Audio Summaries of the daily Chumash portions In loving memory of Ousher Zelig ben Myer HaLevi Z”L
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The Menorah and the Mishkan's Two Coverings
The Menorah
G-d now details how the Menorah should be constructed.
G-d says that the Menorah in all of its parts should be formed out of a single slab of gold - i.e. rather than having the pieces made separately and then assembled in such a way that they could be taken apart, and not even made separately and then melded together.
This slab should weigh a kikar*
*Side note: For secular purposes, a kikar was considered 60 manah. For holy purposes - 120 manah. 1 manah = 1 litra (how they would weigh silver in Koln, Germany) = 25 selas. 1 sela = 4 gold pieces. So 1 maneh = 25x4 = 100 gold pieces.
Moshe had a hard time understanding how it was meant to be constructed, so G-d showed him an image made out of fire of what the Menorah was meant to look like. When Moshe still didn't understand, G-d told Moshe to instruct Betzalel to throw the slab of gold into the fire and upon doing so, the golden Menorah formed on its own.
The Menorah was 18 tefachim high. The breakdown of its height was as follows (more details on each of these sections below) - from top down:
* 3 tefachim - top of each branch for the 3 top goblets, 1 knob and 1 flower.
* 2 tefachim - empty space
* 1 tefach - knob with 2 inner branches extending outwards
* 1 tefach - emtpy space
* 1 tefach - knob with 2 middle branches extending outwards
* 1 tefach - empty space
* 1 tefach - knob with 2 outer branches extending outwards
* 2 tefachim - empty space
* 1 tefach - 1 goblet, 1 knob and 1 flower of middle branch
* 2 tefachim - empty space
* 3 tefachim - Base and its legs (+ 1 flower)
A base: This was a box like structure at the bottom of the Menorah held up by three legs (of undefined dimension).
Branches: There were seven branches in total. A middle branch* that extended up out from the base and three branches extending out diagonally from either side of the middle branch, all reaching the same height (so the outermost branches were longest and the innermost branches shortest).
*Side note: When referring to the Menorah, the text sometimes means the entire Menorah and at other times, means the middle branch of the Menorah.
At the head of each branch was a bowl shaped lamp to pour oil and place a wick into.
Decorative goblets (i.e. they did not hold any liquid, serving purely to beautify the Menorah): Each of the six branch had three goblets and the middle branch had one extra (4 total).
Decorative Knobs: Shaped like apples, similar to knobs found on noblemen's candelabras*. There was one knob on each of the six branches. The middle branch had four extra (5 total).
*Side note: The old french word for these candelabra knobs is "pomel", related to the word "pomme", meaning "apple" in french. From here, the word pommel (meaning the knob at the top of a horses saddle) is derived.
Flowers: There was one flower on each branch of the six branches and then the middle branch had two extra (3 total).
There are different opinions regarding how the goblets, knobs and flowers were situated on the branches. According to all three opinions, the goblets, knob and flower either surrounded or were attached to the upper three tefachim of all of the branches (mentioned above in the measurements breakdown).
* The goblets were wedged into one another and the knob and flower were wedged into the top goblet, taking up three tefachim in total. The branch went all the way through all of these and protruded at the top.
* The branch went through the bottom two goblets which were placed one on top the other, each one taking up one tefach. The third (uppermost) tefach of the branch protruded out from there, to which were attached in different diretions: the top goblet, knob and flower.
* The three goblets surrounded the lowest of the three top tefachim upon which rested the knob and then the flower on top of that. The branch went through the knob and flower.
As mentioned, in addition to these top goblets, knobs and flowers, the middle branch of the Menorah had four additional knobs. Three of these were from which the six branches extended (two per knob, extending to either side) and then a fourth underneath the branch. This fourth knob was surrounded by an additional goblet and flower. And then there was one more flower right on top of the base on the middle branch (this extra flower is not mentioned in this section of the chumash but rather is written about later in Bamidbar 8:4).
* Total # of goblets: 3 per each of the six branches = 18 + 4 for middle branch = 22 total.
* Total # of knobs: 1 per each of the six branches = 6 + 5 for middle branch = 11 total.
* Total # of flowers: 1 per each of the six branches = 6 + 3 for middle branch = 9 total.
The bowl shaped lamps which were placed on top of each of the branches of the menorah were faced towards the center branch, so that when kindled, the light would shine towards the center.
Tongs used to move around the wicks and to take them out or put in to the lamps should be made out of pure gold.
So too should the scoopers used to scoop out the ash when cleaning the lamps be made from pure gold.
The Mishkan Cover
Some preliminary measurements of the Mishkan to understand how it was covered:
The Mishkan was made up of 40 beams in length on either side - 20 on the south side and 20 on the north. Each beam was 1.5 amos wide. So the entire Mishkan was 20x1.5 = 30 amos in total length.
It's width was made up of 8 beams on either side - 6 for each of the walls (east and west) and 2 for the corners. This made it 8x1.5= 12 amos wide. One amah of each of the two corner beams overlapped with the north and south walls. Thus the width of the inside of the Mishkan was 10 amos.
The eastern wall of the Mishkan is considered its front and the western wall its back.
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The cover of the Mishkan should be made up of 10 panels. These panels should be woven out of twisted flax, turquoise wool, purple wool and scarlet wool.
Six strands of each of these materials were twisted together to form threads. Then each of these threads got twisted together to make a mixed thread consisting of all of these materials. So this final thread was made up of 6x4= 24 strands.
Woven into these panels were images of "Cherubim". This may or may not be the four animal images on G-d's supernal Chariot: Man, Lion, Ox and Eagle. These images were woven in such a way that one image appeared on one side and another on the other.
Each panel measured 28 amos in length and 4 amos in width.
These panels were attached in two sets of five, so each set was 4x5= 20 amos wide.
They were to make 50 loops made out of turquoise wool at the edge of each group of five panels. The loops should be equidistant from one another and face the loops of the other panel.
They should make 50 golden clasps and attach the two groups of panels together. When looped together, their total width was 20x2=40 amos.
As stated above, the total width of the Mishkan was 10 amos. These woven panels were to hung lengthwise over this width of the Mishkan (i.e. over its northern and southern walls). Being 28 amos long, the middle 10 amos covered the top of the Mishkan, then 1 extra amah on either side to cover the tops of the beams (which were 1 amah wide). This left 16 amos which draped down on either side (8 on each side). Each beam was 10 amos tall, so this draping covered most of their height, leaving the bottom 2 amos of the beams exposed.
As stated above, the total length of the Mishkan was 30 amos. The 40 amos of the combined panels' width covered this length, leaving 10 more amos. One of these amos covered the top of the western beams and one covered the top of the eastern pillars (as on the eastern side there were 4 pillars instead of beams (in some additions this is written as 5 pillars). This left 8 remaining amos, which were draped over the west side (back) of the Mishkan, leaving the lower 2 amos of those western beams exposed. Alternatively, according to the gemara in maseches Shabbos (98b), the eastern pillars were not covered, so 9 amos draped over the west side. These two opinions pertain to where the Paroches (curtain covering the Aron) was situated. With this in mind, the gemara's interpretation makes more sense as it would allow for the Paroches to be hung directly under the hooks which divided the panels' two groupings of 20 amos each (otherwise according to the first interpretation, the Paroches would have to be hung 1 amah west of the hooks).
They are to make panels out of goat hair to serve as a cover for the Mishkan cover, to cover the exposed lower panels. They should make 11 such panels.
Each panel should be 30 amos long and 4 cubits wide. This way, the 30 amos of its width will cover the 12 amos width of the Mishkan with 9 amos left to hang on either side (north and south). This would cover one additional amah that the first cover left exposed. And then the bottom amah would be drilled into the holes of the sockets which were 1 amah high (to be detailed forthcoming in 26:19).
Of these 11 panels, they should be divided and attached into groupings of 5 and 6. There should be 50 loops made at the end of each grouping and 50 copper clasps to attach these two groups so it is one long covering. These panels should be draped over the length of the Mishkan. The total length of this covering was 30 amos. This was 2 amos longer than the lower covering which was 28 amos.
Half of the additional 6th panel was draped at the entrance (the east) to the Mishkan, likened to a bride covering her face with a veil out of modesty. This half panel was 2 amos long. This left two additional amos which hung out of the back (west side) of the Mishkan, allowing all of the beams (including the 2 lower beams which had been left exposed by the top covering) to be covered by this top cover.
Rashi explains that the reason for the top cover of the Mishkan was to protect the bottom, beautifully weaved one. He says that this is the Torah's way of teaching us to protect beautiful things.
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