Chart Music: the Top Of The Pops Podcast

Simon Price, Rock Expert David Stubbs and Al Needham set about this episode of TOTP with the usual gleeful abandon, asking themselves; what did Paul Jordan actually do to get nobbed off from Radio 1 in less than a year? And why does Gary Davies look like he’s been thrown into a tub of Bisto? Colonel Abrams gets us housetrained, Iron Maiden have a good widdle in California, and we’re subjected to a break-in…

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Simon Price, Rock Expert David Stubbs and Al Needham prepare for a punishing slog through a post-Live Aid episode of The Pops – but first, a good hard shill of their new books, which are out NOW/SOON. We leaf through that week’s NME, discuss a Norwegian newspaper article from the year 2000, and, y’know, go on a bit about pop music. TUCK IN, POP-CRAZED YOUNGSTERS!  

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Get your tickets for Chart Music at the London Podcast Festival HERE

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The latest episode of the podcast which asks; Whoops Scotties, Tasty Tarts Foster Grants or Allied For Carpets For You?

Oh yes – it’s back to the Eighventies we go, Pop-Crazed Youngsters, to a year where everyone was loaded into a cannon and fired into the dress-up box, or so we’re led to believe. One look at Peter Powell – who has turned up looking like he’s booked a week’s holiday on a canalboat through Hoseasons – will remind you it wasn’t quite like that.

It’s a boom time for TOTP, is early ’81: they’re pulling down Crossroads-level ratings week after week and they’ve got the Music TV field entirely to themselves, but – as this episode demonstrates – we’re not in the Yellow Hurll era just yet, and there’s a lot of dead wood to clear out. And, as the bill of fare tonight demonstrates, the Seventies are not done quite yet. 

Musicwise, it’s a proper melange of young and old.  Sharon Redd tries to be sexually overpowering in front of a grim tableau of gormless youths in visors doing the hand jive. The true icon of 1981 – The Man of Denim – spells out his five-year plan to tackle the social housing crisis in a special filmed broadcast. A punk lad gets dead excited at the sight of someone taking the stage in a PiL t-shirt, only to discover that it’s Dave ‘No, the other one’ Stewart.

The show takes a severe turn towards the elderly when The Who – fresh from their new LP being absolutely coated down in the music papers – followed by Legs & Co ‘neath a giant Scotch egg, and an encore performance of that paint pot on Phil Collins’ keyboard. But then! It’s the fresh, virile sound of Bucks Fizz in their first ever TOTP performance, followed by an actual video that looks like Proper 1981, by Strange The Clock. Duran Duran  pop up for a repeat of their TOTP debut, and then, Oh God, it’s Toyah again, followed by Bryan Mirror and his new single, I Remember Johnny Lennon. 

Neil Kulkarni and Taylor Parkes join Al Needham in order to throw some bricks and petrol bombs at 1981, pausing along the way to discuss Masonic tombolas, Grange Hill tube station, the career of The Who in egg form, the damage that the American Syd Little wrought upon the charts, and – unfortunately – Breakfast television-related masturbatory shame. SWEARING! AND A BIG ANNOUNCEMENT!

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Neil Kulkarni, Taylor Parkes and Al Needham finally stumble upon the real 1981 – Strange The Clock, and the New Street Station Dolls – while Al deals with an industrial dispute over Toyah by locking Neil and Taylor out and getting some robots in. And we finally get to grips with the most malign influence upon the charts of 1981 – the Syd Little of America…

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Neil Kulkarni, Taylor Parkes and Al Needham plough on through this episode from the tail-end of the Eighventies, stopping for a deep, deep, deep dive on the post-Moon Who. Legs & Co say farewell to Pauline by sitting about under a giant Scotch egg, the Paint Pot comes back for an encore, and Bucks Fizz make their debut and do that thing with the Velcro…

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Neil Kulkarni, Taylor Parkes and Al Needham commence their odyssey into the March 19th 1981 episode, and are horrified to discover that the Top Of The Pops Orchestra are still knocking about, and The Kids – who are supposed to be dressed up as nouveaux dandies – are wearing visors and doing the Blockbusters hand-jive. After a visit from Comrade Shaky – the Everlasting Gobstopper of Chart Music – it’s a frigid blast of Dad-Synth. Oh dear… 

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Neil Kulkarni, Taylor Parkes and Al Needham prepare the stage for a late-Eighventies episode of The Pops – but first, it’s a flick through that week’s NME, Rod Hull and Emu pay tribute to Rolls-Royce, Neil speaks of his brush with the local Masonic Lodge (and fails to win the Tombola), Al shares not one but two embarrassing stories about teenage lust gone awry, and a BIG ANNOUNCEMENT…

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The latest episode of the podcast which asks; has Rock Expert David Stubbs come from The Sky?

After all the lovely Pop trifle we’ve had in recent episodes, Pop-Crazed Youngsters, it’s time for some necessary roughage, as we take a tentative walk down Nineteen Eighty Six Street once more. And yes, it’s stillone of the most rammel years for 20th Century Pop, but somehow we managed to find one which doesn’t have the whiff of the dog's arse about it.

It’s only four months into ’86, but our Favourite Thursday Evening Pop Treat is having another of its regular crises, this time brought on by the after effects of Michael Grade taking over at BBC1 and pissing about with the scheduling, meaning that ten whole minutes have been lopped off, and the results are not pretty; everything has been crammed in like a Japanese tube train at knocking-off time, videos have been cut off at the knees, there’s a neon set better suited for a Miss Wet T-Shirt competition in Romeo & Juliet’s Doncaster and the chart rundown – the whole point of the show, mark you – has been utterly defiled.

Musicwise, it’s better than it has any right to be. Gary Davies – a man bursting with so much sexual potency in 1986 that the sex workers of Amsterdam are pitching themselves through windows to get at him – has been given the chance to run the show solo for the first time in years, but we don’t see that much of him, because there's no time. Big Country pitch up in Success Coats. Michael Hurll practically rips the wig off Falco’s head and wipes his arse with it. A-Ha continue their spell as the premier teeny band and get creative with a bit of masking tape. Suzanne Vega gets judged by a poster of a German sex-colossus. And then, oh God, it’s the longest examination of a single EVER on Chart Music. Janet Jackson stares her ponce of a boyfriend out. It’s Immaterial look absolutely knackered and wonder why their label didn’t make a video. George Michael drops the weirdest Number One of the decade, and Whitney Houston spoils everything with a huge dollop of mawk.

Sarah Bee and Neil Kulkarni join Al Needham to gingerly pick through the wreckage of 1986, veering off on such tangents as Nick Ross’ Drug Buffet, Neil’s Gin and Vomit Shame, being mistaken for Pete Docherty’s stalker, the best way to tell an interview subject that their new album stinks of unwashed cock, how the Ukraine War would have shagged up TOTP if it was still going, an appreciation of Euro-Ponces, how the BBC thought Bob Monkhouse, Barry Cryer and Nigel Havers could stop youths on dingy estates from taking heroin, and a huge Birmingham Piss Troll update. You know the swearing is going to be intense on this one…

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Neil Kulkarni, Sarah Bee and Al Needham finally claw their way up the final furlong on an episode of TOTP that’s been better than any episode set in 1986 has a right to be. Neil issues a come-and-get-me statement to Janet Jackson, It’s Immaterial look knackered and bemused on the big new set, George Michael delivers the weirdest Number One of the entire decade, and then the real ’86 presents itself as Whitney Houston fills the Harlem Apollo with a concentrated blast of mawk. ALL YOU GOTTA DO IS BE YOURSELF, POP-CRAZED YOUNGSTERS… 

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Sarah Bee, Neil Kulkarni and Al Needham plunge deeper into the 17.4.86 episode as we hit the Breakers section. Suzanne Vega slaps it about with assorted extras from Bonfire Of The Vanities, and then we get hit with REAL KIDS ISSUES as Grange Hill become child conscripts in the War On Drugs…

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