Sure—Fans have always driven popular music. That’s what it means to be popular in the first place, you know? To have fans? But if you look around today’s sonic landscape, it feels…different out there. Forget clubs and message boards. Fandoms now have entire worlds, complete with enemies, economic strategies, and complex referential mythologies—dense communities increasingly integrated into the major label money machine. To try to understand what has changed, Sam talks with Monia Ali, from the excellent Fandom Exile newsletter. They explore the cultural genealogy of contemporary fans, tracking how a set of practices built around conventions, Buffy, and shipping percolated into the musical universe, reshaping what it means to listen—or to love—your favorite artist. The difference between Revealed and Experienced Truth? The political economy of fan fiction? The centrality of LiveJournal? It's all there—from One Direction to the world or, at the very least, a Swiftie near you. 

 

Subscribe to our Newsletter

Subscribe to Fandom Exile

Music: Jon McKiel - "Still Life" 

Get full access to Money 4 Nothing at money4nothing.substack.com/subscribe