The panel discusses Fragment V, with attention given both to scholarly theories about whether Chaucer deliberately left the Squire's tale interrupted and unfinished, and to Chaucer's use of estates satire in his depiction of the Franklin and his tale.Continue reading

The panel discusses Fragment IV, containing two tales that deal with men who deliberately engage in unequal marriages to both good and ill results, and considers what these tales demonstrate about historical critiques of progress and the human condition.Continue reading

Clinton Collister joins the panel to discuss Fragment III and its potential connexions to The Man of Law's Tale (Fragment II), with a focus on the role of justice, legalism, crime, intent, contractual obligations, and the judicial purpose of punishment.Continue reading

The panel examines The Man of Law's Tale and scholarly arguments about whether it is suited to its putative teller, and consider the tale's depictions of crime and justice (temporal and divine), constancy, providence, misadventure, and religious strife.Continue reading

Leaving behind the Knight's noble depictions of courtly love, the panel descends through bawdy, sexual misadventures in the form of 'quites'--narrative responses--offered by the drunken Miller and the vengeful Reeve, and the Cook's incomplete tale.Continue reading

In the second part of the Canterbury Tales series, the panel reads selections from The Knight's Tale, with a focus on how the three shines--to Venus, to Mars, and to Diana--serve as an interpretive device, and on the connexion to Boethian philosophy.Continue reading

In the first week of the Canterbury Tales series, the panel reviews the biography of Geoffrey Chaucer, introduces the Canterbury Tales in general, and then reads selections from the General Prologue, with emphasis on Chaucer's development of character.Continue reading

The panel discusses selections from the poetry of Rudyard Kipling, including his most famous poem, "If", and three poems related to The Great War and, its mechanised social aftermath: "Gethsemane", "The Benefactor", and "The Secret of the Machines".Continue reading

The panel discusses Ben Jonson's role as critic and author of the Elizabethan age, and reads four of his poems, including several of his Epigrams, before concluding with his rhapsodic ode written in memory of his friend, William Shakespeare.Continue reading

The panel reads excerpts from Walt Whitman's Leaves of Grass, including poems from the inscriptions, Song of Myself, Children of Adam, and Calamus, considering the formal nature of the 'American Epic', and Whitman's use of individualism and universalism.Continue reading