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Jonnit tries to right himself after dealing a devastating blow to the Silver Bullet, but the fight still isn't over as the Rowdy Rs have managed to push the remaining Civility featherweave out of The Uhuru's cargo doors– and deployed griffins to capture it. Thankfully Jane and Pliff have finally managed to launch Flea and Lucas to join the fray. Orimar is now surrounded by Rowdy Rs who realized they have no exit. Thankfully as the captain, he can call for backup.
CONTENT NOTE
Main Show: Probably too much piss content in the cold open TBH, gunshot sound effects, violence, bodyhorror
Dear Uhuru: Dear Uhuru to return next week!
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After suffering a devastating blow to their furnaces at the hands of saboteurs who coordinated with the Rowdy Rs manipulation of the crew schedule to sneak into The Uhuru's sails the crew scramble to recover. Gable works to keep the ship aloft while giving Nodoze the chance he needs to aim the grapple. Travis continues to put down Rs while revealing more features of his Japanese! (Italian) gun. Orimar chases Rocco to the cargo room in order to claim his revenge. Jonnit turns his attention to attack The Silver Bullet in the one place the expect least: their sails.
CONTENT NOTE
Main Show: Explosion and scream sound effects, reference to chronic injury, cleaning tool used as a pretty gruesome chemical weapon
Dear Uhuru:
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Jonnit pulls away from the enemy griffin riders as they chase The Uhuru and sets his sights on a counteroffensive against The Silver Bullet. Pliff through sheer determination to help the rest of the crew, pulls himself back into the ship to face the Rowdy Rs. Gable plays a dangerous game to bait the bullet into a lower altitude battle and use the dangerous waters of the river delta to their advantage. Travis and Orimar wor to pursue the Rs and their leader Rocco into the aviary. Meanwhile, the crew of The Silver Bullet attempts a risky sabotage.
CONTENT NOTE
Main Show: Violence, knives, guns, discussion of injuries, description of heights, creepy laughing children sound effects.
Tales from Tornvale: religious themes, family and legacy trauma.
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Jonnit struggles to regain control of the battlefield after barely surviving getting into the air and being shot at by enemy riders. Orimar and Tarvis battle Rowdy Rs trying to use surprise to overcome being outnumbered. Gable continues evasive maneuvers diving to skim above a river delta in order to create distance between the Uhuru and The Silver Bullet. Pliff and Jane take a big risk in order to help Jonnit in the air and it has disastrous consequences (predictably for Pliff.)
CONTENT NOTE
Main Show: Gunshot explosion and cannon SFX, zombie body horror, referencing the bad minion memes on Facebook
Tales from Thornvale: This is safe for kids! Anti-capitalist kids.
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Orimar confronts Rocco who reveals a plan to get back at the captain for what he sees as poor leadership and a low payday for capturing feather weave from the Civility. Gable continues extreme evasive maneuvers for the ship causing chaos for the enemy ship and the mutineers. Jonnit uses his third eye to hitch a ride out of the frying pan and into the fire.
CONTENT NOTE
Main Show: Heights, disorientation, vertigo, gunfire, betrayal, body horror
Tales From Spéir: implied colonial violence, abusive workplace
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Taking no chances, Gable begins ordering evasive maneuvers preparing The Uhuru to battle The Silver Bullet. In the belly of the ship Jonnit finishes getting the orphans latched into safe places before rushing off to try and help. Travis comes to the realization that he and Orimar have unintentionally walked in on a group of rowdy Rs and they might be in danger. He scrambles for a way to warn Orimar without tipping off the mutineers.
CONTENT WARNING
Main Show: Pretty extreme stress, missing an absent partner, heights and people dangling from them, betrayal.
Dear Uhuru: Bullying
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MAIN SHOW
Gable returns to The Uhuru with news of an unknown ship in the area. Orimar orders everyone to stand by and prepare. Not knowing if they face friend or foe means they have to be ready for everything. Tension mounts as the orphans are moved to a safe location at the heart of the ship and the battle leaders brace for conflict.
CONTENT NOTE
Preparation for emergency, fine mobility impairment
THE MAIDEN AND THE HART
Margaret tells the story of The Maiden and the Hart to a restless client. It is an old story, one from before the stars fell, before many of the things we know from our Spéir. It is an important story, one that everyone should hear.
CONTENT NOTE
Gender dysphoria, animal violence, allusion to suicidal ideation, sex, misgendering, death, bitter-sweet ending.
MARGARET WEEK 2021
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While everyone was having their own adventures last week, Travis was sitting with some of his gloomier thoughts, as a bird. After the sun sets he decides to visit Bathroom Barry, the ship's quartermaster for some advice. During this time he lets it slip that there might be a group aboard the Uhuru planning a mutiny.
CONTENT NOTE
Main Show: Unfolding existential crisis, there are a few bathroom-related jokes because Bathroom Barry is in this one, you are forced to imagine younger hor body-builder Spit, bullying
Dear Uhuru: Mention of Spit having a suspension fetish (that's a rough google,) there is one point where Spit is just screeching "pornography" in the background. I swear this is an otherwise tame segment!
MARGARET WEEK 2021
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We join Captain Orimar Vale in the process of trying to restore order to his life. His office, his ship, and his body have moved at the whims of wills other than his own for nearly a year. Finding a sense of normalcy will be slow work. Made all the slower by interruptions from aspiring starwatcher Jonnit Kessler. Meanwhile, Gable, Nodoze, and Pliff help Wendell Barge celebrate his upcoming nuptials with a new partner on week-long couture bachelor party hunting trip.
CONTENT NOTE
Main Show: Chronic injury parallels, guilt, insecurity, hunting, giant wild animal death
Dear Uhuru: Implied non-consensual message
MARGARET WEEK 2021
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The sun begins to set as the dinner-bell rings. Travis decides to see how valuable the information he won from the Morrigan is. Jonnit and Gable bully Travis for being insistent on having a constant existential crisis. They decide to peep into the future to put him at ease, a choice that I'm sure won't have major implications down the line. Don't worry about it.
CONTENT NOTE
Main Show: kind of a reference to chronic pain, character reacting poorly to an emotional crisis, metaphorical religious trauma, a bit of grief
Dear Uhuru: This is about Slick, Spit's current/former boyfriend. It's sexual.
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Watch James and author Alexandra Rowland go through exercises from the book on the OSN Twitch Channel July 29th 6:00 PM CT
Twitch.tv/OneShotRPG
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