(some plot spoilers)

There's something distinctly uncomfortable about reading Greg Egan in the 2020s. Besides telling gripping tales with insightful commentary on the true nature of mind and existence, Egan stories written in the 1990s and set in the twenty-first century excelled at speculative worldbuilding, imagining what technological wonders might exist in the decades to come and how Society might adapt to them.

In contrast, "Death and the Gorgon", published in the January/February 2024 issue of Asimov's, feels like it's set twenty minutes into the future. The technologies on display are an AI assistant for police officers (capable of performing research tasks and carrying on conversation) and real-time synthetic avatars (good enough to pass as a video call with a real person). When these kinds of products showed up in "'90s Egan"—I think of Worth's "pharm" custom drug dispenser in Distress (1995) or Maria's "mask" for screening [...]

The original text contained 12 footnotes which were omitted from this narration.

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Narrated by TYPE III AUDIO.