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As the pandemic drifts into its one-year anniversary, all eyes are on the end of the thing. Whenever that may be. Discovering, producing, and shipping vaccines is the big plank in the world’s plan to move beyond the coronavirus, but there’s more to it than that. We live in an era of distrust — of corporations, of governments, of experts, of science itself. We also live in an era of inequality. So, getting the vaccines out the door is one thing. Getting people to take them, including in communities that have traditionally been marginalized, is another.
But often these stories are told in a particular kind of way: distrustful people are dummies, and they simply have to be educated. If that doesn’t work, disciplined. We think that’s not going to work. Plus, it’s mostly punching down. Instead, Darts and Letters punches up. This episode looks at government miscommunication, political hypocrisy, journalistic obsequiousness, and industry profiteering. When you understand all that, distrust makes a lot more sense. But we still need that vaccine. So what to do about it?
——————-FURTHER READING & LISTENING——————-
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Janice, Hart, and Sean — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. We had research and support from Addye Susnick, Polly Leger, and David Moscrop. We also had consulting from Professors Joel Lexchin and Sergio Sismundo. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor. It was also part of a wider project, with Cited Podcast, looking at the politics of pharmaceutical research and policy. Professors Joel Lexchin and Sergio Sismundo are the academic advisors on that project.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
For a moment, all the eyes of the world were on GameStop. It’s unexpected, meteoric rise. It’s inevitable fall. The saga became a rorschach test for our politics. Was it a revolutionary moment, the many pushing back against the few? Was it an old school pump and dump, just folks out to make some money? And who was against whom, exactly?
Well, it was…a spectacle. That’s for sure. We dive into the wild world of stocks, the bubbles of present and the past, and the spectacularized social media environment that is distorting our very understanding of true politics. Abandon all hope, ye who enter.
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——————-CORRECTIONS——————-
In an earlier version of this episode, Gordon says that Wall Street ‘put the squeeze on Robinhood, and Robinhood obliged.’ He was referring to widespread speculation about whether particular hedge funds influenced the company’s decisions. Robinhood was asked to testify before Congress about such questions. But they denied the accusations. Upon reflection, we really don’t have evidence to support our strong claim–so we retracted it, and re-uploaded a version of the podcast without that line.
Still, there are investigations about their revenue model, and a potential conflict of interest here between their funders and the retail investors they are supposedly serving. This deserves greater scrutiny.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters’ lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. With research and support from Addye Susnick and David Moscrop.
Our theme song was created by Mike Barber, and our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
Canada likes to trade on the “middle power” trope. Tucked away among the many, snuggled up with peer states just outside the focus given to global hegemons, the country goes about its business, friendly and mild. Nothing to see here.
But behind the facade is a past and present of neocolonial plundering. Canada is a mining powerhouse, off on extractive misadventures in the Global South. It’s also a notable contributor to the global arms trade, including a weapons deal that helps fuel the devastating Saudi-led war in Yemen.
We look at Canada’s role in ripping up the world and selling it military weapons. We also look back a 20th century movement that might have put a stop to all this.
——————-FURTHER READING & LISTENING——————-
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters’ lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. With research and support from Addye Susnick, Polly Leger, and David Moscrop.
Our theme song and outro was created by Mike Barber, and our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
Lately, things have been a little too heavy on this show. Insurrections, fascism, proto-fascism, weird apocalyptic visions. That stuff is important, but let’s get serious. You don’t think the society we live is actually dominated by people who hold anything resembling strong, well-articulated ideological programs, do you? Our society is dominated by grifters. Cheats, cons, frauds: people who don’t really believe what they tell you. They’re just what they need to do to get ahead or to sell you something. Isn’t that that really what capitalism is about? The grift!
——————-FURTHER READING & LISTENING——————-
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters’ lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. With research and support from David Moscrop.
Our theme song was created by Mike Barber, and our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
This is a production of Cited Media. We make other fine shows like Cited Podcast and Crackdown. You can find both of those and others wherever you find your podcasts.
In this bonus episode, host Gordon Katic speaks with Ben Teitelbaum, author of a fascinating new-ish book called War for Eternity. He spent over 20 hours with Steve Bannon, as well as a wider network of far-right thinkers and strategists. Honestly, the things they say will surprise you. These proto-fascist thinkers of today are Traditionalists, with a capital T. They’re nothing like old-school conservatives; they have a lot more in common with hippies and new age gurus than people like William F. Buckley. We touched on this school of thought in the last episode, but in this bonus episode we really dig in. Why do their bizarre ideas appeal, and what can we do to combat them?
—————————SUPPORT US————————
This is a bonus episode. And for now, they’re free. Patrons get them a day early, but they’re kind of irregular. We’ll make them every week if enough of you chip in. Go to Patreon.com/dartsandletters.
And if you can’t do that, please do us a favour and help us get this show to more people. The best way you can help is to share this with a friend. You can also rate and review Darts and Letters on whatever podcast platform you use.
—————————-CONTACT US————————
To stay up to date, follow us on Twitter and Facebook. If you’d like to write us, email [email protected] or tweet Gordon directly.
—————————-CREDITS——————————
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