Champagne Sharks

This is part 1 of a two-part episode. Part 1 is free and Part 2 is available only to premium Patreon subscribers who subscribe at a rate of $5/month.  Show notes to this episode are also eventually be available to Patreon subscribers at https://www.patreon.com/posts/30918362.

Professor Heidi Matthews researches and teaches in the areas of international criminal law, the law of war, international legal history and political theory. Her work theorizes contemporary shifts in the practice and discourse of the global legal regulation of political violence, with particular attention to history and gender, as well as political, critical and aesthetic theory.

Today Heidi and I talk about two of her articles, one about whether #MeToo can be deemed a modern sex panic and the other about the concept of creeps and the ways in which being deemed a creep fits into the presumption of being a sexual threat and pariah.

Co-produced & edited by Aaron C. Schroeder / Pierced Ears Recording Co, Seattle WA ([email protected]).

This is the teaser to part 2 of a 2-part episode. The first episode is free, the second one is available to premium subscribers at at patreon.com/champagnesharks, specifically https://www.patreon.com/posts/cs-213-shit-show-30576345.

This episode is hosted by Ken, Mario and T. This is part 2 of a 2-part episode. The first episode is free, the second one is available to premium subscribers who subscribe at the $5/month level over at patreon.com/champagnesharks.

This episode has a couple of firsts and was originally going to be called “Shooting the Shit” but then we realized we already titled another episode that, so we gave it this title instead.

Co-produced & edited by Aaron C. Schroeder / Pierced Ears Recording Co, Seattle WA ([email protected]). Opening theme composed by T. Beaulieu. Closing theme composed by Dustfingaz (https://www.youtube.com/user/TheRazhu_)

This episode is hosted by Ken, Mario and T. This is part 1 of a 2-part episode. The first episode is free, the second one is available to premium subscribers who subscribe at the $5/month level over at patreon.com/champagnesharks.

This episode has a couple of firsts and was originally going to be called “Shooting the Shit” but then we realized we already titled another episode that, so we gave it this title instead.

Co-produced & edited by Aaron C. Schroeder / Pierced Ears Recording Co, Seattle WA ([email protected]). Opening theme composed by T. Beaulieu. Closing theme composed by Dustfingaz (https://www.youtube.com/user/TheRazhu_)

This is the teaser to part 2 of a 2-part episode. The first episode is free, the second one is available to premium subscribers at at patreon.com/champagnesharks, specifically https://www.patreon.com/posts/30528266.

This episode is hosted by T. and Mtume as guest co-host.

Professor Dominic Taylor is a scholar of African-American theater and a writer-director whose work has been seen across the country. He is the former associate artistic director of Penumbra Theatre Company in St. Paul, Minn., one of the premiere African-American theaters in the country and currently teaches and is a vice-chair at UCLA.

Today we discuss Professor Taylor’s recent article “Don’t Call African-American Theatre Black Theatre: It’s Like Calling a Dog a Cat” https://www.massreview.org/node/7537

Mentioned in this episode:

Co-produced & edited by Aaron C. Schroeder / Pierced Ears Recording Co, Seattle WA ([email protected]). Opening theme composed by T. Beaulieu. Closing theme composed by Dustfingaz (https://www.youtube.com/user/TheRazhu_)

This episode is hosted by T. and Mtume as guest co-host.   This is part 1 of a 2-part episode. The first episode is free, the second one is available to premium subscribers who subscribe at the $5/month level over at patreon.com/champagnesharks, specifically https://www.patreon.com/posts/30528266.

Professor Dominic Taylor is a scholar of African-American theater and a writer-director whose work has been seen across the country. He is the former associate artistic director of Penumbra Theatre Company in St. Paul, Minn., one of the premiere African-American theaters in the country and currently teaches and is a vice-chair at UCLA.

Today we discuss Professor Taylor’s recent article “Don’t Call African-American Theatre Black Theatre: It’s Like Calling a Dog a Cat” https://www.massreview.org/node/7537

Mentioned in this episode:

Co-produced & edited by Aaron C. Schroeder / Pierced Ears Recording Co, Seattle WA ([email protected]). Opening theme composed by T. Beaulieu. Closing theme composed by Dustfingaz (https://www.youtube.com/user/TheRazhu_)

This is an unlocking of an episode that was previously only available to Patreon subscribers. In light of the recent Amber Guyger sentencing yesterday and the spectacle of apologies by the victim’s family members since, along with the performative hugging and hair-combing of Amber Guyger by the Black judge and the Black deputy in the courtroom, we decided to unlock the episode due to it being especially relevant again. Click over to https://www.patreon.com/posts/23590464and subscribe to become a Champagne Sharks premium member$5 a month for full access to over 100 bonus episodes not available to non-subscribers.

This is the first solo episode I’ve done in a while. I discuss various things about the Charleston, SC Black church shooting by Dylann Roof and the Pittsburgh, PA Jewish synagogue shooting by Robert Bowers.

Discussed in this episode:

Intro music is “Sun Scope” by Maricopa. All songs that have been or eventually will be used on this show can be found in our monster Champagne Sharks Spotify playlist: https://open.spotify.com/playlist/5emXF3iqhZLU6IuszSRvun

This is a teaser for a recent premium episode available in full only to Patreon subscribers at the $5 per month level. Click over to https://www.patreon.com/posts/23590464 and subcribe to become a Champagne Sharks premium member for full access to this episode as well as 100+ bonus episodes not available to non-subscribers.

This episode is hosted by Ken and T. with no guests.

We discuss political theater in general and the problems with Black political punditry specifically, using the recent Revolt Media panel with Killer Mike, Candace Owens, and T.I. as our starting point.

Sign up at this link for the Champagne Sharks Youtube channel; if we hit 1000 subscribers we can start doing livestreams: https://www.youtube.com/channel/UCu_kgnaXckBTwCdmQNyq2rw

What do you guys enjoy about this show or want more of? Let us know at champagnesharks (at) gmail (dot) com. This is part 1 of a 2 part episode. Part 2 is available only to $5/month premium subscribers here: https://www.patreon.com/posts/cs-208-ny-and-pt-30225451. Sign up for $5/month at patreon.com/champagnesharks to instantly access this and over 100 other premium subscriber-only episodes. Also sign up at this link for the Champagne Sharks Youtube channel; if we hit 1000 subscribers we can start doing livestreams: https://www.youtube.com/channel/UCu_kgnaXckBTwCdmQNyq2rw

This episode is hosted by Ken and T. with no guests. We use the trial and testimony of Tekashi 69 to discuss the decline of NY in general and NY hip-hop specifically and as usual we use it to spin off into a variety of related topics.

Mentioned in this episode:

I just wanted to get this up. I’ll update the show notes later.