
Sign up to save your podcasts
Or


Today on Art of the Cut, we’re speaking with the editorial team of Daredevil Born Again. With us are Emmy-winning editor Stephanie Filo, ACE, Melissa Lawson Chueng, and Cedric Nairn-Smith.
Stephanie has been on Art of the Cut to talk about her work on the film We Grown Now. And before that to discuss her Emmy and ACE-winning work on A Black Lady Sketch Show, her Emmy-nominated work on Dahmer: Monster - the Jeffrey Dahmer Story and History of the World Part II. Stephanie has also won an Emmy and a Peabody Award for her documentary editing work.
Melissa has been on Art of the Cut before for her editing of the film Mile 22, and for the TV series Outlander. She also edited the series Mr. Robot.
Cedric was an editor on Moon Knight and The Boys.
This discussion includes the power of sound design, the benefits of having an assistant editor who’s a great vocal impersonator, and when to start a scene on a close-up instead of on an establishing shot.
You can read along with this interview and see trailers, clips, exclusive photos and timeline screenshots at the BorisFX blog!
borisfx.com/blog/aotc
By Steve Hullfish, ACE4.9
3333 ratings
Today on Art of the Cut, we’re speaking with the editorial team of Daredevil Born Again. With us are Emmy-winning editor Stephanie Filo, ACE, Melissa Lawson Chueng, and Cedric Nairn-Smith.
Stephanie has been on Art of the Cut to talk about her work on the film We Grown Now. And before that to discuss her Emmy and ACE-winning work on A Black Lady Sketch Show, her Emmy-nominated work on Dahmer: Monster - the Jeffrey Dahmer Story and History of the World Part II. Stephanie has also won an Emmy and a Peabody Award for her documentary editing work.
Melissa has been on Art of the Cut before for her editing of the film Mile 22, and for the TV series Outlander. She also edited the series Mr. Robot.
Cedric was an editor on Moon Knight and The Boys.
This discussion includes the power of sound design, the benefits of having an assistant editor who’s a great vocal impersonator, and when to start a scene on a close-up instead of on an establishing shot.
You can read along with this interview and see trailers, clips, exclusive photos and timeline screenshots at the BorisFX blog!
borisfx.com/blog/aotc

610 Listeners

664 Listeners

2,437 Listeners

422 Listeners

492 Listeners

349 Listeners

113 Listeners

745 Listeners

103 Listeners

5,646 Listeners

64 Listeners

69 Listeners

1,124 Listeners

211 Listeners

1,120 Listeners