, including—surprisingly—his own. While they’re not too monetarily valuable, these yearbooks offer a wealth of information about the changing fashions, hobbies, and ambitions of young people in New England, from the turn of the century to the 1970s (the hairstyles alone are worth a look). We’ll also discuss other yearbooks that have passed through the shop—like Ernest Hemingway’s—on this most likely to inform and entertain episode of the #brattlecast.

Today in the studio we have a copy of John F. Kennedy’s Profiles in Courage, inscribed by the author to an interesting—but not especially well-known—figure from Boston’s history. We’ll use it as a jumping-off point into a discussion of signatures and inscriptions more generally: some are simply nice to have, others substantially increase the collectibility and value of a volume, and many turn out to be written by a secretary or printed with the book itself. A look at some of the most common and convincing faux signatures rounds out this 100% authentic #brattlecast.

In today’s episode we’re talking about acclaimed author—and friend of the shop—Doris Kearns Goodwin. She’s known for insightful and engaging presidential biographies such as Team of Rivals, The Bully Pulpit, and the Pulitzer Prize-winning No Ordinary Time. Goodwin’s latest book, An Unfinished Love Story, weaves together memoir and historical analysis, exploring the 1960's through the lens of her own life and through the extensive archives of her late husband Richard Goodwin, a presidential aide and speechwriter for Lyndon B. Johnson, John F. Kennedy, and Robert F. Kennedy. 

Signed copies are available through our own friendly rival, Beacon Hill Books & Cafe.

Today we’re talking about a charming 1835 letter—recently found in a New England attic and purchased by the shop—from Ralph Waldo Emerson to a girl named Lucia. In the letter, Emerson exhorts his young correspondent to listen in solitude to the voices of nature, to the “great old gray ocean” and the “withered leaves that chatter in the cold March wind.” These themes would recur in his 1863 essay, Nature, a foundational text of the Transcendentalist movement. Although this particular letter is not in perfect condition, the author’s voice shines through, kindly and respectful, carrying a message that can still touch our lives today.