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It was billed as “the biggest event in the history of the terminally online.” A debate: socialism vs. capitalism. On your left side, the esteemed Marxist economist Richard Wolff. On your right, a StarCraft player-turned-Twitch intellectual: Steven Bonnel II, better known as Destiny. We dissect the debate, and its limitations. But more broadly, we ask, why are gamers becoming an emerging political commentariat, and what does that mean for the rest of us? Twitch is reshaping political and intellectual discourse, whether we like it or not; is it making that discourse more vibrant and more inclusive, or more phoney and more bro-y?
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters.
This week, our generous Patrons can listen to Gordon’s full, completely unedited interview with Destiny.
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—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, our assistant producer is Ren Bangert, and our managing producer is Marc Apollonio. Our research assistants are Addye Susnick and David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support from the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor. It was also part of a wider project looking at the politics of video games, housed at UBC and also advised by Lennart E. Nacke at the University of Waterloo.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
America’s national pastime is being taken over by a woke mob and a global communist cabal. So say the Republicans. If only…! Racism, conservative nostalgia, and economic exploitation is baked into the MLB. We discuss what’s wrong with baseball, why baseball matters, and what needs to be done to fix it.
——————-FURTHER READING & LISTENING——————-
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Janice, Hart, and Sean — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, our assistant producer is Ren Bangert and our chase producer is Marc Apollonio. Our research coordinator is David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support from the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
Last weekend was Wrestlemania. There have been 37 Wrestlemanias. That’s a lot of wrestling. And a lot of entertainment for the millions of people who enjoy watching wrestling, including our host, Gordon Katic. Maybe you’re a fan, maybe not. Fans and non-fans alike have often dismissed wrestling as frivolous. But there’s more to wrestling than meets the tombstone piledriver. Pro wrestling is like a Rosetta Stone for our politics; It brought us one President, and a recent poll suggests it might give us another. On this episode, we jump from the top rope into the wild, layered, complex world of pro wrestling and the folks who love it.
——————-FURTHER READING & LISTENING——————-
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Janice, Hart, and Sean — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, our assistant producer is Polly Leger, and our chase producer is Marc Apollonio. Our research coordinator is David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support from the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
Dr. Charles Smith performed autopsies at the Hospital for Sick Children in Toronto, ON. The cops kept turning to him with new corpses, and he kept claiming that these deaths were the result of foul play. He was thought of as a God in his field–few people were willing to question his work. That is until a 2008 inquiry, which found evidence of errors in 20 of the 45 autopsies they reviewed. Dr. Smith’s judgements played a role in 13 wrongful convictions. On this episode, we tell one of those stories.
——————-FURTHER READING & LISTENING——————-
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Janice, Hart, and Sean — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, our assistant producer is Polly Leger, and our chase producer is Marc Apollonio. Our lead research assistant was Roland Nadler and we had academic advising from Professor Emma Cunliffe, each from the Peter A. Allard School of Law at the University of British Columbia. We had further research support from David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which is funding our mini-series on the state of forensic science. The scholarly lead on that project is Professor Emma Cunliffe.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
In this bonus episode, Gordon Katic speaks with Simon A. Cole, a professor of Criminology, Law and Society at University of California Irvine. He’s the author of “Suspect Identities: A History of Fingerprinting and Criminal Identification”. We do a deep dive into the social and political story of fingerprinting, and how it took more than a century before anyone tried to figure out if it actually worked.
——————-FURTHER READING & LISTENING——————-
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
——————-SUPPORT THE SHOW——————-
We need your support. If you like what you hear, chip in. You can find us on patreon.com/dartsandletters. Patreon subscribers — such as Janice, Hart, and Sean — usually get the episode a day early, and sometimes will also receive bonus content.
Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
—————————-CREDITS—————————-
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, our assistant producer is Polly Leger, and our chase producer is Marc Apollonio. Our lead research assistant was Roland Nadler and we had academic advising from Professor Emma Cunliffe, each from the Peter A. Allard School of Law at the University of British Columbia. We had further research support from David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which is funding our mini-series on the state of forensic science. The scholarly lead on that project is Professor Emma Cunliffe.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.
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