Critical Readings

Released on 6 May 2024:

The panel reads the second act of John Dryden’s All for Love, with special attention to the rhetorical manoeuvres of Cleopatra, and the psychological state of both Antony and Cleopatra, as their outsized emotional investments doom them both.

Released on 29 April 2024:

The panel reads the first act of John Dryden’s take on the story of Antony and Cleopatra, All for Love, with a focus on Marc Antony’s mental state, the military situation with which he is confronted, and whether he is at fault for his circumstances.

Released on 22 April 2024:

The panel concludes with the final act of Antony and Cleopatra, highlighting Octavius’ intentions towards his defeated political foe, Cleopatra’s attempt to escape the wheel of fate, and the Roman development of Boethius’ response to Stoicism.

Released on 15 April 2024:

The panel reads the fourth act of Antony and Cleopatra with particular attention to the character of Marc Antony and his worldview of personal honour and prowess, in conflict with the political schemes and grand designs of both Octavius and Cleopatra.

Released on 1 April 2024:

The panel discusses the third act, with a focus on the deterioration of the Roman political situation, Marc Antony’s skills as a battlefield leader and a political figure, and the sophisticated psychological understanding of both Octavius and Cleopatra.

Released on 25 March 2024:

The panel discusses the second act of Shakespeare’s Antony and Cleopatra, with a focus on the Roman political situation, the difference between republican and dictatorial rule, and Cleopatra’s intoxicating effect upon those caught in her orbit.

Released on 18 March 2024:

The panel reads the first act of Shakespeare’s Antony and Cleopatra, providing an historical overview of the events, and reading the text with attention given to the psychological motivations of the drama and their historical context within Roman culture.

Released on 11 March 2024:

The panel reads three poems by Lady Mary Wroth, from The Countess of Montgomery’s Urania and Pamphilia to Amphilanthus, discussing their context, social impact, and the paradox of their genre conventionality but also Elizabethan authorial radicalism.

Released on 4 March 2024:

The panel reads three poems by N. Scott Momaday, including “The Delight Song of Tsoai-talee”, “The Monoliths”, and “Rings of Bone” with special attention to the usage of active and passive symbolism, and the function of time, stasis, and circularity.

Released on 19 February 2024:

The panel discusses Melville’s short story, “Bartleby, the Scrivener”, and examines the symbolism of its characters, the meaning of Bartleby’s passive resistance, and the various interpretations of the work in light of history and literary theory.