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When it comes to complex social problems, us sensible well-educated book-learnin’ types turn to the experts; we ‘believe science’ — unlike those snorting, hooting, semi-literate dunces. But over the next two weeks, we have two stories that will make you think twice about putting blind faith in experts. What if they don’t actually know what they’re talking about? That happens to be the case with many forensic experts. You know, the folks who work on blood spatter, ballistics, hand-writing analysis, fingerprints, etc. They aren’t Gods, they aren’t magicians, they ain’t anything like what you see on CSI. In fact, they get things terribly wrong; and when they do, the consequences can be catastrophic. We’ll reveal the crisis in forensic expertise, and look for ways to fix it.
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—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, our assistant producer is Polly Leger, and our chase producer is Marc Apollonio. Our lead research assistant was Roland Nadler and we had academic advising from Professor Emma Cunliffe, each from the Peter A. Allard School of Law at the University of British Columbia. We had further research support from David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which is funding our mini-series on the state of forensic science. The scholarly lead on that project is Professor Emma Cunliffe.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
In recent years, the left seems to have ceded the issue of free speech — or, rather, flipped on it. For years, it defended against censorship, stood up to global imperialism, decried efforts to silence resisters and renegades, and mocked the right for culture war stodginess and pearl-clutching that whined ‘won’t somebody please think of the children?!’ But much of the left has retreated on speech. That turn may have implications for those who work to hold power to account in a world full of fallible human beings who often get stuff wrong, and powerful actors and institutions who use censorship as a cudgel.
——————-FURTHER READING & LISTENING——————-
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Janice, Hart, and Sean — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. We had research and support from Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
Journalism is in crisis. Of course, there’s no shortage of rescue ideas. Sometimes it’s billionaires buying newspapers as vanity projects. Other times it’s techno-utopianism. Or plucky startups pulling themselves up by their bootstraps. Maybe blockchain will save us?
Victor Pickard says the problems are deeper than we think, and they require a more radical solution. He offers a structural critique of the commercial news industry and offers us a utopian vision for a publicly-funded, democratically-controlled news media.
——————-FURTHER READING ——————-
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Sankara, Joey, and Claire — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. We had research and support from Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
In this bonus episode, Gordon Katic speaks with Paolo Pedercini, a professor in the School of Art at Carnegie Mellon University and a game developer who runs Molleindustria. Pedericini’s games offer systemic critiques of capitalism, and invite players to wonder whether video games can be a source of organizing and consciousness-raising.
——————-FURTHER READING & PLAYING——————-
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Camille, Robert, and Adam — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. We had research and support from Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor. It was also part of a wider project looking at the politics of video games, housed at UBC and also advised by Lennart E. Nacke at the University of Waterloo.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
The video game industry is a behemoth. It shapes our culture, it shapes our discourse, and it’s on its way to becoming something like a $200 billion industry. But what is it like for the people who make the games we enjoy? Unfortunately, many developers deal with long hours, precarious contracts, hostility, and harassment. There’s pushback, however, from workers who expect and demand better — and who are organizing to get just that. On this episode, we set out on a quest to level-up our knowledge of the video game industry.
——————-FURTHER READING & LISTENING——————-
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Camille, Robert, and Adam — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. We had research and support from Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor. It was also part of a wider project looking at the politics of video games, housed at UBC and also advised by Lennart E. Nacke at the University of Waterloo.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
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