A conversation with Jon Rieschl. Please find additional resources to this episode here.

Jon Reischl is a visual artist and designer specializing in mixed-media and oil painting. He has shown work locally in the Twin Cities and the greater metro area as well as regionally at venues throughout the Midwest. 

A graduate of St. Paul’s College of Visual Arts (RIP), He works out of Rock 9 Art Studio, located in the heart of the Creative Enterprise Zone. Jon lives on St. Paul’s East Side with his lovely wife Debra and their trusty beagle.

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Sebastián Wilson is a photographer living in Santiago, Chile. He studied architecture which has a clear influence on his work both on the graphic sense, and on the way he observes and portrays light. For links and resources related to this episode, please see the Chromosphere episode webpage.

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Dr. David Briggs has been teaching classes on colour for more than 20 years, and currently teaches colour, drawing and painting at the National Art School and the University of Technology, Sydney, Australia.  For links and resources related to this episode, please see the Chromosphere episode webpage.

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I interview painter Jeremy Szopinski who is a good friend and longtime studio mate. For more information about the podcast and Jeremy's artworks, check out this website link.

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The final episode of Season 2; includes a correction to the Mary Gartside episode from Season 1. The first version of this episode erroneously stated a connection between Mary Gartside and the writing of Johann von Goethe. This new episode was recorded as a correction and published on April 24, 2023.

Mary Gartside was a painter, teacher, and color theorist who lived in England from 1755-1819. More information about Gartside can be found at: The Winterthur Museum's Program in American Material Culture, Sussex Research Online, and Medium.

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Part one of a reading of an essay I am writing, Focal Points and the Roots of Abstraction.

Human color vision adapts to the changing environment in many ways. Pupils dilate and constrict in order to regulate the amount of light entering the eye. The lens either bunches up or flattens out to change its shape while focusing light wavelengths along the spectral band at different proximities to the retina. Cone cells, and other light sensitive cells, perform plus-or-minus gains in activity to achieve what is known as color constancy, allowing humans to maintain a persistent perception of colors within changing light sources. Adaptations such as these take place at different rates of time, some more quickly than others; some more involuntarily than others, which may relate to how focal points form and dissipate within a visual field. This essay explores how adaptations of the visual system may generate focal points, and how representing light as colors informed the roots of abstraction.

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Are nearly all the cars and trucks in your area either red, white, gray, or black? Discussion of red colors pairing to neutral colors as a color scheme.

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A review of a listener letter.

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A walk through the grocery store in search of the analogous split-complementary color scheme as well as other palettes.

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Part 3 of 3: The final installment, A New Canon, places the work of color theorists, Mary Gartside and Emily Noyes Vanderpoel in historical context so as to examine how their inclusion (and by extension, additional underrepresented color theorists and practitioners) may help us to understand how we may expand our contemporary approaches to color usage in all creative visual fields. 

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