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What's up, dudes? Hey you! Michael May from After Lunch, Crestwood House, and Hellbent for Letterbox is with me to talk Robert Smith! Yes we’re digging into Christmas songs by The Cure!
On December 9, 1987, The Cure came out for a fourth encore and blasted through a cover of “Merry Christmas Everybody” by Slade. It was the final song on the third night at Wembley, the final show of The Kissing Tour.
Delving deeper, many of their songs allude to Christmas or romanticize Christmas as a state of happiness and content. For example, “Let’s Go to Bed,” Christmas is the metaphor for physical excitement and anticipation. Further, in “Other Voices,” a song about the sickness of lust, the protagonist asks his paramour to come around at Christmas for a festive compromise.
Similarly, in “Hey, You,” Smith asks the one who looks like Christmas to come kiss him. “The Snakepit” and “Last Dance” also reflect themes of nostalgia and melancholy and Christmas.
Driving basslines? Check. Layered guitar and synths? Got ‘em. Eye liner and lipstick? Definitely! So grab your ax, play a catchy riff, and jam out to this episode on Christmas songs by The Cure!
After Lunch
Give us a buzz! Send a text, dudes!
Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!
By Gerry D4.8
6565 ratings
What's up, dudes? Hey you! Michael May from After Lunch, Crestwood House, and Hellbent for Letterbox is with me to talk Robert Smith! Yes we’re digging into Christmas songs by The Cure!
On December 9, 1987, The Cure came out for a fourth encore and blasted through a cover of “Merry Christmas Everybody” by Slade. It was the final song on the third night at Wembley, the final show of The Kissing Tour.
Delving deeper, many of their songs allude to Christmas or romanticize Christmas as a state of happiness and content. For example, “Let’s Go to Bed,” Christmas is the metaphor for physical excitement and anticipation. Further, in “Other Voices,” a song about the sickness of lust, the protagonist asks his paramour to come around at Christmas for a festive compromise.
Similarly, in “Hey, You,” Smith asks the one who looks like Christmas to come kiss him. “The Snakepit” and “Last Dance” also reflect themes of nostalgia and melancholy and Christmas.
Driving basslines? Check. Layered guitar and synths? Got ‘em. Eye liner and lipstick? Definitely! So grab your ax, play a catchy riff, and jam out to this episode on Christmas songs by The Cure!
After Lunch
Give us a buzz! Send a text, dudes!
Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

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