Today's show is sponsored by Huion, makers of the Kamvas 22 Plus ! In today's show, Brad and Dave tackle an old question — does your comic HAVE to be in color? The answer is more nuanced than you might think! Also, the comics uncles will discuss the right ways — and the wrong way — to sign your books for fans.

Huion

Huion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLab

• Kamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.
• Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.
• Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.

Today's Show:

• Color or B&W?
• Dave Kellett's "Drive" in color?
• ComicLab Accent Challenge
• How to sign a book
• Use offer code 'COMICLAB' to get an extra discount on these Huion products — Kamvas 22 Plus , Kamvas 13 (Gen 3) , and the Huion Note . (Offer ends Jan. 4, 2026)

Summary

In this engaging conversation, cartoonists Brad Guigar and Dave Kellett explore the debate between black and white versus color in comics, the dynamics of creative teams, and book-signing etiquette. The share personal anecdotes, insights on the creative process, and the importance of listening to audiences. The discussion also touches on the future of comic adaptations and the satisfaction of creating art for its own sake. The hosts delve into the intricacies of storytelling, discussing the journey of creating a narrative and the potential future projects that may arise from it. They share insights from their experiences at Comic Con, particularly focusing on book signing etiquette and best practices. Additionally, they touch on the importance of analytics in understanding audience engagement through platforms like Patreon.

But first, Dave waxes poetic over the "Golden Girls" spin-off, "Golden Palace."

Takeaways

• Breakups in creative teams can be heartbreaking, even when things are going well.
• Color comics are generally preferred by audiences, but black and white can work too.
• Mastering different aspects of cartooning is essential for success.
• The chemistry of a team can change dramatically with one member missing.
• It's important to listen to your audience, even when making positive changes.
• Black and white comics can help artists focus on line work and composition.
• The adaptation of comics into other media can be a complex process.
• It's okay to be content with your work as a comic artist without seeking adaptation. The journey of storytelling is fulfilling and rewarding.
• Future projects can stem from the success of previous works.
• Evil Inc. has the potential for further evolution and expansion.
• Comic Con experiences enhance the connection with fans.
• Signing books is an art that requires etiquette and practice.
• Analytics are crucial for understanding audience engagement.
• Creating a sequel can be a natural progression for a successful story.
• Engaging with fans at events can lead to lasting memories.
• Patreon can provide valuable insights into audience demographics.
• The importance of personalizing book inscriptions for fans.

You get great rewards when you join the ComicLab Community on Patreon

• $2 — Early access to episodes
• $5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.

If you'd like a one-on-one consultation about your comic, book it now!

Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.