De Gruyter Brill on the Wire

The Making of a Modern Art World: Institutionalization and Legitimization of Gouhua in Republican Shanghai (Brill, 2017) investigates the production and consumption of guohua (“national painting”) in Shanghai between 1929 and the outbreak of the Second Sino-Japanese war in 1937. Defining the art world as sociologically constructed, Pedith Chan’s systematically researched book focuses on collective practices of artists and art associations, periodicals, art colleges, exhibitions, and the art market, all of which contributed to the institutionalisation and legitimisation of guohua in Republican Shanghai. Based on extensive primary source material, Chan lays bare the modus operandi of a modern art world in Republican Shanghai.

The book is an indispensable resource for anybody working in the field of 20th century Chinese painting, highlighting the changing hierarchies, networks and discursive practices that constituted Republican Shanghai guohua.

Ricarda Brosch is a curatorial assistant at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via [email protected].

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The Fabrica of Andreas Vesalius: A Worldwide Descriptive Census, Ownership, and Annotations of the 1543 and 1555 Editions (Brill, 2018) is a masterful new book that will long be on the shelves of anyone working on the history of anatomy, early modern medicine, and/or the history of the book. This volume pays special attention to the Fabrica as material object, tracing how owners used and reacted to it by carefully tracing 475 years of its reading history through annotations, hand-coloring, binding, circulation, and other evidence left from the global movement of copies of the 1543 and 1555 editions. Dániel Margócsy and I talked about the process by which he and his co-authors (Mark Somos and Stephen N. Joffe) accomplished this massive task, and what the resulting volume can help us understand about the reception history of the Fabrica and its larger consequences for how we work with books as objects.

Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.

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Michelle C. Wang’s new book Mandalas in the Making: The Visual Culture of Esoteric Buddhism at Dunhuang (Brill, 2018) joins a growing body of scholarship on esoteric Buddhism in China. Her work is an important contribution for the way in which she draws together murals, portable paintings, ritual manuscripts, and diagrams connected to the Mandala of Eight Great Bodhisattvas. Wang traces how the use of this maṇḍala changed over time, and how it was shaped by the distinct cultural and linguistic milieu at Dunhuang, a key Buddhist site on the Silk Road. This book will reshape scholarly understanding both of maṇḍalas in China, and also of Dunhuang as a Buddhist site.

Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at [email protected].

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In Middle Eastern history, the printing press has been both over- and under-assigned significance as an agent of social change. Hala Auji’s Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut (Brill, 2016) is not only a history of the American Protestant mission’s Arabic press in Beirut, which printed books for Ottoman readers during the 19th century, but a window into the world of Arabic printing at large. Auji uses art history to chart the transition between manuscripts and printed books, using a deep appreciation for Islamic art and book-production to highlight rupture and continuity. Text and non-textual elements are used to tell a story that was not local simply to Beirut, but had connections to the entire region and the development of printing in Arabic-language script at large. Part book-history, part art history, part intellectual history, Printing Arab Modernity ebbs between lithography and typography to tell an essential narrative of modern Middle Eastern history.

Hala Auji is an assistant professor of art history in the Department of Fine Arts and Art History at the American University of Beirut (AUB). She holds a PhD in art history from Binghamton University, State University of New York, an MA in Art Criticism & Theory from Art Center College of Design, and a BFA in graphic design from the American University of Beirut. Her research interests include: Arabic book and print culture, 19th-century Islamic art and architecture and the| history of modern science in the Islamic world, amongst many more. She can also be found at https://www.halaauji.net/

Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

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Matthew’s gospel employs more than half of its Old Testament citations within the gospel’s prologue (Matt. 1-4). Although these texts lead Matthew’s story, many scholars have long assumed that the scriptural citations have nothing to do with their original OT context. Was Matthew a bumbling hermeneutist? Not so, says Nicholas Piotrowski. In his book, Matthew’s New David at the End of Exile (Brill, 2016), Nicholas investigates Matthew’s OT quotations and finds that they provide reading and worldview orientation for the gospel’s audience. The seven prologue quotations all emerge from OT contexts concerned with David or the end of the exile, or both—a dual theme that provides an interpretative guide for the entire narrative of Matthew’s gospel.

Nicholas G. Piotrowski, received his Ph.D. from Wheaton College in 2013. He is professor of biblical and theological studies at Crossroads Bible College and academic dean at Indianapolis Theological Seminary. Nicholas is co-founder and main speaker for the Fox Valley Theological Society and has also published with Tyndale Bulletin and Bulletin for Biblical Research.

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at [email protected].

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In Imagining Russian Regions: Subnational Identity and Civil Society in Nineteenth-Century Russia (Brill, 2017), Susan Smith Peter discusses the origins of the creation of distinct provincial identities in European Russia and how this process was encouraged and even promoted by the autocracy as a way to gain information about the...

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For non-specialists, the Holocaust in Hungary is a history both familiar and murky. Many Americans have read memoirs like Elie Wiesel’s Night and Judith Magyar Isaacson’s Seeds of Sarah in high school or college and have some sense of their experience. But the actual history of Hungary and the Holocaust remains opaque.

Ferenc Laczo aims to change this. Laczo, an associate professor of history at Maastricht University, has produced a fascinating examination of a series of dialogues unfamiliar to most historians. His new book Hungarian Jews in the Age of Genocide: An Intellectual History (Brill, 2016) examines the Jewish community in Hungary and how their ideas of themselves and their place in Hungary changed during the war. He begins in the 1930s, with Jewish thinkers wrestling with traditional questions of identity and inclusion in the context of authoritarian government in Hungary and the rise of the Nazis in Germany. He then moves to a close reading of memories of the Holocaust in Hungary, taking advantage of sources unknown or unusable by scholars without Magyar. He concludes with a fascinating explanation of attempts in 1946 and 1947 by Jewish survivors in Hungary to explain and understand what they had just witnessed and experienced. The latter chapter alone offers a new perspective on immediate responses to the Holocaust.

This book alone won’t satisfy your desire for a thorough understanding of Hungary and the Holocaust. For that, you’ll need to read the works of Randolph Braham, Tim Cole, Zoltan Vagi, Laszlo Csosz and others. But you’ll almost certainly understand the experience the efforts of Jewish thinkers to understand their own lives much better than you did before you read the book.

Kelly McFall is Associate Professor of History at Newman University in Wichita Kansas, where he directs the Honors Program. He is particularly interested in the question of how to teach about the history of genocides and mass atrocities and has written a module in the Reacting to the Past series about the UNs debate over whether to intervene in Rwanda in 1994.

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Aisha Geissinger’s monograph, Gender and the Construction of Exegetical Authority: A Rereading of the Classical Genre of Qur’an Commentary (Brill, 2015), contributes to the growing field of intersections between gender studies and Qur’anic studies. Unlike some recent studies that have explored the role of gender in the Qur’an itself or in applications of the Qur’an, Professor Geissinger takes a step back to explore how exegetes (broadly conceived) have historically understood the relevance and importance of gendered sources, in terms their authority to make sense of the Qur’an. What does it mean, for example, when a particular Qur’an commentary mentions a hadith with women in the isnad, while other commentaries do not? Are these rhetorical moves intentional? Were they significant in their time? In order to address these questions and others, Geissinger looks at traditional works of exegesis, sections on exegesis in hadith compilations, and literature on the virtues of the Qur’an among other topics all the while engaging with a rich breadth of modern and premodern scholarship, ranging from Bukhari to Judith Butler. The footnotes are extensive, the prose is clear, and the book well-organized. The monograph will likely appeal to a number of disciplines, especially Islamic history, Qur’anic studies, and gender studies.

Elliott Bazzano is Assistant Professor of Religious Studies at Le Moyne College. His research and teaching interests include theory and methodology in the study of religion, Islamic studies, Qur’anic studies, mysticism, religion and media, and religion and drugs. His academic publications are available here. He can be reached at ([email protected]). Listener feedback is most welcome.

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Bard Kartveit‘s Dilemmas of Attachment: Identity and Belonging among Palestinian Christians (Brill, 2014) is an outstanding book, which carefully describes the constraints faced by Palestinian Christians, particularly in the unique context of the Bethlehem area, painting a nuanced picture of the ways in which such realities are experienced and narrated in relation to questions of identity. The account is historically grounded and ethnographically rich, giving the reader a sense of the sometimes painful physical and symbolic changes in Bethlehem Christians’ environment. Tradition, modernity, kinship, patriarchy, sectarianism, nationalism, state power, migration and the decisive role of the Israeli Occupation are all given their due. The concepts of groupness and framing provide a theoretical architecture which supports Kartveit’s representation, thereby capturing the dynamism of self-narrative processes, and guaranteeing against the easy generalizations which sometimes characterize accounts of Palestinian Christians.

Mark Calder is an honorary research fellow in Social Anthropology at the University of Aberdeen, Scotland. He conducted his PhD fieldwork in Bethlehem focusing on Syriac Orthodox Christians.

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The Treasury of Laughs was compiled by Feng Menglong in the 1610s. It includes more than 700 humorous skits and jokes from elite and popular sources, rewriting some of them to give the volume a kind of aesthetic and stylistic coherence. Pi-Ching Hsu’s new translation Feng Menglong’s Treasury of Laughs:...

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