De Gruyter Brill on the Wire

The new political sciences journal Diplomatica, published by Brill, explores the theme of diplomacy in international relations with special focus on Brexit and its implications for Britain, through some insightful articles.

Dr Giles Scott-Smith, professor of New Diplomatic History at Leiden University and editor of Diplomatica, discusses these articles and the overall implications of Brexit for Britain. Listen to Part 1 of this podcast now!

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The new political sciences journal Diplomatica, published by Brill, explores the theme of diplomacy in international relations with special focus on Brexit and its implications for Britain, through some insightful articles.

Dr Giles Scott-Smith, professor of New Diplomatic History at Leiden University and editor of Diplomatica, discusses these articles and the overall implications of Brexit for Britain. Listen to Part 2 of this podcast now!

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The person in the photograph of a thirteen-year-old Vincent Van Gogh

What did the influential Dutch painter Vincent Van Gogh actually look like? Popular culture and media have propagated the belief that there have been only two photographs of Vincent Van Gogh himself. If his written exchanges are to be believed, Vincent despised self-portrait photography. However, a recent breakthrough study in the Brill journal Oud Holland suggests that there are not just two photographs of Vincent Van Gogh. There is just one.

So, what about the second photograph?

Teio Meedendorp, Researcher at the Van Gogh Museum in Amsterdam, discusses the breakthrough discovery he made with his co-author Yves Vasseur, General Commissioner of Mons 2015 European Capital of Culture. Listen to this podcast now!

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Jun Akiba, Associate Professor at the Institute for Advanced Studies on Asia, discusses Muslim girls’ education in Ottoman Istanbul during the late eighteenth and early nineteenth centuries. Through the extensive use of archival and narrative sources, Akiba demonstrates, in his article published in the Brill journal Hawwa, that girls in pre-Tanzimat Istanbul enjoyed ample opportunities for elementary education. Listen to this podcast now!

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Many major political questions today revolve around questions of human nature; what sort of people we are and what sort of people we're capable of being constitute both the goals and limits of the sort of society we can and ought to try and create. Jason Read's The Politics of Transindividuality (Haymarket Books, 2017) looks at a number of figures who've used trandindividuality to explore the ways in which our social context generates various forms of subjectivity, and how those forms of subjectivity can in turn generate the society they occupy. The book covers a variety of figures in topics, going as far back as Spinoza, Hegel and Marx before turning to contemporary thinkers such as Balibar, Simondon, Virno and Lazzarrato, and interrogates the sort of people we are being made into.

Jason Read is a professor of philosophy at the University of Southern Maine. In addition toThe Politics of Transindividuality, he is also the author of The Micro-Politics of Capital: Marx on the Prehistory of the Present (SUNY, 2003).

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Befitting an art history book, Erin Schoneveld’s Shirakaba and Japanese Modernism: Art Magazines, Artistic Collectives, and the Early Avant-Garde (Brill, 2018) is a beautifully packaged analysis of the early twentieth-century Japanese modern art collective Shirakaba and its eponymous coterie magazine (1910-1923). Shirakaba, which means “white birch,” is recognized as the most significant art movement of the period, and had a lasting impact on the discourse and practice of art in modern Japan. The group’s journal was among the first and most important Japanese art magazines to include the works of prominent European artists, and doing so shaped the contours of the art world of twentieth-century Japan.

Schoneveld shows how Shirakaba arose in opposition to the statist art of the young Meiji state, the strategies deployed to promote its artistic agenda, how the group established sometimes tangible and direct personal, artistic, and ideological connections to the European artists who represented the ideal of individualism, and how the movement changed over time from an avant-garde bastion to become central to the mainstream of the Japanese art scene in the early 1920s. In addition, the book reveals dynamic tensions between statism and Shirakaba’s individualism, between the group’s ethos of individualism and the realities of being a collective, between being avant-garde and establishment, and between different generations of Shirakaba artists themselves, as well as between virtual and physical exhibition spaces and the status of original versus reproduced art. Shirakaba and Japanese Modernism is an important contribution not just to Japanese art history, but to rethinking the global spread, reception, and adoption and adaptation of modernity and modernism.

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In The Politics of Religion and the Rise of Social Catholicism in Peru (1884-1935): Faith, Workers, and Race Before Liberation Theology (Brill, 2018), Ricardo Cubas Ramacciotti, Associate Professor of Latin American History at the Universidad de los Andes (Chile), provides a lucid synthesis of the Catholic Church’s responses to the secularization of the State and society, whilst offering a fresh appraisal of the emergence of Social Catholicism and its contribution to social thought and development of civil society in post-independence Peru. Making use of diverse historical sources, Cubas Ramacciotti provides a comprehensive view of a reformist yet anti-revolutionary trend within the Peruvian Church that, decades before the emergence of Liberation Theology and under divergent intellectual paradigms, developed an active agenda that addressed the new social problems of the country, including those of urban workers, and of indigenous populations.

Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.

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In Hundred Days’ Literature, Chinese Utopian Fiction at the End of Empire, 1902–1910 (Brill, 2019), Lorenzo Andolfatto explores the landscape of early modern Chinese fiction through the lens of the utopian novel, casting new light on some of its most peculiar yet often overshadowed literary specimens. The wutuobang or lixiang xiaoshuo, by virtue of its ideally totalizing perspective, provides a one-of-a-kind critical tool for the understanding of late imperial China’s fragmented Zeitgeist. Building upon rigorous close reading and solid theoretical foundations, Hundred Days’ Literature offers the reader a transcultural critical itinerary that links Edward Bellamy’s Looking Backward to Wu Jianren’s Xin Shitou ji via the writings of Liang Qichao, Chen Tianhua, Bihe Guanzhuren, and Lu Shi’e. The book also includes the first English translation of Cai Yuanpei’s short story “New Year’s Dream.”

The completion of this book has benefitted from Lorenzo joining the collaborative research project “East Asian Uses of the European Past” supported by the HERA network and led by Professor Joachim Kurtz.

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Drawing on new archival resources, and opening up an entirely new research agenda in the field, David Woodbridge has written an outstanding new book. Missionary Primitivism and Chinese Modernity: The Brethren in Twentieth-Century China (Brill, 2019) focuses on a small but very significant evangelical community, the so-called Plymouth Brethren, and documents the attempts made by their missionaries in China during the first half of the twentieth century to balance their theological commitment to primitivism – the belief that contemporary church practice should be aligned as closely as possible with that of the New Testament – with their responsibility to engage with a very politicised and rapidly changing social and cultural environment. Woodbridge shows how difficult this task could be, and how Brethren missionaries remained susceptible to criticisms made by some of their Chinese converts that they were never primitivist enough.

Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016).

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Does Genesis function merely as the beginning of the Bible’s larger story, or can Genesis be read as its own book? Does Genesis have its own plot that moves from complication to dénouement? Todd L. Patterson, in his recent book The Plot-structure of Genesis (Brill 2018), says, ‘Yes!’ The book of Genesis, Patterson argues, turns on the question: ‘Will the righteous seed survive?’ Tune in as we talk with Todd Patterson about the plot of Genesis.

Todd L. Patterson earned his PhD in 2012 from Trinity International University, and is assistant professor of Old Testament at Matej Bel University in Slovakia. He is also a co-chairman of the Pentateuch research group for the Institute for Biblical Research.

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected]

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