
Sign up to save your podcasts
Or
We journey with the internationally celebrated operatic conductor Carlo Rizzi as he revives Il proscritto after 180 years of neglect.
Mercadante’s opera was first performed in Naples in 1842, and centres on a love triangle set in Scotland during Oliver Cromwell’s rule. The original cast were stellar performers, having previously taken lead roles in opera premieres by Verdi and Donizetti. The Neapolitans applauded Act One, but the following Acts were indifferently received, and Il proscritto fell into neglect.
Complete with a newly edited score and world class performers, Luke Whitlock journeys with conductor Carlo Rizzi, artistic director of Opera Rara, as he prepares Il proscritto to be heard at the Barbican in London, after nearly 200 years of silence.
From collaborating on a new performance edition, heading into the studio to record the opera for commercial release, to journeying to London’s Barbican to rehearse and perform the work before a 21st-century audience, this creative process has been a labour of love for Carlo Rizzi and Opera Rara.
Image: Carlo Rizzi (Credit: Simon Weir)
4.5
3232 ratings
We journey with the internationally celebrated operatic conductor Carlo Rizzi as he revives Il proscritto after 180 years of neglect.
Mercadante’s opera was first performed in Naples in 1842, and centres on a love triangle set in Scotland during Oliver Cromwell’s rule. The original cast were stellar performers, having previously taken lead roles in opera premieres by Verdi and Donizetti. The Neapolitans applauded Act One, but the following Acts were indifferently received, and Il proscritto fell into neglect.
Complete with a newly edited score and world class performers, Luke Whitlock journeys with conductor Carlo Rizzi, artistic director of Opera Rara, as he prepares Il proscritto to be heard at the Barbican in London, after nearly 200 years of silence.
From collaborating on a new performance edition, heading into the studio to record the opera for commercial release, to journeying to London’s Barbican to rehearse and perform the work before a 21st-century audience, this creative process has been a labour of love for Carlo Rizzi and Opera Rara.
Image: Carlo Rizzi (Credit: Simon Weir)
5,412 Listeners
1,842 Listeners
7,909 Listeners
90,949 Listeners
3,326 Listeners
1,782 Listeners
1,050 Listeners
1,925 Listeners
1,081 Listeners
365 Listeners
236 Listeners
355 Listeners
338 Listeners
1,540 Listeners
480 Listeners
59,349 Listeners
742 Listeners
2,985 Listeners
292 Listeners
15,335 Listeners
466 Listeners
756 Listeners
2,026 Listeners
64 Listeners