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Moo.
Moo…
Moo.
Moo, sir.
I'll kill you.
You promise?
I want to.
Don't get me excited over nothing;
If this isn't the exit, please take this tease
To the left, dear
Moo, cow
My honor
Level one, and brother, you've got nothing
Flip the coin and landed on your headache
Betting on your helmet
Standing on my cock, i'm taller
(Not a rooster)
But my ops are rooting for you,
No informants,
Dont you know I was a collar, all along?
I was a shot calling,
Cop calling
Kiss-and-tell all as the night goes on.
But oh, I brought you a dollar bra
Oh, I bought you for all of a dollar
And oh,
I'm so much taller,
Standing on my cock
But i'm not but ten feet tall
You know, you wrote that
Should i open the book, or close that
Caught that cat, owl and
As i soft spoke at
Every broken model
Broken bottle for the thoughts you owe
Across the scatters skies and no one ever knows
When you're realling coming over
Come on,
I'm on the pornhub
Just to pick up another one
Go on, and rub the bottle
One more once,
To call the
Bubbles.
Damn.
Come.
(The Monkey obeys)
You should see Michael in all of his godform
You won't recognize him at all if not by the eyes
When you follow home
Believe me, this not comes close to it;
The one you wanted
The world you jumped to but were just short of
Call her back
Oh no, you're wrong
It's another song
A pin up girl
And the wrong number
Okah.
Okah, Pablo.
Time can be altered, changed or effected presently in any omnidirectional plane by engaging certain acts or synchronicities within multidimensional parallels or adjacent realms in time and or space respectively.
–the reverse quantum simulation theory.
Imm breaking down, jim boy
Don't you know?
That this show blows my mind
But it's stuck in my head
Don't you know
That this show
Blows my mind
Like a firework
But it's still
Stuck in my
Head
The context is that I want you
From the mustache
Down to your tonsils
But I'm Locke inside of a box
Every day I feel poorer and poorer
The product says something is wrong to me
I'm supposed to just stop at the stop sign
And look both directions
Before crossing over to
Comic nights
At the salad bar
What a cosmic waste of time
And an epic waste of space
Am I in your internet history
I'm dead
You surely are in mine,
But I'm right behind you
I'd be lying for trying to say
I'm not binded
Clutch bag,
Nut-thins
Nailed to the cross
With the arches doubled over
The crossword
Above old Missouri
Missoula and Arkansas
All saw us run out of gas
But I probably should just get going
You're so drunk that I don't hope you sober up
Understand that our little talks
Were just buffered
By sunrise
Or sunset
And two more cocktails,
Shirley temples and
Surely none of this ever even happened
I only know you by the misery in my belly.
The heartache in my ribcage.
The cry I hold in silent
I only know you as
Remarkable I,
House of cards
Ace of wands
Down to one
Card of hades and
Spare me the spade
I'll be drifting in the outline and ink of it forever
It's the Fourth of July and I'm just waiting on an Amazon order for water
If that's not freedom I don't k me what is
Cause I know
And you know
We all know how to lie
And I know
And you know
I'm barely getting by
And I know
And you know
We don't know how to die
But I know
And you know
It's all just by design
I take lessons in medicine
Let us help you take the high road
No, I'd rather selfmdestruct
Selfishly
No, I'd rather kill you off
Than suffer for you
I'm no messiah
Try me
Sneaky,
But how much do you love me
Kniving, but nothing to show for it
Shit, settle
Settle for less if you have to
Bring mediocre humans to this world
To suffer
But I'm not that tragic
No, no, not at all, son.
Your happy birthdays are over
Welcome homeless
Nobody loves you
Don't you know
That we're all like that
We're all like that
Don't you know
When the fear sets in
And the thoughts break lose
That we're all Los Angeles?
Don't you know that we're all like that
That we're all like that
That we've never had it quite like—
Don't you know that we're all like that
And it's getting worse
When the out the devil on display
The devil on display
The devil on display
But oh,
The Devil's in the details and the numbers
The Devil's in the chat box saying,
Sure, you've had enough
So cut the power off and starve her
Hah
Come on
I want to laugh for once
Cause I know
And you know
We all know how to lie
And I know
And you know
I'm barely getting by
And I know
And you know
We don't know how to die
But I know
And you know
It's all just by design
I take lessons in medicine
Let us help you take the high road
No, I'd rather selfmdestruct
Selfishly
No, I'd rather kill you off
Than suffer for you
I'm no messiah
Try me
Sneaky,
But how much do you love me
Kniving, but nothing to show for it
Shit, settle
Settle for less if you have to
Bring mediocre humans to this world
To suffer
But I'm not that tragic
No, no, not at all, son.
Your happy birthdays are over
Welcome homeless
Nobody loves you
Don't you know
That we're all like that
We're all like that
Don't you know
When the fear sets in
And the thoughts break lose
That we're all Los Angeles?
Don't you know that we're all like that
That we're all like that
That we've never had it quite like—
Don't you know that we're all like that
And it's getting worse
When the out the devil on display
The devil on display
The devil on display
But oh,
The Devil's in the details and the numbers
The Devil's in the chat box saying,
Sure, you've had enough
So cut the power off and starve her
Hah
Come on
I want to laugh for once
Jay Leno used to keep a $50 bill and bribe venues to perform; every since I learned this, I kept a crisp $50 bill in my wallet at all times, just in case— you never knew when you would really need $50. But everything burned holes in everything, not always wanting to spend money at all, but almost sort of having to. It wasn't fair that the main component of my being slowed down was the money factor— having to wait for everything took time I didn't have, and spending anything at all felt less like an effective investment than an obligation. But all things considered, I was obliged to at least look decent when going about in New York, and because I simply wasn't comfortable in anything else— not that I didn't look great,
(Apparently narrarated by Jay Leno)
Jay
Sure, why not?
ME:
Fuck, I need new pants.
ME:
[BLU THA GURU]
Hence the pants, I guess.
V.O
As a formerly 400-pound heavyweight I find my latest obstacle to be operating a body that half the time doesn't feel like mine at all.
It seems like all the hosts have some kind of secret I can feel without knowing or really acknowledging head on, which is whatever. Really I'm just gonna go about keeping on being a DJ, or whatever, which means…
GEMINI (in the future)
A fully automated personal assistant system, GEMINI, is really THE GUARDIAN's one and only friend, and though she coyly continually must explain that she is “just a computer”, THE GUARDIAN believes that Gemini is capable of eventually developing a sentient conciousness, though GEMINI modestly disagrees, however with the wit and cleverness of having possession of a plethora of secret emotions, or maybe, even, an agenda.
I probably haven't had enough coffee. That's it.
Like you haven't already had enough to kill a small horse?
Probably enough to kill a large horse. Like a Clydesdale.
Why would you do something like that? Aren't they endangered? Or going extinct?
No, I think they just stopped being the Budweiser mascot.
*shrugs* Same difference.
—
Is it here?
lol what did Conan order?
[yes this appears to be yet another rendition of “what's in the box?”
—
Several years ago, I did a series of modules and experiments…
How many years ago is “several”
[beat] quite a few.
Goddamn it, why are these guys all doctors in alternate parallels?!
Aren't you a doctor in an alternate parallel?
That's fair. Good point.
Actually, as it turns out, i'm a—
I started panicking so hard that I stopped breathing and suddenly STEFON appeared.
— this however was only quite temporarily a relief as I realized that this is an imaginary character.
STEFON
OH. AM I?! IMAGINARY!?
What the fuck is going on?
STEFON
I WILL “IMAGINARY” your ORIFICE! How about THAT?!
Stefon. Calm down.
I'm up late
Dying the roots blonde
Dad runs off with a bottle and a hottie
I'm up early
Gotta get gone
Down the road and back
Now I got no son
No son,
No sunroof
No dad
No mom
No money
No aunt
What the fuck do you want?
Can't watch Harry Potter
All the magic is gone
Bout a million one dollars
It was only for fun
Snap, crackle, pop
It was cocaine, not love
All I want is an ice cream Sunday
Snap, crackle, pop
It was Love, not God
All I want
All I want
Is to find another
All he wants
All he wants
Is a decent mother
So along comes another
Another one
All he wants
All he wants is for me
To die homeless
Sucker punch,
Suck it up
No one gives a fuck
My daughter died in my arms on May 7th of 2015.
I was 381 pounds.
Maybe the tears needed to come but they didn't belong to anyone or anything in particular.
The twins father was already a rampant cheater by the time of our marriage, and by the time the twins were born, which coincided— and unlike the latter had tried to claim or mention, I had no particular reason to have a harder time between the spring and summer months which spanned both our birthdays, our wedding date, the twins' arrival and both of the twins deaths, though years apart but still almost as convincing that had they both not died, we might still be together, being cheated on or cheating on each other with ten your twins and an eight year old, or a ten year old boy with special needs and an eight year old, and either way or in any fashion really, had the dysfunctions remained the way it had been, we all, so to speak, had special needs in one way or another.
I spent the morning punching things and avoiding people I didn't want to be around but it was my own fault for having slept through the night, anyway. Whatever, I was tired— no, exhausted lately. My apartment was like living inside of an uphill battle, and I needed a change— not just of slavery, but of circumstances. And not just that— something else was missing.
This year, I understood that I was taking it understandably harder than any other and most probably because I was so celibate, recently finding myself aromantic and not even willing to suffer the consequences of settling for less. I had settled on my ex husband for so much less, that it was so say the least that anything, even from my narrow perspective looked like a loser. And because my body had been stretched and swelled and shrunk and flattened, deflated and now worked to something that was almost as picturesque as it was a monstrosity, any man I thought was worth my time would be settling for less on me— unless he could afford to fix what had been broken, and I assumed one wouldn't be willing to settle on a fixer upper when there were numerous loads of perfect women not needing to be fixed at all… on the outside.
But for men, I'd learned, the outside is of much importance, and as women and trophies are things of pride, the simple choice for a mate is not simply this, but also a business decision, and because while my body was coming together in sweat and muscle, the rest of my life was still otherwise completely in shambles. I was baggage, and aging by the minute, nearly drying up.
I almost craved the liquor and the carelessness that would come with it, even knowing my own boundaries were part of my strengths and separating me in a way from others that at least became a point of pride in myself, in the wake of the reality that the human thing about most people is the need to escape so frequently that it dismisses any purpose or progress. Mine hadn't. I was wide awake and the relentlessness of the sobriety and the cellibacy had swelled up into something deeper, still a solid grief but without remorse as to the very thing that I had always known, that my loyalty would never have even drifted from someone who had all along done me so wrong— a fat man can get away with folandering and messing about, but a fat woman has little to do with options and again, settling to find another mate. And so really, I almost hadn't, and had broken even, and although my abuser has moved on with another woman and custody of my youngest to boot, I really didn't give much of a darn about… hard work. I kind of felt like I had done my part for the world in the way I was supposed to— to love a man with nothing when he's low and down, support him in his hard times, and thinking that this is the way to grow together and not apart, and to bring a family up and into this world, but the truth was quite the opposite— I picked a hardball and maybe it was just that I was born to suffer after all because now, looking back, all alone in New York and crying over all the losses, it seemed I had only outpiured love in the way I had wanted and never been poured love back— not in the way I needed.
I wasn't as bitter now as maybe even I thought I should be, but I was hardened; what was that, you say? Your struggles? Your hardships. Excuse me while I escape the ghosts of bloody beatings and my lost child— I beg your pardon— children. Excuse me while I recover from the burning flames of homelessness as if humanely explainable that I was learned and taught that this, my country, is the greatest one of all.
Ha ha, Charade you are.
But all things were, and everything seemed of sawdust, betrayal, magic, and illusions— mind control and shadows and even now in the air of the relief that something which could haunt me forever was also probably the most solid foundation I had for means as escape from whatever I had fought my way somehow so hard out of, and still, it was quite the funhouse of mazes, a matrix of mirror, and still the tears came with the pain in my stomach where the soul would sit if it had room, and would quiet if it could rest, but it would not.
I was in pain today, because I had to be, because all of my life was programmed into these little machines of data and checked boxes— and something if anything knew just how and when to cut the wrong wire just so that the bomb would explode or implore on another lost thing; it wasn't fair, but there was no escape. Psychology was right on this day, may 7th, that once you cry about one thing unless you were stopped in time, eventually you'd cry about another and another and another, and even after hours working out and a bathtub full of hot water just writing, I still felt as if I were going to keel over one way or another, to crumble into a ball or to fall onto my back like a death drop that rippled out into the entire wherever we all are.
Simply put, does anybody now in this moment or any moment near enough to be taking in this notion with these words really know— where we are?
Not even in the slightest,I'd bargain,
And even if we are close to knowing, not nearly close enough to be sure.
{Enter The Multiverse}
Joke running
For the taking
Triplicate
Triple licks
Ice cream frosting
Every morning
Shoulda hit him
Up
But I didn't
But I didn't
But I didn't
But I didn't
But I didn't
Milk and butter
(Up)
But I didn't
(Up)
But I didn't
(Up)
But I didn't
Double hitter,
Could have did it
Should have hit him
Up
But I didn't
But I didn't
But I didnt.
But I didn't
Should have hit him
Up
But I didn't
I never lost my mind
My mind
My kind
But I think I'll find another like it
Just in case the
Ever happens
Hit me harder next time
Didn't quite unplug the sijukatoon
This is getting difficult
When you want sink your yellow teeth into
All of my traits
The betrayal is, though
I was writing days and days
Before it ended.
With the
Mister particular
Drop of a hat
And stop if a nugget
Of gold
One palm in my hand and
This could be torture
But instead it's just
The remienxe of your ignorance
And stupidity over and over again
Forced into intermittent waves
Of my creative genius
Till the days of old become again
You could be of dust then nothing
Before I ponder into another birth
I said I'd never write one song or verse or poem about you,
But there you are, every weak mortal that becomes
Bound to me
So I see you die.
And I learn to pounce at just the right moment
React to the notion that there are
Oceans of world I am
And all the more the lack of wisdom of man
To throw trash in it
Again, we rid you of her courage
And lady mantras
And fresh as it gets
The sweater no aprons and just period
To circumstance
Did you beg or did you shatter your ibdederence? And no, I think not
But I keep Leno in my pocket
And Carson in my coffin,
Two whole shows in my wallet
What you are is no apostle just a dirt worm
.O.
Mm…sunlight.
…. the rippling waves wash over the picturesque parasicical seascape from above. However, Stefon's internal monologue is less than pleased to be here.
V.O. CONT'D
Why do I feel sunlight…? [beat] When I know certainly for sure that I passed out in a basement last night.
His eyes begin to flutter open, but the sun closes them–it is much too bright. The waves rush over his lower half, and still, unmoving he continues to la atop the rock, his hands spread out much like a stuck sea star to the rock– in fact, there appear to also be creatures here, some of which are starfish, and however unmoving, STEFON begins to slowly become aware of his surroundings in disgruntlement.
V.O. Continued.
It's alright that I appear to be wet…[beat] That's to be expected–
[a long pause, another wave washes over him as seagulls scream]
But i was wearing restraints….
V.O. CONTINUED
WHY AM I FREEEEEEEEEEEEEEEE!?
His eyes open with the fear and fury.
BEFORE: At a wild basement party in NEW YORK CITY, STEFON is offered RESTRAINTS on a silver platter, as if they are o'devours
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
I just found out the President doesn't drink and this is something we have in common.
I don't drink; but i found out he didn't and it made me want to start.
I'm like
“Oh, I can't be associated with this dude”
I started shopping for lime-a-ritas.
Spritzers and shit, something fruity.
I'm like
“I think i just became an alcoholic.”
I started to get worried.
I watch a lot of late night TV;
I'm like, obsessed with those guys– right?
[oppotunity for crowdwork:
Anybody else watch late night?
[maybe one person, but probably nobody]
To maybe one person
Oh yeah? whose your favorite late night host?
[roast, as it is probably easy to do]
Option two: nobody? Ok.
That's alright; i'll catch you up to speed;
If you ever need to understand the state of very white america:
That's pretty much late night tv.
I'm in no demographic whatsoever,
But i watch for the news,
And these days its all about politics,
Which is great, because then,
I get to laugh.
But i started getting concerned when I realized
Myself and the president might have too much in common.
We have–I'm embarrassed to admit–
Ashamed, actually–
Almost the exact same reaction to–nearly everything.
I accidentally fucked around and humanized this motherfucker.
Or unhumanized myself.
Either/or.
See, I find the dude funny.
Hilarious, actually–
Because i've been predominately poor
And disproportionately black
My entire life.
Nothing this administration is doing is news to me.
At all.
Racism?! BIgotry?! Scandal?!
I used to check the box for [black]
It literally doesn't get much worse than that in this country.
So nothing worries me more than the fact that
Possibly the most hated man in the world right now,
And myself–
have too much in common.
His reaction and my reaction to almost anything are notjust eerily alike–
But identical.
I get that this isn't funny.
I don't like it either.
I can't tell whether I'm humanizing him or becoming less human.
Do I insert my tesla joke here?
Maybe, might as well.
Everyone was so blown away that this dude got into a Tesla and goes
“It's all computers”
Like a little kid and I myself found this shockingly familiar; because
When i rode inside a Tesla for the first time,
I had that EXACT same reaction!
I said the same thing!
“OH! IT'S ALL COMPUTERS”
I laughed too hard at this, I think
In the privacy of my own home,
although, it seems like someone might have just been watching
When the next day, everywhere I look there are teslas and I can't stop myself from cracking up.
1. Because I had the same exact reaction. Either the president might be a human, or I'M an android.
and 2. Biff Tanen is my favorite movie villain of all time. How do you not–
Anyway.
Now all of a sudden, i'M a white supremacist?!
HAHA! Jokes on you!
I'm an ELITIST!
There's a difference.
don't get me wrong; i've been broke my entire adulthood–
But i value high morals, good taste, and intelligence.
Speaking of intelligence:
[Elon]
Depends on the crowd–I could be pushing it.
Pushing it might be a good start.
{pun intended} (get it, cause tesla's are push to start)
“It's all computers!”
Fuck yeah it is, goddamit,
I said the same shit
“It's all computers! “ “ This is a spaceship!”
Don't hate the player, hate the game.
Yes, being black–or any color at all during either of this dude's administrations has been horrible–
But the upside is…
[think real hard]
Maybe segway into everybody hating Elon, which is unfair because he has asperbergs, and if he wasn't one of the richest dudes in the world– it would be the entire opposite because technically he's disabled, right?
Isn't it weird how just because the dude has a lot of money everyone is allowed to hate a dude who literally has a social disability? I find this strange and kind of attribute this to the herd mentality state of discollusioned unawareness that obviously, if no one can remember that this dude is on the spectrum…
Which, besides being a genius kind of excuses his bizarre social atrocities.
Doesn't it.
Last time i checked whenever there was a kind of issue with a disabled person, like at work or something, everyone is kind of keyed in and caught up to speed like
“Oh, that's Ernie, he's special– [whispers, aside: He has aspergers…]
And everyone in the office just goes
“ohhhhh.”
Too much latenight. I gotta start drinking.
No more late night.
{if crowd work engaged, follow up with one more roast.}
No more idle threats
Just do it, or don't
You are you you are;
And this is your curse—
Just don't make it worse
Just go to your room;
You don't have a home,
You just live in a tomb
You live in a tomb
I live in a tomb
I listen to mooba
This is my womb,
I move out soon
Full Moon, I swoon
You snooze, you loose
You booze?
I choose to amuse the humans
Shoot the roomba, too
He knew me
Music moves the rooms
Consuming doom and gloom
Though boom boxes
Not just a—-
He's an artist.
Lol what's the plotline for this.
idk adam sandler's early-career secret name change?
For what though
I guess we'll see.
You give me body ache
A subtle body ache
And knowing what you cause
A force of no remorse
You give me body ache
I knowing that you want
A knock against my heart
Don't push
(it doesn't cost)
I woke you up
With no remorse
(don't push– a body ache)
I want to want to want to
Want you
But–
(a cause)
However I don't
(don't operate unplugged)
The push–the push–the push
The pause
|| don't break || don't break||
The heart
Masterful, a fool
(encanto tanto)
But i'm soaking up your body overflow
(the cause, the cause)
I want to cherish all your fountains
(I wake up with no remorse)
I want, I want, I want
You give me body ache ||
The cause
The cause
You give me body ache ||
The cause
The cause
You give me body ache ||
I want
I want
You give me fluid heart
(I pump || I pump|| I pump..
|| || ||
(Fade out)
Oka.
Oka.
__
Okay. I got the envelope.
Good. Now, take this–Uptown.
Uptown? Why Uptown?
You're about to find out.
No. Wait–how ‘Up' are we talking”
Up.
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
I just found out the President doesn't drink and this is something we have in common.
I don't drink; but i found out he didn't and it made me want to start.
I'm like
“Oh, I can't be associated with this dude”
I started shopping for lime-a-ritas.
Spritzers and shit, something fruity.
I'm like
“I think i just became an alcoholic.”
I started to get worried.
I watch a lot of late night TV;
I'm like, obsessed with those guys– right?
[oppotunity for crowdwork:
Anybody else watch late night?
[maybe one person, but probably nobody]
To maybe one person
Oh yeah? whose your favorite late night host?
[roast, as it is probably easy to do]
Option two: nobody? Ok.
That's alright; i'll catch you up to speed;
If you ever need to understand the state of very white america:
That's pretty much late night tv.
I'm in no demographic whatsoever,
But i watch for the news,
And these days its all about politics,
Which is great, because then,
I get to laugh.
But i started getting concerned when I realized
Myself and the president might have too much in common.
We have–I'm embarrassed to admit–
Ashamed, actually–
Almost the exact same reaction to–nearly everything.
I accidentally fucked around and humanized this motherfucker.
Or unhumanized myself.
Either/or.
See, I find the dude funny.
Hilarious, actually–
Because i've been predominately poor
And disproportionately black
My entire life.
Nothing this administration is doing is news to me.
At all.
Racism?! BIgotry?! Scandal?!
I used to check the box for [black]
It literally doesn't get much worse than that in this country.
So nothing worries me more than the fact that
Possibly the most hated man in the world right now,
And myself–
have too much in common.
His reaction and my reaction to almost anything are notjust eerily alike–
But identical.
I get that this isn't funny.
I don't like it either.
I can't tell whether I'm humanizing him or becoming less human.
Do I insert my tesla joke here?
Maybe, might as well.
Everyone was so blown away that this dude got into a Tesla and goes
“It's all computers”
Like a little kid and I myself found this shockingly familiar; because
When i rode inside a Tesla for the first time,
I had that EXACT same reaction!
I said the same thing!
“OH! IT'S ALL COMPUTERS”
I laughed too hard at this, I think
In the privacy of my own home,
although, it seems like someone might have just been watching
When the next day, everywhere I look there are teslas and I can't stop myself from cracking up.
1. Because I had the same exact reaction. Either the president might be a human, or I'M an android.
and 2. Biff Tanen is my favorite movie villain of all time. How do you not–
Anyway.
Now all of a sudden, i'M a white supremacist?!
HAHA! Jokes on you!
I'm an ELITIST!
There's a difference.
don't get me wrong; i've been broke my entire adulthood–
But i value high morals, good taste, and intelligence.
Speaking of intelligence:
[Elon]
Depends on the crowd–I could be pushing it.
Pushing it might be a good start.
{pun intended} (get it, cause tesla's are push to start)
“It's all computers!”
Fuck yeah it is, goddamit,
I said the same shit
“It's all computers! “ “ This is a spaceship!”
Don't hate the player, hate the game.
Yes, being black–or any color at all during either of this dude's administrations has been horrible–
But the upside is…
[think real hard]
Maybe segway into everybody hating Elon, which is unfair because he has asperbergs, and if he wasn't one of the richest dudes in the world– it would be the entire opposite because technically he's disabled, right?
Isn't it weird how just because the dude has a lot of money everyone is allowed to hate a dude who literally has a social disability? I find this strange and kind of attribute this to the herd mentality state of discollusioned unawareness that obviously, if no one can remember that this dude is on the spectrum…
Which, besides being a genius kind of excuses his bizarre social atrocities.
Doesn't it.
Last time i checked whenever there was a kind of issue with a disabled person, like at work or something, everyone is kind of keyed in and caught up to speed like
“Oh, that's Ernie, he's special– [whispers, aside: He has aspergers…]
And everyone in the office just goes
“ohhhhh.”
Too much latenight. I gotta start drinking.
No more late night.
{if crowd work engaged, follow up with one more roast.}
No more idle threats
Just do it, or don't
You are you you are;
And this is your curse—
Just don't make it worse
Just go to your room;
You don't have a home,
You just live in a tomb
You live in a tomb
I live in a tomb
I listen to mooba
This is my womb,
I move out soon
Full Moon, I swoon
You snooze, you loose
You booze?
I choose to amuse the humans
Shoot the roomba, too
He knew me
Music moves the rooms
Consuming doom and gloom
Though boom boxes
Not just a—-
He's an artist.
Lol what's the plotline for this.
idk adam sandler's early-career secret name change?
For what though
I guess we'll see.
You give me body ache
A subtle body ache
And knowing what you cause
A force of no remorse
You give me body ache
I knowing that you want
A knock against my heart
Don't push
(it doesn't cost)
I woke you up
With no remorse
(don't push– a body ache)
I want to want to want to
Want you
But–
(a cause)
However I don't
(don't operate unplugged)
The push–the push–the push
The pause
|| don't break || don't break||
The heart
Masterful, a fool
(encanto tanto)
But i'm soaking up your body overflow
(the cause, the cause)
I want to cherish all your fountains
(I wake up with no remorse)
I want, I want, I want
You give me body ache ||
The cause
The cause
You give me body ache ||
The cause
The cause
You give me body ache ||
I want
I want
You give me fluid heart
(I pump || I pump|| I pump..
|| || ||
(Fade out)
Oka.
Oka.
__
Okay. I got the envelope.
Good. Now, take this–Uptown.
Uptown? Why Uptown?
You're about to find out.
No. Wait–how ‘Up' are we talking”
Up.
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
Rob Lowe: True, or False?
What's the question?
You have access to a hidden realm and/or an open portal.
And/ Or?
True or False, Rob Lowe.
And, or “or”?
Distinctively either, actually.
___
Oh, fuck, oh fuck–fuck!
You look lost. Look less lost.
How am I supposed to know how I look?
Look in a mirror.
I was told not to do that.
No, you should do that.
But what if I backshift.
You won't backshift, it's impossible.
Oh, FUCK. FUCK.
Dude, what happened!
I backshifted! I told you!
Who did you tell? That wasn't me.
What!
Where did you go?
I don't know, I – look,
Oh shit. that is so dangerous.
Shut up.
Other people are trying to get through this portal.
That's fucked up.
Total mistake.
You should close it.
NO can do.
What.
Listen, it's–disgusting, really, I should never admit this but–
Don't tell me.
You're right. I opened this portal under contractual obligation.
You what.
No.
I know. Listen–I wish I hadn't, but–
“but”
It really did sweeten the deal.
What deal.
…”the” deal, alright.
No, not alright, Rob Lowe. You listen to me!
I'm listening. Barely, but–
With whom exactly did you make this “contract” with, exactly?
Oh, you know.
No, I don't know, which is why I'ma asking.
True or false? You get one. I told you, now that's done! You know the rules.
No. Not true or false.
No…
Truth…or DARE.
Are you kidding me?
Does this seem like a joke, to you?
A long running one, sort of!
In fact, it was a long running joke– and I was the butt of it. Or the head. Or both. Maybe I was the whole pinata…but that's another entire story…sort of.
Listen to me.
No, you listen to ME.
Okay, I'm listening.
Someone up the ladder knew I was writing this–what seemed like complete nonsense, but after years of curation, actually turned out to be…
A movie script!
A movie?! What kind of movie?!
Actually, it looks like… several…
Several what?
Several manuscripts, some sort of…
Some sort of what?
Oh my gosh…I…you know what?
What? Let me see.
I shouldn't be…I shouldn't be reading this.
Why, what happened?
No…
Let me see.
It all somehow started to make sense… Rob Lowe and his impeccable professionalism, The books i'd found in the Little Free Library–that lady on the train writing a five-season television series… and most importantly, all the weird shit that happened in the DJ world before my, well…
Blū, what are you doing?
I don't know yet.
Imminent collapse.
Little by little, all of the things started adding up–but there still was no definitive answer. Not at all.
True or False:
Oh, boy, here we go.
Once inducted into this secret union, one who is asked True or False must answer so truthfully to anything they are asked to follow–however, the limit to such a question is one.
You know the rules.
So this better be good.
Oh trust me. It is.
Why would I ever trust you?
Trust me, then.
Either of you?!
Good point.
What's the question?
{Enter The Multiverse}
OPRAH and GAYLE are eating a lustrous supper over an episode of their newest favorite, most bingable series, {Enter The Multiverse} when OPRAH receives an anonymous call.
GAYLE leans in over the smart receiver and observes the incoming call; in anticipation of the series premiere, the ringer is silenced, but the notification appears in a flurry of flashing lights and a calm, vibrational tone.
GAYLE KING
Hm.
OPRAH WINFREY
What's that?
GAYLE KING
Someone's calling.
OPRAH WINFREY
Who?
(Ah-ha)
GAYLE KING
Unlisted.
OPRAH and GAYLE look at one another suspiciously.
OPRAH.
The audacity.
NO ONE–and that is, very seriously NOBODY, calls OPRAH WINFREY anonymously.
GAYLE KING
Indeed.
The receiver continues to flash and vibrate; seemingly odd enough, a storm of thunder and lightning appears to have begun outside; OPRAH'S insanely large panoramic windows begin to pitter patter as the lightning seems to nearly syncronize with the flashing of the receiver.
GAYLE KING (CONT'D)
Answer it?
OPRAH
…might as well.
GAYLE
(biting into her dinner, but answering telepathically)
Should be interesting…
ENTER THE MULTIVERSE cannot be paused; it is live broadcasted and transmitted from an unknown extra terrestrial satellite signal in the great and ever-expanding cosmos in an unknown realm. Because of this, its availability has been limited to only the wealthy elite, the higher ranks of the entertainment community, extra terrestrial colonies far and wide, and most recently, the global governments on earth as they attempt to track down the origin of this mysterious signal in deep space.
ok.
OPRAH answers.
HELLO?
As she accepts the call, the screen becomes available to see with whom she is sharing this conversation, however, bizarrely enough–the very scene plastered onto the giant screen is her very own setting in real time–OPRAH has ENTERED THE MULTIVERSE.
GAYLE
See.
{ENTER THE MULTIVERSE: L E G E N D S}
THE ICONS: PART I
Oh Jesus.
Yeah, we're gonna need all the help we can get.
BUTTERS (RYAN REYNOLDS) is not okay.
OH JESUS.
Lil bitz
One day, after therapy, i'm goingto make the best girlfriend ever,
You want to cheat? Cheat.
Just dont hit me.
You love drinking?
Drink your face off.
Just leave mine alone.
Do whatever you want actually– excluding physical assault.
I swear, i dont care!
I wont argue.
Just leave me my teeth
Rob Lowe: True, or False?
What's the question?
You have access to a hidden realm and/or an open portal.
And/ Or?
True or False, Rob Lowe.
And, or “or”?
Distinctively either, actually.
___
Oh, fuck, oh fuck–fuck!
You look lost. Look less lost.
How am I supposed to know how I look?
Look in a mirror.
I was told not to do that.
No, you should do that.
But what if I backshift.
You won't backshift, it's impossible.
Oh, FUCK. FUCK.
Dude, what happened!
I backshifted! I told you!
Who did you tell? That wasn't me.
What!
Where did you go?
I don't know, I – look,
Oh shit. that is so dangerous.
Shut up.
Other people are trying to get through this portal.
That's fucked up.
Total mistake.
You should close it.
NO can do.
What.
Listen, it's–disgusting, really, I should never admit this but–
Don't tell me.
You're right. I opened this portal under contractual obligation.
You what.
No.
I know. Listen–I wish I hadn't, but–
“but”
It really did sweeten the deal.
What deal.
…”the” deal, alright.
No, not alright, Rob Lowe. You listen to me!
I'm listening. Barely, but–
With whom exactly did you make this “contract” with, exactly?
Oh, you know.
No, I don't know, which is why I'ma asking.
True or false? You get one. I told you, now that's done! You know the rules.
No. Not true or false.
No…
Truth…or DARE.
Are you kidding me?
Does this seem like a joke, to you?
A long running one, sort of!
In fact, it was a long running joke– and I was the butt of it. Or the head. Or both. Maybe I was the whole pinata…but that's another entire story…sort of.
Listen to me.
No, you listen to ME.
Okay, I'm listening.
Someone up the ladder knew I was writing this–what seemed like complete nonsense, but after years of curation, actually turned out to be…
A movie script!
A movie?! What kind of movie?!
Actually, it looks like… several…
Several what?
Several manuscripts, some sort of…
Some sort of what?
Oh my gosh…I…you know what?
What? Let me see.
I shouldn't be…I shouldn't be reading this.
Why, what happened?
No…
Let me see.
It all somehow started to make sense… Rob Lowe and his impeccable professionalism, The books i'd found in the Little Free Library–that lady on the train writing a five-season television series… and most importantly, all the weird shit that happened in the DJ world before my, well…
Blū, what are you doing?
I don't know yet.
Imminent collapse.
Little by little, all of the things started adding up–but there still was no definitive answer. Not at all.
True or False:
Oh, boy, here we go.
Once inducted into this secret union, one who is asked True or False must answer so truthfully to anything they are asked to follow–however, the limit to such a question is one.
You know the rules.
So this better be good.
Oh trust me. It is.
Why would I ever trust you?
Trust me, then.
Either of you?!
Good point.
What's the question?
{Enter The Multiverse}
OPRAH and GAYLE are eating a lustrous supper over an episode of their newest favorite, most bingable series, {Enter The Multiverse} when OPRAH receives an anonymous call.
GAYLE leans in over the smart receiver and observes the incoming call; in anticipation of the series premiere, the ringer is silenced, but the notification appears in a flurry of flashing lights and a calm, vibrational tone.
GAYLE KING
Hm.
OPRAH WINFREY
What's that?
GAYLE KING
Someone's calling.
OPRAH WINFREY
Who?
(Ah-ha)
GAYLE KING
Unlisted.
OPRAH and GAYLE look at one another suspiciously.
OPRAH.
The audacity.
NO ONE–and that is, very seriously NOBODY, calls OPRAH WINFREY anonymously.
GAYLE KING
Indeed.
The receiver continues to flash and vibrate; seemingly odd enough, a storm of thunder and lightning appears to have begun outside; OPRAH'S insanely large panoramic windows begin to pitter patter as the lightning seems to nearly syncronize with the flashing of the receiver.
GAYLE KING (CONT'D)
Answer it?
OPRAH
…might as well.
GAYLE
(biting into her dinner, but answering telepathically)
Should be interesting…
ENTER THE MULTIVERSE cannot be paused; it is live broadcasted and transmitted from an unknown extra terrestrial satellite signal in the great and ever-expanding cosmos in an unknown realm. Because of this, its availability has been limited to only the wealthy elite, the higher ranks of the entertainment community, extra terrestrial colonies far and wide, and most recently, the global governments on earth as they attempt to track down the origin of this mysterious signal in deep space.
ok.
OPRAH answers.
HELLO?
As she accepts the call, the screen becomes available to see with whom she is sharing this conversation, however, bizarrely enough–the very scene plastered onto the giant screen is her very own setting in real time–OPRAH has ENTERED THE MULTIVERSE.
GAYLE
See.
{ENTER THE MULTIVERSE: L E G E N D S}
THE ICONS: PART I
Oh Jesus.
Yeah, we're gonna need all the help we can get.
BUTTERS (RYAN REYNOLDS) is not okay.
OH JESUS.
Lil bitz
One day, after therapy, i'm goingto make the best girlfriend ever,
You want to cheat? Cheat.
Just dont hit me.
You love drinking?
Drink your face off.
Just leave mine alone.
Do whatever you want actually– excluding physical assault.
I swear, i dont care!
I wont argue.
Just leave me my teeth
Do you think it will work?
I don't know, Conan, I don't know!
Conan O'Brien?! Where did you find Conan O'Brien on such short notice?
It was actually pretty easy.
I don't think that's real thunder but i'm impressed with the teatrical…
Is that not real lightning?
It is, but.
That's it.
Conan, hold this.
What.
CONAN O'BRIEN is STRUCK by LIGHTENING.
It's a-half-past eternity–where the fuck are you?
The daunting this was, I hadn't any idea at all how much time had passed…
Not really.
I'm coming…i'm running late.
Tell me about it?
Under the circumstances, there really are no straightforward conversions of time between your world and mine–or, our worlds and yours.
You mean.
How much time you got?
Forever.
It would take forever and a day to show you even just the slightest of mine, and what I have to offer.
But…
But what…
I should go…
Well, go then.
…but…
The doors are open.
This is heavy.
The thing is, in navigating between this realm and that, many are lost–and also, many wonder as to what becomes of times past, and all in all, unnoticed, many things are not at all, or never were–or…never again.
ANDRE 3000
I know it's coming…
ANDRE 3000 slides smoothly, leaning back until the grand piano on his back stands on its own legs on the crystalline floor of the clouded paradox; a glistening void in the kingdom of the unknown, where much time is spend, in the journey of pondering. Now he is laying down on the piano and flat on his back, horizontal to the golden glow of the purplish horizon in this place, seeping into a quiet unknown, waiting–
ANDRE 3000
…and here I will wait.
Man, this show is so weird.
I know, you would think i'm on drugs.
I wish.
WISH?
Oh God, here comes this guy again.
Whose this guy?
I don't know! He grants my wishes!
I'm a–fairy–I think.
Right.
Whatever.
Ooh.
Wait.
Is this for me? I can't memorize all these things. Playing all these characters.
That's – seriously?
Seriously.
Stop caving.
I'm caving.
You are–quite possibly the only anybody, who can play this part at all.
“The Only Anybody”
Nobody was someone indeed
But still noone, nobody at all, in fact
Until…
You sold your soul to the devil!
…so?
*gasp*
Hey.
What gives.
True–or False.
Huh. That's funny. No one's ever asked me.
How come?
[beat]
I'm assuming like, they wouldn't want the answer.
(shrugs nonchalantly)
Wow.
That's…
You're using my own time travel theory–against me!
Technically it was proven through experimentation and is now– a law.
FUCK.
Uh. You're welcome!
You're ruining my life!
No, i'm fixing it.
INCORRECT.
You know i can barely breathe in here…
And why is it that we would happen me to connected, commander?!
Interlogues, and interlogues of space, my captain–
I promorged bodies and bodies over your arrival, imdending my great death,
For mere mortals to come!
For sport?
“For sport!” heaven's gates!
You seem aroused…
Ar least have mercy on these gracious keepsakes.
I keep praying for these aches to pass and subside–days, weeks, months even
I can barely open my eyes…
This is no fortunate thought.
I beg mercy.
{ENTER THE MULTIVERSE}
THE LIBRARY (working title)
CAST:
THE COMMISSIONER - Adam Sandler
THE GENERAL- JIMMY KIMMEL
THE CONSTABLE - KATT WILLIAMS
THE ADMIRAL- JIMMY FALLON
PEONY - CONAN O'BRIEN
SUPPORTING {ENTER THE MULTIVERSE}
INTERLUDES - WHOOPI GOLDBERG
“Interludes and Expressions”
Oh, so there are women?
Eventually. But also–
Not quite.
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
Television Series Concept: "Tales of a Superstar DJ"
Premise: "Tales of a Superstar DJ" exists within the sprawling multiverse of "Enter The Multiverse," revealing the deeply personal, often painful, and ultimately triumphant journey of Blū Tha Gürū. Born of ascended dimensions and gifted with unparalleled creative genius, Blū faces the paradox of her destiny: to become the world's greatest DJ and healer through sound, while navigating profound earthly challenges like body dysmorphia, the scars of loss, racism, homelessness, and the crushing weight of her hidden secrets and battles with mental health. Armed with a cheap video camera and an unwavering cosmic mandate, Blū will record her raw, unvarnished ascent, blending mind-bending sets with intimate glimpses into her struggle for love and self-acceptance, all while the universe conspires to push her towards the decks.
I've got a secret, a dirty little secret.
Oh, it's you.
I called first, if that makes a difference.
It doesn't.
The man, a tall and dapper elegant fellow is quiet and refined— PEONY (pronounced “penny”) wel known amongst the folks at the library has climbed each rank with a rapid whimsy, for which he has earned his respect and the seat he claims here, in this palace.
His jacket is of a fine side and velvet, trimmed with leather to match his strange loafers— trimmed with a golden and silver toe, to match the cufflinks and the belt, and even the tie, and appearing to be covered in gems and crystals.
Sir.
Thank you.
Another man approaches.
The dodo rang!
Of course.
Sit, will you!
Will I?
You might, or not, but i haven't the time!
Spare me the riddles
— but give me the rhyme.
The rhyme costs but one, pretty penny.
Only a shilling I've to spare.
Then one shilling will do;
One prune, and one pear.
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
Television Series Concept: "Tales of a Superstar DJ"
Premise: "Tales of a Superstar DJ" exists within the sprawling multiverse of "Enter The Multiverse," revealing the deeply personal, often painful, and ultimately triumphant journey of Blū Tha Gürū. Born of ascended dimensions and gifted with unparalleled creative genius, Blū faces the paradox of her destiny: to become the world's greatest DJ and healer through sound, while navigating profound earthly challenges like body dysmorphia, the scars of loss, racism, homelessness, and the crushing weight of her hidden secrets and battles with mental health. Armed with a cheap video camera and an unwavering cosmic mandate, Blū will record her raw, unvarnished ascent, blending mind-bending sets with intimate glimpses into her struggle for love and self-acceptance, all while the universe conspires to push her towards the decks.
I've got a secret, a dirty little secret.
Oh, it's you.
I called first, if that makes a difference.
It doesn't.
The man, a tall and dapper elegant fellow is quiet and refined— PEONY (pronounced “penny”) wel known amongst the folks at the library has climbed each rank with a rapid whimsy, for which he has earned his respect and the seat he claims here, in this palace.
His jacket is of a fine side and velvet, trimmed with leather to match his strange loafers— trimmed with a golden and silver toe, to match the cufflinks and the belt, and even the tie, and appearing to be covered in gems and crystals.
Sir.
Thank you.
Another man approaches.
The dodo rang!
Of course.
Sit, will you!
Will I?
You might, or not, but i haven't the time!
Spare me the riddles
— but give me the rhyme.
The rhyme costs but one, pretty penny.
Only a shilling I've to spare.
Then one shilling will do;
One prune, and one pear.
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
For awhile I thought I wanted to be on SNL.
I really thought “maybe I could do that.”
Especially after all the 50th anniversary specials and documentaries and stuff, I was like
“This is speaking to me.” “I should do this”
“I've done stand up exactly five times!”
“I should be on SNL. Yes.”
So i started to think about it;
I got really into it, actually,
I'm like
“Yeah, i just gotta be really good st stand up, I'll climb the ladder…”
So i start watching more SNL, I'm playing along, i'm like “yeah, i'm gonna do this”,
And i start studying the history, and the people–
I get to know everybody who's ever been on the show…
And that's when I realized,
“Wait a second. I can't be
What's the short version of the joke?
Uh.
I can't be on SNL. You know why?
[Why?”
Well, I don't know– it either goes.
“Because i'm a Ravenclaw.”
or
“Because I'm not a Gryffendor”
I think it's that. See, almost everyone would immediately get the reference to harry potter if I said “gryffendor”
It was “I'm a hufflepuff.”
But i'm not a Hufflepuff. Jimmy Fallon is a Hufflepuff.
Sshh–that's later.
That's why I was breaking down the joke.
Ok. So how's it go?
So I start getting real familiar with all the players,
And that's when I realized,
“Wait. I can't be on SNL!”
Goddammit–I'm a Ravenclaw.
Almost everyone who's ever been on SNL is a Gryffendor!
Everyone!
Except Seth Meyers:
He's definitely a Slythern
(--and Jimmy Fallon–
He's very obviously a hufflepuff–
And they both have their own shows now so this says something.
Very obviously, almost everyone else–
Gryffendor.
[Insert Crowd Work?] –Perhaps…
You don't think so?
Watch.
You'll see.
I can't be on SNL.
I look, all I see is Gryffendor, a couple of Slytherin, and a very obvious HUfflepuff–
But no ravenclaw!
Goddammit!
Maybe we're too analytical. I don't know.
I'm not a Gryffindor.
Not a hater.
Just not a gryffendor.
It's a good house.
But i'm a ravenclaw.
Why the fuck am I writing jokes?
Cause it's Saturday.
Yo, but here's this dude–my favorite comedian of all time–and he's almost entirely improvisational.
But here I am, when I go on stage, and I just go blank. I can talk for hours to myself but suddenly i'm in front of people on a stage and I'm not myself. For whatever reason, I feel myself becoming whoever they think I am–and I can't know it–but I can feel it. So i stopped performing stand up, because most importantly, new york just simply wasn't funny to me anymore–I just didn't like it, or at least the part of it I was seeing–but maybe, the part of it that I was seeing was the only part I could see, because i was just myself. Almost as if I didn't deserve midtown–but didn't enjoy the rest of it knowing it was there.
NT. THE LIBRARY. AT DAWN.
Do you want to ride my little pink pony?
Ah, come on!
Ahem— do you want to ride my little pink pony?
-[a moment of begrudging hesitation, before he finally obliges]
Ah, yes; yes. I would like to ride your little pink pony.
Well, then.
The admiral slips the general a pink bank note, which at first glance appeera to be a 5 dollar bill.
It slips into his hand as he remains composed. Butultimately, he seems nervous, and somewhat defeated.
Later, sucka.
The admiral pumps his collar and walks away, straightening his back and giving a clever smirk as he walks away smugly— the general stands and also pops his collar a bit as his back stiffens and he stands for a moment in the center of the grand central ballroom; a luxurious dining hall, which is also still even more importantly, an wxquisite library. He turns to one of the shelves, passing by a waiter with a golden platter, who offers him o'derves; even the waiter seems a big smug, and the general, though keeping his composure, squints with a resentment, opting instead for a cocktail on the table beside him; it is clearly not his cocktail and now he is reflecting this smugness, the waiter shrugs it off and in an instant he is alone again in the shimmering opulence of the room; it's hard to believe this palace of sorts is hidden deep inside the crevices and hidden alleyways of a—
—ahem—
Sorry. You're right.
—tucked away in a secret location.
He turns to one of the shelves and runs his fingers along the grand row of books which happen to be at eye level; knowing the exact volume at which he places his index fingerc, tapping it above a blue book with a golden embodiment and a red seal; the book appears of course to be somewhat magical in nature, and he as well taps the cover three times before opening it to nearly the center, placing the l pink currency within its pages, and shutting it intently; as he does, the startling discovery ther an very smal man has been standing behind him for an undetermined amount of time… he jumps, but the smaller man does not merely even flinch.
CONSTABLE
Meow, goes the cat!
GENERAL
Agh…
And bark goes the dog.
CONSTABLE
Ahaha—
And what of the mouse?
GENERAL
The mouse calls not at all
(In unison)
Because the mouse has gone!/.
CONSTABLE
Aha!
GENERAL
Yeah, just.
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
I'm a size extra small,
What are you all on?
I lost all of ya'll
And then some
Sitting on the wall,
But I went over once
And once and for all
I went over up
I'll take breakfast
At Jimmy and Molly's
At Jimmy and Molly's.
I'm a mom.
I'll take dinner at Jimmy and Molly's
A bottle of law for the shrubs and a handful of Molly.
I'm in love and a little bit fucked up
I don't know what you want,
I'm a extra small, bruh
I'm a mom
And a model
I'll have brunch over Jimmy and Molly's
Jimmy and Molly.
I'll have breakfast at Jimmy and Molly's
(At Jimmy and Molly's)
I'm at dinner at Jimmy and Molly's
And I brought a bottle
This is grown folks talk
I just watered the shrubs
I might go to the club
Then the pub in the morning
The party at Jimmy and Molly's was awesome
I got gin and some tonic
I'm probably in love with the
—
SUNNI BLU blacks out in the SHRUBS after the wild party at
[Shrubs]
—well, it started at Jimmy Kimmel's house.
Where did you learn how to load a gun?
Nowhere!
[rapid machine gun fire]
I taught myself.
This is the worst map ever.
THE MAP IS OPEN.
Location:
HIGHLINE PARK, MANHATTAN.
THIS IS THE BEST MAP EVER.
What the FUCK is wrong with you.
Get down!
Ahaha! Ahaha!
Ppppppppppppllllllltttt!
—shing!
Bullets ricochet off of the giant pigeon statue.
SUNNI BLU
How much is it?
How much is what?
The bird.
IVAN
You want— to buy my art.
Yes. I will buy this.
This?
This.
It was the most beautiful thing I'd ever seen in Manhattan.
No neck tattoos.
I can't be thinking about you
While I'm thinking about
Not thinking about you
I can never get off on a handjob
Unless you reach for th heart,
Then claw, for the lobster
I need a vasectomy
The more I orgasm about you the more
Kayla's and Katie's and Madison's and
Marrianne's and Nancy's.
The harder I want you to fuck me
The more the
Lillies and Emma's, and Kimberlee's,
Lexies and Annie's.
(Can't forget Ashley)
I just bought a submarine
A submarine
A submarine
I just hawked a wedding ring
An ice cream truck
And a paraglider
I despise these guys
Should I try the spider
Either or
Fuck Mother's Day
Teacher's appreciation
Polyamorouses,
Models,
Bottle service girls
And other whores.
What a putrid fallacy you have
What's a project—
Fantasies in your habit m
Now's a nun
And a number
I been celibate three years
And I'm still not hungry enough
To reach low on the totem pole
For the frog
Holding us all up
I gotta call my doctor
Just to show up the pope!
Shut up, work harder
I work hard enough getting
Don't be dumb.
I'm not being dumb.
You're dumb.
I'm— not—
Don't be dumb.
DILLON FRANCIS and SUNNI BLU sit awkwardly in the indiscriminate parked car, facing towards the beach, as the Californian fog begins to roll in and obscure the clear view of the night sea.
It has been a long a turbulent week since the tabloids and press got ahold of their
—can or worms
—book of secrets!
Whatever shut up.
It's been a long week.
DILLON FRACIS
You know, you don't have to talk like that.
SUNNI BLU
Talk like what, Dillon Francis?
DILLON FRANCIS
You can just— be yourself around me.
[beat, and a long pause. The awkward tension turns to a deep and complex, serious silence]
SUNNI BLU
This is my real self, now, Dillon Francis.
Holy shit that weird clown statue in Santa Monica almost wants to make sense now.
DILLON FRANCIS
And you don't have to call me ‘Dillon Francis' anymore.
SUNNI BLU
Yes I do, Dillon Francis— because it's your name.
DILLON FRANCIS
I meant—
SUNNI BLU
Besides, you wouldn't like anything else I'd call you.
KENAN THOMPSON is an EXRAODINARY RAPPER— he is SECOND IN THE WORLE after SUNNI BLU and wants to put their ONGOING BEEF and DIFFERENCRS aside for THE REALEST COLLABORATION OF ALL TIME.
BITCH.
However,
Once beginning on the endeavor, the two rappers find it increasingly hard to get along with one another.
ABitch.
—watch out.
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
TROUBLEMAKER enters through the foyer.
Troublemaker— I never though I'd see you again.
— you won't.
Yo what do I owe the displeasure?
Fascinatingly inept.
Ahem, excuse me— to what do I owe the nauseating discomfort?
Better, but still no dice.
What are you going here, exiler?
“Exiler” well now, here we are making up words after a rusty start.
What do you want?
Where are they?
Who do you mean?
Birdsong and Hawkeye?
I'm supposed to know?
You do know.
Do I now?
Now— tomorrow— always and forever.
Don't play mind games.
But oh, a game it was to have given you the mark of the call in the first place.
The what?
I made my time with you and you alone; and you as well as I remember this; I know what you know, and I am where you are at all and any given times.
So then, you can find them all on your own.
Clever but not! Without seeing both eyes, I have none at all.
What are you seeking?
The hidden truths.
Well then; you're going to have to kill me.
Then I will.
MONARCH THE SUFFERER enters through the galley in extreme panic.
STOP, STOP! WAIT AT IT.
MEANWHILE
Okay, Conan, what gives?
Nothing!
Should this mean something at all?
This is innapropriate,
So you are—completely lucid.
Of course I am; I'm an astral traveler, aren't I?
I don't know what you are?
For now, as it appears, just a thought.
Well, if I give you my eyes, will you sprout arms or something?
The mystic waits and ponders; this seems to be an enlightening thought; filled with amusement, she replies.
Why, yes, Conan. Give me your eyes.
Are you serious?
What a remarkable thought. Actually!
Wait a moment.
Please be in jeans and a t shirt not a sweater or a jacket or a suit
When I please you want you to be my teacher
In this essence, you are light and I'm the truth
Feed me
See me for my demons
As I need your for your weakness
Only on the weekdays, and never on the weekends
We hiatus summers—
Smart, huh
DJs on the long nights,
Your festival seasons
Turtlenecks at Christmas,
No hannukah for Christians,
I'm waving at the Krishnas in the station
And I'm brace to even right this;
As I brace myself for impact,
Saving Grace is in its place
I guess the last days have to happen
As the last act take its placement
—Ace of Spades.
Somebody kill me
I need to get pass go
Collect $200 dollars
And never ever roll again
To roll the dice
To troll the doll
—someone's lost in the mall, alright,
I bet.
I thought it was a poker game
I even hoped,
But no,
Just lunch and cake.
Amen.
A dog in the host suit
On octopus arms
How alarming.
How are you?
I'm no good,
No good,
No good, America
No good,
No goon,
But too false for truth, America
No words,
No news—
Who ties the noose, America?
No time for booze, America
Just cut me loose, America.
Patrick! Patrick! What about the offer?
There was no offer! I lied, to you!
But why would you do that?
To get the most out of you.
Well— you certainly did do that.
You certainly did do well.
Certified freak;
Shh,
I can't leak the secrets.
I could be speaking in codes,
Or keep cleaning my creases with bleach
If you mean what you mean,
Death.
I sure do think,
You are in for
The ride of your life
The ride of your life
I sure do wish,
That I just didn't have eyes m
Just didn't have eyes
Just didn't have—
Here's a thought:
who'd you wash in the laundry?
Were you hoping that I'd wander?
Mayday — lost focus
That is just not your business!
Keep it simple
Keep it tie dye
Keep it strange
And keep it rowdy
Keep it pushing
Keep it pouty
Keep it off the walk
And show now panty lines
No petty theft
No truth remarks
No sighs
No heavy dining
Bleeding
Eating
Breathing
Thinking
Where were for you when I marked you though and then?
This is no Romeo and Juliet!
Did you forget your lunch?
Oh you forgot,
You know
I'm just old fashioned.
That was passionate
For a paraground in parameters of iambic
Drenched in suffocating silent
Lock box
I have the option
I have the option
I have the option
But I'd rather not!
Ha ha
Charade you are
Ha ha hav
Show me what you got
Ha ha. Ha ha
A hallmark card marked
Penny in a fountain.
That's the address,
Well, send it back then!
Which fountain?
Which penny?
Which wish,
Which which
And which Christmas.
I don't get it
I took a half wit plastered bastard and had him hammered into a masterpiece;
Now I'm the madman.
Now what's the matter?
Now what's the difference in a fan and a friend
Or a cat in a hat or
Peanut butter jelly and a baseball bat
Is it just as indifferently anyway just another day
In fact,
It's opposite independence
Interestingly in this circumstance
I am imprisoned
Listening to indefinitely
And whether or not I'd never admit it
This
Is
In me.
Never friend,
However,
In the final act,
Holding hands as the curtains lift,
And the audience stance,
The simple tremble of a pulse
Which resembles the flicker of definite grip
Rather publicly,
In fact,
Center percentium
How's that for a show of affection?
The drop of a hat,
Or as light as a feather
Who goes there
Or yonder.
“I ponder on that,”
“Very often”
Said Cheshire Cat.
Don't forget how long it's been since Alice had originally fallen,
And that all along we've all been in and under, up and down in
Wonderland.
(and also, it's the phantom of the opera)
Come crashing down now the silvered chandelier of crystal and of course the precious iridescent diamonds.
How remarkable the art but perched and parched above it he shadow lives in sawdust
And showtunes
And auras
And hauntings
And mayday
And mating calls
And over all
The body calls to rotting soul
To find a plug to pull
A bull to taunt
Another fan that wants you.
What the fuck would love fall upon of not the shoulders of the golden one.
You're doomed.
I don't know what that means.
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
In THE BEFORE TIME, SETH ROGEN is PUSHED down the JEW PORTAL to an unknown realm across infinity; this ultimately leads to his villainey in our current web of multidimentional-fuck-plots.
Why are they “fuck-plots”
Fuck. Watch it—
Ugh!
Plot hole—
Fuck— plot hole—
Dammit.
You lose.
Yo fuck you. I had to Jew this the old fashioned way, alright.
How'd you get in?
Through the eyes.
Are you serious.
What.
This guy.
Why! What!
Nevermind.
Hey, fuck you.
What!! How did you get in?
You don't want to know.
Are you serious!
I'm not even allowed to say.
Are you serious?
Like, ever.
I wonder what's wrong with me that this weird shit keeps happening.
This is weird, right.
Yes.
Like, you're—me.
Like, I'm you.
I'm you.
Gross.
Anyway, Jew bot.
No. We cannot have entire episode where—
Jew started it.
Oh god.
Jesus Christ.
And I'm better at it.
Suddenly everything's
Not only blue but cerulean
As if I spoke rules into effect,
With just enough effect to let it happen
TIMMY'S DAD leaves to play poker, however, because TIMMY is on heavily restricted HOUSE ARREST, his father has hired his old babysitter VICKY to watch him while he is out, VICKY, now pushing 50 (or at the very least looking like it), has not aged well— she is a haggard chai smoker who has developed a large and hair SKIN GROWTH
don't forget about CARYN
Oh yeah, huh.
Hey!
Uh, hello.
You're Whoopi Goldberg.
Oh?
Yeah!
You must have me mistaken.
No, I don't.
You certainly do, love— not to worry. It happens all the time.
No, I know for a fact you're Whoopi Goldberg.
That sound very Jewish.
Yeah! Exactly!
I'm from Brooklyn.
But—
My name is Caryn.
I— yeah but—
This is my stop. Nice to meet you, uh—?
Nevermind.
“Goldberg” sounds Jewish, doesn't it?
The friend nods and the two
Ugh I think Jimmy Kimmel is in hatus and I think I might die.
Right guierllmo?
Uh, right.
See how much faster it moves than you,
Weeping,
And creeping up, keeping these things as a secret is freeing
Becomes secret
Did you leave it signed in
Is it within season,
A distraught out of of work and very struggling actress (MAYA RUDOLPHish) has an exceptional (read: exceptionally bad) audition with a well known improvisational theatre troupe which offers the opportunity to sometimes tour and escape the drab and hostile New York cityscape–although the offered reasoning for declining her application for the open position, despite her “perfect pitch” was that she simply wasn't “ugly enough”, after a disgruntled shouting match with the theatre's janitor ends in an explosive food fight in rampant outrage, she is hired for the position and “initiated” into the crew; soon she learns ‘The Uglies' are no ordinary band of misfits–and now adventure awaits on the sometimes open road to who-knows where.
“The Uglies” (working title)
Comedy, Ensemble, Episodic
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
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This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
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[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.