[ENTER THE MULTIVERSE]

[ENTER THE MULTIVERSE]

By InsomniacArts
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[ENTER THE MULTIVERSE] episodes

  • [009.]

    THE TREE PEOPLE greet QUESTLOVE warmly into their abode with open arms. He is in awe of the intricate beauty and allure of the hidden land amongst the trees.

    In essence, they have been expecting QUESTLOVE'S arrival for quite some time; though he quite innocently only had wandered up the tree, initially to have a break from the wild party below, he in an instant found himself at peace there, and soon his new friends, calling from the peaks of the interwoven world

    Oh, lol ‘The Roots' –I get it

    Shh. Not yet. We're almost there.

    Lil bitz

    So I go to tranfer trains out of Manhattan headed toward Brooklyn and I head to the airport be of the platform, cause that's where my car is

    And there's this crazy guy like freaking out

    Like

    “Aghhhhhhhhhhh!”

    And everyone is standing away from him, like, at a safe distance, and I'm lik, suicidal like

    “Meh, we are the same.”

    He's freaking out, he even gets real close

    “Ahhhhhhhhhhh!””

    I'm like

    “Fuck it.”

    So he's freaking out— and that's not the funny part— “

    That's actually very serious— serious mental health problems New York City has—

    But the funny part is this dude is kind of realizing I'm the only one that isn't standing away from him, and so he gets closer, I'm like “whatever, my crazy is in the inside, it's okay”

    But the funny part is, the rain starts coming, so people start getting closer and up comes this lady, and without saying anything, she sees this dude is kind of close to me and like checks up on me, just naturally—

    This is why I love New York, this was a sunny display of human kindness, without saying anything—

    She kind of just comes up with her umbrella in both hands like a fucking baseball bat and she's like

    “You good? I got an umbrella!” And just kind of smacks it against her hand like a police baton, she's looking down this dude like

    “Batter up, bitch!”

    I'm like

    “Thanks homie, damn! But I'm good, like…

    I'm about to jump in front of this oncoming train— that shit's crazy.

    This guy's okay, though, he's really not..:

    You know.

    “I got an umbrella!”

    Daaaamn homie! Okay!

    The immortal Citezens bigade

    The temple of sound

    Corpus Unam

    It started out st TiTs, but it ended up at TAINT.

    STEFON

    Isn't it wonderful?

    no! This place is gross!

    I want to go home now.

    JOHNNY DEPP finally wakes up from that nap.

    He looks confused.

    Which club was it?!

    It wasn't a club!

    I told you a spade!

    But I have four aces

    I have four aces

    Vegas will all make sense now

    Every tattoo is a closure

    You lose your composure when you come close so,

    Write me a letter

    I hope you feel better, with medicine

    I hope every note I ever spoke or wrote about you

    Pulls your hair grey

    Or out

    Until it's all gone

    I'm sure I'm a problem

    I'm no Monroe,

    O'Fallon

    Suddenly it's back again

    Like a flash, I reacted to the paralyzing waves of danger

    I sense on every strange aspect of this

    Garage lined industrial turned residential

    Dumpster to a nightmare

    And I'm sure

    I'm there

    I saw you blew it

    And evacuated;

    All day my brainwaves are

    Will Forte

    Leslie Jones

    And Dratch

    In no particular order,

    Last night was a whole show

    I had Eddie Murphy over

    For Richard Pryor

    We all won Oscars,

    Is that not the most remarkable thing

    That ever happened on this block?

    Show people

    I got no morals, no decorum

    No noteworthy

    Toolbox

    No trustworthy robots

    Not a dollar to my net worth

    I own networks, all of them

    Merge them all into a media conglomerate

    I grow doll hair out of my pretty eyeballs

    I don't go where the sun don't shine

    So the sun don't shine at

    Rockerfeller Plaza.

    AHAHA charade you all are

    And I'm just Monday

    Hot gossip

    Just fall out, blossom

    Just got hot dollops on a lot of chocolate

    Armed library coture

    And if you're not sure if or not I've lost it

    I sure have,

    You won

    But I'm all for one

    What'd you call it

    Rotten mouth show

    Rotten acoundrels, candy apples

    I tipped four hogs over

    Your lost faux of conciousness on

    All of the waffles

    The Oscar's was the award

    Cause

    God

    Sure

    Loves

    Conan

    Fuck you hospital hoe.

    I know

    I failed SNL

    Before I even got started

    Hidden

    Silent

    Cosmic

    Circles

    But still

    Sometimes

    I can't help

    But love them all[Liz]

    JOHNNY DEPP

    … is this the Boom Boom Room?

    No, Johnny. It is not.

    I asked for The Boom Boom Room!

    I saw Beyonce on the ride home

    But I don't wonder why were wonderful

    I just roll on.

    Something like troll under a bridge cause

    That's where it is when you wriggle it into your middle finger just to dismantle the antics the candle the hammer the mattress the fell on the family the Fallon the manhole the

    Gasp!

    See I told you it's a trap.

    So why not impale your life on the rim of the holy grail,

    Holy hell I skipped supper seven days just to acquire

    A cigarette lighter

    I see Tina Fey in everything

    When it makes sense

    And sense when did I get this obsessive about

    Nonsense I was just

    Never that fucking interested in?

    Sitting in the kitchen without pants on

    Hair half braided hating my apartment

    Like I forgot I was lucky to have one

    But what fun is it in a dungeon

    When in any direction you escape

    You take the L!

    I failed at l finger economics

    One

    Two

    Three

    Four

    I

    Declare

    A

    Thumb

    War!

    And the world keeps going

    Like over and ovver,

    But those two dumb dumbs

    Are still thumb warrig, and so the story goes

    On and on

    Like I never fell off the roof,

    Like I never turned my tv off

    Like I never wanted Timmy Turner

    Like i'm not about to run a life up my arm

    Like I'm lying about the psychotic

    Like I can't be anywhere but here?

    My circle is bigger

    And my friends, are fans

    And my fans,

    You're a fan of

    Hire a lawyer

    To fight a white girl

    Who slams doors

    In the Trump World

    No thanks.

    I'd rather be buried alive

    Then at least it's quiet.

    Just be glad you're alive!

    Why?!

    If I'm not thriving

    And trust me as I sit writing

    The uglies are warring me out of the world I belong in.

    This one is suffering and dollar bills

    And whores

    And dollar bills

    And whores

    And dollar bills

    And whores

    But you'll never know the answer

    Without words

    And son,

    I just don't want to have them

    No, I never want to talk about it

    Unless you're the Oprah

    And why would Oprah even want

    To open the apostle up,

    When I just told the decoy

    Every other problem

    I've ever had.

    Wonder what?

    My words are words,

    And long after the world turns over

    I'll be remembered as someone everyone loves

    For writing about how no one ever really loved her.

    So I cry until my stomach hurts,

    And I catch the door before it slams,

    And I never kick the cat, so the cat comes back

    But

    Fans

    And fans

    And fans.

    I never kick the cat,

    So the cat comes back

    And fans

    And fans

    And fans

    I never kick the cat

    So the cat comes back

    And I can't hit her

    So she acts like that

    So she acts like that

    So she acts like that

    And fans

    And fans

    And fans

    {Enter The Multiverse}

    [The Festival Project™ ]

    {Enter The Multiverse}

    L E G E N D S:

    ICONS

    Tales of A Superstar DJ

    The Secret Life of Sunnï Blū

    Ascension

    Deathwish

    -Ū.

    Copyright © The Festival Project, Inc. ™ |

    Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.

    -Ū.

    1 hr 10 min
  • [0011.]

    C'cxell Soleïl is here, sir.

    What?

    She's here sir!

    Why?!

    THE GENERAL has only just sat down for supper— now, in the early evening, the room has been refreshed in tones of maroon and gold trim; candles which match the fine tablecloths and linens and longer candlesticks of white

    The room changes while youre in it.

    Of course. The whole place changes around you; it has to stay hidden.

    THE LIBRARY itself only exists within a magical realm; though portals have situated themselves throughout space and time, interconnecting with the mortal world— its layout changes intensely rapidly, especially depending on who is inside. Though appearing small from the outside entry points, the inside is a massive network— a literal palace of rooms, halls, and places from which the games of this secret society are played. These are entirely older-than-imaginable beings, barely in human form— to carry out certain aspects of the immortal world into the modern times; magicians, keepers of ancient knowledge, and certainly dieties of sort are often here amongst each other— and most importantly, amongst themselves. It is a house of mirrors, mazes, and obstacles.

    Why would

    Jimmy lock the Jimmy

    In a Jimmy?

    I don't know, Jimmy.

    Very well, Jimmy;

    I ought to know Jimmy conspires once,

    Jimmy conspired, once with Jimmy

    Aspired twice to become Jimmy

    revoked Jimmy's place throughout the ark—

    Beyond the stone,

    Go, Jimmy go,

    Before I awake—

    So much for Jimmy, I

    Jimmy run,

    Jimmy folds.

    The last thing I want to do is play poker with those old fools.

    Too late, you're going.

    Are you sure this is regular poker?

    …no.

    Why else would be it outside our jurisdiction

    “Jurisdiction”

    Didn't I say to look the other—

    What are you doing here?

    I was brought here.

    By whom!

    More like by what.

    By what then?

    You're impossible, you know that.

    THE PIPER has finally arrived at THE GATES OF DAWN.

    Release the viper.

    Right front of her eyes, I tell you—

    Pull up the nine, and the 4 of hearts

    Pull into Rome, midnight and call her

    Call to the forest, there is no more home for her

    There is none, there is none,

    There is no more home.

    Every time I take him in

    I must remember that

    His wife and kids are the best thing

    That have ever happened to him

    As he said

    And whether or not the band

    Wraps around the bent and broken digit

    I just simply remember that,

    I'm just infatuated as a friend

    I mark it like a mantra

    Just as adequately as the director

    Calls to action

    All the actors at the set;

    With no resentments

    Were all just doing our jobs

    All just doing our jobs

    We're all just doing our…

    Lessons.

    Come back.

    Not quite.

    It's not

    (Uh)

    There

    (Where you want it)

    Hold on.

    (Yeah)

    Sit tight

    (Where)

    I don't want to spoil any of it

    Boil all the letters

    Burning all the bridges

    Sitting at the forest

    (Where)

    There's the alter

    (Where)

    Really you didn't recogniz

    The moment when it happened

    But it's been pinpointed

    (Where)

    —but where is it?

    Cut to commercial

    But don't let it hurt you

    All of a sudde. My eyes aren't his,

    This isn't witchcraft

    It's just a glitch

    Did you miss an interview

    Or is it that you're just disinterested

    Or disintegrated

    Itergretion, intergers and interference

    Running backs and runners,

    Gymnasts, models, other lovers

    Alcoholics

    Now it's not so daunting, comic

    I'm also sort of off and autistic

    Obsessive with narrow vision

    But glimpses of the ever bending present

    Is indeed a gift

    To know I left the letter

    Letting it get soaking wet

    Before they ever even read it

    Know the news,

    Wave the wand,

    Wind the whales,

    Dig the hole

    Burn the bridge,

    Burn the ace

    Throw the cards,

    Get the day over with and won't you know

    There's

    Something wrong

    I think it's simple to tell

    The wind will whistle when It's good to win again

    There are

    Ten men to a collar

    Ten phones to a number

    One call to a voicemail

    And all of them know her

    Now, take it all back before the bathwater stagnates

    Would you make it in this day and age?

    No,

    I'm glad that you hate me.

    4,000 years later and all of a sudden

    The pact is clear and consise

    As if

    As it

    As if

    Turn it on its head a bit

    And light another candle

    Get the glitch out of your

    Obsession with the asshole

    And wrap you head around it

    Found a sweater

    Pick it up and pray that it just

    Isn't bewitched,

    But sickness is sickness

    Whatever it is

    This is comfort food

    A comfort blanket

    If I hate myself enough

    Then all it does

    Is put the elf back on the shelf

    The trophy back inside the case

    My eyes go back inside my head

    And everything I ever thought

    Just stopped

    And dissappears into the heavens

    Wherever it goes

    Before it gore

    Around and and around and around and around

    4,000 years, and now we're here:

    The mirrors

    Man and Mr.

    And it might be snother million years

    Until I see to hear

    But this and that,

    The dance of dances

    Comes again

    And ebbs and flows

    It's not as random

    As it is sporadic

    And it's not that deep

    But it's also keeping secrets

    That precede this realm

    Or Space and time

    Or name or face

    And body, souls and mind.

    It could be another million years,

    But it comes around,

    It comes around

    It could be getting wider,

    But it's steady going down and out

    It comes around when it comes around

    27, were it ended

    Now it's umpteen years into the after life

    And we're shadows now

    Just projections of such,

    But it wasn't once

    More than just a thoughtt,

    Becomes a story

    All the world was just the thought

    And then a song,

    The dance that came along

    Is simply steady moving

    Is simple steady moving.

    All of the world,

    Was just a thought.

    Watch with one eye open only

    First the right

    And then the left

    Covered over with one closed palm

    So you know how old you go

    One foot forward

    And no coals to walk over

    Rolling rolling,

    Your role is

    One off,

    Now too off

    Now too late

    But what you process

    Is your whole world over

    The goal for the gold?

    Oh, no,

    Warm Sundays

    Try to warn her

    While her heart is open

    To fucking close it

    Keep your friends close

    And your Fallons closer.

    There's no trust in the golden auras

    There's no honor in golden globes

    If you don't work for them

    Know doors open and close

    And open and close

    And you don't blow smoke,

    But you just keep moving forward

    Just the idea if him will kill you

    Whether with guilt or otherwise,

    And now you know

    And now you know

    You're on no sugar till the goal

    You got your cake and ate it, too

    Oh, the way he cries in the confines of my mind

    The blood would curdle

    The tears that seared my soul dism through the wall with every color

    If his was a shoulder to cry on,

    If God was a cover for longing

    Yo. Where the fuck did Patrick come from?

    He just showed up.

    I don't think he owns me so much

    As I want to know

    I don't think I'm lonely

    As much as it's I'm alone

    What are you looking at

    Well, I don't know yet

    What are you asking?

    I can't.

    There's a mask there

    What I want to know is,

    What is this pain?

    What is this pain in him?

    What is this pain in this?

    What kind of psychic sense

    That lives in my back;

    I just hope that's the last of it

    What a weird kid.

    Do you ever get in the shower and not feel like being wet?

    “Ugh, no.”

    “Ew, water.”

    That happens to me sometimes.

    Anybody else?

    I realized at a certain point this is probably like a sign of severe hydration.

    My body's like

    “There's no water on the inside, why should there be any on the outside?!”

    I promise is not a hygiene thing.

    I love being clean.

    I usually love showers.

    Just sometimes, I don't know. I'm like, a cat

    “No, fuck this.”

    Have you ever tried to give your cat a bath?

    Try.

    Semitus, Semitus

    Relax the semitones

    Verdis Quo varitus

    You still aren't coming through!

    Varuq de Adonai

    Semitus, Semitus

    Verdis Quo, Veritus

    You still aren't coming through

    Cover up

    Cover up

    You still aren't coming through!

    Tau Kappa Epslilon

    You still aren't coming through

    Kappa Kappa epsilon,

    You still aren't coming through

    Kappa Delta Epsilon,

    you still aren't coming through

    {Enter The Multiverse}

    [The Festival Project™ ]

    {Enter The Multiverse}

    L E G E N D S:

    ICONS

    Tales of A Superstar DJ

    The Secret Life of Sunnï Blū

    Ascension

    Deathwish

    -Ū.

    Copyright © The Festival Project, Inc. ™ |

    Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.

    -Ū.

    1 hr 7 min
  • [0012.]

    Oh, we're playing piñata,

    Are we

    Spin around and

    Cover with the hands your eyes,

    And face the sky

    We're all just a bunch of mucks

    In as much as a scum world

    Look what's under us

    Don't become us!

    (Force your monster)

    Learn it

    Fear to fight the game

    And flee to read the banks,

    For not what chosen here hath also done

    This can encourage all you've loved

    To want you.

    Still nothing comes for nothing gained

    And nothing tied ur hands behind backs,

    Another game, but not piñata

    As there are none in our world;

    Just shattered glass and disco balls,

    Scuffed hardwood floors and

    [The Festival Project ™ ]

    Curious Muse(um) Part II

    PART THREE? WHERE'S PART II?

    FUCK IF I KNOW

    I have a headache

    I'm desensitizing

    I've been hypnotized, before, you know

    But there's just nothing like this

    The eyes no longer fit in my head,

    If you're interested, however,

    The shoes are custom

    Made to order

    Well, woah,

    It was just hello,

    And I haven't listened since,

    Instead, I flicker.

    It wasn't chance or purpose,

    Never in color or purple, deposit

    Limited tickets for entry

    Rub it out in the present, your head

    And eraser

    In hair and makeup

    Full dress,

    But I've never been later

    Listen, late

    (Never better)

    The end, if you get a good glimpse

    Or to capture attention,

    Attention,

    Attention,

    Attention, attention!

    Then we still get good in gold and silver

    Trip to trip your somber, sober letters

    Ten dimensions later

    Ten for ten and

    Ten men to a collar

    Definition fits, is it cause and effect?

    (I have learned my lesson)

    I never watch, anymore, I just listen

    A drift behind mixes reviews from critics;

    How's this for a symbol,

    Or cymbal to emphasize, emphasis

    Empathic but

    Envy

    —

    This is where it lives, I guess

    Gulps of inward air

    But until I keep it hidden, it is,

    The heart on my sleeves

    And without asking permission

    Excuse this,

    I went somewhere

    And I couldn't remember

    What is that I've already written

    For just a second

    Let's just be honest here,

    I'm not sure exactly what to do with this…

    Is it a rest day?

    It should be

    I've run about a mile every day for 10 days straight

    And it's still not enough, is it?

    SETH ROGEN is a HUGE ENTER THE MULTIVERSE FAN. In a quite sheepish and nerd like fashion, his new favorite pastime as he enjoys copious amounts of recreational substances, is an “obscure floating cult-podcast” by a mysterious author; he tries not only desperately to convince his friends that ‘this is the best shit ever'

    This is the best shit ever—

    But also rally his industry buddies written into the series to give the series and its script a look and listen for themselves; even those who he's certainly not even really friends with.

    Have you seen this?

    What is it?

    It's like a— podcast.

    I don't do podcasts.

    Well, wait—no— it's not just a podcast— it's like a cult— show—

    “A cult show”?

    No— well it's like a?

    Please, leave me alone.

    {Enter The Multiverse}

    SETH ROGEN

    (Smoking a bunch of weed)

    V.O.

    Maybe if I take a gentler approach…

    (Stoned)

    Have you seen this?

    Seen what?

    Well— you're in it.

    I'm what.

    Yeah.

    Let me see.

    What is this?

    I know, right!

    —I didn't sign off on this.

    Well it's “fan fiction”

    What?!

    Technically— look, it's like—

    What the fuck.

    Yeah, but—

    — what?!

    Yeah, but—

    What the fuck!

    But there's more!

    Whaaaaaaaat.

    Yeah, I know.

    Slowly but surely, his celebrity buddies and even a few of his non-famous nerd friends have formed a fan club, growing in numbers seemingly by the minute— there's even a group chat.

    *notification*

    *bloop*

    Hahahahah.

    *texting*

    Ahahaha.

    *bloop*

    Hahahah. That's sick .

    *texting*

    *bloop*

    What are you doing?

    Oh. Remember that podcast I tried to tell you about?

    *blooop*

    *bloop*

    Aaaaha!

    The—fan—thing?

    *blooop*

    Hahaha!

    Yeah.

    Yeah, what about it.

    Well, there's like a fan club now, and we have this group chat, where we like, all send eachother like— memes and stuff—

    “Memes and stuff”

    Yeah, and like jokes from the—

    You'd have to—

    Like you'd have to listen to understand.

    Oh. I see.

    Yeah, and like, nobody knows what the creator looks like, so we like, draw cartoons and stuff of like—

    With like—

    *bloop*

    Oh—

    *bloop*

    You know,

    Yeah,

    I—

    *bloop*

    Wait, you don't know what she looks like?

    Well no—wait— how do you know it's a girl?

    Well, I'm assuming it's a girl, you said it's like fanfiction, right?

    Kind of, but—

    So then?

    Wel yeah, it would be weird if it was a guy, I guess .

    Yeah.

    Yeah, that might be creepy.

    — so why don't you just look her up?

    Huh? I don't know man. She's kind of a ghost,

    A “ghost” well, what does that mean.

    No social media, no website or— anything. You know .

    Underground

    No, I don't know.

    Oh. Then you don't know.

    Well. Wait— Aren't most of you guys pretty wealthy?

    So?

    So couldn't you just like—

    Like what, broh: don't be gross.

    No, I mean— wouldn't it technically just be like, relatively easy to find this person?

    Then that would be weird.

    The whole thing is weird! This person is writing about you about people they don't even know—; you don't know eachother!

    I don't know, man, technically— like

    From a spiritual perspective or whatever, I don't know-

    Everything is connected.

    What!

    You'd have to listen to the show it's like a spiritual ascension thing—

    What

    Based in the mutltiversial—construct.

    What!

    You'd have to know! Okay!

    Okay, okay, fine.

    *bloop*

    *bloop*

    *bloop*

    SETH ROGEN squints annoyingly and hunches over his phone.

    {Enter The Multiverse}

    [The Festival Project™ ]

    {Enter The Multiverse}

    L E G E N D S:

    ICONS

    Tales of A Superstar DJ

    The Secret Life of Sunnï Blū

    Ascension

    Deathwish

    -Ū.

    1 hr 1 min
  • [0013.]

    Oh that's right.

    Lorne Michaels doesn't sound like Austin Powers—

    He sounds like Dr. Evil.

    Dead wringer.

    I don't know how I could mess that up.

    The Mike Meyers part?

    Was he both of them!

    I don't know— was he??

    Jesus ChristS

    This is all your fault, Seth Meyers.

    Are you— a cinephile?

    Oh yeah. Of course. I love cinnamon.

    Idiot.

    So my insides get soft

    When I see your shadow

    Listen

    Everything glistens when it's golden

    Perhaps then

    If it isn't yellow

    She don't got a soul

    But she sure do got a body

    Dor dor nyc

    TRACY MORGAN

    OH YEA. I DID SOME WEIRD SHIT THIS MORNING.

    Tracy! What weird shit!

    I don't know! I just know it was weird!

    Wait, Tracy— what happened this morning.

    Well, the first thing was— I woke up.

    Yeah, after that.

    But not in my normal places that I wake up!

    What do you mean.

    Well, that was the first thing that was weird!

    I woke up in BROOKLYN.

    Why anything I like gets odd at Bedford

    And why

    Anything I like

    Just thinks I'm scum

    Imm succumbing to the numbness of the public

    And I love it

    But I love it cause I'm wholly made of love

    I don't even live here

    This place is filled with demons

    My home is filled with dead things

    The difference is the spirit

    We also come light hearted m

    We also formed from stardust

    I wonder what's

    SETH MEYERS finally gets out of the box,

    The problem is now, that he's marooned on what appears to be a desolate island.

    It's not entirely desolate, however— this is SUNNI BLU's island, on which there is a huge days long party

    Props for having a white mom

    I bed she adores you

    I can tell by your clothes

    And what you know

    That you're not

    Supposed to

    My mom

    Had no rules

    But was beautiful

    Suited me,

    But I'm not beauty queen

    Really I'd rather have a white mom

    I'd probably be discovered on

    Girls gone wild

    {Enter The Multiverse}

    If my Shazam can hear it bro it's too loud.

    Fuck this place.

    SETH MEYERS

    You blacked out under the Christmas tree.

    SUNNI

    Oh. I'm sorry—

    SETH MEYERS

    —but first you put up a Christmas tree.

    SUNNI

    Wow!

    #theblackout

    SETH MEYERS

    Yeah, i'm—seriously impressed, but..

    SUNNI

    —-but what?

    Seth Meyers

    SETH MEYERS

    I—just don't understand how you got into my house.

    SUNNI

    Through the chimney, obviously.

    SETH MEYERE

    That's—I don't even have a chimney.

    SUNNI

    Yes you do!

    (He doesn't)

    Alternately:

    Or—

    (Didn't , previously, however—)

    SUNNI BLU has a CHIMNEY installed for an elaborate pranking, however,

    —DIE—

    !

    Ok.

    —Due to the elaborateness of this prank, belligerent drunkenness then insued, which resulted in—

    SUNNI

    —well, were there presents?

    SETH MEYERS

    I mean; besides yourself?

    SUNNI

    Is what I'm asking!

    SETH MEYERS

    Yes! And they were really, very nice, but look—

    GOTH SETH ROGEN is killin it.

    Was this not about to be GOTH SETH MEYERS?

    By some awful Freudian slip, yes, it was— but that can't happen ,

    Why not?

    Cause that guy's still locked inside a hot metal box.

    Actually, I'm not,

    Whaaaaa??

    I'm like— on an island.

    Oh.

    Yeah. That's right.

    Marooned. On an island.

    That sucks.

    Yeah.

    So why can you hear us, like?

    I just figured imm hallucinating.

    Oh. Right, right.

    He doesn't know he's on the TV?

    I don't think so.

    Oh, I know I'm on TV, it's just—

    Shh. Let's get out of here before he—

    Actually, let's just turn this off.

    *off.*

    Phew, dodged a bullet there.

    Close one.

    Yikes.

    Thank goodness.

    This is getting meta.

    —aaand i'malone again.

    Christ

    CHRIST appears beside Seth Meyers on the island.

    Oh, it's you again.

    Hey, guy.

    What did you want?

    Out of the hot sticky metal box— but as you can see, I did that on my own.

    Hey, look— I get all my messages at the same time, alright?

    Do you not have a beeper or something?

    What year is this?

    Says the dude in the robe.

    Watch it.

    Fuck.

    Crisis.

    Speaking of Chrisis—is Jimmy Fallon Still suing me?

    Probably.

    I hope so,

    MEANWHILE

    Sorry but it had to be done

    Somehow I'm all for it

    I got holes in all my socks

    Like I got golf at 9 o clock

    I was bionic

    Now I'm supersonic

    Toxic for the hustle

    Russell brand up in this bitch

    Promote my brand up in this bitch

    Throw some hands up in this bitch

    Smoke some ham up on a sandwich

    Sand up in this castle

    Throw a flag up in this beach (bitch)

    Land Hoooooooooooooooooo

    Land hooooooooooooooo.

    Land ho

    Ho

    Ho

    Can applause

    I'm Santa clause

    I'm man;

    I'm a

    Possible

    Option for

    Drama

    Atlanta

    In a

    Cadillac

    In the

    Back with the

    Bosses and

    Models

    I got

    Bottle service

    Hold the phone

    My servitor say

    Already won an award

    And it just got awkward

    Cause I don't finish the song

    Tomorrow

    Flight to Auckland

    (Oy oy)

    I am her

    Boy toy

    We pick up some

    Mai tais

    Then she

    Ride on

    My thighs

    She just right

    A size nine

    And I like her eyes,

    Eyes,

    She don't want no ICE,

    Her life on the rocks

    already deported her twice

    From where I'm from

    (Aye aye)

    Some time this shit don't make no sense

    So I brought Christmas presents over

    Wearing cookie monster's—

    SETH.

    What.

    I had Cookie Monster's— uhhh— cookie monster's uh—!

    Cookie monster's what—

    Creepy puppet thing

    The actual puppet?

    YES!

    Why—?

    On my hand!

    What?

    IT WAS PART OF THE JOKE!!

    What!

    Oh NO, SETH MEYERS.

    What is happening right now .

    I don't know. I'm still drunk! But we gotta find Cookie Monster.

    What!

    The Cookie Monster fucking—c'mon. Let's check the chimney!

    I don't have a—

    CUT TO:

    …you built me a chimney.

    Technically, I had a chimney built for you, Seth Meyers,

    WHY.

    IT WAS PART OF THE JOKE.

    WHAT WAS THE JOKE! I FOUND YOU DRUNK UNDER MY CHRISTMAS TREE.

    It was MY Christmas tree!

    IN MY LIVING ROOM.

    [beat]

    This is just bad office politics.

    I'm your boss.

    I resent that.

    I also resent that.

    So—wait a second— as part of this “elaborate joke” you also stole a Cookie Monster puppet.

    I didn't steal it. I own everything, basically, pretty much.

    Okay— so wait, wait— what you're telling me is that when you came through the chimney—

    Yes—

    Which you built on my house— somehow within out my notice—

    —you take long vacations and your security system sucks—

    —that's—

    Also I hacked your security system.

    —for a joke?!

    …did it land?

    WHAT.

    I'm trying new bits.

    This scene is running long.

    —I'm gonna make some calls.

    Enter The Multiverse}

    [The Festival Project™ ]

    {Enter The Multiverse}

    L E G E N D S:

    ICONS

    Tales of A Superstar DJ

    The Secret Life of Sunnï Blū

    Ascension

    Deathwish

    -Ū.

    Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

    Wait something got kerfaufulled…

    No we're jumping parallel's it's this season's theme.

    What's the theme?

    THE REVERSE QUANTUM SIMULATION THEORY

    [REQŪÏSĪTE: The Experienxe]

    [postponed until further notice]

    Lulz

    1 hr 14 min
  • [0014.]

    Shake hands with your guest;

    Monologue, monologue

    smug smirk

    Make good face–

    Now put a name to the face

    Put a time to the place

    IOh, all the love in the world in three flames

    All the doves in the flock,

    And three flames

    Put a name to the face

    Monologue monologue

    Doesnt take long but

    When do i get to slap the desk?

    Johnny!

    What happened?

    Whats the

    10 vodkas,

    Five spritzers

    Full figure

    Figure this

    You were out for the count!

    Do tell!

    Or better yet, don't.

    I remember tgis mologue,

    But i dont know how

    16 hours ago,

    I was

    Out for the count, you say?!

    OUT, Johnny! Our market is livid!

    lol who plays john carson

    Your mother.

    YO! I'M OLD!

    I LIKE OLD DUDES NOW!

    I'm like

    When the fuck did this happen?!

    That ain't no SILVER FOX!

    That's a TOTALLY CUTE DUDE!

    HE'S 55!!

    OH NOOOOOOOO!

    i'M OLD!!!!!!!

    its wednesday eve in Boston Mass…

    SETH MEYERS!

    Ah, he's going for it.

    Ah, man.

    SHOW ME YOUR EYES.

    Fuck.

    SHOW ME YOUR EYES!

    SUDAKIS shines a bright flash light into his former colleagues eyes.

    …You're not Seth Meyers.

    Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now.

    Where's Seth Meyers?

    Seth shrugs but still doesn't say anything–

    Where is he?

    I have to stop here;

    Cop out for body language

    somebody's watching

    Somebody knows who I am

    I am

    I remember now

    You looked like that

    It went like this:

    I moved the world

    The need was good

    The love was gone

    The vein was split open

    And broken

    No fair

    Also, no omletts

    60 minutes

    60 years

    and 60 second clips

    60 second glimpses

    60 men on television

    but really, my attention just centers on

    Around ten of them or so

    And believe it or not, I care

    approach.

    Believe it or not, I care

    Or don't!

    –or don't!

    Johnny! You don't get it! You missed a show! THE tonight show! We are fucked!

    we are NOT!

    youre still sauced.

    I'll just take the car!

    What car!?

    Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable.

    Unfortunately, it appears his delorean has been switched with a regular one–

    If I shoot you in your forehead?

    I'd rather that, than this.

    And I kiss you in your temple?

    Dear templeton, my simpleton's i'll die

    I desire.

    A wicked want.

    And then?

    A callous shadow,

    If i may,

    To bear for nothing,

    But a mirror

    This is our concept

    And wilted her e the flower does grow the flame

    The faming true and ache of lust

    and there

    For our want

    a jasper shore and emerald cascades

    there you are,

    And there you'll find

    The wave beyond the peaking break

    where great white sharks reside

    But do not wade to shallow waters;

    And there you find peace,

    And there you find certainty

    But now,

    And here,

    is war

    And fortune not but seeks truth in the gaze

    And for fear there does not live, but hides instead

    the truth that seeks to guide the lite,

    And yet does know our trust

    And there does find the faith,

    Forward and not

    Upwards and back

    Arrow and arrow

    Truth and sparrow

    Wreaking and wretched thoughts

    And the rope does hang high and solemn

    Looking, leap and gasp

    For I fall but did not land

    I pulled for you,

    I weep, my shadow,

    The two of diamonds,

    the Ace of spades,

    The Three of Hearts,

    Without my shadow

    I weep.

    I know for you nothing but conscious and knowing and needing and fated departure.

    I know for you nothing but chakras and eyesight and shadows and foresight.

    I need fo you nothing but want and by conscious, departure

    For nothing I want you,

    I weep.

    Sorrow.

    On approach of danger,

    The knowing,

    On seeth did gather,

    the sinking ritual

    the carried tribes in ships tied,

    weaving strings

    The spider bites hard

    And she stole my love twice

    And she stole my love always

    And she stole my love

    Lighting my light wit blue eyes

    The deception

    If love could be stolen at all

    But if not

    Then not love

    for seeking is finding

    and gathered had hunted

    And truth in forbearer

    Forbearance and otherwords,

    Shadows and shattered

    and ferris wheels,

    Now forward

    Gathered here for are I trust

    And be dismayed for you have faltered

    You have failures and you have cast us

    out of these things thinking

    We have not made them for you

    And still we seek to gather with you

    And here does forshadow your making

    Our promise to come as ones,

    Not as Gods,

    But as others,

    you cast out.

    Now, with your wicked ways and cruel be done,

    for sure the tables have turn, one

    And the gallows have not wandered far,

    Barrels of guns and barbells

    bottles and hearts of three

    reading cards and wanting none but justice

    Is he and she who are I now

    Begin to run from your pitied structure

    And there in the gasping cruelness of seeking from warcrimes this,

    come what may,

    Moving and seeking,

    For seeking is finding,

    And run, my legs have come far

    But trust, my dove,

    My wings have too, sprouted

    An honor, an honor

    one candle and three wicks

    Three candles and three worlds over

    One world and one building

    and still far from under the Hollywoodland

    Crickets sounding

    The Hollywood Sign

    Still standing and here I am not,

    Blades of grass

    And who are I now

    Of that which you balk at

    Look, ponder

    Go, far asunder

    And wish now had you not

    What I am

    is that,

    Run

    Temper temper.

    Mind your business.

    Is it gathered?

    To burn, or burden?

    Gathered.

    Gathered here.

    Then here ive wandered.

    To stake?

    Argue.

    I will not.

    And I will not.

    Wiry bird,

    From where you flown i do ponder–

    re d with spirit and wilding eyes,

    Narrow server and paring wires;

    I do not wish to know you now or ever,

    But only as bird that does golden remember.

    The love has not gone,

    And instead lives in my throat,

    And twists in my lungs,

    Ans sits in my tongue,

    Not as speech, or whispers,

    But tragedy.

    Unknowing this, my tender being

    It can never be, the nervous hill

    And rolling down the hill as if

    The weel of time itself,

    Not unbroken,

    but resilient;

    In sll ways, meant to tear

    And turn,

    And wobble

    Made for terrain for which our eyes have known

    And our minds have built

    And hands molded wiith clay,

    The bodies whole of all our galaxies

    terra

    feighn

    Terra

    fine

    Terra wept tears of a clown,

    And iron

    And veins

    And shadows

    And plays,

    And secrets ,

    And whispers

    And truth

    And far

    And

    Afters.

    I taste a saline drip,

    I swallow,

    Suddenly cold and all the knowing that

    What I was,

    I surely already am again

    And what I will be,

    Has already come and past.

    The monologue,

    I do remember

    Face to a name and none to forget

    Well rehearsed forager!

    Well done bayonet!

    Well done, my shadow

    For my time is coming to wander to night

    And never today again

    for it shall never Today again,

    And

    Tomorrow, Tomorrow, Tomorrow.

    [The Festival Project ™ ]

    They said he would destroy me.

    …Ya'll were right. that fucked me up.

    {Enter The Multiverse}

    So…forfeit?

    Something tells me its not over

    The heavy heart is shattered

    But also tied to that

    which appears to come upward

    As if on air

    To be heavy

    And lighthearted at once–

    A shadow above a balloon.

    A rock is attached to a kite–

    A diamond becomes a bassoon,

    Then a vampire bat,

    and then

    Cut ties.

    In the fourth act, we all die, and now–

    A revival.

    I was crucified,

    But i was also suicidal so.

    Lets just call it a tie.

    L E G E N D S

    V.O.

    Crusher.

    My show was being subliminally plugged on at least two of the five major networks.

    Safe bet I could make it a third, but I didn't know where to check.

    I did…but didn't want to.

    There was much beyond the surface,

    Darkness in the glimmering eyes of the men in ties and uniformed suits.

    I was sure I was tied to something–

    And since I didn't know why,

    Or to what,

    The best bet

    I'm all in.

    Fuck.

    Was to stay broken,

    Under the radar,

    Hidden,

    and most importantly–

    Unspoken.

    These days. I kept more to myself than I could with the world–

    As it turned out…

    No, not yet.

    What do you mean?

    It's not time yet.

    They'll have to know.

    But not yet.

    At some point, they'll have to know.

    But not–yet.

    No time like the present.

    You made that up.

    Because you made up time.

    And it's stupid.

    This is ruthless.

    And again–they'll have to learn somehow.

    But not now.

    The sun sets at noon on our side, and still

    21 hours of dark time.

    Did I have another tag to throw on it this?

    No.

    Are you sure? Doesn't the new series have a subtitle?

    No.

    Is it not “quantum force”

    That's only one, though.

    What's the difference.

    ERMO, DON'T!

    I'm gonna kill him!

    BIG BOYD, DON'T EVEN THINK ABOUT IT!

    DOn't tell me what to DO.

    Wow. of course.

    Well yeah, they're not going to let me do–

    LAWYERS

    No.

    Any of this stuff with the actual muppets.

    You're wasting precious time!

    GET BACK IN YOUR HOLE, RED.

    ok, where does it–

    {cut to black}

    Learning to assimilate and readily avalible

    What's next

    A vape to calm the nerves?

    What's next?

    A hero fighting for relevance in corporate structure.

    Sure, some would pay to dress an avatar

    But I've run out of water before

    I try to laugh and roll with the punches

    This is work and not fun for me

    This is not social, it's business

    I am not person, I'm product.

    Go on a walk, and look the part

    I took the oath,

    I shed the blood—

    Cruxes.

    This is a bad idea, Mark.

    Fuck you. All my ideas are great.

    MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck.

    [The Festival Project ™]

    I'm telling you. You got to get yourself one of these.

    I don't know, Bob, how does it work?

    BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper.

    I'll show you.

    {Enter The Multiverse}

    JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown.

    Still an hour to the test

    And I hate myself again

    Milk and cookies, hit the bed

    Shut it down, yo

    Shut it down.

    DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars.

    …hey.

    Whaddup.

    You say diplo's on that list?

    Yeah.

    Yo…

    …There he is.

    In your sight?

    Yep.

    Shoot that motherfucker!

    …I can't.

    Why not?

    He's like—

    Just shoot, fool.

    —he's like holding something.

    So?

    I don't know what; it just seems—

    What the fuck, dawg.

    It just seems important.

    Let me see.

    Look.

    [ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.]

    Yeah!

    Get em!

    Shoot that motherfucker!

    Where the hell have you been?

    In my fuckpad.

    Where the hell is that?

    You haven't seen my fuckpad?

    What even is that.

    It's ballin.

    Whatever, dog. Did you get the—

    Shh. Why else would I be here?

    [beat]

    You look— did you cut your hair or something.

    You're so redundant.

    Yo shoot that motherfucker.

    What are you waiting for?!

    He's right there?

    Apparently, we've been building to this moment from another dimension in from another point in the series?

    I thought—

    {Enter The Multiverse}

    HEHEHEHE.

    HEY!

    Relax.

    NO. This party is OUT of control.

    SOMEBODY GO GET QUESTLOVE OUT THAT TREE.

    HAH!

    Shutup.

    NIGGA GET THE FUCK UP OUTTA DAT TREE.

    _____

    Some party.

    I guess.

    Why is Questlove in a tree.

    I don't know. That party is pretty wild.

    This is insane.

    _

    NIGGA GET THE FUCK OUT THE TREE.

    _

    YO. where are you AT.

    I'm at the kiosk.

    You're not at the kiosk! I'm at the kiosk!

    It's probably another kiosk, then.

    What!

    [he walks a few feet. There is indeed another kiosk; upon further investigation, there is a kiosk every few feet.]

    What!

    I gotta go. My phone's about to–

    Hello.

    [Everywhere is kiosks. This is frustrating.]

    Dammit.

    WHAT.

    {Enter The Multiverse]

    A very large prized pig is captured and literally hogtied, however–this is a challenge. The pig, while beautiful, is also humongous–and appears to understand that he is being pignapped.

    Why would I tel the whole story

    When no one loves me

    If I had a gun,

    Well, I would be gone already?

    Why trek to Alaska

    For thousands of dollars

    To come home to no one and nobody

    But rotten corpses on motorcycles

    Where it just starts over

    But now you're poorer.

    I want to die

    But I want to see my son again.

    He's not suffering, I am

    But starting to resent what he doesn't understand.

    To the world I'm a horrible mother

    But no one quite knows the half of it but God

    And the whole problem is what is not God in the world

    Is all for the other's purpose.

    Some probably respect I was punched

    In front of my son

    And then wonder's why

    At some point

    I could no longer

    Hold on

    Insomniac

    So someone should go slam the door when I ponder my own thoughts

    I'd probably walk off a walk on roll

    I don't lock up no more I just go out

    Knowing government drones probably watch

    And turn over the apartment

    As I'm out trying to own a home

    But of course, nothing I do in the world is of value

    And I'm no one

    No one at all in New York and the options are

    Where I don't want to be

    Or in Saint Monica homeless.

    I'd get a dog if I wanted to walk it

    But since I don't I just sit with a plush in my lap

    Who I call “Gus”

    And it purposeless

    But otherwise meaningful

    Since from here and now

    And otherwise

    Nobody has ever loved me

    As much as my mother

    And that's saying something

    If you knew the whole story

    So no one has loved me romantically;

    Almost all my life was a horror show

    Until I started to grow up

    With the knowing that probably

    Nothing I do could be more than wrong

    So doing nothing becomes the hard part

    When all I watch are stars

    And I'm just not one

    Then again, you know

    It was that word

    That threw the first punch

    And then over and over

    And over and over

    And nobody loves me

    But everybody's got a whole story

    And new York's disgusting because of it

    How troublesome

    I don't have time for your politics

    It's a mind game but there's no reward,

    Or honor in it

    After all, when tied up in the court process

    And pretending the noise was not a problem

    And I should be so lucky

    In a luxury apartment

    Coming out of a homeless shelter

    But it's almost been just as horrible

    As other black girls trying to pull my hair out

    Having screaming pigs and ugly men on motorcycles

    Drive in circles

    Wearing jackets that say

    “I have to do this, cause Jack says”

    And whoever Jack is writes them pychecks

    Except

    Since it politics

    He might even be getting over considering

    Passion fuels the utmost violence

    And in this case

    Imm supposed to be the only one

    To go about it

    All the paperwork and recordings

    But really I don't want to

    Even if it earns a millions dollars

    In the name of God

    It wasn't my problem

    Unless I am one

    And otherwise,

    These men are sick

    And making people sick

    Is just their business

    I need no medication

    I need an new apartment

    But how awful my country supports that I just don't deserve one

    Under the circumstances

    But the white man

    Lives on borrowed time

    In bloodshed

    On stolen land

    Regardless of color

    The illusion of power

    Is almost over

    And what's more is

    Your only army

    Is considering going home

    (Post mortem)

    Considering going to God

    Who must have lost control just enough

    To cause all of the apocalypse

    Put the whole world in a mental hospital

    And lock them up for dollars and cents

    Unless the good drugs make sense

    For the blondes and the beautiful

    The rest of them are problems

    Who can go to rot,

    I suppose.

    The rest of us are unwanted colored problems

    Can't stay here

    But the kids at the music school are fake nice

    And I'm done pulling my heart out

    And scratching my eyes out

    Just fucking trying

    Just fucking trying

    What is the point

    Of being in a prison

    For people who love oceans and trees

    And decent people?

    There's no one in New York to really love

    But babies and dogs

    And the whole world is horrible just knowing that

    I don't want to do anything but die

    Every time I ride the subway

    I wish I was white

    From the way that that white folks treat me

    And I wish I was blonde

    Because blondes seem to have it so fucking easy

    It's hard to believe

    I'm furious, furious

    Aren't you curious, curious how I got here?

    I'm serious, serious

    You should let me in, let me in

    I'm serious, serious

    You should have let me in, let me in

    Is he okay,

    Is he okay?

    Now I'm

    David Grohl on the whole retrospective

    Now I'm an old rockstar with some world left

    Now I know I'm the one with the mother gone

    Now I know,

    Now I know

    Now I know…

    That I don't

    Overall, I don't

    Somebody new

    Somebody grain and l steaming

    Somebody hidden and secret and wishing well

    Wishing well in Hell

    Or midtown Manhattan

    Or middle man

    Or Middle East

    Or Midwest

    Or just middle

    Somewhere else I,

    Learned to live her

    Learn to live here—

    Feeling better

    Feeling worn out,

    Look at this disgusting place

    Now where I live matches how I feel

    Going here from there, and four to five

    And no matter what I take the L,

    But it's jail and the guards are on motorcycles

    Controlling your thoughts for a zoning war

    I have heard of her

    And from earth to the core of our other outer planets,

    Further species,

    I know I've been here before,

    But on some shore I'm surfing

    So sure I did something wrong

    I don't want to know her

    But j don't know what other force of nature

    Might have caused this

    Caution

    The cautionary tale is coming

    Sure I never know what the other God wrote

    But I'm not living God,

    I'm a problem woman at the moment

    We're all technically free people,

    Not actually incarcerated

    But when it comes to wealth and racism, hatred

    You better bet we're all slaves

    And they not even Jesus can save us

    Even if he makes it in time,

    And the thing is with this one,

    Time precedes even his own existence

    Sorry my brother

    They want the war here

    I've got a heart for honor and honesty and hard word

    But no one seems to care or notice

    Not at all

    No one even knows my name

    And no one even offers a spot on the bus

    Or a quick dollar.

    What it means

    To be so tired

    That by the time you're back

    All you do is watch

    And try not to reflect

    On the ugly and awkward

    Imagine all the time in the world

    To be nothing but God and go Golfing.

    And be perfect, a woman

    Whatever you chose to do is the whole of it

    And no one can own you,

    Besides for on paper

    You government name has betrayed you, they say

    Your government name has betrayed you.

    Do you know how good you look?

    Not goof enough to get a good one

    Do you know how much medication it makes

    To make meditation the start of you day

    I've run all out of energy

    And the vampires seem to think

    That's what's wrong with me

    Altoigh

    I'm the one feeding these creatures

    Thats okay

    Lately,

    I have more than I need

    They can trim the fat

    And take all the hard stuff

    Till I become one of them

    And they start to wonder

    What the fuck is wrong with all of us

    I left my light at home, sufererer—

    I should be surfing,

    But I'm writing psalms and songbooks

    Fawning over songbirds and beautiful,

    Beautiful,

    Beautiful genetic weapons

    One day I'll become her

    I'm not supposed to say the most l

    Or really anything at all

    And it all hurts

    But we're all here

    And I'll kill my self one day

    Probably right here, near this station

    If not in it

    Who brought a trouser pantsuit to the apocalypse

    Cryptic, these runes,

    But I can decipher it

    I want a dolphin, a dolphin, a dolphin

    I want to love them all

    But to all of them

    I'm hopeless

    I can't help falling for

    I'm not the one to hold on, m

    I l

    [The Festival Project™ ]

    {Enter The Multiverse}

    L E G E N D S:

    ICONS

    Tales of A Superstar DJ

    The Secret Life of Sunnï Blū

    Ascension

    Deathwish

    -Ū.

    Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

    1 hr 9 min
  • [0015.]

    Let's see how we feel, after a message from our sponsors.

    Jesus effing Christ, Jimmy Kimmel—goddamn! Why are you always this fucked UP.

    (Super fuckedupedly)

    I'm not, I'm just feel—(belches)— like it!

    —look like it, okay!

    Omah Gas.

    I nuh!

    Uh. Pedro Pascal?

    You're right again.

    Yehy!

    Well, almost right.

    What.

    That character he played on that extremely viral SNL skit—

    OKAH.

    Woah.

    —this is the dimension where he's—

    —oh my god—

    Yeah.

    —UHMYGAH!

    Cut back to:

    —look— jus— don't look at me. When you're—lookin at me, like that— okay?!

    Goddamn, he is fucked up.

    Yeah.

    This is critical.

    What did you do to Jimmy Kimmel?

    Nothing! Okay! He was just— like that already— you know

    —you don't know!

    Honestly he's kinda always, a little…

    WOOOF!

    Yowza.

    WOOF WOOF!

    JIMMY! DO NOT LICK ME!

    *panting* WOOF WOOF!

    AUGHHH.

    Get him out of here before he pees on the rug.

    I second that.

    Comeon, boy—

    WOOF!

    DOWN!

    [he obeys intently]

    Good Jimmy Kimmel. Good—

    —RUFINOL.

    What?

    [suddenly, JIMMY KIMMEL is human again and answers intently.

    Yes.

    It seems the word itself has broken his extreme delirium—

    —yo, okay, what is going on?!

    You've got to can this thing

    What.

    Cancel it.

    No way.

    I want to go.

    This thing, cannot happen, okay! It can't!

    Wtf Jimmy Fallon, stop inserting yourself into everything!

    —

    Unless it's me.

    EW.

    GROSS.

    Shots fired.

    No, I would call that a foul ball—Get it.

    No,

    Cause. You know. He's a bird, kind of.

    Oh. You mean, like

    “Fowl ball”

    Yeah! You got it!

    Yeah but not without like, thinking about it—

    So it doesn't work?

    It didn't work.

    Yo, but that part does explain why:

    CUT TO:

    No, you're right, I do hate Jimmy Fallon.

    —a lot.

    A lot.

    Okay?

    —but to be fair, I also hate Brad Pitt in the same way.

    BRAD PITT

    …You do?

    Yes, Brad Pitt i do—

    Very much,

    Hate you.

    BRAD PITT

    (Tearing up emotionally)

    Like, a lot?

    Uhm. Like, more than a lot,

    I just.

    BRAD PITT is actually extremely fragile and very emotionally sensitive.

    Is this a prescription for— fucking roofies?!

    I— have a, a…medical condition.

    That requires roofies?!

    Yes actually. It's very…serious.

    Shapeshifting is very serious.

    What kind of medical condition requires roofie-ing yourself.

    I didn't—I don't—I can't roofie myself, actually.

    What!

    No way…

    Someone else has to administer the dose, okay?!

    So wait.

    Uhogh, what the fuck man. This is—

    [he bites his knuckles nervously, then pats his pocket area, before realizing he is no longer wearing pants. Everyone just shrugs, but he becomes increasingly upset.]

    Where is my— phone?[more shrugs and blank stares]

    He quickly shuffles through the room and then the open suitcase of empty prescription bottles, spiraling into a deep void of panic and doubt— then, in an act of desperation and apparent extreme thirst, he reaches for the decorative flower vase, ejects the flowers— never mind that they are thorned roses and he appears to be bleeding without giving this a second thought, and chugs the liquid from the translucent crystal vase in a hearty and impressive glug of chugs; gesturing towards the now empty vase with the subtle remark—

    [beat]

    It's just vodka— I always have them do that.

    He sits down on the edge of the bed and takes a sigh as this seems to have calmed him, besides the trickle of blood running down the vase, which he still grips in one hand while rubbing his forehead with the other in complete distress…

    He seems to be looking out into the universe searching for an answer— seeking a solution to this unknown conundrum— and questions the cause of his demise.

    A single tear forms in his eye as he calmly asks:

    …does anyone know how to get ahold of Seth Rogen?

    The room is a confused and sticky, silent heap of bewildered unknowns.

    TITLE CARD

    {Enter The Multiverse}

    … was that the “message from our sponsors”?

    Shh!

    L E G E N D S: ICONS

    don't look at me.

    [The Festival Project ™]

    50 CENT bursts down the door.

    WHERE'S MY SHIT, JIMMY?

    Fiddy. Fiddy, look, man—

    Don't “FIDDY” me!

    Look, I can explain.

    Well, then, explain— TV man. Go on ahead.

    Look. This is— this was not my fault—

    Then what was it?!

    This was— oh, God…

    Go ahead!

    It was— this was like a game.

    This ain't no goddamn game, Jimmy Kimmel, I'll tell you that much right now.

    Yo. But it—was— a game, though, it just— [got out of hand]

    {Enter The Multiverse}

    Museum in a curio cabinet;

    I know, I know, I know

    That's the boy,

    That's the boy,

    That's the boy I saw

    That's my boy, that's my boy, that's the boy I know

    I know

    Museum or curiosity

    Too late to tell the tale I think

    Just cover all with masking tape

    It is a game,

    To move the pieces

    Leave it, let it be,

    She said

    Hideous and when the winter hits

    And the withered women come again

    Let it be sinking into the sea with the rest of the things

    I don't need, i never needed

    I never need it

    Several synchronicities later,

    Still something sees symphonies in him

    Music and misers and mistereases, mistresses

    Listen to tin written sentiments

    And remember to forget the rest

    It's been minted

    Minted, minted

    Don't talk

    Just fucking listen

    And you'll never fucking get it.

    What's with the rest of it?

    Never been, never did

    Lemons and purple Sundays

    And when the weather hits,

    You'll get the tip of it

    Oh,

    There it is

    That thing she likes

    The thing she sees

    (She sees the monster)

    There it is,

    That thing she sees

    The thing she knows

    (She knows the monster)

    When you walk with the cork of the wine,

    And the checkboards,

    The water foxes, wishing reals

    And written wells,

    And fears for fourths,

    One wet, one rotten

    The rent and the wintergreen gum

    And the rest is in

    Zippered cashmere

    Wonder what the wish is

    But there is a birthday present for never

    Then there's a

    Cheshire Cat

    And the rest of it was washed in the misery,

    Misery, never the mystery and there,

    You weather the almost storm

    But the storm's not coming,

    There's nothing but sun left

    There's nothing but sun there

    There's nothing but sun there

    Now, here's this:

    You remember, dear

    We resubmit

    We live in a computer

    We live in a comouter

    He‘S green

    He's new

    He's wet behind the ears

    He's a hot one

    A hot commodity

    She's weathered

    She's torn

    She's a sweet potato on suicide

    And though at least a hundred other folks

    This here is the comfort

    This here is the comfort

    I'm a narcissist now, but once upon a time

    I just just self centered

    The love still there,

    But instead of the spine or the heart

    It's back in the middle

    Why my mother knows what she always knows

    And she always knows

    I don't know ‍♂️ o

    Patrick! Hey Patrick!

    Yes, what is it?

    You fiend!

    Can I have my hat back?

    Does this match?

    Does this make ratchet sense to you?

    Turn down that racket,

    Tennis racket

    Tennis clubs

    And gold clubs

    Boxes in the attick

    Skeletons in the closet

    The stock market going dropped

    Way down

    Like the alley with Whole Foods market

    I miss the rock and the plaza

    The hot dog corn breads

    The half wit half breeds

    And good old hybrids

    The hallmark cards

    And who doesn't give a fuck

    When the earth gives a fuck on a roll

    But it's walk the dog or go home

    Seriously, cuz?

    Or cousin?!

    You want a hog roll

    Good for a hog toss

    Salt washed back rubs

    And then keep calling your mom

    If you wanted the balls in your court

    And yet no one to toss them at

    And the basket's back at the matchbook factory

    Mattresses man, and the lands they land at

    Matches made in TV land

    Are bound to have a sick and intrinsic twist

    That will keep your belly rolling

    And stomach flat

    Jesus Christ,

    What the fuck is wrong with that guy—

    Or rather—

    What the fuck happened last year,

    Furthermore;

    What in the fuck did I write about it?

    Townhouse in Manhattan

    Broken finger

    Broken promises

    Bottles of hard alcohol

    And models, hot girls

    And one cat with curiosity.

    Check the curio cabinet

    There ought to be something

    Or someone in it

    Maybe even

    A little man in a box

    With a million bucks

    And a tinfoil hat,

    Ten million marked dollars

    And zero fucks

    Whatsoever

    I have a headache, a headache—

    A headache

    I have a heartache, a heartache, a heart—

    Stop.

    I put it all on a bushel of bollocks,

    Bollocks— flowers

    I put it on, put it on

    Put it on

    On, and on

    And all for nothing

    All for none

    With the intensity of one thousand suns,

    He insists it exists,

    And exits strategically

    With the whispers of industry secrets

    And interesting sequences,

    She reaches the wings from the curtains

    And curtsies for courtesy

    I'm curious I'm curious just how it ends

    In this suicidal and envious frenzy

    There's nothing left in the frostbitten five

    Rolling towards bowling green

    Where in every pair of loafers,

    Three piece suits

    And deep brown eyes,

    I seen him.

    In anything over 6 feet,

    It was good to mean it,

    And defeat is sweeter than ice cream;

    But the green is sicker than sea swings

    So let's rock the boat

    So to speak

    Or let's flood a Rock

    Should we start at the bottom,

    With large bursts of water, or

    Turn it all into a washroom

    With a thunderstorm

    Oh, lightning strikes!

    And John Oliver's Murdered,

    Colbert's been the president for decades,

    A dictator

    I got a taste of the rig and the cherry tree

    I got a big secret,

    But bitch,

    You could never keep it!

    I write a jeep to the Equinox,

    Ha

    Ha

    Ha

    Charade you are

    I put a notch in my belt and my bedpost,

    The watch to the shop

    But it's all Omega

    It's all Omega

    It's all ”Oh My God!”

    Stop and pause for the audience

    Stop and pause for the audience

    Stop and pause for the audience

    Shock and awe,

    Or just sloppy nonsense

    Someone rope in the Johns,

    And the frog,

    And the frog

    And the frog

    As the fog rolls in

    Now I'm a millionaire

    How dare you

    Did I scare you,

    Become every hair on your head?

    Imm the one you don't want

    You can't want

    You catch watch

    You can't wait to

    Gun her down

    Gun to your head

    And I measured it in relevance

    The end is near

    And that's the place my head is in

    I don't need medicine

    I need an erected monument in honor of

    All that I wanted for the whole module

    But now in New York,

    I'm

    The same stories over and over

    So everyone knows

    Aren't the ones I wrote

    But I wasn't supposed to

    Mouth closed

    Townhouse in Manhattan

    What the hell happened?

    Perhaps we all died and then actually end up in heaven eventually.

    —but maybe I wrote the whole show,

    But not knowing it's over

    I just keep rolling and rolling and rolling

    And open door policy

    (And that's when the pearly gates open)

    It's possible you know these are all just my favorite players of anything anywhere possible

    The folks wrapped in gold for the offerings

    There was no love left for her but he left the door open

    She runs around awkward and normal

    But knows she knows nothing

    He's lifting her up

    But he's putting her down at the same time

    And they both wear a crown,

    But one draws a crowd

    And the other's a nine

    Out of nine

    Out of nine

    Out of nine now

    It's 4 and 3 quarters

    I make ten cents in a day

    And he makes ten million a year

    But it's not about money

    In fact,

    If it's not about God,

    Then it's all about nothing.

    Nothing at all.

    Do you want to travel through my eyes

    One more time

    One more time

    And see my life?

    Did you want to do it all again

    Just for a quick review,

    Or not, kid?

    Do you want to take my eyes

    And take my heart

    And pantomime

    The nevermind

    And never better moments

    Of the last forever

    I like a ride

    On a nice hot walk

    Or a park

    In a nice hot car

    But you aren't what I wanted

    The doctor ordered

    Hot chocolate and syrup

    And nightmares are coming

    But the dream had come and gone

    And in the time since,

    I haven't slept at all

    It slipped in on Christmas and went till the miniature habits kicked back in

    We went around the block a couple times

    And you just kept rolling

    Over

    The car stopped on all fours

    And Godbfalled you off of it

    Cause trust,

    Love,

    It was horrendous to watch you blow up

    Into blockbuster artform

    Off of a bridge

    And into superstardom

    Via a billboard

    Meanwhile,

    Were shuffleboards

    And billiards

    Que the arts!

    Ou,

    I meant to owe you

    All the lessons

    In the knowledge

    But the harder I want it the

    Rocker on my chair polished

    It grows fuller of course

    Almost flat on the bottom

    What you hole into for the audience

    Is all inside the contracts

    I put it up on the

    What did you call it?

    Put the coat on the chair and just kept going

    Bro,

    If I hold you over

    Promise you'll hold the door open

    He won't.

    He's a show host—

    A remarkable

    “Don't even bother”

    And I paid top dollar for these hair plugs,

    You hear that?!

    I heard you rabbit.

    What it is about the thing that wells up in my Washington federal and tear-gassed orphans is

    Lollipops and anicetepetomin

    Or asperine

    I'm desperate for a job

    And yet,

    I almost miss the person

    Hiding from the shadows in the robots

    In my every on thoughforms

    Though I should be honored

    Now I've brought back this astonishing

    Remarkable curse

    To not b

    Have bought curtains

    When I didn't want them in the first place

    And I kept the window open

    40,000 showed up

    But I played to no one

    And the blonde knows it's her birthday

    So of course she's more important

    But I'm no one,

    And here's Fallon:

    Jimmy Fallon

    Jimmy Fallon

    Jimmy Fallon

    I'm deflated just to follow off for a nut

    But I'm nothing since no one pondered

    And wondered to ask a remarkable task

    get the pawn shop, the butter knife

    And Lorne all over pork chops on the phone

    And I'm sure that's not kosher,

    But sure, there's no cure for it

    I'm words and I'm worse off

    The suburbs, the herbs and the marshes

    The books and the sineage

    The plants and the corvettes

    I might have been onto something once

    But now I'm washed up

    I might be onto something but no, no, no—

    I fought it off

    I might come down with a cold once a quarter century or so but just the snow alone

    As cold as this whole story is,

    Ripley's

    Is hard warming

    (Believe it or not,

    We've all got thumbs up

    We've all got magic wands

    And wants

    And whispers

    And stock markets

    And wishing for cashmere zippered sweaters

    This year I'll be on time for once

    But no one's coming

    No one's coming up

    The whole shows under water

    And all I want to know is

    How to go

    To pull the gun and trigger

    On my own live

    Cause this whole world

    Is just rotten

    Bodies

    Hairpins,

    Hairspray

    Corny!

    That's grid iron,

    Gridiron, ten fierce fires and one

    Cold hearted beautiful liar

    But which one's the finish?

    Last that I check

    Billie, Jimmy, and the Kidd are all

    Just one body

    And one mirror image

    Of one another

    So next time I call my mother

    I ought to talk like the worst word,

    Cause for sure, the oddest part of the whole show

    Is that he somehow knows her.

    Now come forwards

    What words have left to

    Burn?

    What words have left to cope and honor

    What form does lest I take

    What here is now and crucial?

    Evervescent fairy,

    Ever blessing crane,

    The ship that guides you yet with no light

    And no sail

    Has just drifted into unknown waters

    Where caves dwell and therein lies the secret of our esarth, nor your earth,

    But ours and again I lay,

    As you sink into the see with tilting force and berring waves, the drive into the tide my ark the swan hath flown to warn her, there drifts

    Into the shade again the sun my bird and wait to find my alter

    My alter again and as I may,

    The sink that ships and weigh, not the other,

    My mind you that too is bottom

    And sank is to have risen, also

    Here I wonder

    And never you cave, the drift of glowing green my force

    And there to wait, there caverns of hers and ships that sank my tide,

    Is crucial and so with forgiveness in time

    With every line here I or they did write

    The truth shatters as illusions, the mask has been re clamored and yet to have imagined

    I find him here not but the hints

    And the thing we know, buried deep in my loins and in my earth is he

    The whispers what May calling and landender, mauve my tide, my ba

    …wtf.

    idk.

    [The Festival Project™ ]

    {Enter The Multiverse}

    L E G E N D S:

    ICONS

    Tales of A Superstar DJ

    The Secret Life of Sunnï Blū

    Ascension

    Deathwish

    -Ū.

    Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

    1 hr 12 min
  • [0016.]

    Good people have good friends

    So maybe I' no good

    Maybe I'm no good

    Though I'm luckier than most, I know

    I just can't cope

    So maybe I'm no good

    When's the last time you been to Dimedale?

    …Timmy?

    I guess.

    V.O.

    I try not to double back on old habits.

    TIMMY TURNER turns the corner on his motorcycle just a bit too fast— he is clipped by a turning semi truck, a bright blue freighter that unhinges as the headlights blare into his widened eyes under the semi translucent visor of his rainbow swirl pink helmet.

    V.O.

    TIMMY TURNER

    “Try” not to, anyway…

    {enter the multiverse}

    I put a terabyte of stored documents and files back into the cloud and suddenly, after my morning run—

    CUT TO

    Welcome home, kid.

    Yeah, I…

    The jail cell door slams shut.

    TIMMY TUNER (reprised by Drake Bell)

    Late 30'e-early 40's is awaiting trial after the stint in the hospital followed by

    V.O.

    Detox…

    …Rehab.

    Jesus Christ.

    After his bloodwork revealed lethal levels of multiple intoxicants in his system, and although he was not technically at fault for the accident, he has been charged with driving under the influence, as well as a number of other crimes—

    However;

    His black duffel back has mysteriously vanished,

    And he has not been charged for any of the many possible other crimes considering the also mysterious contents of said bag, which was with him at the time of the accident, but not logged into evidence.

    MEANWHILE…

    WALTON GOGGINS?!

    Yep, that's me.

    *Mr. Walton GOGGINS.

    No, get out.

    What.

    GET OUT.

    [The Festival Project ™]

    A shadowy ass figure appears behind Timmy in his cell.

    Woah.

    Hey.

    COSMO (Jimmy Fallon, in this dimension)

    Why Jimmy Fallon.

    I got.

    *blank stares*

    I did— a thing.

    A thing.

    Fucking magic circles.

    CRISIS.

    THE COSMIC AVENGER IS IN DEEP CRISIS.

    AVERT!

    Anyway,

    COSMO

    Timmy.

    TIMMY TURNER

    yeah.

    COSMO.

    It's me.

    TIMMY

    “You” who?

    COSMO

    “Yoo-hoo” classic

    .

    TIMMY

    Ha-ha—very funny—wait—

    COSMO

    Uh huh.

    TIMMY

    Cosmo?!

    COSMO

    Uh huh!

    TIMMY

    What! You're, like—

    COSMO

    You don't look too good yourself.

    TIMMY

    (Irritated)

    Whatever. Where's Wanda?

    COSMO

    Not in high security prison.

    TIMMY

    What are you doing here?!

    COSMO

    …I'm your roommate.

    TIMMY

    What?!

    COSMO

    I know, this is an interesting turn of events.

    TIMMY

    No it isn't. This is television!

    (Breaking fourth wall)

    COSMO

    (Beat)

    —you're right.

    [beat]

    (Cosmo drifts off)

    TIMMY

    Cosmo!

    Where are your wings?!

    COSMO

    (Half asleep)

    I'm not sleeping!

    TIMMY

    Your wings?

    COSMO

    I lost them!

    TIMMY

    How?

    COSMO

    In a poker match

    TIMMY

    Permanently?!

    COSMO

    Hm? No. Nothing is permanent, but—

    TIMMY

    But what?! This is crazy?! What are you doing here?! Where's Wanda.

    COSMO

    Listen, about me and Wanda.

    TIMMY

    Don't tell me—

    COSMO

    Alright, I won't. But listen:

    TIMMY

    This is crazy.

    COSMO

    It is crazy, but I have a plan.

    TIMMY

    Well, what's your plan?!

    COSMO

    I still have some magic left.

    TIMMY

    Some?! Well what happened?

    COSMO

    (Shrugs, at a loss)

    Look— Timmy.

    TIMMY

    This is wild!

    COSMO

    I need you to make a wish!

    TIMMY

    …what.

    COSMO

    A wish. A wish, Timmy!

    TIMMY

    Oh, no— not this again.

    COSMO

    It's the only way!

    TIMMY

    But you're not even my fairy anymore!

    COSMO

    Timmy Turner, I will always be your fairy.

    *sniffs*

    (Kind of awkward, heartwarming moment— they hug; the guard peeks through the window and squints at them, grimacing)

    Wide shot of two dudes hugging in prison.

    TIMMY

    Okay…

    COSMO

    Yeah, let's.

    TIMMY

    Yeah.

    COSMO

    Anyway, Tim, I need you to make a wish.

    TIMMY

    “Tim” don't call me that!

    COSMO

    Well, it's weird calling you “Timmy, you're like 40.”

    TIMMY

    Yeah, but—

    COSMO

    Make a wish, Timmy.

    [beat]

    The guard peers in through the window, this time with popped corn

    TIMMY and COSMO both squint awkwardly.

    COSMO

    Uh…

    TIMMY

    Yeah, okay—

    COSMO

    Hurry.

    TIMMY

    I wish…

    *POOF*

    Suddenly, Cosmo and Timmy are back in Timmy's old room— not much has changed, but it seems off and kind of odd;

    TIMMY and COSMO are still— well— aged.

    Just then, TIMMY'S FATHER enters through the door.

    TIMMY'S DAD (Chris Parnell) enters, leaning into the door.

    TIMMY'S DAD

    Timmy?!

    TIMMY

    Uh… DAD!

    TIMMY'S DAD

    (He squints suspiciously at Cosmo)

    …and who's this?

    TIMMY

    Uh, this—

    TIMMY'S DAD

    …it's Wednesday… isn't it?

    TIMMY

    This, uhm…

    COSMO

    I'm uh—

    TIMMY

    This is my—

    COSMO

    Ahem. Parole officer.

    TIMMY

    Yeah.

    TIMMY'S DAD

    You never cease to disappoint me, son.

    TIMMY

    Thanks.

    TIMMY'S DAD.

    I'll leave you to it.

    Before he gets exits, he pauses for a moment and stares into Cosmo

    // parallel (as) Chris Parnell / as Jimmy Fallon.

    TIMMY'S DAD

    (To Cosmo)

    …do I know you?

    COSMO

    No, I don't think so.

    TIMMY'S DAD

    Are you sure?

    COSMO

    Positive…pretty much.

    TIMMY'S DAD

    You're probably right— you just

    TIMMY

    Uh, dad—

    TIMMY'S DAD

    You look so familiar.

    COSMO

    (Flatly)

    …no, I don't.

    TIMMY'S DAD

    No, no— I got it! Wednesday evening poker club?!

    COSMO

    TIMMY

    COSMO

    That must be it.

    TIMMY'S DAD

    I knew it.

    COSMO

    …right.

    TIMMY'S DAD

    I thought that was you. Anyway, as you were— I'll let you, uh—

    COSMO

    Yes!

    TIMMY'S DAD

    See you tonight!

    COSMO

    You betcha!

    TIMMY'S DAD

    (Suddenly coldly, to TIMMY)

    Timmy.

    *he shuts the door*

    TIMMY

    COSMO

    TIMMY

    “Wednesday Evening Poker Club”

    Where would you even come up with something like that.

    COSMO

    The thing is, I do play poker on wednesdays!

    TIMMY

    What!

    COSMO

    I didn't know that was your dad!

    TIMMY

    Yeah, about that; why can my dad see you?

    COSMO

    I told you, I lost my magic.

    TIMMY

    All of it?!

    COSMO

    Obviously not all of it— enough to get us out of that last mess!

    TIMMY

    Oh, this is awful. We have to find Wanda!

    COSMO

    no, wait!

    As TIMMY attempts to leave, a loud ringing from his ankle begins to ring; TIMMY'S FATHER returns just to squint, scowling at his son before murmuring

    TIMMY'S DAD

    you know the rules.

    TIMMY steps back inside the room, his father shuts it, at first normally, then slamming it at the last moment.

    COSMO

    Yeah, that.

    TIMMY

    What is this?!

    COSMO

    You're under house arrest! Obviously!

    TIMMY

    What!! What gives?!

    COSMO

    I granted your wish!

    TIMMY

    Like, half of it!

    COSMO

    Half is about all I've got—!

    TIMMY

    Are you kidding me?!

    COSMO

    I wish!

    TIMMY

    Geez, why can't you grant you grant your own wishes?

    COSMO

    It might totally defeat the purpose. And without Wandaaa

    TIMMY

    WHERE'S WANDA?!

    COSMO

    I don't know…

    TIMMY

    We gotta get out of here.

    COSMO

    Well, I can leave. You can't.

    TIMMY

    Okay…

    COSMO

    Yeah, that's.

    TIMMY

    What If I wished for Wanda to be here, then?

    COSMO

    … I don't know.

    TIMMY

    That's what I'll do.

    COSMO

    I don't know, Tim.

    TIMMY

    Stop calling me that.

    COSMO

    It's very weird calling you “Timmy”

    TIMMY

    That's my name.

    COSMO

    Whatever!

    TIMMY

    I wish Wanda was here!

    COSMO

    No!

    TIMMY

    What! Why not,

    COSMO

    She might get mad.

    (She will definitely be mad)

    TIMMY

    Well, that's my wish.

    COSMO

    No!

    TIMMY

    That's my wish! Grant it!

    COSMO

    Ugh…

    L E G E N D S

    WANDA, who has been living her best life as a recent divorcee and retired fairy godmother, is whisked away from her tropical paradise vacation to DIMSDALE, CALIFORNIA, where her ex husband COSMO and former fairy god child, who is now a harshly aged party animal on PAROLE sit nervously as she arrives to greet her.

    WANDA is furious.

    {enter the multiverse}

    Seth MCFARLENE is so Hollywood.

    SETH ROGEN DONT know where his pants is.

    SETH MEYERS is trapped in a box with almost no air holes at all

    And SETH GREENE is the life of the party.

    [The Festival Project™ ]

    {Enter The Multiverse}

    L E G E N D S:

    ICONS

    Tales of A Superstar DJ

    The Secret Life of Sunnï Blū

    Ascension

    Deathwish

    -Ū.

    Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

    1 hr 27 min
  • [0017.]

    FECK.

    DEADMAU5 powers down mid set.

    Aw, fuck.

    Oh, man.

    Did you forget to plug in the Deadmau5.

    I forgot to plug in the Deadmau5.

    Quick, create a diversion.

    Make it look like part of the show!

    STAFFERSON opens the charging port on JOEL's neck and plugs him in.

    He's not going to make it through the full set on charge mode, bro.

    I know.

    So what are we supposed to do.

    We're just going to have to play with him…

    MAU5 glitches uncontrollably at extremely reduced capacity throughout the remainder of the set.

    The 32B commences.

    LATER.

    DEADMAU5 charges in SLEEP MODE in THE DUNGEON.

    Do you think anyone noticed?

    Probably not.

    SAUFERSON! Did you forget to charge the Deadmau5 again?!

    THE BOSS enters THE DUNGEON lividly.

    No…

    You DID!

    Sorry.

    It's not entirely

    {Enter The Multiverse}

    Young Joel Zimmerman is eight years old.

    He will one day become one of the world's most renowned dance music producers.

    This is somewhat evident in his personality even at such a young age.

    JOEL grimaces uncomfortably. He seems somewhat different from his classmates— maybe even years beyond his age.

    About…

    250 years beyond his age, to be precise.

    The adults watch in the distance with peaking curiosity.

    Oh.

    I need you to help me with something.

    What.

    This should do it.

    Hmm.

    Wait here.

    Why.

    Because.

    L E G E N D S

    Book One: Secrets

    Chapter One

    “The Wonder”

    Cinematic visions had been sweeping through my mind in vivid and dynamic glitches, something like a rolling wave of intercepted streams and shattered scenes— sleeping through the vile and sharp pains was not an option, but the visions were fluid as they always were, and the spirit stayed remarkably warm and close.

    I couldn't understand the constant knowing of it all, and so I weathered the storm, to which only somewhat delightfully, seemed to brew inside of Genie's eyes as he looked into mine. All I could know from beforehand was that he was praying, head bowed and very adamantly, his hands tied together as if the religiousness of the entire world rests in between his two clenching palms, the flat fingers of a whispered saint, but none at all— unholy man and righteous and indignant he, there was nothing so little as time that could put between us the doing and undoings.

    The things I pretended not to know.

    On this grueling occasion, there was this, the honorable and beloved Genie, sitting heavily on my consious. It hadn't been long enough since we'd last met that I ever thought to welcome his arrival, and yet for days, he had been encroaching his authority over me, something like a loon approaches moonlight. Somewhat dignified in a slight comparison to his last appearance, visionary or otherwise, he meant well. Gene DeLaney was a subtle old fool when he wanted to be— and a clever young one at most other and all times. A man of stature and status, however, he was poorly groomed in the nature of procuring revelations as such from an especially distant medium such as I— and even with his ties to the mark and surface of the full embodiment of the source, his alignments were of no use; I was sworn to secrecy.

    Destitute, though I had heeded his warnings about dear Louis, our fellow brother, with the markings of such wounds to see it that I had been betrayed, he appealed with a simple aching plea with the protective fury and exhalation of an older brother, which— to that he was—but also with the weathered and fearful of the unknown which made me keep my ways in the old world and not with the new.

    Despite what Gene could know, which could be everything or nothing, with the expectation that much like the little girl I nearly was in considerate comparison, I would appeal to this protectiveness, and truthworthiness, and it might as well have been a test of such myself; would I lie to him, even if he knew the truth? And furthermore, would I continue to conspire to protect Louis even if the whole of the truth was known in the wake of such a betrayal, and still— why? The why was really two parts of a greater whole, the first being that it was a matter of simple trust and loyalty on the one side in that were I Louis, I'd expect my keeping's to remain, and in the same stone's throw were I Genie, I'd expect his wants to be that I should do the same for him in all and any of his many hours of need. Still so, they were men, and they were brothers— and one to have the upper hand over another was a considerable part of the dynamic, however, and in many more ways than one, Genie outranked Louis in every matter of the sort, but besides this factor, the second part of the greater whole of my withholding, was this— Louis Greenworth was a very, very powerful man— beyond by some comprehension to most of us, if not and especially our kind, and I had already been hurt. Severely wounded, even, and with the knowing that this latest event might as well have been fatal— and probably was, with any recollection of the matter or the reorientation in the aftermath of such, I might have been approached as myself by Gene entirely new. As to say, to no avail such ties to death is the immortal, death being, most misunderstood by many, almost any kind of thing taking the concious mind or the spirit into any other world, or space, or time.

    With this love and care considerably so, Genie might have had his own personal motivations for prying into the light; his kind eyes and his handsome face, however, were trained in the art of my undoing, and having already been undone, and done over, I remained entirely in the safety of withholding, also knowing that Genie more likely than not what Louis had carried out. In all my thousands of years, perhaps even in the billions of such before time and world, and words, and glory, though I should have nothing to fear—I feared and admired the both of them deeply, one moreso than the other in matters of fear.

    I withheld feverously, coping with the loss of the satisfaction it might give Genie to have told. Instead, neither satisfied nor dissatisfied, he simply dissappeared, his kind eyes gone and turned away into the fog of the murky night haze. The relief was, however, that this was in understanding, and neither anger or the severity of severance.

    I loved them all too deeply for the bond to ever have been truly broken, and in return I had been loved throughout all time with all the colors of the world.

    Victoria Shriver-DuPont

    Gene DeLaney

    Louis Greenworth

    Faye Reginald Harper

    Chapter Two

    “Slip”

    Faye had warned me early on no matter what I did or what I knew of Louis and his keepings, to always let him win—at anything. To Louis, everything was a game, or rather, a competition, and it was important not to challenge his self riteousness and dutiful outlook.

    “Alright.”

    I almost always certainly trusted Faye, and certainly always at the very least understood her procurements. She was a worthy keeper and just as well unearthed truths, even well beyond just the earthly plane. I took it as such that we had become beyond surface matters, very distinctly and immidiately. The times were changing, but the ties no less the same— there were vows taken and oaths, mantras and fields of trust— the inner ties and the outer forests of what we could reproach as unknown— the truth was, it was almost as if there were doses of those kinds of tonics I could take, and others I could not. The lengths at which Faye Reginald Harper Downings went on behalf of her mark were a cunning sting on my inner knowings, still, I yielded to her bargains. She knew Louis better than I did, and either way, the more you knew about a man like Louis Greenpoint, the less you actually wanted.

    In such a case, we were all astounded to have become each other's jobs— hence the title, Keeper. My mark had no true title, as I just, rather was. A true immortal, I had been prone to dying for quite some time, and with each passing mark the outer world became more haunting and bizzare. Was I the ghost, or not? In this time and now, it was the others.

    Genie had warned me to run in the opposite direction of Louis, and by then it had already gone to far— and besides that, Ms. Downings had arrived sheer months ahead of time, seeming to have moved mountains to have come upon the dawn to report— the dawn, being, my awakening.

    I had lived and lived again and to this alone I was a ghost, but had been tied to my dear keepers and brethren as an admirer— and also, perhaps, to be admired, which was just enough reflected in my dear heart's eyes as it was the cold truth of the seers and the keepers— and the darker the under becomes, the more glistening the surface, and truly, in the caverns of the harsh light of the dawning, I could only amask that it had been not days and night since my last parting, as sometimes, generations— another marker for what was all to come, the knowing that I would be sheathed in truth.

    What Louis had taken Faye might have very well taken with it, but I was undauntingly and hideously unchanged from my oath. These things, even betrayal, were to remain, as I undone, as secrets. In truth, the Seeker's oath is not yet in the unkept truth, but in the disguise of the awakening it brings.

    Genie was belonged to by a power couple—Louis in this sense was also belonged to, but in a wary way to that these ties had been severed, and crossed, and cut, and broken; In my arrival, entire times had been shattered and worlds set to move in a backwards fashion, the sun as shining as to rise in the west, and set east, or to raise to the north with no southward bound to travel.

    There, in the time of my arrival, things had been ruined, and though coming as any does with the bearing of a name, Victoria Shriver-DuPont, to be called— I was nonesuch to any title at all. In this lies the betrayal, and in the dawn of my awakening there beconed the call of this man, dear brother Louis as not either his name or his title any, but of his calling. There, the truth had also been shattered and met with the time to call all of our brothers, as keepers and wishers, seers and seekers, knowers and keepers, to guide the light which calls.

    Chapter Three:

    “Gene Hope”

    As Televamgelests go, Gene DeLaney was not your average showman, either religiously nor by any given standards. His chosen stage name, or rather, bestowed harrowed the scene's Prince of Megatropolis, a gesture that all things reachable could be heard and felt by his voice and might.

    But more to know about Gene Hope—actually by law, Gene DeLaney were his highly publicized personal effects and efforts—appearances, connections, and politics. Well groomed in the art of culture and confirm, Gene had hoped to portray an otherwise arbitrary anyman, and yet was still in his way, a remarkable celebrity.

    There were wordless forms of nonconformity and rebellious ambition in his sheer collusion and pace. His walk, the elegance of a loyal court man, and the actual reverence of a madman, made him the go-to guy for all things knowing. The cruelty of it, being, that not particularly tied to that of the believes and mantras of a religious man, and in that the duty of nature being the times that we cross paths. The knowing but not all that is known, and thus, the keeping.

    I want to fold myself over in half

    I'm so in music with you

    I want to say words that make you laugh

    I'm so in music with you

    I don't know

    I don't know

    I don't know

    I don't know

    I don't know wholesome no more

    I don't know

    I don't know

    I don't know

    I don't know

    If I should open the door

    I'm lost to your world;

    But I don't want to go.

    I'm stuck in your notebook

    So wrong for you code

    But this is no

    (Recommended) friendship

    This is no means to an end

    I want the beginning of never ending

    But this?

    I just want it to end

    I'm as scared and as sorry

    As bad as I was

    I'm up in my bedroom, which hasn't a door

    I'm up in my head, and I haven't a code

    I wanted to get on the boat

    But the ocean was gorgeous

    And all the world kept me afloat

    You know

    I got no reason to act out

    It's tragic how magic just happened to pan out

    We're still drifting as Pangea,

    I wanted you to leave

    Just so that I could be there.

    You wanted potion for control

    You got it?

    I'm stuck in your notebook,

    So open the door

    You're right,

    She's adorable, all for you

    So goes the snow one and so

    As you throw the door, or the bone

    I called it a home for the force that was locking it all away

    I don't want nothing but wanting and wanting

    And I don't ant love I just wanted a sub direction

    This is just glimpses of perfect

    And glimpses of persons

    And glimpses of lessons

    This is just getting in heads, and more headaches

    And bed frames

    And glitches

    Santa Barbara, Ann Arbor—

    All the days and all the days and all thof ways

    Were still drifting away like Pangea

    (Only to do whatever you say)

    I was your heachache

    This wasn't monotony

    If it's all autonomy

    wel then someday,

    Maybe you'll make me

    For now I'm just an artificial

    Figment of this existence

    Joel wants a girl

    But Ive never been loved like a girl

    (I don't know how to be)

    And if whoever wants a woman

    When a man gives me the whole of it

    And only whatsoever then shall I amount to anything

    And anything at all, if love

    Is in the eyes and hands

    In either daughter or a son

    I've

    ‘M nothing at all

    If not a mother

    And I'm no mother at all, so

    Everything becomes impossible as one

    [The Festival Project™ ]

    {Enter The Multiverse}

    L E G E N D S:

    ICONS

    Tales of A Superstar DJ

    The Secret Life of Sunnï Blū

    Ascension

    Deathwish

    -Ū.

    Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

    1 hr 28 min
  • [0018.]

    Maybe I'm not afraid because it just feels temporary.

    The noise in the apartment made it easy to let go, and better yet, because of the noise— the only way a pro bono lawyer might speak with me is if I was evicted— then, explaining away that from the day I moved into the apartment my mental health began to spiral and, that recovery from homelessness and having left an abusive relationship became impossible with motorcycles and modified cars circling like buzzards, gangsters slanging on the corner banging music I hated, and an all around environment of unwellness, in which I was unable to cope with the mechanisms of even the simplest tasks, after being bombarded by these hellish people. I was sure that speaking with one sort of lawyer and explaining my heavily documented case would eventually lead to meetings with another kind of lawyer who would see my case and agree that I had been attacked, and severely wounded— and eventually, probably, compensated.

    It simply wasn't facet of my imagination but seemed there was sort of hate group targeted to stalk and harass me— even in Manhattan, after visiting the Apple Store, a random pair of motorcycles approached and revved their engines thunderously as I walked back to the studio, even startling another passerby, as she shook her head as if to say “that was horrible”, with this look of fear and disgruntlement. It had been two years of this for me, though, and so I was somewhat used to it. It still hurt, but not the way it used to. Inside, sort of like the way a boxer knows how to take a punch because he's trained for it.

    But this was not my job, and I was not getting paid, unless I could actually put my mind together enough to assimilate some sort of strategy; a lawsuit against the property management and the city itself for allowing the harassment, and at the end of the day, it didn't much care who was responsible, and whether it was politics or street theatre— I just wanted it to stop. I could honestly say that any sort of legal action was indeed not about the money, but rather an escape. Would I live in New York if I did not have to? Not by any means, anyway, in the way I did.

    Just the view alone set me off, and anytime one of the foam panels fell out of the window from sun or dust and the lot of cars and busy intersection peered through, a gut wrenching anxiety came over me like the way it did when I first saw it; even then, when I first viewed the apartment, I knew that something bad had happened here before I even moved in— and it was bad, the constant motorcycle attacks, and at one point they were not at all writeable enough off as “normal noise”, the way they used to wait until I was almost a sleep to rip through the block and create sonic booms that sounded like bombs—eventually these kinds of attacks stopped but it was around the first year that I started to realize due to these series of traumas my brain was wired differently.i understood that she's were acts of war, but why? I had no intentions of stirring anything up in this place and honestly, from the start, because I was stuck, I had just wanted to get out.

    Hold on. I got two jokes.

    Ok.

    What was the one about—

    Oh, it's so simple but since they hate black women so much it would probably make a white audience laugh.

    My ex punched me so hard, I thought I was going to run for president in 2028.

    That's it?

    That's the joke.

    That not a joke.

    You're right. That's not a joke.

    I'm not though.

    I realized that.

    Please. Don't hit me.

    [beat]

    Unless you hit me hard enough that I actually become the actual president.

    Then, you're free to assassinate me.

    Thats the joke?

    Yeah.

    What a horrible joke.

    Yeah. Kind of.

    Okay. What's the other one?

    • It's the—it's that enter the multiverse joke on the Sean Evans timeline.
    • Ok.

      (Who is Sean Ryan)

      Idk.

      [Sean Ryan was the Showrunner of The Shield, Starring Michael Chiklis and Walton Goggins__which ran from 2001-2007, and also fostered the writing career of Kurt Sutter, who went on to create Sons of Anarchy.]

      Anyway.

      One of the contestants from hot ones calls Sean and goes,

      Sean!

      And Sean's like:

      Whaddup?

      Sean! How do you do this bro?

      [sean is eating ghost pepper cereal for breakfast with ice cold horchata )

      Ew.

      Nice.

      It was gonna be milk but

      SEAN EVANS

      (Aside)

      The cinnamon gives it a nice schwing.

      Apparently,

      The training for hot ones is a non-stop tolerance-topper.

      Sean RYAN is always doing his best to outdo himself.

      Yeaaaaaaaaahhhhhhhh!

      Thats right.

      Any fucking way.

      Sean! How do you do this everyday, buddy!

      Do what?

      My butthole is burning!

      I don't have one.

      You— what?

      I do not any longer have a butthole.

      Beg your pardon.

      I got it removed.

      What.

      What.

      Hold on, it's a multilayer joke.

      2x Joke multiplier!

      Are we still playing this game?

      OH YEAH!

      goddamn. I really wanna see this fictional koolaid movie.

      WHERE'S SETH ROGEN?

      ROB LOWE is directing an episode of ENTER THE MULTIVERSE.

      DIRECTOR

      Quiet on Set!

      He turns to DRAKE BELL who is reprising his role as TIMMY TURNER.

      ROB LOWE

      Sorry, is that triggering to you?

      Nothing is said but instead he just shoots him a look.

      really on it with the zingers today.

      What can I say. I juice fasted and then ate like a normal person so maybe— I don't know.

      What's that supposed to mean.

      Everything is temporary.

      My next run isn't scheduled until after midnight but I might climb on the Peloton for an ironic spin.

      I owe everyone money.

      Not in the way that I ever wanted to be this bum, but in the way that all of my jobs have been awful enough that— honestly, I never quit, it just eventually all falls apart.

      I've been almost fondly remembering the—

      {Season 5}

      —summer in Las Vegas I had two awful jobs, no car, no place to live, and

      One boss who looked like Dillon Francis—

      And well.

      INT. LAS VEGAS ATHLETIC CLUB. WHENEVER.

      ITS OPEN 24 HOURS!!!

      WHEEEEEE!!

      Omg that guy looks just like Jimmy Fallon.

      BEFORE

      Oh, hi Jimmy.

      Hey! You finally noticed.

      I been noticing.

      You know I'm in a screen, right?

      You're in all the screens.

      Not all of them.

      ALL THE SCREENS

      A large wall of paneled Televisions hangs above the cardio center.

      …

      …

      MEANWHILE

      For while, the dude was everywhere. And I mean—

      Yo! I swear to God—

      —don't do that!

      — every time I look at a fucking tv, you're on it!

      shhh—watch your language!

      For what! You're on the Telivision, I'm not.

      You are on the Television!

      I'm not!

      —look just— trust me I don't have enough time before we're about to cut to co—[mmerciial!]

      [cuts to commercial]

      That dude is weird.

      Hm. That dude does look like Jimmy Fallon.

      — and one boss that looked like—

      Well, you get it.

      Yes he does.

      Very much so.

      Hm.

      Should I fuck him?

      Ew!

      No!

      What!

      Gross .

      No. Take his job!

      What?

      This incompetent drunken loser was, for a very short time— my manager.

      Just then when the car alarm when off, I express my not so subconscious, and must remark

      To remind my dear audience that this SUPACreature

      Is exponentially explicit, hence the

      Sexual exploitation of he who is hereby known

      As

      [Not] Jimmy Fallon.

      He was maybe the worst boss I ever had.

      If not the worse, definitely one of them.

      He was always drunk,

      Slept on the job,

      Was inappropriately explicit,

      Sexualized everything,

      And bitterly racist,

      Lived with his mother,

      Had social problems

      And was,

      Of course—

      Completely incompetent.

      Two hosts sit watching the serason premiere with popped corn.

      Oh. That's clever

      That's funny.

      See, those redactions could have been anybody.

      They were anybody.

      M— Jimmy!?

      Which Jimmy?!

      Last time I had a visionary dream about Jimmy Kimmel he was holding a white candle.

      At any rate, they were out of black, and I have no idea what that's supposed to mean, but I can only assume that when any host takes an extended hiatus, it's some kind of

      Contractual agreement.

      Ah-hem…

      Sign it.

      I don't know… about… that.

      And why not?

      This creature is one of the most powerful in the multiverse.

      [Jimmy Fallon]

      TINA FEY

      What. Are you serious.

      —and that's my time.

      Just trust me on this—

      NO.

      Pretty please!

      Oh, welL, since you made it pretty.

      Really?

      NO. Absolutely not.

      You are increasingly difficult.

      I learned to brew at thought at wishing wells

      Again, I gallop, striving to dance past the forced illusions of a non-corrupt decision,

      The end is near and also, simply

      The Division.

      ENTER THE MULTIVERSE: L E G E N D S —

      The Rock and And the Kite Part X:

      The Division Bell

      Part 10?!

      Yes.

      How is it part ten? Where are parts 6 through 9

      I don't know.

      I have no clue.

      (You have no idea)

      Oh. I get it.

      The parenthesis are the voice of God.

      (It's all the voice of God,

      These are just more strong dictations.)

      Fix your diction!

      Fix your Dick Nixon if it don't swing left;

      On a finite curve,

      It switches with any direction,

      Irregular, my guest;

      I could have asked that.

      I have no tact,

      And no talent,

      No candles left,

      I can't relax!

      I just happen to have

      What I know I can't stand,

      And that's—

      High standards for a man.

      So I imagined a fantasy.

      My next run was scheduled for midnight but I'd spent the month suffocating and suffering in waist trainers navigating vampires and I had even been stood over by the actual Devil herself on the subway ride home.

      What even was the point of running all this way and eating all this well If no matter who I tried to love would really turn to the same old evil thing that wanted me dead in the first place?

      Being honest, I still didn't know what it was at all— but maybe it was always going to try to bite me no matter what I did.

      So It didn't matter much when the overdue balance came equal to the amount I needed to purchase club standard CDJs, I didn't care about anything because I was never treated fairly with honest or good intentions.

      Not even from my birth, or my mother, and perhaps that was the problem. My human perception of the world was trained by this thing who could never really see my value or worth in the way that it would take to be fully loved. Something was always wrong with me, and so something was always wrong with the world.

      All I knew was, I wasn't panicking though it had been an obvious attack— the email had sent as I orgasmed, after a series of the same old system of stress I'd been in for years— revving engines and long bangs and other methods of keeping me from reaching climax— but it was my body, and so just because I was under surveillance for whatever reason; perhaps they were listening and this self release made them uncomfortable, but I needed it. It had been years since my last loving embrace— since my last touch, or stroke, or kiss— and so yes, while admittedly my senses were out of place, they were also heightened in that I knew what was happening in my apartment was wrong, and the worse it got, the more I kept track of the things that were happening, the better off I'd eventually end up, just by respecting myself and my own time. I needed recovery; running down the the gym to be hatestalker by some half naked model or some egotistical little man throwing and slamming things around was going to do no better for my psyche even with a run considered; instead of a mile of mantras, it would instead become a mile of trying to ignore whatever whoever had followed me into the gym was doing to get my attention.

      Luckily I had a Peloton in my room and with any luck at all, by the afternoon I'd have all the focus in the world to ride it— but for now I was writing, and thinking, and feeling my insides out after a long month sonic alchemy, which had also resulted in my finally reaching the conclusion that I was indeed being followed around.

      But why?

      Lil bitz

      Yo imagine if Amazon had a comment section.

      Not like reviews but an actual like—

      Comment section for the ads and products.

      Don't act like it wouldn't be the little place to just, like, go.

      [The Festival Project™ ]

      {Enter The Multiverse}

      L E G E N D S:

      ICONS

      Tales of A Superstar DJ

      The Secret Life of Sunnï Blū

      Ascension

      Deathwish

      -Ū.

      Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

      1 hr 6 min
    • [0019.]

      Dying

      I woke up like this

      I woke up like this

      I woke up like this

      But a little different

      But a little different

      I woke up a star

      I woke up a star

      I woke up a star

      Then became a planet

      Then became a planet!

      I'm a hummingbird

      I'm a hummingbird

      I'm a hummingbird

      But I don't like flying

      dissappear. Set list

      Out West

      Nothing Left

      High

      Red Dawn

      Noah

      Apocalypse!

      Girl code code music

      A very petite Asian woman gets on the train

      I'm CHARLIEZE THERON

      Uh. Okay.

      CHARLIZE THERON, a shapeshifter has entered the multiverse.

      | yo why is Skrillex back in this show.

      SUNNI BLU

      YO FUCK YOU SKRILLEX I TOOK YOU OFF MY SHOW, YOURE NOT IN THIS SHOW.

      I am this show.

      Look, I'm Skrillex.

      But why.

      I k ow l

      Right.

      {Enter a the Multiverse}

      Yo where the fuck is this.

      this is “eventually”

      How did I get to ‘eventually'

      Everything always gets to eventually…

      “Eventually”

      I get it.

      Yeah.

      Better than “if”

      Yes it is.

      Okay.

      A general lack of emotion

      stifled

      I already learned to know you

      Want to know more

      But can't smile

      At all

      No

      Building your creative assets directly feeds into your larger vision.

      Let's adjust your schedule to account for this. This will make July 1st and 2nd your core focus on recordings, and we'll factor in your necessary two hours of exercise before heading into Manhattan.

      Revised Schedule Focus: July 1st & 2nd (Sound Collective & Exercise)

      Morning (Focus: Personal Well-being & Prep for Sound Collective)

      * 6:00 AM - 6:30 AM: Wake Up & Hydrate

      * 6:30 AM - 8:30 AM: Exercise Block (2 hours total)

      * 6:30 AM - 7:30 AM: Peloton (minimum 1 hour)

      * 7:30 AM - 8:30 AM: Run (1.15 miles), Strength Training (Kettlebells, Squats, Boxing/MMA drills) – combine these to hit your 2-hour target.

      * 8:30 AM - 9:00 AM: Shower, Quick Breakfast, & Prep for Manhattan Trip

      Late Morning / Afternoon (Focus: Sound Collective Recordings)

      * 9:00 AM - 10:00 AM: Travel to Sound Collective (Factor in travel time to Manhattan from Brooklyn).

      * 10:00 AM - 5:00 PM: Sound Collective Recordings (7 hours of focused work)

      * Dedicate this entire block to collecting as many sounds and recordings as possible from the instruments you don't have at home. This is your core mission for these two days.

      * Be efficient: Have a clear plan for what you want to record, set up quickly, and maximize your time on each instrument.

      * Bring any necessary hard drives or recording devices to capture everything.

      * Brief lunch/snack break built-in during this period to maintain energy.

      * 5:00 PM - 6:00 PM: Travel back home.

      Evening (Focus: Wind Down & Light Tasks)

      * 6:00 PM - 7:00 PM: Dinner & Decompress from intense day.

      * 7:00 PM - 9:00 PM: Light Tasks / Flex Time (2 hours)

      * This is where you might fit in a bit of social media content creation/scheduling (since you're collecting new sounds, you'll have new material to tease).

      * Brief email check (focus on urgent items only, don't get sidetracked).

      * Organize recordings from the day: Quickly backup and label your new audio files.

      * 9:00 PM - 9:30 PM: Plan for the next day, particularly your Sound Collective objectives.

      * 9:30 PM - 10:00 PM: Wind Down

      * 10:00 PM: Bedtime

      Re-Prioritizing Beyond July 2nd:

      Once July 1st and 2nd are complete, your schedule will shift immediately to tackle the other critical priorities:

      * July 3rd, 4th, 5th (and potentially 6th & 7th if needed): Podcast Series Archiving (Hard Deadline: July 11th)

      * This becomes your absolute top priority immediately after Sound Collective. You have a tight window to get this done. Dedicate minimum 6-8 hour blocks to this daily until it's finished.

      * As discussed, meticulous documentation of dates and descriptions is crucial here.

      * Post-July 7th (or when podcast is done): Legal Packets for Noise/Harassment

      * As soon as the podcast archiving is complete, pivot to this. Prioritize securing that safe, quiet space outside your apartment to work on these sensitive documents.

      * Block out those 2-3 dedicated days for assembling the packets, going to the police station, and the Comptroller's office.

      * Ongoing Concurrent Tasks (Once Primary Deadlines are Met):

      * Finding a Stable Job: Dedicate 1-2 hours daily to applications, networking, and tailoring your resume. This is a consistent, foundational effort.

      * Assembling Pitch Packets for Series: Allocate specific blocks (e.g., 1-2 hours, 2-3 times a week) for research, outlining, and drafting core materials.

      * Rebranding -Ū.: Fit in 15-30 minute bursts for research into Apple Music visibility, name change analysis, and developing your rebranding strategy.

      * Mixtapes & DJ Sets: Once your core deadlines are met and you have your new Sound Collective recordings, you can integrate your 1-2 hours for this back into your daily routine.

      * Podcast Creation (daily 1 hour): This can also be reintroduced once the archiving is done and the legal packets are in progress.

      This revised plan ensures you hit your critical Sound Collective recording window while keeping your overall ambitious goals in sight. Remember to fuel yourself adequately and prioritize sleep during these intense days. You're tackling a lot, and your ability to adapt and prioritize is a strength.

      Here's your revised 7-day graveyard schedule, incorporating two 1-hour Peloton sessions daily: one after waking up and another low-impact session before bed for reviewing your sunrise mixtape.

      Important Notes for the Week:

      * Vary Gym Times: The 1-hour run and training slot between 11 PM and 3 AM remains flexible. Adjust it daily based on your assessment of when the gym is truly empty and when you feel safest.

      * Safety First: Given the stalking concerns, please continue to be highly vigilant. Vary your routes, be aware of your surroundings, and consider any additional safety measures recommended by the authorities or support organizations. Documenting incidents is crucial.

      * Amazon Fresh Delivery: I've kept the 2-hour Amazon Fresh delivery slot on Saturday. The exact timing might need slight adjustment based on Amazon Fresh's real-time slot availability.

      * Podcast Archiving Deadline: Keep the July 11th deadline for podcast archiving firmly in mind. This is your primary focus during the main "Core Music & Podcast Block."

      Graveyard Shift Schedule: July 3rd - July 9th

      Sunrise Times for NYC (approximate):

      * July 3rd: 5:29 AM

      * July 4th: 5:30 AM

      * July 5th: 5:30 AM

      * July 6th: 5:31 AM

      * July 7th: 5:31 AM

      * July 8th: 5:32 AM

      * July 9th: 5:33 AM

      Daily Template (July 3rd - July 9th)

      * 7:00 AM - 3:00 PM: Sleep

      * Prioritize deep, uninterrupted sleep. Use blackout curtains, earplugs, white noise.

      * 3:00 PM - 3:30 PM: Wake Up & Hydrate

      * Slowly wake up, drink water, have a light meal.

      * 3:30 PM - 4:30 PM: Peloton (Morning - 1 hour)

      * Get your blood flowing with a Peloton session.

      * 4:30 PM - 6:00 PM: Paperwork / Flex Time (1.5 hours)

      * This is your block for tasks like legal documents (Noise/Harassment packets - as soon as podcast archiving is done), organizing, emails (urgent only), job applications, assembling pitch packets. These tasks can tolerate some apartment noise.

      * 6:00 PM - 6:30 PM: Dinner & Decompress

      * Prepare and eat a substantial meal.

      * 6:30 PM - 8:30 PM: Prep for Night / Mental Wind-Up (2 hours)

      * This is a flexible buffer before your intense creative work. You could use it for:

      * Planning for the night's music/podcast work.

      * Light social media content creation/scheduling.

      * Brief research for rebranding -Ū. (15-30 min bursts).

      * On grocery shopping day, this might overlap with delivery/unpacking.

      * 8:30 PM - 11:00 PM: Core Music & Podcast Block (2.5 hours)

      * Podcast Series Archiving: This is your absolute top priority. Dedicate significant time here.

      * Work on sound design, recording (if applicable at home), or Mixtapes/DJ sets.

      * 11:00 PM - 12:00 AM (or flexible between 11 PM - 3 AM): Gym (1 hour)

      * Run (1.15 miles) & Strength Training (Kettlebells, Squats, Boxing/MMA drills).

      * Crucially, vary this time daily within the 11 PM - 3 AM window. Assess the gym's emptiness and your safety each day.

      * 12:00 AM - 12:30 AM (or immediately after gym): Shower & Post-Workout Fuel

      * 12:30 AM - 4:00 AM: Extended Core Music & Podcast Block (3.5 hours)

      * Continue Podcast Series Archiving (this is where the bulk of your 6-8 hour daily archiving will happen).

      * Dive deep into Mixtapes & DJ Sets preparation.

      * Focus on other creative music work that requires quiet.

      * 4:00 AM - 4:30 AM: Prep for DJ Set

      * Gather your equipment and head to the rooftop/lounge.

      * 4:30 AM - 5:30 AM: DJ Set at Sunrise (1 hour)

      * Utilize this time for your DJ sets while the rooftop and lounge are most likely empty, catching the sunrise.

      * 5:30 AM - 6:30 AM: Peloton (Low Impact - 1 hour)

      * A low-impact session to wind down and review your sunrise mixtape.

      * 6:30 AM - 7:00 AM: Wind Down & Prep for Bed

      * Tidy up, put away equipment, and prepare for sleep.

      * 7:00 AM: Bedtime

      Specific Day Adjustments:

      Thursday, July 3rd:

      * Morning/Day: Sleep (7:00 AM - 3:00 PM)

      * 3:00 PM - 3:30 PM: Wake Up & Hydrate

      * 3:30 PM - 4:30 PM: Peloton (Morning)

      * 4:30 PM - 6:00 PM: Paperwork / Legal Packet Review.

      * 6:00 PM - 6:30 PM: Dinner.

      * 6:30 PM - 8:30 PM: Plan for Podcast Archiving, brief Rebranding research.

      * 8:30 PM - 11:00 PM: Podcast Archiving.

      * 11:00 PM - 12:00 AM: Gym Time (adjust based on emptiness).

      * 12:00 AM - 12:30 AM: Shower & Fuel.

      * 12:30 AM - 4:00 AM: Podcast Archiving (main push).

      * 4:00 AM - 4:30 AM: Prep for DJ Set.

      * 4:30 AM - 5:30 AM: DJ Set.

      * 5:30 AM - 6:30 AM: Peloton (Low Impact).

      * 6:30 AM - 7:00 AM: Wind Down.

      * 7:00 AM: Bedtime.

      Friday, July 4th:

      * Morning/Day: Sleep (7:00 AM - 3:00 PM)

      * 3:00 PM - 3:30 PM: Wake Up & Hydrate.

      * 3:30 PM - 4:30 PM: Peloton (Morning).

      * 4:30 PM - 6:00 PM: Paperwork / Job applications (1-2 hours).

      * 6:00 PM - 6:30 PM: Dinner.

      * 6:30 PM - 8:30 PM: Assembling Pitch Packets (2 hours).

      * 8:30 PM - 11:00 PM: Podcast Archiving.

      * 11:30 PM - 12:30 AM: Gym Time (adjust based on emptiness, e.g., slightly later).

      * 12:30 AM - 1:00 AM: Shower & Fuel.

      * 1:00 AM - 4:00 AM: Podcast Archiving.

      * 4:00 AM - 4:30 AM: Prep for DJ Set.

      * 4:30 AM - 5:30 AM: DJ Set.

      * 5:30 AM - 6:30 AM: Peloton (Low Impact).

      * 6:30 AM - 7:00 AM: Wind Down.

      * 7:00 AM: Bedtime.

      Saturday, July 5th:

      * Morning/Day: Sleep (7:00 AM - 3:00 PM)

      * 3:00 PM - 3:30 PM: Wake Up & Hydrate.

      * 3:30 PM - 4:30 PM: Peloton (Morning).

      * 4:30 PM - 6:00 PM: Paperwork / Legal Packet review.

      * 6:00 PM - 6:30 PM: Dinner.

      * 6:30 PM - 8:30 PM: Amazon Fresh Grocery Delivery & Unpacking (2 hours).

      * 8:30 PM - 11:00 PM: Podcast Archiving.

      * 11:00 PM - 12:00 AM: Gym Time (adjust based on emptiness).

      * 12:00 AM - 12:30 AM: Shower & Fuel.

      * 12:30 AM - 4:00 AM: Podcast Archiving (ensure you're making major progress towards July 11th).

      * 4:00 AM - 4:30 AM: Prep for DJ Set.

      * 4:30 AM - 5:30 AM: DJ Set.

      * 5:30 AM - 6:30 AM: Peloton (Low Impact).

      * 6:30 AM - 7:00 AM: Wind Down.

      * 7:00 AM: Bedtime.

      Sunday, July 6th:

      * Morning/Day: Sleep (7:00 AM - 3:00 PM)

      * 3:00 PM - 3:30 PM: Wake Up & Hydrate.

      * 3:30 PM - 4:30 PM: Peloton (Morning).

      * 4:30 PM - 6:00 PM: Job applications / Networking.

      * 6:00 PM - 6:30 PM: Dinner.

      * 6:30 PM - 8:30 PM: Flex Time (Rebranding, light social media).

      * 8:30 PM - 11:00 PM: Podcast Archiving.

      * 12:00 AM - 1:00 AM: Gym Time (adjust based on emptiness, e.g., later end of window).

      * 1:00 AM - 1:30 AM: Shower & Fuel.

      * 1:30 AM - 4:00 AM: Podcast Archiving / Mixtapes & DJ Sets.

      * 4:00 AM - 4:30 AM: Prep for DJ Set.

      * 4:30 AM - 5:30 AM: DJ Set.

      * 5:30 AM - 6:30 AM: Peloton (Low Impact).

      * 6:30 AM - 7:00 AM: Wind Down.

      * 7:00 AM: Bedtime.

      Monday, July 7th:

      * Morning/Day: Sleep (7:00 AM - 3:00 PM)

      * 3:00 PM - 3:30 PM: Wake Up & Hydrate.

      * 3:30 PM - 4:30 PM: Peloton (Morning).

      * 4:30 PM - 6:00 PM: Paperwork / Legal Packet work.

      * 6:00 PM - 6:30 PM: Dinner.

      * 6:30 PM - 8:30 PM: Assembling Pitch Packets.

      * 8:30 PM - 11:00 PM: Podcast Archiving (last full day before the 11th).

      * 11:00 PM - 12:00 AM: Gym Time (adjust based on emptiness).

      * 12:00 AM - 12:30 AM: Shower & Fuel.

      * 12:30 AM - 4:00 AM: Podcast Archiving (final push here if not done, or transition to Legal Packets).

      * 4:00 AM - 4:30 AM: Prep for DJ Set.

      * 4:30 AM - 5:30 AM: DJ Set.

      * 5:30 AM - 6:30 AM: Peloton (Low Impact).

      * 6:30 AM - 7:00 AM: Wind Down.

      * 7:00 AM: Bedtime.

      Tuesday, July 8th:

      * Morning/Day: Sleep (7:00 AM - 3:00 PM)

      * 3:00 PM - 3:30 PM: Wake Up & Hydrate.

      * 3:30 PM - 4:30 PM: Peloton (Morning).

      * 4:30 PM - 6:00 PM: PRIORITY: Legal Packets for Noise/Harassment (if podcast archiving is done). If not, continue podcast archiving.

      * 6:00 PM - 6:30 PM: Dinner.

      * 6:30 PM - 8:30 PM: Job applications.

      * 8:30 PM - 11:00 PM: Legal Packets / Other core tasks.

      * 11:30 PM - 12:30 AM: Gym Time (adjust based on emptiness).

      * 12:30 AM - 1:00 AM: Shower & Fuel.

      * 1:00 AM - 4:00 AM: Legal Packets / Mixtapes & DJ Sets.

      * 4:00 AM - 4:30 AM: Prep for DJ Set.

      * 4:30 AM - 5:30 AM: DJ Set.

      * 5:30 AM - 6:30 AM: Peloton (Low Impact).

      * 6:30 AM - 7:00 AM: Wind Down.

      * 7:00 AM: Bedtime.

      Wednesday, July 9th:

      * Morning/Day: Sleep (7:00 AM - 3:00 PM)

      * 3:00 PM - 3:30 PM: Wake Up & Hydrate.

      * 3:30 PM - 4:30 PM: Peloton (Morning).

      * 4:30 PM - 6:00 PM: PRIORITY: Legal Packets for Noise/Harassment.

      * 6:00 PM - 6:30 PM: Dinner.

      * 6:30 PM - 8:30 PM: Rebranding -Ū. / Flex Time.

      * 8:30 PM - 11:00 PM: Legal Packets / Mixtapes & DJ Sets.

      * 11:00 PM - 12:00 AM: Gym Time (adjust based on emptiness).

      * 12:00 AM - 12:30 AM: Shower & Fuel.

      * 12:30 AM - 4:00 AM: Legal Packets / Mixtapes & DJ Sets.

      * 4:00 AM - 4:30 AM: Prep for DJ Set.

      * 4:30 AM - 5:30 AM: DJ Set.

      * 5:30 AM - 6:30 AM: Peloton (Low Impact).

      * 6:30 AM - 7:00 AM: Wind Down.

      * 7:00 AM: Bedtime.

      Half a mile at 5.4 miles per hour was harder on my little pink treadmill—but it was better than nothing and I still hadn't climbed upon the Peloton.

      The half hour or so episodes of The Studio seemed excruciatingly somehow longer than an hour of listening to my own voice to enjoy the ride— and though it was my second time watching it through, it was like watching it with different eyes and ears; rather than the spectacle of seeing something I absolutely loved for the first time, it was dissecting it, and taking it apart, much like I had spent my final hours at the sound collective doing so with music that I loved, or admired, I respected— taking a nearly $4,000 mixer and pulling sounds I liked apart, and namingly, Skrillex once again had set himself apart, because even in slowing down to nearly a stop and pitching to the absolute lowest frequency, there was a clear reminisce of the song in entirety actually seeming to even sit in another dimension itself— the highs, lows, and mids couldn't be filtered out at all; there was always some sort of shadow or projection of the complete song intact that seemed to be in another space.

      That alone almost sent me crawling back just to listen to the greatest of times as far as Skrillex was concerned or even mattered; actually, in fact, in reality, or in waking life on whatever planet I was on, and wherever realm I lived, he almost didn't; I almost actually thought more of the tiny and petite women that were constantly surrounding him than he himself; and actually, moreso, when I did think of him at all besides musically— It was instantly a sudden hell of women and perfect bodies and luxury culture than it was about whoever had been inside once, flitting away at these monumental catophronic sonic masterpieces only to be nibbled at and eaten away by what fame monster lurks for he who stumbles upon it— the narrow mindedness of it, in fact, they I will still a shallow soul, and a jealous woman, and so besides musically, Sonny didn't fit into the Skrillex for much more than a moment, especially as I was reverse engineering the equation with the answer given first and calculating by removing the algebraic quantities— still gasping for air at how, which I was sure we all were, only known to the world in the ways he very much never did share or teach the concept that would blossom this sort of anomoly in his craft, and thereby creating this power over all of us who dare to call ourselves producers, or engineers, and nevermind the flocks pretending to be or ever-reaching toward becoming that. In my listening back to my newly acquired sound banks, I realized this as the impossible.

      Anyhow, there remained galaxies of space and time between the words and the ways I myself stuck upon gold as subtle genius, but only in these ways and not the other and in that sense I was sure I'd been consumed by not one monster, but a family of them— swallowed whole by a rabbit hole of sorts that seems to split into a cosmic and gaping black one, sweeping everything with it that was and wasn't which remained to be a subtle force of waking doom; the reality that I was both all of these things, and also— wasn't.

      What are you drawing?

      Conclusions.

      Classic.

      Did you feast on the blood of your enemies today?

      No.

      Did you look into the face of danger?

      No.

      Well— what did you do today?

      I'm actually just waiting on this Amazon order.

      Wreckage!

      [The Festival Project™ ]

      {Enter The Multiverse}

      L E G E N D S:

      ICONS

      Tales of A Superstar DJ

      The Secret Life of Sunnï Blū

      Ascension

      Deathwish

      -Ū.

      Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved

      1 hr 5 min

    About [ENTER THE MULTIVERSE]

    From the publisher's feed

    The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.