Dave returns to Derry & Toms to conclude our coverage of the 1973 Karl Edward Wagner anthology Death Angel's Shadow, featuring his anti-hero Kane.

Some great stuff in here, but some rough stuff too, with references to sexual assault, so please beware that we will discuss it in both the original context, as we see it, and that of a modern reader.

Two stories round out our journey with this Kane book, Cold Light and Mirage.

Check out Dave's latest trip with SÖNUS, the single Sisyphus Stomp - the video is on YouTube - and you can pre-order new album The Planes of Torment (release date May 22nd).

In a blasphemous conjunction of the spheres, this year is the 60th anniversary of the publication of the novella Behold the Man in New Worlds issue 166 - and a few weeks ago patron Nick Hopkinson sent me the link to an article by Professor Rowland Wymer in Vol 52 no 2 of the Interdisciplinary Critical Journal Mosaic from June 2019, titled The Imitation of Christ: Michael Moorcock's Behold the Man. The conjunction was completed when the Professor agreed to hop in to Derry & Toms to talk about his article, his journey into SF and how he came to teach it, living and drinking in Hull and lots of other stuff along the way.

We briefly talk about Russian SF too, so here I am talking to Ralph Lovegrove on his excellent Fictoplasm Podcast about Roadside Picnic.

Jason Atomic drops by Derry & Toms to talk about his journey from finding Moorcock and metal to creating Satanic Mojo comix, founding the Satanic Flea Market, becoming an avid book collector and illustrating the Alex Sanders Lectures, a brand new reprint of one of the first correspondent courses in witchcraft by the "King of Witches" with a commentary by Maxine Sanders.

Head to Aeon Books to pre-order Occult Pop (get 20% off with the code POP20), and you can pick up back issues of Satanic Mojo here.

Allister Thompson returns to Derry & Toms to talk about his new novel, Birch and Jay: The Knowledge Seekers Part One.

In a typically roving conversation, we get into his influences and intentions in writing about a climate apocalypse and aftermath, as well as other stuff, like bad War of the Worlds adaptations (again).

This episode plays out with Why Did We Do It (The Last Ones) from Allister's tie-in EP and you can grab that along with his entire discography from Bandcamp.

Robert is back in D&Ts to pick up the trail of Oswald Bastable as he navigates the strange world of an alternative 1970s full of airships, anarchists and a nasty little fucker called Regan. We also navigate Mike's occasionally annoying propensity for retrospectively sticking a Von Bek in EVERYTHING.

Get the Colossive Press Croydon Spaceport Fun Pack HERE and check out the details of our Rolling in the Ruins Moorcockian RPG two-dayer in Bradford in June.

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Don returns to Derry & Toms to update us on his journey adapting The Dancers at the End of Time stories into a sprawling four-album suite and to talk about his epic musical memoir, One of the Spirits Burning (order from Stairway Press in the US and Jayde Design in the UK to get the limited edition CD included)

You can find the Spirits Burning back catalogue on vinyl and CD all over the place (it's a big back catalogue), and the DatEoT albums at these links:

An Alien Heat

The Hollow Lands

The End of All Songs - Part 1

The End of All Songs - Part 2

And if you need more of your Deep Fix:

Live at the Terminal Cafe

Alien Injection

Malcom Craig drops by Derry & Toms to talk about his work in academia, roleplaying games, his authorship of the first ever academic article on Twilight 2000, the "macho men with Uzis" sub-genre of RPGs, the upcoming reboots of his Cold City and Hot War games, and panicking as children about how high priority your neighbourhood was in terms of Soviet megatonnage.

Mostly, though, we're talking about Malcom's reading recommendation - THE ROBOT BRAINS by incredibly prolific but largely unheralded British author Sydney J Bounds.

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Dave is back in Derry & Toms as we finally turn our attention to Karl Edward Wagner and his towering dark fantasy anti-hero... Kane!

We've been talking about doing some KEW for a while now, so what better time than a grim, miserable Yorkshire winter to tackle a chilly werewolf whodunnit. The story, Reflections for the Winter of My Soul, is the first of three in the collection Death Angel's Shadow, and we'll be back at some point in the future to look at the other two.

As KEW also wrote an Elric/Kane crossover story called The Gothic Touch, we took a look at that too.

Dave's band SÖNUS will release the first single from their new album on 14th February - Pagan Woman - and in the meantime you can join the countdown to the video and pre-save the single.

New album Planes of Torment will follow in May and we'll keep you up to date on that too.

We're talking RPGs again, this time in the company of Tanya Floaker (Mum Chums, Lo! Thy Dread Empire, Solstice, Be Seeing You, a|state).

Along the way we'll get into Tanya's history with Moorcock and genre fiction, gaming in Thatcher's Scotland, first steps into game design and the pending launch of their new Kickstarter for The Thunder Perfect Mind, launching 1st February 2026. If you're interested in reading more, and even getting a hold of early drafts, check out Tanya's itch.io page.

We'll also look into what Tanya would do around the gamification of Michael Moorcock's Multiverse, the 12-part comic series. I like it. I like it a lot.

In addition, friend of the show and long-standing patron Randall Gatlin calls in to talk about all of this Moorcock malarkey and reveals what may possibly be the coolest interaction with Mike and Linda I've yet come across.

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Joe Banks braves the radioactive zone to join me on the Ferris Wheel and discuss the 1975 album by Michael Moorcock and The Deep Fix - The New Worlds Fair - the 50th anniversary edition of which is now available via thinklikeakey.com.

Joe's latest book - ROCK and ROLE: The Visionary Songs of Peter Hammill and Van der Graaf Generator - is available now, as is his prior book - Hawkwind: Days of the Underground: Radical Escapism in the Age of Paranoia.