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This week, we're back with a belated 4/20 celebration, watching the movie who's own early 90s marketing campaign encouraged filmgoers to "watch it with a bud", Richard Linklater's 1993 high school classic DAZED AND CONFUSED. This one is a Hayley Hasn't Seen, despite the fact she's owned it for roughly 13 years without ever popping it in the player, and perhaps the movie's stoner reputation scared her away as someone who does not partake.
But before we can get into a certified five-star classic, we must take the opportunity to gush about another film some are saying that could also describe, and that's John Wick: Chapter 4, which we should be free to talk about now because if you really wanted to see it at this point and haven't, like... what is your problem?
Come back next week when we're joined by guest Jackson McDonald for a recap of the absolutely horrendous made-for-TV biopic, Gifted Hands: The Ben Carson Story.
And as always, special thanks to Eastman Presser for our music and Sydney Beaudin for our cover art.
By Justin Morissette & Hayley Leier4.5
44 ratings
This week, we're back with a belated 4/20 celebration, watching the movie who's own early 90s marketing campaign encouraged filmgoers to "watch it with a bud", Richard Linklater's 1993 high school classic DAZED AND CONFUSED. This one is a Hayley Hasn't Seen, despite the fact she's owned it for roughly 13 years without ever popping it in the player, and perhaps the movie's stoner reputation scared her away as someone who does not partake.
But before we can get into a certified five-star classic, we must take the opportunity to gush about another film some are saying that could also describe, and that's John Wick: Chapter 4, which we should be free to talk about now because if you really wanted to see it at this point and haven't, like... what is your problem?
Come back next week when we're joined by guest Jackson McDonald for a recap of the absolutely horrendous made-for-TV biopic, Gifted Hands: The Ben Carson Story.
And as always, special thanks to Eastman Presser for our music and Sydney Beaudin for our cover art.

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