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In the new episode of Film Stories with Simon Brew, how the 20th James Bond film pushed things a little too far, and a western with British origins.
Die Another Day was the first 007 movie to heavily lean on CG, and one big sequence hadn't even been conceived when filming began.
Sharon Stone had movie star clout when The Quick And The Dead got greenlit - and she used it to secure Sam Raimi as director, and at least two of her co-stars.
Stories of both are told in this episode.
Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.
Support our work at www.patreon.com/simonbrew.
Hosted on Acast. See acast.com/privacy for more information.
Learn more about your ad choices. Visit megaphone.fm/adchoices
By Simon Brew4.9
8888 ratings
In the new episode of Film Stories with Simon Brew, how the 20th James Bond film pushed things a little too far, and a western with British origins.
Die Another Day was the first 007 movie to heavily lean on CG, and one big sequence hadn't even been conceived when filming began.
Sharon Stone had movie star clout when The Quick And The Dead got greenlit - and she used it to secure Sam Raimi as director, and at least two of her co-stars.
Stories of both are told in this episode.
Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod.
Support our work at www.patreon.com/simonbrew.
Hosted on Acast. See acast.com/privacy for more information.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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