In April of 1896, the Louvre announced it had purchased a tiara they believed must have been from the treasure house of a great Scythian king -- and that it had the exciting potential to rewrite ancient history. But only a few days after putting it on display, there were questions about its authenticity. The tiara, they would come to learn, was a fake. And in this episode, we're talking about it as part of a larger conversation of, how much art in museums is not what it seems?

Executive Producers: Maria Trimarchi and Holly Frey
Producer & Editor: Casby Bias

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A 19th-century German goldsmith famous for his forgeries of Renaissance objects, including jewelry and vessels. His fakery was discovered after his death, during a major archive by the Victoria and Albert Museum in London.

Executive Producers: Maria Trimarchi and Holly Frey
Producer & Editor: Casby Bias

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"Done to death by slanderous tongues," wrote William Shakespeare in his play, 'Much Ado About Nothing'. Shakespeare may be a renowned English playwright, poet, and actor, but, he has a bit of a credibility problem among some circles, and he has for quite a long time. It's known as the 'Shakespeare Authorship Question', and we're going to talk about some theories that suggest Shakespeare was a fake -- before we talk about a man who wrote a five-act play pretending to be the Bard. That could not have been easy. So, how now, good friends, and welcome.

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The Smithsonian Institution in Washington, D.C. has a fake crystal skull. And so does the British Museum in London, as does Paris's Quai Branly Museum. As of 2019, it was estimated there are more than a dozen crystal skulls known to exist. Long considered pre-Columbian relics, they've also inspired theories about the occult, aliens, and psychic abilities. But the reality is, none of it's true. Meet Eugène Boban, the real provenance of crystal skulls.

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Sculptor Alceo Dossena was an impactful figure in the art world of the early 20th century because he created forged masterpieces capable of fooling even the most expert of experts. Critics attributed his pieces to famous classical and Renaissance artists, and his works were sold through dealers and purchased by museums and collectors. But in an unexpected turn of events, the forger sued the dealers who sold his work.

Executive Producers: Maria Trimarchi and Holly Frey
Producer & Editor: Casby Bias

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Virtuoso Fritz Kreisler was known and is remembered for his artistry as a violinist and composer -- and, also, as an unashamed showman. He was one of the most beloved and best known of the early recording-era artists, and a household name in his day. In fact, he was so adored by his audiences that when he revealed some of the pieces he'd performed and attributed to composers such as Vivaldi, Pugnani, and Couperin were, actually, his own compositions, the critics were irate, but his fans continued to pack concert halls.

Executive Producers: Maria Trimarchi and Holly Frey
Producer & Editor: Casby Bias

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Things are a little different on today's episode of our show. Today we're talking to Lisa Perrin, an award-winning illustrator, designer and entrepreneur. Lisa stops by to chat about her new book, “League of Lady Poisoners.” Enjoy!

Executive Producers: Maria Trimarchi and Holly Frey
Producer & Editor: Casby Bias

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Millions of people around the world collect, preserve, and trade or sell postage stamps; the hobby, or investment, is known as, philately. The first stamp forgeries began to show up, well, when the first stamps showed up. The Penny Black, the world’s first adhesive stamp, was issued in 1840, and the world’s first forged stamps followed later that year. Stamp collecting has been called, quote,  "the hobby of kings and the king of hobbies." And for a time in the early 20th century, a man named Jean de Sperati was king. 

Executive Producers: Maria Trimarchi and Holly Frey
Producer & Editor: Casby Bias

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Some historians believe Italian forger Tobia Nicotra may have produced hundreds of document and signature forgeries attributed to names like Mozart and Galileo, before he was caught in the 1930s. He faded into obscurity, but his forgeries didn't. And for more than 80 years the University of Michigan housed a Galileo manuscript they didn't know was fake -- until a historian named Nick Wilding called its bluff.

Executive Producers: Maria Trimarchi and Holly Frey
Producer & Editor: Casby Bias

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Wilma Minor's 'Lincoln the Lover' forgery has been called one of the most audacious literary hoaxes of all time, and involves an alleged love story between a young Abraham Lincoln and a woman named Ann Rutledge. There was never any conclusive evidence the two had a romantic relationship; there was nothing in the historical record – no letters or notes between them, for instance -- that showed any indication of their love. Until 1928. 

Executive Producers: Maria Trimarchi and Holly Frey
Producer & Editor: Casby Bias

See omnystudio.com/listener for privacy information.