Guest artist HANNAH HUGHES 

joins ELIZABETH FULLERTON to chat about her work via Virginia Woolf's 1931 novel 'The Waves'. Not so much a story as a stream (or perhaps, more accurately, a wave) of consciousness, the book is classified as an experimental fiction. It describes the thoughts of six characters through soliloquies, whose lives all pivot around the muted Percival. 

Hannah and Elizabeth then open up the artist's practice as collages, cuts and slide-throughs of shadowy forms and real edges. They track how shapes are formed from in-between spaces around objects and the body, how multiple processes distance the form from its source, the invention of visual language and the importance of fragmentations which create a sense of the whole.

ARTISTS