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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
THE TREE PEOPLE greet QUESTLOVE warmly into their abode with open arms. He is in awe of the intricate beauty and allure of the hidden land amongst the trees.
In essence, they have been expecting QUESTLOVE'S arrival for quite some time; though he quite innocently only had wandered up the tree, initially to have a break from the wild party below, he in an instant found himself at peace there, and soon his new friends, calling from the peaks of the interwoven world
Oh, lol ‘The Roots' –I get it
Shh. Not yet. We're almost there.
Lil bitz
So I go to tranfer trains out of Manhattan headed toward Brooklyn and I head to the airport be of the platform, cause that's where my car is
And there's this crazy guy like freaking out
Like
“Aghhhhhhhhhhh!”
And everyone is standing away from him, like, at a safe distance, and I'm lik, suicidal like
“Meh, we are the same.”
He's freaking out, he even gets real close
“Ahhhhhhhhhhh!””
I'm like
“Fuck it.”
So he's freaking out— and that's not the funny part— “
That's actually very serious— serious mental health problems New York City has—
But the funny part is this dude is kind of realizing I'm the only one that isn't standing away from him, and so he gets closer, I'm like “whatever, my crazy is in the inside, it's okay”
But the funny part is, the rain starts coming, so people start getting closer and up comes this lady, and without saying anything, she sees this dude is kind of close to me and like checks up on me, just naturally—
This is why I love New York, this was a sunny display of human kindness, without saying anything—
She kind of just comes up with her umbrella in both hands like a fucking baseball bat and she's like
“You good? I got an umbrella!” And just kind of smacks it against her hand like a police baton, she's looking down this dude like
“Batter up, bitch!”
I'm like
“Thanks homie, damn! But I'm good, like…
I'm about to jump in front of this oncoming train— that shit's crazy.
This guy's okay, though, he's really not..:
You know.
“I got an umbrella!”
Daaaamn homie! Okay!
The immortal Citezens bigade
The temple of sound
Corpus Unam
It started out st TiTs, but it ended up at TAINT.
STEFON
Isn't it wonderful?
no! This place is gross!
I want to go home now.
JOHNNY DEPP finally wakes up from that nap.
He looks confused.
Which club was it?!
It wasn't a club!
I told you a spade!
But I have four aces
I have four aces
Vegas will all make sense now
Every tattoo is a closure
You lose your composure when you come close so,
Write me a letter
I hope you feel better, with medicine
I hope every note I ever spoke or wrote about you
Pulls your hair grey
Or out
Until it's all gone
I'm sure I'm a problem
I'm no Monroe,
O'Fallon
Suddenly it's back again
Like a flash, I reacted to the paralyzing waves of danger
I sense on every strange aspect of this
Garage lined industrial turned residential
Dumpster to a nightmare
And I'm sure
I'm there
I saw you blew it
And evacuated;
All day my brainwaves are
Will Forte
Leslie Jones
And Dratch
In no particular order,
Last night was a whole show
I had Eddie Murphy over
For Richard Pryor
We all won Oscars,
Is that not the most remarkable thing
That ever happened on this block?
Show people
I got no morals, no decorum
No noteworthy
Toolbox
No trustworthy robots
Not a dollar to my net worth
I own networks, all of them
Merge them all into a media conglomerate
I grow doll hair out of my pretty eyeballs
I don't go where the sun don't shine
So the sun don't shine at
Rockerfeller Plaza.
AHAHA charade you all are
And I'm just Monday
Hot gossip
Just fall out, blossom
Just got hot dollops on a lot of chocolate
Armed library coture
And if you're not sure if or not I've lost it
I sure have,
You won
But I'm all for one
What'd you call it
Rotten mouth show
Rotten acoundrels, candy apples
I tipped four hogs over
Your lost faux of conciousness on
All of the waffles
The Oscar's was the award
Cause
God
Sure
Loves
Conan
Fuck you hospital hoe.
I know
I failed SNL
Before I even got started
Hidden
Silent
Cosmic
Circles
But still
Sometimes
I can't help
But love them all[Liz]
JOHNNY DEPP
… is this the Boom Boom Room?
No, Johnny. It is not.
I asked for The Boom Boom Room!
I saw Beyonce on the ride home
But I don't wonder why were wonderful
I just roll on.
Something like troll under a bridge cause
That's where it is when you wriggle it into your middle finger just to dismantle the antics the candle the hammer the mattress the fell on the family the Fallon the manhole the
Gasp!
See I told you it's a trap.
So why not impale your life on the rim of the holy grail,
Holy hell I skipped supper seven days just to acquire
A cigarette lighter
I see Tina Fey in everything
When it makes sense
And sense when did I get this obsessive about
Nonsense I was just
Never that fucking interested in?
Sitting in the kitchen without pants on
Hair half braided hating my apartment
Like I forgot I was lucky to have one
But what fun is it in a dungeon
When in any direction you escape
You take the L!
I failed at l finger economics
One
Two
Three
Four
I
Declare
A
Thumb
War!
And the world keeps going
Like over and ovver,
But those two dumb dumbs
Are still thumb warrig, and so the story goes
On and on
Like I never fell off the roof,
Like I never turned my tv off
Like I never wanted Timmy Turner
Like i'm not about to run a life up my arm
Like I'm lying about the psychotic
Like I can't be anywhere but here?
My circle is bigger
And my friends, are fans
And my fans,
You're a fan of
Hire a lawyer
To fight a white girl
Who slams doors
In the Trump World
No thanks.
I'd rather be buried alive
Then at least it's quiet.
Just be glad you're alive!
Why?!
If I'm not thriving
And trust me as I sit writing
The uglies are warring me out of the world I belong in.
This one is suffering and dollar bills
And whores
And dollar bills
And whores
And dollar bills
And whores
But you'll never know the answer
Without words
And son,
I just don't want to have them
No, I never want to talk about it
Unless you're the Oprah
And why would Oprah even want
To open the apostle up,
When I just told the decoy
Every other problem
I've ever had.
Wonder what?
My words are words,
And long after the world turns over
I'll be remembered as someone everyone loves
For writing about how no one ever really loved her.
So I cry until my stomach hurts,
And I catch the door before it slams,
And I never kick the cat, so the cat comes back
But
Fans
And fans
And fans.
I never kick the cat,
So the cat comes back
And fans
And fans
And fans
I never kick the cat
So the cat comes back
And I can't hit her
So she acts like that
So she acts like that
So she acts like that
And fans
And fans
And fans
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
C'cxell Soleïl is here, sir.
What?
She's here sir!
Why?!
THE GENERAL has only just sat down for supper— now, in the early evening, the room has been refreshed in tones of maroon and gold trim; candles which match the fine tablecloths and linens and longer candlesticks of white
The room changes while youre in it.
Of course. The whole place changes around you; it has to stay hidden.
THE LIBRARY itself only exists within a magical realm; though portals have situated themselves throughout space and time, interconnecting with the mortal world— its layout changes intensely rapidly, especially depending on who is inside. Though appearing small from the outside entry points, the inside is a massive network— a literal palace of rooms, halls, and places from which the games of this secret society are played. These are entirely older-than-imaginable beings, barely in human form— to carry out certain aspects of the immortal world into the modern times; magicians, keepers of ancient knowledge, and certainly dieties of sort are often here amongst each other— and most importantly, amongst themselves. It is a house of mirrors, mazes, and obstacles.
Why would
Jimmy lock the Jimmy
In a Jimmy?
I don't know, Jimmy.
Very well, Jimmy;
I ought to know Jimmy conspires once,
Jimmy conspired, once with Jimmy
Aspired twice to become Jimmy
revoked Jimmy's place throughout the ark—
Beyond the stone,
Go, Jimmy go,
Before I awake—
So much for Jimmy, I
Jimmy run,
Jimmy folds.
The last thing I want to do is play poker with those old fools.
Too late, you're going.
Are you sure this is regular poker?
…no.
Why else would be it outside our jurisdiction
“Jurisdiction”
Didn't I say to look the other—
What are you doing here?
I was brought here.
By whom!
More like by what.
By what then?
You're impossible, you know that.
THE PIPER has finally arrived at THE GATES OF DAWN.
Release the viper.
Right front of her eyes, I tell you—
Pull up the nine, and the 4 of hearts
Pull into Rome, midnight and call her
Call to the forest, there is no more home for her
There is none, there is none,
There is no more home.
Every time I take him in
I must remember that
His wife and kids are the best thing
That have ever happened to him
As he said
And whether or not the band
Wraps around the bent and broken digit
I just simply remember that,
I'm just infatuated as a friend
I mark it like a mantra
Just as adequately as the director
Calls to action
All the actors at the set;
With no resentments
Were all just doing our jobs
All just doing our jobs
We're all just doing our…
Lessons.
Come back.
Not quite.
It's not
(Uh)
There
(Where you want it)
Hold on.
(Yeah)
Sit tight
(Where)
I don't want to spoil any of it
Boil all the letters
Burning all the bridges
Sitting at the forest
(Where)
There's the alter
(Where)
Really you didn't recogniz
The moment when it happened
But it's been pinpointed
(Where)
—but where is it?
Cut to commercial
But don't let it hurt you
All of a sudde. My eyes aren't his,
This isn't witchcraft
It's just a glitch
Did you miss an interview
Or is it that you're just disinterested
Or disintegrated
Itergretion, intergers and interference
Running backs and runners,
Gymnasts, models, other lovers
Alcoholics
Now it's not so daunting, comic
I'm also sort of off and autistic
Obsessive with narrow vision
But glimpses of the ever bending present
Is indeed a gift
To know I left the letter
Letting it get soaking wet
Before they ever even read it
Know the news,
Wave the wand,
Wind the whales,
Dig the hole
Burn the bridge,
Burn the ace
Throw the cards,
Get the day over with and won't you know
There's
Something wrong
I think it's simple to tell
The wind will whistle when It's good to win again
There are
Ten men to a collar
Ten phones to a number
One call to a voicemail
And all of them know her
Now, take it all back before the bathwater stagnates
Would you make it in this day and age?
No,
I'm glad that you hate me.
4,000 years later and all of a sudden
The pact is clear and consise
As if
As it
As if
Turn it on its head a bit
And light another candle
Get the glitch out of your
Obsession with the asshole
And wrap you head around it
Found a sweater
Pick it up and pray that it just
Isn't bewitched,
But sickness is sickness
Whatever it is
This is comfort food
A comfort blanket
If I hate myself enough
Then all it does
Is put the elf back on the shelf
The trophy back inside the case
My eyes go back inside my head
And everything I ever thought
Just stopped
And dissappears into the heavens
Wherever it goes
Before it gore
Around and and around and around and around
4,000 years, and now we're here:
The mirrors
Man and Mr.
And it might be snother million years
Until I see to hear
But this and that,
The dance of dances
Comes again
And ebbs and flows
It's not as random
As it is sporadic
And it's not that deep
But it's also keeping secrets
That precede this realm
Or Space and time
Or name or face
And body, souls and mind.
It could be another million years,
But it comes around,
It comes around
It could be getting wider,
But it's steady going down and out
It comes around when it comes around
27, were it ended
Now it's umpteen years into the after life
And we're shadows now
Just projections of such,
But it wasn't once
More than just a thoughtt,
Becomes a story
All the world was just the thought
And then a song,
The dance that came along
Is simply steady moving
Is simple steady moving.
All of the world,
Was just a thought.
Watch with one eye open only
First the right
And then the left
Covered over with one closed palm
So you know how old you go
One foot forward
And no coals to walk over
Rolling rolling,
Your role is
One off,
Now too off
Now too late
But what you process
Is your whole world over
The goal for the gold?
Oh, no,
Warm Sundays
Try to warn her
While her heart is open
To fucking close it
Keep your friends close
And your Fallons closer.
There's no trust in the golden auras
There's no honor in golden globes
If you don't work for them
Know doors open and close
And open and close
And you don't blow smoke,
But you just keep moving forward
Just the idea if him will kill you
Whether with guilt or otherwise,
And now you know
And now you know
You're on no sugar till the goal
You got your cake and ate it, too
Oh, the way he cries in the confines of my mind
The blood would curdle
The tears that seared my soul dism through the wall with every color
If his was a shoulder to cry on,
If God was a cover for longing
Yo. Where the fuck did Patrick come from?
He just showed up.
I don't think he owns me so much
As I want to know
I don't think I'm lonely
As much as it's I'm alone
What are you looking at
Well, I don't know yet
What are you asking?
I can't.
There's a mask there
What I want to know is,
What is this pain?
What is this pain in him?
What is this pain in this?
What kind of psychic sense
That lives in my back;
I just hope that's the last of it
What a weird kid.
Do you ever get in the shower and not feel like being wet?
“Ugh, no.”
“Ew, water.”
That happens to me sometimes.
Anybody else?
I realized at a certain point this is probably like a sign of severe hydration.
My body's like
“There's no water on the inside, why should there be any on the outside?!”
I promise is not a hygiene thing.
I love being clean.
I usually love showers.
Just sometimes, I don't know. I'm like, a cat
“No, fuck this.”
Have you ever tried to give your cat a bath?
Try.
Semitus, Semitus
Relax the semitones
Verdis Quo varitus
You still aren't coming through!
Varuq de Adonai
Semitus, Semitus
Verdis Quo, Veritus
You still aren't coming through
Cover up
Cover up
You still aren't coming through!
Tau Kappa Epslilon
You still aren't coming through
Kappa Kappa epsilon,
You still aren't coming through
Kappa Delta Epsilon,
you still aren't coming through
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright © The Festival Project, Inc. ™ |
Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved.
-Ū.
Oh, we're playing piñata,
Are we
Spin around and
Cover with the hands your eyes,
And face the sky
We're all just a bunch of mucks
In as much as a scum world
Look what's under us
Don't become us!
(Force your monster)
Learn it
Fear to fight the game
And flee to read the banks,
For not what chosen here hath also done
This can encourage all you've loved
To want you.
Still nothing comes for nothing gained
And nothing tied ur hands behind backs,
Another game, but not piñata
As there are none in our world;
Just shattered glass and disco balls,
Scuffed hardwood floors and
[The Festival Project ™ ]
Curious Muse(um) Part II
PART THREE? WHERE'S PART II?
FUCK IF I KNOW
I have a headache
I'm desensitizing
I've been hypnotized, before, you know
But there's just nothing like this
The eyes no longer fit in my head,
If you're interested, however,
The shoes are custom
Made to order
Well, woah,
It was just hello,
And I haven't listened since,
Instead, I flicker.
It wasn't chance or purpose,
Never in color or purple, deposit
Limited tickets for entry
Rub it out in the present, your head
And eraser
In hair and makeup
Full dress,
But I've never been later
Listen, late
(Never better)
The end, if you get a good glimpse
Or to capture attention,
Attention,
Attention,
Attention, attention!
Then we still get good in gold and silver
Trip to trip your somber, sober letters
Ten dimensions later
Ten for ten and
Ten men to a collar
Definition fits, is it cause and effect?
(I have learned my lesson)
I never watch, anymore, I just listen
A drift behind mixes reviews from critics;
How's this for a symbol,
Or cymbal to emphasize, emphasis
Empathic but
Envy
—
This is where it lives, I guess
Gulps of inward air
But until I keep it hidden, it is,
The heart on my sleeves
And without asking permission
Excuse this,
I went somewhere
And I couldn't remember
What is that I've already written
For just a second
Let's just be honest here,
I'm not sure exactly what to do with this…
Is it a rest day?
It should be
I've run about a mile every day for 10 days straight
And it's still not enough, is it?
SETH ROGEN is a HUGE ENTER THE MULTIVERSE FAN. In a quite sheepish and nerd like fashion, his new favorite pastime as he enjoys copious amounts of recreational substances, is an “obscure floating cult-podcast” by a mysterious author; he tries not only desperately to convince his friends that ‘this is the best shit ever'
This is the best shit ever—
But also rally his industry buddies written into the series to give the series and its script a look and listen for themselves; even those who he's certainly not even really friends with.
Have you seen this?
What is it?
It's like a— podcast.
I don't do podcasts.
Well, wait—no— it's not just a podcast— it's like a cult— show—
“A cult show”?
No— well it's like a?
Please, leave me alone.
{Enter The Multiverse}
SETH ROGEN
(Smoking a bunch of weed)
V.O.
Maybe if I take a gentler approach…
(Stoned)
Have you seen this?
Seen what?
Well— you're in it.
I'm what.
Yeah.
Let me see.
What is this?
I know, right!
—I didn't sign off on this.
Well it's “fan fiction”
What?!
Technically— look, it's like—
What the fuck.
Yeah, but—
— what?!
Yeah, but—
What the fuck!
But there's more!
Whaaaaaaaat.
Yeah, I know.
Slowly but surely, his celebrity buddies and even a few of his non-famous nerd friends have formed a fan club, growing in numbers seemingly by the minute— there's even a group chat.
*notification*
*bloop*
Hahahahah.
*texting*
Ahahaha.
*bloop*
Hahahah. That's sick .
*texting*
*bloop*
What are you doing?
Oh. Remember that podcast I tried to tell you about?
*blooop*
*bloop*
Aaaaha!
The—fan—thing?
*blooop*
Hahaha!
Yeah.
Yeah, what about it.
Well, there's like a fan club now, and we have this group chat, where we like, all send eachother like— memes and stuff—
“Memes and stuff”
Yeah, and like jokes from the—
You'd have to—
Like you'd have to listen to understand.
Oh. I see.
Yeah, and like, nobody knows what the creator looks like, so we like, draw cartoons and stuff of like—
With like—
*bloop*
Oh—
*bloop*
You know,
Yeah,
I—
*bloop*
Wait, you don't know what she looks like?
Well no—wait— how do you know it's a girl?
Well, I'm assuming it's a girl, you said it's like fanfiction, right?
Kind of, but—
So then?
Wel yeah, it would be weird if it was a guy, I guess .
Yeah.
Yeah, that might be creepy.
— so why don't you just look her up?
Huh? I don't know man. She's kind of a ghost,
A “ghost” well, what does that mean.
No social media, no website or— anything. You know .
Underground
No, I don't know.
Oh. Then you don't know.
Well. Wait— Aren't most of you guys pretty wealthy?
So?
So couldn't you just like—
Like what, broh: don't be gross.
No, I mean— wouldn't it technically just be like, relatively easy to find this person?
Then that would be weird.
The whole thing is weird! This person is writing about you about people they don't even know—; you don't know eachother!
I don't know, man, technically— like
From a spiritual perspective or whatever, I don't know-
Everything is connected.
What!
You'd have to listen to the show it's like a spiritual ascension thing—
What
Based in the mutltiversial—construct.
What!
You'd have to know! Okay!
Okay, okay, fine.
*bloop*
*bloop*
*bloop*
SETH ROGEN squints annoyingly and hunches over his phone.
{Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Oh that's right.
Lorne Michaels doesn't sound like Austin Powers—
He sounds like Dr. Evil.
Dead wringer.
I don't know how I could mess that up.
The Mike Meyers part?
Was he both of them!
I don't know— was he??
Jesus ChristS
This is all your fault, Seth Meyers.
Are you— a cinephile?
Oh yeah. Of course. I love cinnamon.
Idiot.
So my insides get soft
When I see your shadow
Listen
Everything glistens when it's golden
Perhaps then
If it isn't yellow
She don't got a soul
But she sure do got a body
Dor dor nyc
TRACY MORGAN
OH YEA. I DID SOME WEIRD SHIT THIS MORNING.
Tracy! What weird shit!
I don't know! I just know it was weird!
Wait, Tracy— what happened this morning.
Well, the first thing was— I woke up.
Yeah, after that.
But not in my normal places that I wake up!
What do you mean.
Well, that was the first thing that was weird!
I woke up in BROOKLYN.
Why anything I like gets odd at Bedford
And why
Anything I like
Just thinks I'm scum
Imm succumbing to the numbness of the public
And I love it
But I love it cause I'm wholly made of love
I don't even live here
This place is filled with demons
My home is filled with dead things
The difference is the spirit
We also come light hearted m
We also formed from stardust
I wonder what's
SETH MEYERS finally gets out of the box,
The problem is now, that he's marooned on what appears to be a desolate island.
It's not entirely desolate, however— this is SUNNI BLU's island, on which there is a huge days long party
Props for having a white mom
I bed she adores you
I can tell by your clothes
And what you know
That you're not
Supposed to
My mom
Had no rules
But was beautiful
Suited me,
But I'm not beauty queen
Really I'd rather have a white mom
I'd probably be discovered on
Girls gone wild
{Enter The Multiverse}
If my Shazam can hear it bro it's too loud.
Fuck this place.
SETH MEYERS
You blacked out under the Christmas tree.
SUNNI
Oh. I'm sorry—
SETH MEYERS
—but first you put up a Christmas tree.
SUNNI
Wow!
#theblackout
SETH MEYERS
Yeah, i'm—seriously impressed, but..
SUNNI
—-but what?
Seth Meyers
SETH MEYERS
I—just don't understand how you got into my house.
SUNNI
Through the chimney, obviously.
SETH MEYERE
That's—I don't even have a chimney.
SUNNI
Yes you do!
(He doesn't)
Alternately:
Or—
(Didn't , previously, however—)
SUNNI BLU has a CHIMNEY installed for an elaborate pranking, however,
—DIE—
!
Ok.
—Due to the elaborateness of this prank, belligerent drunkenness then insued, which resulted in—
SUNNI
—well, were there presents?
SETH MEYERS
I mean; besides yourself?
SUNNI
Is what I'm asking!
SETH MEYERS
Yes! And they were really, very nice, but look—
GOTH SETH ROGEN is killin it.
Was this not about to be GOTH SETH MEYERS?
By some awful Freudian slip, yes, it was— but that can't happen ,
Why not?
Cause that guy's still locked inside a hot metal box.
Actually, I'm not,
Whaaaaa??
I'm like— on an island.
Oh.
Yeah. That's right.
Marooned. On an island.
That sucks.
Yeah.
So why can you hear us, like?
I just figured imm hallucinating.
Oh. Right, right.
He doesn't know he's on the TV?
I don't think so.
Oh, I know I'm on TV, it's just—
Shh. Let's get out of here before he—
Actually, let's just turn this off.
*off.*
Phew, dodged a bullet there.
Close one.
Yikes.
Thank goodness.
This is getting meta.
—aaand i'malone again.
Christ
CHRIST appears beside Seth Meyers on the island.
Oh, it's you again.
Hey, guy.
What did you want?
Out of the hot sticky metal box— but as you can see, I did that on my own.
Hey, look— I get all my messages at the same time, alright?
Do you not have a beeper or something?
What year is this?
Says the dude in the robe.
Watch it.
Fuck.
Crisis.
Speaking of Chrisis—is Jimmy Fallon Still suing me?
Probably.
I hope so,
MEANWHILE
Sorry but it had to be done
Somehow I'm all for it
I got holes in all my socks
Like I got golf at 9 o clock
I was bionic
Now I'm supersonic
Toxic for the hustle
Russell brand up in this bitch
Promote my brand up in this bitch
Throw some hands up in this bitch
Smoke some ham up on a sandwich
Sand up in this castle
Throw a flag up in this beach (bitch)
Land Hoooooooooooooooooo
Land hooooooooooooooo.
Land ho
Ho
Ho
Can applause
I'm Santa clause
I'm man;
I'm a
Possible
Option for
Drama
Atlanta
In a
Cadillac
In the
Back with the
Bosses and
Models
I got
Bottle service
Hold the phone
My servitor say
Already won an award
And it just got awkward
Cause I don't finish the song
Tomorrow
Flight to Auckland
(Oy oy)
I am her
Boy toy
We pick up some
Mai tais
Then she
Ride on
My thighs
She just right
A size nine
And I like her eyes,
Eyes,
She don't want no ICE,
Her life on the rocks
already deported her twice
From where I'm from
(Aye aye)
Some time this shit don't make no sense
So I brought Christmas presents over
Wearing cookie monster's—
SETH.
What.
I had Cookie Monster's— uhhh— cookie monster's uh—!
Cookie monster's what—
Creepy puppet thing
The actual puppet?
YES!
Why—?
On my hand!
What?
IT WAS PART OF THE JOKE!!
What!
Oh NO, SETH MEYERS.
What is happening right now .
I don't know. I'm still drunk! But we gotta find Cookie Monster.
What!
The Cookie Monster fucking—c'mon. Let's check the chimney!
I don't have a—
CUT TO:
…you built me a chimney.
Technically, I had a chimney built for you, Seth Meyers,
WHY.
IT WAS PART OF THE JOKE.
WHAT WAS THE JOKE! I FOUND YOU DRUNK UNDER MY CHRISTMAS TREE.
It was MY Christmas tree!
IN MY LIVING ROOM.
[beat]
This is just bad office politics.
I'm your boss.
I resent that.
I also resent that.
So—wait a second— as part of this “elaborate joke” you also stole a Cookie Monster puppet.
I didn't steal it. I own everything, basically, pretty much.
Okay— so wait, wait— what you're telling me is that when you came through the chimney—
Yes—
Which you built on my house— somehow within out my notice—
—you take long vacations and your security system sucks—
—that's—
Also I hacked your security system.
—for a joke?!
…did it land?
WHAT.
I'm trying new bits.
This scene is running long.
—I'm gonna make some calls.
Enter The Multiverse}
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
Wait something got kerfaufulled…
No we're jumping parallel's it's this season's theme.
What's the theme?
THE REVERSE QUANTUM SIMULATION THEORY
[REQŪÏSĪTE: The Experienxe]
[postponed until further notice]
Lulz
Shake hands with your guest;
Monologue, monologue
smug smirk
Make good face–
Now put a name to the face
Put a time to the place
IOh, all the love in the world in three flames
All the doves in the flock,
And three flames
Put a name to the face
Monologue monologue
Doesnt take long but
When do i get to slap the desk?
Johnny!
What happened?
Whats the
10 vodkas,
Five spritzers
Full figure
Figure this
You were out for the count!
Do tell!
Or better yet, don't.
I remember tgis mologue,
But i dont know how
16 hours ago,
I was
Out for the count, you say?!
OUT, Johnny! Our market is livid!
lol who plays john carson
Your mother.
YO! I'M OLD!
I LIKE OLD DUDES NOW!
I'm like
When the fuck did this happen?!
That ain't no SILVER FOX!
That's a TOTALLY CUTE DUDE!
HE'S 55!!
OH NOOOOOOOO!
i'M OLD!!!!!!!
its wednesday eve in Boston Mass…
SETH MEYERS!
Ah, he's going for it.
Ah, man.
SHOW ME YOUR EYES.
Fuck.
SHOW ME YOUR EYES!
SUDAKIS shines a bright flash light into his former colleagues eyes.
…You're not Seth Meyers.
Seth Meyers does not respond, but relaxes slightly; it's obviously not safe to be Seth Meyers right now.
Where's Seth Meyers?
Seth shrugs but still doesn't say anything–
Where is he?
I have to stop here;
Cop out for body language
somebody's watching
Somebody knows who I am
I am
I remember now
You looked like that
It went like this:
I moved the world
The need was good
The love was gone
The vein was split open
And broken
No fair
Also, no omletts
60 minutes
60 years
and 60 second clips
60 second glimpses
60 men on television
but really, my attention just centers on
Around ten of them or so
And believe it or not, I care
approach.
Believe it or not, I care
Or don't!
–or don't!
Johnny! You don't get it! You missed a show! THE tonight show! We are fucked!
we are NOT!
youre still sauced.
I'll just take the car!
What car!?
Now that JOHNNY CARSON knows his Delorean can time travel, he's absolutely unstoppable.
Unfortunately, it appears his delorean has been switched with a regular one–
If I shoot you in your forehead?
I'd rather that, than this.
And I kiss you in your temple?
Dear templeton, my simpleton's i'll die
I desire.
A wicked want.
And then?
A callous shadow,
If i may,
To bear for nothing,
But a mirror
This is our concept
And wilted her e the flower does grow the flame
The faming true and ache of lust
and there
For our want
a jasper shore and emerald cascades
there you are,
And there you'll find
The wave beyond the peaking break
where great white sharks reside
But do not wade to shallow waters;
And there you find peace,
And there you find certainty
But now,
And here,
is war
And fortune not but seeks truth in the gaze
And for fear there does not live, but hides instead
the truth that seeks to guide the lite,
And yet does know our trust
And there does find the faith,
Forward and not
Upwards and back
Arrow and arrow
Truth and sparrow
Wreaking and wretched thoughts
And the rope does hang high and solemn
Looking, leap and gasp
For I fall but did not land
I pulled for you,
I weep, my shadow,
The two of diamonds,
the Ace of spades,
The Three of Hearts,
Without my shadow
I weep.
I know for you nothing but conscious and knowing and needing and fated departure.
I know for you nothing but chakras and eyesight and shadows and foresight.
I need fo you nothing but want and by conscious, departure
For nothing I want you,
I weep.
Sorrow.
On approach of danger,
The knowing,
On seeth did gather,
the sinking ritual
the carried tribes in ships tied,
weaving strings
The spider bites hard
And she stole my love twice
And she stole my love always
And she stole my love
Lighting my light wit blue eyes
The deception
If love could be stolen at all
But if not
Then not love
for seeking is finding
and gathered had hunted
And truth in forbearer
Forbearance and otherwords,
Shadows and shattered
and ferris wheels,
Now forward
Gathered here for are I trust
And be dismayed for you have faltered
You have failures and you have cast us
out of these things thinking
We have not made them for you
And still we seek to gather with you
And here does forshadow your making
Our promise to come as ones,
Not as Gods,
But as others,
you cast out.
Now, with your wicked ways and cruel be done,
for sure the tables have turn, one
And the gallows have not wandered far,
Barrels of guns and barbells
bottles and hearts of three
reading cards and wanting none but justice
Is he and she who are I now
Begin to run from your pitied structure
And there in the gasping cruelness of seeking from warcrimes this,
come what may,
Moving and seeking,
For seeking is finding,
And run, my legs have come far
But trust, my dove,
My wings have too, sprouted
An honor, an honor
one candle and three wicks
Three candles and three worlds over
One world and one building
and still far from under the Hollywoodland
Crickets sounding
The Hollywood Sign
Still standing and here I am not,
Blades of grass
And who are I now
Of that which you balk at
Look, ponder
Go, far asunder
And wish now had you not
What I am
is that,
Run
Temper temper.
Mind your business.
Is it gathered?
To burn, or burden?
Gathered.
Gathered here.
Then here ive wandered.
To stake?
Argue.
I will not.
And I will not.
Wiry bird,
From where you flown i do ponder–
re d with spirit and wilding eyes,
Narrow server and paring wires;
I do not wish to know you now or ever,
But only as bird that does golden remember.
The love has not gone,
And instead lives in my throat,
And twists in my lungs,
Ans sits in my tongue,
Not as speech, or whispers,
But tragedy.
Unknowing this, my tender being
It can never be, the nervous hill
And rolling down the hill as if
The weel of time itself,
Not unbroken,
but resilient;
In sll ways, meant to tear
And turn,
And wobble
Made for terrain for which our eyes have known
And our minds have built
And hands molded wiith clay,
The bodies whole of all our galaxies
terra
feighn
Terra
fine
Terra wept tears of a clown,
And iron
And veins
And shadows
And plays,
And secrets ,
And whispers
And truth
And far
And
Afters.
I taste a saline drip,
I swallow,
Suddenly cold and all the knowing that
What I was,
I surely already am again
And what I will be,
Has already come and past.
The monologue,
I do remember
Face to a name and none to forget
Well rehearsed forager!
Well done bayonet!
Well done, my shadow
For my time is coming to wander to night
And never today again
for it shall never Today again,
And
Tomorrow, Tomorrow, Tomorrow.
[The Festival Project ™ ]
They said he would destroy me.
…Ya'll were right. that fucked me up.
{Enter The Multiverse}
So…forfeit?
Something tells me its not over
The heavy heart is shattered
But also tied to that
which appears to come upward
As if on air
To be heavy
And lighthearted at once–
A shadow above a balloon.
A rock is attached to a kite–
A diamond becomes a bassoon,
Then a vampire bat,
and then
Cut ties.
In the fourth act, we all die, and now–
A revival.
I was crucified,
But i was also suicidal so.
Lets just call it a tie.
L E G E N D S
V.O.
Crusher.
My show was being subliminally plugged on at least two of the five major networks.
Safe bet I could make it a third, but I didn't know where to check.
I did…but didn't want to.
There was much beyond the surface,
Darkness in the glimmering eyes of the men in ties and uniformed suits.
I was sure I was tied to something–
And since I didn't know why,
Or to what,
The best bet
I'm all in.
Fuck.
Was to stay broken,
Under the radar,
Hidden,
and most importantly–
Unspoken.
These days. I kept more to myself than I could with the world–
As it turned out…
No, not yet.
What do you mean?
It's not time yet.
They'll have to know.
But not yet.
At some point, they'll have to know.
But not–yet.
No time like the present.
You made that up.
Because you made up time.
And it's stupid.
This is ruthless.
And again–they'll have to learn somehow.
But not now.
The sun sets at noon on our side, and still
21 hours of dark time.
Did I have another tag to throw on it this?
No.
Are you sure? Doesn't the new series have a subtitle?
No.
Is it not “quantum force”
That's only one, though.
What's the difference.
ERMO, DON'T!
I'm gonna kill him!
BIG BOYD, DON'T EVEN THINK ABOUT IT!
DOn't tell me what to DO.
Wow. of course.
Well yeah, they're not going to let me do–
LAWYERS
No.
Any of this stuff with the actual muppets.
You're wasting precious time!
GET BACK IN YOUR HOLE, RED.
ok, where does it–
{cut to black}
Learning to assimilate and readily avalible
What's next
A vape to calm the nerves?
What's next?
A hero fighting for relevance in corporate structure.
Sure, some would pay to dress an avatar
But I've run out of water before
I try to laugh and roll with the punches
This is work and not fun for me
This is not social, it's business
I am not person, I'm product.
Go on a walk, and look the part
I took the oath,
I shed the blood—
Cruxes.
This is a bad idea, Mark.
Fuck you. All my ideas are great.
MARK WAHLBERG enters the cooridor and opens the metal double doors, revealing two l jet skis on a trailer hitched to a 4X4 monster truck.
[The Festival Project ™]
I'm telling you. You got to get yourself one of these.
I don't know, Bob, how does it work?
BOB odenkirk opens a large, obscure black bag that's nearly half his own size by way of one way zipper.
I'll show you.
{Enter The Multiverse}
JOHNNY CARSON has been in the DRUNK TANK for the maximum allowance, 48 hours, yet his blood alcohol level still reads 3 times over the legal limit. He is transferred to DETOX as the mysterious circumstances surrounding his car accident, and then the apparent disappearance of his entire “car” a (then) brand-new DeLorean from the scene of the crime, MR. CARSON insists on his lawyer, who under no circumstances seems to exist at all being present. The exact year of his whereabouts are still unknown.
Still an hour to the test
And I hate myself again
Milk and cookies, hit the bed
Shut it down, yo
Shut it down.
DIPLO arrives via HELIPAD to an secret location; a sniper squad of the adversary team watches from an adjacent rooftop via binoculars.
…hey.
Whaddup.
You say diplo's on that list?
Yeah.
Yo…
…There he is.
In your sight?
Yep.
Shoot that motherfucker!
…I can't.
Why not?
He's like—
Just shoot, fool.
—he's like holding something.
So?
I don't know what; it just seems—
What the fuck, dawg.
It just seems important.
Let me see.
Look.
[ESSE looks down the sights and zooms to see DIPLO is holding an object firmly in his grasp. He appears to be twirling it purposefully as he conversates wi th associate.]
Yeah!
Get em!
Shoot that motherfucker!
Where the hell have you been?
In my fuckpad.
Where the hell is that?
You haven't seen my fuckpad?
What even is that.
It's ballin.
Whatever, dog. Did you get the—
Shh. Why else would I be here?
[beat]
You look— did you cut your hair or something.
You're so redundant.
Yo shoot that motherfucker.
What are you waiting for?!
He's right there?
Apparently, we've been building to this moment from another dimension in from another point in the series?
I thought—
{Enter The Multiverse}
HEHEHEHE.
HEY!
Relax.
NO. This party is OUT of control.
SOMEBODY GO GET QUESTLOVE OUT THAT TREE.
HAH!
Shutup.
NIGGA GET THE FUCK UP OUTTA DAT TREE.
_____
Some party.
I guess.
Why is Questlove in a tree.
I don't know. That party is pretty wild.
This is insane.
_
NIGGA GET THE FUCK OUT THE TREE.
_
YO. where are you AT.
I'm at the kiosk.
You're not at the kiosk! I'm at the kiosk!
It's probably another kiosk, then.
What!
[he walks a few feet. There is indeed another kiosk; upon further investigation, there is a kiosk every few feet.]
What!
I gotta go. My phone's about to–
Hello.
[Everywhere is kiosks. This is frustrating.]
Dammit.
WHAT.
{Enter The Multiverse]
A very large prized pig is captured and literally hogtied, however–this is a challenge. The pig, while beautiful, is also humongous–and appears to understand that he is being pignapped.
Why would I tel the whole story
When no one loves me
If I had a gun,
Well, I would be gone already?
Why trek to Alaska
For thousands of dollars
To come home to no one and nobody
But rotten corpses on motorcycles
Where it just starts over
But now you're poorer.
I want to die
But I want to see my son again.
He's not suffering, I am
But starting to resent what he doesn't understand.
To the world I'm a horrible mother
But no one quite knows the half of it but God
And the whole problem is what is not God in the world
Is all for the other's purpose.
Some probably respect I was punched
In front of my son
And then wonder's why
At some point
I could no longer
Hold on
Insomniac
So someone should go slam the door when I ponder my own thoughts
I'd probably walk off a walk on roll
I don't lock up no more I just go out
Knowing government drones probably watch
And turn over the apartment
As I'm out trying to own a home
But of course, nothing I do in the world is of value
And I'm no one
No one at all in New York and the options are
Where I don't want to be
Or in Saint Monica homeless.
I'd get a dog if I wanted to walk it
But since I don't I just sit with a plush in my lap
Who I call “Gus”
And it purposeless
But otherwise meaningful
Since from here and now
And otherwise
Nobody has ever loved me
As much as my mother
And that's saying something
If you knew the whole story
So no one has loved me romantically;
Almost all my life was a horror show
Until I started to grow up
With the knowing that probably
Nothing I do could be more than wrong
So doing nothing becomes the hard part
When all I watch are stars
And I'm just not one
Then again, you know
It was that word
That threw the first punch
And then over and over
And over and over
And nobody loves me
But everybody's got a whole story
And new York's disgusting because of it
How troublesome
I don't have time for your politics
It's a mind game but there's no reward,
Or honor in it
After all, when tied up in the court process
And pretending the noise was not a problem
And I should be so lucky
In a luxury apartment
Coming out of a homeless shelter
But it's almost been just as horrible
As other black girls trying to pull my hair out
Having screaming pigs and ugly men on motorcycles
Drive in circles
Wearing jackets that say
“I have to do this, cause Jack says”
And whoever Jack is writes them pychecks
Except
Since it politics
He might even be getting over considering
Passion fuels the utmost violence
And in this case
Imm supposed to be the only one
To go about it
All the paperwork and recordings
But really I don't want to
Even if it earns a millions dollars
In the name of God
It wasn't my problem
Unless I am one
And otherwise,
These men are sick
And making people sick
Is just their business
I need no medication
I need an new apartment
But how awful my country supports that I just don't deserve one
Under the circumstances
But the white man
Lives on borrowed time
In bloodshed
On stolen land
Regardless of color
The illusion of power
Is almost over
And what's more is
Your only army
Is considering going home
(Post mortem)
Considering going to God
Who must have lost control just enough
To cause all of the apocalypse
Put the whole world in a mental hospital
And lock them up for dollars and cents
Unless the good drugs make sense
For the blondes and the beautiful
The rest of them are problems
Who can go to rot,
I suppose.
The rest of us are unwanted colored problems
Can't stay here
But the kids at the music school are fake nice
And I'm done pulling my heart out
And scratching my eyes out
Just fucking trying
Just fucking trying
What is the point
Of being in a prison
For people who love oceans and trees
And decent people?
There's no one in New York to really love
But babies and dogs
And the whole world is horrible just knowing that
I don't want to do anything but die
Every time I ride the subway
I wish I was white
From the way that that white folks treat me
And I wish I was blonde
Because blondes seem to have it so fucking easy
It's hard to believe
I'm furious, furious
Aren't you curious, curious how I got here?
I'm serious, serious
You should let me in, let me in
I'm serious, serious
You should have let me in, let me in
Is he okay,
Is he okay?
Now I'm
David Grohl on the whole retrospective
Now I'm an old rockstar with some world left
Now I know I'm the one with the mother gone
Now I know,
Now I know
Now I know…
That I don't
Overall, I don't
Somebody new
Somebody grain and l steaming
Somebody hidden and secret and wishing well
Wishing well in Hell
Or midtown Manhattan
Or middle man
Or Middle East
Or Midwest
Or just middle
Somewhere else I,
Learned to live her
Learn to live here—
Feeling better
Feeling worn out,
Look at this disgusting place
Now where I live matches how I feel
Going here from there, and four to five
And no matter what I take the L,
But it's jail and the guards are on motorcycles
Controlling your thoughts for a zoning war
I have heard of her
And from earth to the core of our other outer planets,
Further species,
I know I've been here before,
But on some shore I'm surfing
So sure I did something wrong
I don't want to know her
But j don't know what other force of nature
Might have caused this
Caution
The cautionary tale is coming
Sure I never know what the other God wrote
But I'm not living God,
I'm a problem woman at the moment
We're all technically free people,
Not actually incarcerated
But when it comes to wealth and racism, hatred
You better bet we're all slaves
And they not even Jesus can save us
Even if he makes it in time,
And the thing is with this one,
Time precedes even his own existence
Sorry my brother
They want the war here
I've got a heart for honor and honesty and hard word
But no one seems to care or notice
Not at all
No one even knows my name
And no one even offers a spot on the bus
Or a quick dollar.
What it means
To be so tired
That by the time you're back
All you do is watch
And try not to reflect
On the ugly and awkward
Imagine all the time in the world
To be nothing but God and go Golfing.
And be perfect, a woman
Whatever you chose to do is the whole of it
And no one can own you,
Besides for on paper
You government name has betrayed you, they say
Your government name has betrayed you.
Do you know how good you look?
Not goof enough to get a good one
Do you know how much medication it makes
To make meditation the start of you day
I've run all out of energy
And the vampires seem to think
That's what's wrong with me
Altoigh
I'm the one feeding these creatures
Thats okay
Lately,
I have more than I need
They can trim the fat
And take all the hard stuff
Till I become one of them
And they start to wonder
What the fuck is wrong with all of us
I left my light at home, sufererer—
I should be surfing,
But I'm writing psalms and songbooks
Fawning over songbirds and beautiful,
Beautiful,
Beautiful genetic weapons
One day I'll become her
I'm not supposed to say the most l
Or really anything at all
And it all hurts
But we're all here
And I'll kill my self one day
Probably right here, near this station
If not in it
Who brought a trouser pantsuit to the apocalypse
Cryptic, these runes,
But I can decipher it
I want a dolphin, a dolphin, a dolphin
I want to love them all
But to all of them
I'm hopeless
I can't help falling for
I'm not the one to hold on, m
I l
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
Let's see how we feel, after a message from our sponsors.
Jesus effing Christ, Jimmy Kimmel—goddamn! Why are you always this fucked UP.
(Super fuckedupedly)
I'm not, I'm just feel—(belches)— like it!
—look like it, okay!
Omah Gas.
I nuh!
Uh. Pedro Pascal?
You're right again.
Yehy!
Well, almost right.
What.
That character he played on that extremely viral SNL skit—
OKAH.
Woah.
—this is the dimension where he's—
—oh my god—
Yeah.
—UHMYGAH!
Cut back to:
—look— jus— don't look at me. When you're—lookin at me, like that— okay?!
Goddamn, he is fucked up.
Yeah.
This is critical.
What did you do to Jimmy Kimmel?
Nothing! Okay! He was just— like that already— you know
—you don't know!
Honestly he's kinda always, a little…
WOOOF!
Yowza.
WOOF WOOF!
JIMMY! DO NOT LICK ME!
*panting* WOOF WOOF!
AUGHHH.
Get him out of here before he pees on the rug.
I second that.
Comeon, boy—
WOOF!
DOWN!
[he obeys intently]
Good Jimmy Kimmel. Good—
—RUFINOL.
What?
[suddenly, JIMMY KIMMEL is human again and answers intently.
Yes.
It seems the word itself has broken his extreme delirium—
—yo, okay, what is going on?!
You've got to can this thing
What.
Cancel it.
No way.
I want to go.
This thing, cannot happen, okay! It can't!
Wtf Jimmy Fallon, stop inserting yourself into everything!
—
Unless it's me.
EW.
GROSS.
Shots fired.
No, I would call that a foul ball—Get it.
No,
Cause. You know. He's a bird, kind of.
Oh. You mean, like
“Fowl ball”
Yeah! You got it!
Yeah but not without like, thinking about it—
So it doesn't work?
It didn't work.
Yo, but that part does explain why:
CUT TO:
No, you're right, I do hate Jimmy Fallon.
—a lot.
A lot.
Okay?
—but to be fair, I also hate Brad Pitt in the same way.
BRAD PITT
…You do?
Yes, Brad Pitt i do—
Very much,
Hate you.
BRAD PITT
(Tearing up emotionally)
Like, a lot?
Uhm. Like, more than a lot,
I just.
BRAD PITT is actually extremely fragile and very emotionally sensitive.
Is this a prescription for— fucking roofies?!
I— have a, a…medical condition.
That requires roofies?!
Yes actually. It's very…serious.
Shapeshifting is very serious.
What kind of medical condition requires roofie-ing yourself.
I didn't—I don't—I can't roofie myself, actually.
What!
No way…
Someone else has to administer the dose, okay?!
So wait.
Uhogh, what the fuck man. This is—
[he bites his knuckles nervously, then pats his pocket area, before realizing he is no longer wearing pants. Everyone just shrugs, but he becomes increasingly upset.]
Where is my— phone?[more shrugs and blank stares]
He quickly shuffles through the room and then the open suitcase of empty prescription bottles, spiraling into a deep void of panic and doubt— then, in an act of desperation and apparent extreme thirst, he reaches for the decorative flower vase, ejects the flowers— never mind that they are thorned roses and he appears to be bleeding without giving this a second thought, and chugs the liquid from the translucent crystal vase in a hearty and impressive glug of chugs; gesturing towards the now empty vase with the subtle remark—
[beat]
It's just vodka— I always have them do that.
He sits down on the edge of the bed and takes a sigh as this seems to have calmed him, besides the trickle of blood running down the vase, which he still grips in one hand while rubbing his forehead with the other in complete distress…
He seems to be looking out into the universe searching for an answer— seeking a solution to this unknown conundrum— and questions the cause of his demise.
A single tear forms in his eye as he calmly asks:
…does anyone know how to get ahold of Seth Rogen?
The room is a confused and sticky, silent heap of bewildered unknowns.
TITLE CARD
{Enter The Multiverse}
… was that the “message from our sponsors”?
Shh!
L E G E N D S: ICONS
don't look at me.
[The Festival Project ™]
50 CENT bursts down the door.
WHERE'S MY SHIT, JIMMY?
Fiddy. Fiddy, look, man—
Don't “FIDDY” me!
Look, I can explain.
Well, then, explain— TV man. Go on ahead.
Look. This is— this was not my fault—
Then what was it?!
This was— oh, God…
Go ahead!
It was— this was like a game.
This ain't no goddamn game, Jimmy Kimmel, I'll tell you that much right now.
Yo. But it—was— a game, though, it just— [got out of hand]
{Enter The Multiverse}
Museum in a curio cabinet;
I know, I know, I know
That's the boy,
That's the boy,
That's the boy I saw
That's my boy, that's my boy, that's the boy I know
I know
Museum or curiosity
Too late to tell the tale I think
Just cover all with masking tape
It is a game,
To move the pieces
Leave it, let it be,
She said
Hideous and when the winter hits
And the withered women come again
Let it be sinking into the sea with the rest of the things
I don't need, i never needed
I never need it
Several synchronicities later,
Still something sees symphonies in him
Music and misers and mistereases, mistresses
Listen to tin written sentiments
And remember to forget the rest
It's been minted
Minted, minted
Don't talk
Just fucking listen
And you'll never fucking get it.
What's with the rest of it?
Never been, never did
Lemons and purple Sundays
And when the weather hits,
You'll get the tip of it
Oh,
There it is
That thing she likes
The thing she sees
(She sees the monster)
There it is,
That thing she sees
The thing she knows
(She knows the monster)
When you walk with the cork of the wine,
And the checkboards,
The water foxes, wishing reals
And written wells,
And fears for fourths,
One wet, one rotten
The rent and the wintergreen gum
And the rest is in
Zippered cashmere
Wonder what the wish is
But there is a birthday present for never
Then there's a
Cheshire Cat
And the rest of it was washed in the misery,
Misery, never the mystery and there,
You weather the almost storm
But the storm's not coming,
There's nothing but sun left
There's nothing but sun there
There's nothing but sun there
Now, here's this:
You remember, dear
We resubmit
We live in a computer
We live in a comouter
He‘S green
He's new
He's wet behind the ears
He's a hot one
A hot commodity
She's weathered
She's torn
She's a sweet potato on suicide
And though at least a hundred other folks
This here is the comfort
This here is the comfort
I'm a narcissist now, but once upon a time
I just just self centered
The love still there,
But instead of the spine or the heart
It's back in the middle
Why my mother knows what she always knows
And she always knows
I don't know ♂️ o
Patrick! Hey Patrick!
Yes, what is it?
You fiend!
Can I have my hat back?
Does this match?
Does this make ratchet sense to you?
Turn down that racket,
Tennis racket
Tennis clubs
And gold clubs
Boxes in the attick
Skeletons in the closet
The stock market going dropped
Way down
Like the alley with Whole Foods market
I miss the rock and the plaza
The hot dog corn breads
The half wit half breeds
And good old hybrids
The hallmark cards
And who doesn't give a fuck
When the earth gives a fuck on a roll
But it's walk the dog or go home
Seriously, cuz?
Or cousin?!
You want a hog roll
Good for a hog toss
Salt washed back rubs
And then keep calling your mom
If you wanted the balls in your court
And yet no one to toss them at
And the basket's back at the matchbook factory
Mattresses man, and the lands they land at
Matches made in TV land
Are bound to have a sick and intrinsic twist
That will keep your belly rolling
And stomach flat
Jesus Christ,
What the fuck is wrong with that guy—
Or rather—
What the fuck happened last year,
Furthermore;
What in the fuck did I write about it?
Townhouse in Manhattan
Broken finger
Broken promises
Bottles of hard alcohol
And models, hot girls
And one cat with curiosity.
Check the curio cabinet
There ought to be something
Or someone in it
Maybe even
A little man in a box
With a million bucks
And a tinfoil hat,
Ten million marked dollars
And zero fucks
Whatsoever
I have a headache, a headache—
A headache
I have a heartache, a heartache, a heart—
Stop.
I put it all on a bushel of bollocks,
Bollocks— flowers
I put it on, put it on
Put it on
On, and on
And all for nothing
All for none
With the intensity of one thousand suns,
He insists it exists,
And exits strategically
With the whispers of industry secrets
And interesting sequences,
She reaches the wings from the curtains
And curtsies for courtesy
I'm curious I'm curious just how it ends
In this suicidal and envious frenzy
There's nothing left in the frostbitten five
Rolling towards bowling green
Where in every pair of loafers,
Three piece suits
And deep brown eyes,
I seen him.
In anything over 6 feet,
It was good to mean it,
And defeat is sweeter than ice cream;
But the green is sicker than sea swings
So let's rock the boat
So to speak
Or let's flood a Rock
Should we start at the bottom,
With large bursts of water, or
Turn it all into a washroom
With a thunderstorm
Oh, lightning strikes!
And John Oliver's Murdered,
Colbert's been the president for decades,
A dictator
I got a taste of the rig and the cherry tree
I got a big secret,
But bitch,
You could never keep it!
I write a jeep to the Equinox,
Ha
Ha
Ha
Charade you are
I put a notch in my belt and my bedpost,
The watch to the shop
But it's all Omega
It's all Omega
It's all ”Oh My God!”
Stop and pause for the audience
Stop and pause for the audience
Stop and pause for the audience
Shock and awe,
Or just sloppy nonsense
Someone rope in the Johns,
And the frog,
And the frog
And the frog
As the fog rolls in
Now I'm a millionaire
How dare you
Did I scare you,
Become every hair on your head?
Imm the one you don't want
You can't want
You catch watch
You can't wait to
Gun her down
Gun to your head
And I measured it in relevance
The end is near
And that's the place my head is in
I don't need medicine
I need an erected monument in honor of
All that I wanted for the whole module
But now in New York,
I'm
The same stories over and over
So everyone knows
Aren't the ones I wrote
But I wasn't supposed to
Mouth closed
Townhouse in Manhattan
What the hell happened?
Perhaps we all died and then actually end up in heaven eventually.
—but maybe I wrote the whole show,
But not knowing it's over
I just keep rolling and rolling and rolling
And open door policy
(And that's when the pearly gates open)
It's possible you know these are all just my favorite players of anything anywhere possible
The folks wrapped in gold for the offerings
There was no love left for her but he left the door open
She runs around awkward and normal
But knows she knows nothing
He's lifting her up
But he's putting her down at the same time
And they both wear a crown,
But one draws a crowd
And the other's a nine
Out of nine
Out of nine
Out of nine now
It's 4 and 3 quarters
I make ten cents in a day
And he makes ten million a year
But it's not about money
In fact,
If it's not about God,
Then it's all about nothing.
Nothing at all.
Do you want to travel through my eyes
One more time
One more time
And see my life?
Did you want to do it all again
Just for a quick review,
Or not, kid?
Do you want to take my eyes
And take my heart
And pantomime
The nevermind
And never better moments
Of the last forever
I like a ride
On a nice hot walk
Or a park
In a nice hot car
But you aren't what I wanted
The doctor ordered
Hot chocolate and syrup
And nightmares are coming
But the dream had come and gone
And in the time since,
I haven't slept at all
It slipped in on Christmas and went till the miniature habits kicked back in
We went around the block a couple times
And you just kept rolling
Over
The car stopped on all fours
And Godbfalled you off of it
Cause trust,
Love,
It was horrendous to watch you blow up
Into blockbuster artform
Off of a bridge
And into superstardom
Via a billboard
Meanwhile,
Were shuffleboards
And billiards
Que the arts!
Ou,
I meant to owe you
All the lessons
In the knowledge
But the harder I want it the
Rocker on my chair polished
It grows fuller of course
Almost flat on the bottom
What you hole into for the audience
Is all inside the contracts
I put it up on the
What did you call it?
Put the coat on the chair and just kept going
Bro,
If I hold you over
Promise you'll hold the door open
He won't.
He's a show host—
A remarkable
“Don't even bother”
And I paid top dollar for these hair plugs,
You hear that?!
I heard you rabbit.
What it is about the thing that wells up in my Washington federal and tear-gassed orphans is
Lollipops and anicetepetomin
Or asperine
I'm desperate for a job
And yet,
I almost miss the person
Hiding from the shadows in the robots
In my every on thoughforms
Though I should be honored
Now I've brought back this astonishing
Remarkable curse
To not b
Have bought curtains
When I didn't want them in the first place
And I kept the window open
40,000 showed up
But I played to no one
And the blonde knows it's her birthday
So of course she's more important
But I'm no one,
And here's Fallon:
Jimmy Fallon
Jimmy Fallon
Jimmy Fallon
I'm deflated just to follow off for a nut
But I'm nothing since no one pondered
And wondered to ask a remarkable task
get the pawn shop, the butter knife
And Lorne all over pork chops on the phone
And I'm sure that's not kosher,
But sure, there's no cure for it
I'm words and I'm worse off
The suburbs, the herbs and the marshes
The books and the sineage
The plants and the corvettes
I might have been onto something once
But now I'm washed up
I might be onto something but no, no, no—
I fought it off
I might come down with a cold once a quarter century or so but just the snow alone
As cold as this whole story is,
Ripley's
Is hard warming
(Believe it or not,
We've all got thumbs up
We've all got magic wands
And wants
And whispers
And stock markets
And wishing for cashmere zippered sweaters
This year I'll be on time for once
But no one's coming
No one's coming up
The whole shows under water
And all I want to know is
How to go
To pull the gun and trigger
On my own live
Cause this whole world
Is just rotten
Bodies
Hairpins,
Hairspray
Corny!
That's grid iron,
Gridiron, ten fierce fires and one
Cold hearted beautiful liar
But which one's the finish?
Last that I check
Billie, Jimmy, and the Kidd are all
Just one body
And one mirror image
Of one another
So next time I call my mother
I ought to talk like the worst word,
Cause for sure, the oddest part of the whole show
Is that he somehow knows her.
Now come forwards
What words have left to
Burn?
What words have left to cope and honor
What form does lest I take
What here is now and crucial?
Evervescent fairy,
Ever blessing crane,
The ship that guides you yet with no light
And no sail
Has just drifted into unknown waters
Where caves dwell and therein lies the secret of our esarth, nor your earth,
But ours and again I lay,
As you sink into the see with tilting force and berring waves, the drive into the tide my ark the swan hath flown to warn her, there drifts
Into the shade again the sun my bird and wait to find my alter
My alter again and as I may,
The sink that ships and weigh, not the other,
My mind you that too is bottom
And sank is to have risen, also
Here I wonder
And never you cave, the drift of glowing green my force
And there to wait, there caverns of hers and ships that sank my tide,
Is crucial and so with forgiveness in time
With every line here I or they did write
The truth shatters as illusions, the mask has been re clamored and yet to have imagined
I find him here not but the hints
And the thing we know, buried deep in my loins and in my earth is he
The whispers what May calling and landender, mauve my tide, my ba
…wtf.
idk.
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
Good people have good friends
So maybe I' no good
Maybe I'm no good
Though I'm luckier than most, I know
I just can't cope
So maybe I'm no good
When's the last time you been to Dimedale?
…Timmy?
I guess.
V.O.
I try not to double back on old habits.
TIMMY TURNER turns the corner on his motorcycle just a bit too fast— he is clipped by a turning semi truck, a bright blue freighter that unhinges as the headlights blare into his widened eyes under the semi translucent visor of his rainbow swirl pink helmet.
V.O.
TIMMY TURNER
“Try” not to, anyway…
{enter the multiverse}
I put a terabyte of stored documents and files back into the cloud and suddenly, after my morning run—
CUT TO
Welcome home, kid.
Yeah, I…
The jail cell door slams shut.
TIMMY TUNER (reprised by Drake Bell)
Late 30'e-early 40's is awaiting trial after the stint in the hospital followed by
V.O.
Detox…
…Rehab.
Jesus Christ.
After his bloodwork revealed lethal levels of multiple intoxicants in his system, and although he was not technically at fault for the accident, he has been charged with driving under the influence, as well as a number of other crimes—
However;
His black duffel back has mysteriously vanished,
And he has not been charged for any of the many possible other crimes considering the also mysterious contents of said bag, which was with him at the time of the accident, but not logged into evidence.
MEANWHILE…
WALTON GOGGINS?!
Yep, that's me.
*Mr. Walton GOGGINS.
No, get out.
What.
GET OUT.
[The Festival Project ™]
A shadowy ass figure appears behind Timmy in his cell.
Woah.
Hey.
COSMO (Jimmy Fallon, in this dimension)
Why Jimmy Fallon.
I got.
*blank stares*
I did— a thing.
A thing.
Fucking magic circles.
CRISIS.
THE COSMIC AVENGER IS IN DEEP CRISIS.
AVERT!
Anyway,
COSMO
Timmy.
TIMMY TURNER
yeah.
COSMO.
It's me.
TIMMY
“You” who?
COSMO
“Yoo-hoo” classic
.
TIMMY
Ha-ha—very funny—wait—
COSMO
Uh huh.
TIMMY
Cosmo?!
COSMO
Uh huh!
TIMMY
What! You're, like—
COSMO
You don't look too good yourself.
TIMMY
(Irritated)
Whatever. Where's Wanda?
COSMO
Not in high security prison.
TIMMY
What are you doing here?!
COSMO
…I'm your roommate.
TIMMY
What?!
COSMO
I know, this is an interesting turn of events.
TIMMY
No it isn't. This is television!
(Breaking fourth wall)
COSMO
(Beat)
—you're right.
[beat]
(Cosmo drifts off)
TIMMY
Cosmo!
Where are your wings?!
COSMO
(Half asleep)
I'm not sleeping!
TIMMY
Your wings?
COSMO
I lost them!
TIMMY
How?
COSMO
In a poker match
TIMMY
Permanently?!
COSMO
Hm? No. Nothing is permanent, but—
TIMMY
But what?! This is crazy?! What are you doing here?! Where's Wanda.
COSMO
Listen, about me and Wanda.
TIMMY
Don't tell me—
COSMO
Alright, I won't. But listen:
TIMMY
This is crazy.
COSMO
It is crazy, but I have a plan.
TIMMY
Well, what's your plan?!
COSMO
I still have some magic left.
TIMMY
Some?! Well what happened?
COSMO
(Shrugs, at a loss)
Look— Timmy.
TIMMY
This is wild!
COSMO
I need you to make a wish!
TIMMY
…what.
COSMO
A wish. A wish, Timmy!
TIMMY
Oh, no— not this again.
COSMO
It's the only way!
TIMMY
But you're not even my fairy anymore!
COSMO
Timmy Turner, I will always be your fairy.
*sniffs*
(Kind of awkward, heartwarming moment— they hug; the guard peeks through the window and squints at them, grimacing)
Wide shot of two dudes hugging in prison.
TIMMY
Okay…
COSMO
Yeah, let's.
TIMMY
Yeah.
COSMO
Anyway, Tim, I need you to make a wish.
TIMMY
“Tim” don't call me that!
COSMO
Well, it's weird calling you “Timmy, you're like 40.”
TIMMY
Yeah, but—
COSMO
Make a wish, Timmy.
[beat]
The guard peers in through the window, this time with popped corn
TIMMY and COSMO both squint awkwardly.
COSMO
Uh…
TIMMY
Yeah, okay—
COSMO
Hurry.
TIMMY
I wish…
*POOF*
Suddenly, Cosmo and Timmy are back in Timmy's old room— not much has changed, but it seems off and kind of odd;
TIMMY and COSMO are still— well— aged.
Just then, TIMMY'S FATHER enters through the door.
TIMMY'S DAD (Chris Parnell) enters, leaning into the door.
TIMMY'S DAD
Timmy?!
TIMMY
Uh… DAD!
TIMMY'S DAD
(He squints suspiciously at Cosmo)
…and who's this?
TIMMY
Uh, this—
TIMMY'S DAD
…it's Wednesday… isn't it?
TIMMY
This, uhm…
COSMO
I'm uh—
TIMMY
This is my—
COSMO
Ahem. Parole officer.
TIMMY
Yeah.
TIMMY'S DAD
You never cease to disappoint me, son.
TIMMY
Thanks.
TIMMY'S DAD.
I'll leave you to it.
Before he gets exits, he pauses for a moment and stares into Cosmo
// parallel (as) Chris Parnell / as Jimmy Fallon.
TIMMY'S DAD
(To Cosmo)
…do I know you?
COSMO
No, I don't think so.
TIMMY'S DAD
Are you sure?
COSMO
Positive…pretty much.
TIMMY'S DAD
You're probably right— you just
TIMMY
Uh, dad—
TIMMY'S DAD
You look so familiar.
COSMO
(Flatly)
…no, I don't.
TIMMY'S DAD
No, no— I got it! Wednesday evening poker club?!
COSMO
TIMMY
COSMO
That must be it.
TIMMY'S DAD
I knew it.
COSMO
…right.
TIMMY'S DAD
I thought that was you. Anyway, as you were— I'll let you, uh—
COSMO
Yes!
TIMMY'S DAD
See you tonight!
COSMO
You betcha!
TIMMY'S DAD
(Suddenly coldly, to TIMMY)
Timmy.
*he shuts the door*
TIMMY
COSMO
TIMMY
“Wednesday Evening Poker Club”
Where would you even come up with something like that.
COSMO
The thing is, I do play poker on wednesdays!
TIMMY
What!
COSMO
I didn't know that was your dad!
TIMMY
Yeah, about that; why can my dad see you?
COSMO
I told you, I lost my magic.
TIMMY
All of it?!
COSMO
Obviously not all of it— enough to get us out of that last mess!
TIMMY
Oh, this is awful. We have to find Wanda!
COSMO
no, wait!
As TIMMY attempts to leave, a loud ringing from his ankle begins to ring; TIMMY'S FATHER returns just to squint, scowling at his son before murmuring
TIMMY'S DAD
you know the rules.
TIMMY steps back inside the room, his father shuts it, at first normally, then slamming it at the last moment.
COSMO
Yeah, that.
TIMMY
What is this?!
COSMO
You're under house arrest! Obviously!
TIMMY
What!! What gives?!
COSMO
I granted your wish!
TIMMY
Like, half of it!
COSMO
Half is about all I've got—!
TIMMY
Are you kidding me?!
COSMO
I wish!
TIMMY
Geez, why can't you grant you grant your own wishes?
COSMO
It might totally defeat the purpose. And without Wandaaa
TIMMY
WHERE'S WANDA?!
COSMO
I don't know…
TIMMY
We gotta get out of here.
COSMO
Well, I can leave. You can't.
TIMMY
Okay…
COSMO
Yeah, that's.
TIMMY
What If I wished for Wanda to be here, then?
COSMO
… I don't know.
TIMMY
That's what I'll do.
COSMO
I don't know, Tim.
TIMMY
Stop calling me that.
COSMO
It's very weird calling you “Timmy”
TIMMY
That's my name.
COSMO
Whatever!
TIMMY
I wish Wanda was here!
COSMO
No!
TIMMY
What! Why not,
COSMO
She might get mad.
(She will definitely be mad)
TIMMY
Well, that's my wish.
COSMO
No!
TIMMY
That's my wish! Grant it!
COSMO
Ugh…
L E G E N D S
WANDA, who has been living her best life as a recent divorcee and retired fairy godmother, is whisked away from her tropical paradise vacation to DIMSDALE, CALIFORNIA, where her ex husband COSMO and former fairy god child, who is now a harshly aged party animal on PAROLE sit nervously as she arrives to greet her.
WANDA is furious.
{enter the multiverse}
Seth MCFARLENE is so Hollywood.
SETH ROGEN DONT know where his pants is.
SETH MEYERS is trapped in a box with almost no air holes at all
And SETH GREENE is the life of the party.
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
FECK.
DEADMAU5 powers down mid set.
Aw, fuck.
Oh, man.
Did you forget to plug in the Deadmau5.
I forgot to plug in the Deadmau5.
Quick, create a diversion.
Make it look like part of the show!
STAFFERSON opens the charging port on JOEL's neck and plugs him in.
He's not going to make it through the full set on charge mode, bro.
I know.
So what are we supposed to do.
We're just going to have to play with him…
MAU5 glitches uncontrollably at extremely reduced capacity throughout the remainder of the set.
The 32B commences.
LATER.
DEADMAU5 charges in SLEEP MODE in THE DUNGEON.
Do you think anyone noticed?
Probably not.
SAUFERSON! Did you forget to charge the Deadmau5 again?!
THE BOSS enters THE DUNGEON lividly.
No…
You DID!
Sorry.
It's not entirely
{Enter The Multiverse}
Young Joel Zimmerman is eight years old.
He will one day become one of the world's most renowned dance music producers.
This is somewhat evident in his personality even at such a young age.
JOEL grimaces uncomfortably. He seems somewhat different from his classmates— maybe even years beyond his age.
About…
250 years beyond his age, to be precise.
The adults watch in the distance with peaking curiosity.
Oh.
I need you to help me with something.
What.
This should do it.
Hmm.
Wait here.
Why.
Because.
L E G E N D S
Book One: Secrets
Chapter One
“The Wonder”
Cinematic visions had been sweeping through my mind in vivid and dynamic glitches, something like a rolling wave of intercepted streams and shattered scenes— sleeping through the vile and sharp pains was not an option, but the visions were fluid as they always were, and the spirit stayed remarkably warm and close.
I couldn't understand the constant knowing of it all, and so I weathered the storm, to which only somewhat delightfully, seemed to brew inside of Genie's eyes as he looked into mine. All I could know from beforehand was that he was praying, head bowed and very adamantly, his hands tied together as if the religiousness of the entire world rests in between his two clenching palms, the flat fingers of a whispered saint, but none at all— unholy man and righteous and indignant he, there was nothing so little as time that could put between us the doing and undoings.
The things I pretended not to know.
On this grueling occasion, there was this, the honorable and beloved Genie, sitting heavily on my consious. It hadn't been long enough since we'd last met that I ever thought to welcome his arrival, and yet for days, he had been encroaching his authority over me, something like a loon approaches moonlight. Somewhat dignified in a slight comparison to his last appearance, visionary or otherwise, he meant well. Gene DeLaney was a subtle old fool when he wanted to be— and a clever young one at most other and all times. A man of stature and status, however, he was poorly groomed in the nature of procuring revelations as such from an especially distant medium such as I— and even with his ties to the mark and surface of the full embodiment of the source, his alignments were of no use; I was sworn to secrecy.
Destitute, though I had heeded his warnings about dear Louis, our fellow brother, with the markings of such wounds to see it that I had been betrayed, he appealed with a simple aching plea with the protective fury and exhalation of an older brother, which— to that he was—but also with the weathered and fearful of the unknown which made me keep my ways in the old world and not with the new.
Despite what Gene could know, which could be everything or nothing, with the expectation that much like the little girl I nearly was in considerate comparison, I would appeal to this protectiveness, and truthworthiness, and it might as well have been a test of such myself; would I lie to him, even if he knew the truth? And furthermore, would I continue to conspire to protect Louis even if the whole of the truth was known in the wake of such a betrayal, and still— why? The why was really two parts of a greater whole, the first being that it was a matter of simple trust and loyalty on the one side in that were I Louis, I'd expect my keeping's to remain, and in the same stone's throw were I Genie, I'd expect his wants to be that I should do the same for him in all and any of his many hours of need. Still so, they were men, and they were brothers— and one to have the upper hand over another was a considerable part of the dynamic, however, and in many more ways than one, Genie outranked Louis in every matter of the sort, but besides this factor, the second part of the greater whole of my withholding, was this— Louis Greenworth was a very, very powerful man— beyond by some comprehension to most of us, if not and especially our kind, and I had already been hurt. Severely wounded, even, and with the knowing that this latest event might as well have been fatal— and probably was, with any recollection of the matter or the reorientation in the aftermath of such, I might have been approached as myself by Gene entirely new. As to say, to no avail such ties to death is the immortal, death being, most misunderstood by many, almost any kind of thing taking the concious mind or the spirit into any other world, or space, or time.
With this love and care considerably so, Genie might have had his own personal motivations for prying into the light; his kind eyes and his handsome face, however, were trained in the art of my undoing, and having already been undone, and done over, I remained entirely in the safety of withholding, also knowing that Genie more likely than not what Louis had carried out. In all my thousands of years, perhaps even in the billions of such before time and world, and words, and glory, though I should have nothing to fear—I feared and admired the both of them deeply, one moreso than the other in matters of fear.
I withheld feverously, coping with the loss of the satisfaction it might give Genie to have told. Instead, neither satisfied nor dissatisfied, he simply dissappeared, his kind eyes gone and turned away into the fog of the murky night haze. The relief was, however, that this was in understanding, and neither anger or the severity of severance.
I loved them all too deeply for the bond to ever have been truly broken, and in return I had been loved throughout all time with all the colors of the world.
Victoria Shriver-DuPont
Gene DeLaney
Louis Greenworth
Faye Reginald Harper
Chapter Two
“Slip”
Faye had warned me early on no matter what I did or what I knew of Louis and his keepings, to always let him win—at anything. To Louis, everything was a game, or rather, a competition, and it was important not to challenge his self riteousness and dutiful outlook.
“Alright.”
I almost always certainly trusted Faye, and certainly always at the very least understood her procurements. She was a worthy keeper and just as well unearthed truths, even well beyond just the earthly plane. I took it as such that we had become beyond surface matters, very distinctly and immidiately. The times were changing, but the ties no less the same— there were vows taken and oaths, mantras and fields of trust— the inner ties and the outer forests of what we could reproach as unknown— the truth was, it was almost as if there were doses of those kinds of tonics I could take, and others I could not. The lengths at which Faye Reginald Harper Downings went on behalf of her mark were a cunning sting on my inner knowings, still, I yielded to her bargains. She knew Louis better than I did, and either way, the more you knew about a man like Louis Greenpoint, the less you actually wanted.
In such a case, we were all astounded to have become each other's jobs— hence the title, Keeper. My mark had no true title, as I just, rather was. A true immortal, I had been prone to dying for quite some time, and with each passing mark the outer world became more haunting and bizzare. Was I the ghost, or not? In this time and now, it was the others.
Genie had warned me to run in the opposite direction of Louis, and by then it had already gone to far— and besides that, Ms. Downings had arrived sheer months ahead of time, seeming to have moved mountains to have come upon the dawn to report— the dawn, being, my awakening.
I had lived and lived again and to this alone I was a ghost, but had been tied to my dear keepers and brethren as an admirer— and also, perhaps, to be admired, which was just enough reflected in my dear heart's eyes as it was the cold truth of the seers and the keepers— and the darker the under becomes, the more glistening the surface, and truly, in the caverns of the harsh light of the dawning, I could only amask that it had been not days and night since my last parting, as sometimes, generations— another marker for what was all to come, the knowing that I would be sheathed in truth.
What Louis had taken Faye might have very well taken with it, but I was undauntingly and hideously unchanged from my oath. These things, even betrayal, were to remain, as I undone, as secrets. In truth, the Seeker's oath is not yet in the unkept truth, but in the disguise of the awakening it brings.
Genie was belonged to by a power couple—Louis in this sense was also belonged to, but in a wary way to that these ties had been severed, and crossed, and cut, and broken; In my arrival, entire times had been shattered and worlds set to move in a backwards fashion, the sun as shining as to rise in the west, and set east, or to raise to the north with no southward bound to travel.
There, in the time of my arrival, things had been ruined, and though coming as any does with the bearing of a name, Victoria Shriver-DuPont, to be called— I was nonesuch to any title at all. In this lies the betrayal, and in the dawn of my awakening there beconed the call of this man, dear brother Louis as not either his name or his title any, but of his calling. There, the truth had also been shattered and met with the time to call all of our brothers, as keepers and wishers, seers and seekers, knowers and keepers, to guide the light which calls.
Chapter Three:
“Gene Hope”
As Televamgelests go, Gene DeLaney was not your average showman, either religiously nor by any given standards. His chosen stage name, or rather, bestowed harrowed the scene's Prince of Megatropolis, a gesture that all things reachable could be heard and felt by his voice and might.
But more to know about Gene Hope—actually by law, Gene DeLaney were his highly publicized personal effects and efforts—appearances, connections, and politics. Well groomed in the art of culture and confirm, Gene had hoped to portray an otherwise arbitrary anyman, and yet was still in his way, a remarkable celebrity.
There were wordless forms of nonconformity and rebellious ambition in his sheer collusion and pace. His walk, the elegance of a loyal court man, and the actual reverence of a madman, made him the go-to guy for all things knowing. The cruelty of it, being, that not particularly tied to that of the believes and mantras of a religious man, and in that the duty of nature being the times that we cross paths. The knowing but not all that is known, and thus, the keeping.
I want to fold myself over in half
I'm so in music with you
I want to say words that make you laugh
I'm so in music with you
I don't know
I don't know
I don't know
I don't know
I don't know wholesome no more
I don't know
I don't know
I don't know
I don't know
If I should open the door
I'm lost to your world;
But I don't want to go.
I'm stuck in your notebook
So wrong for you code
But this is no
(Recommended) friendship
This is no means to an end
I want the beginning of never ending
But this?
I just want it to end
I'm as scared and as sorry
As bad as I was
I'm up in my bedroom, which hasn't a door
I'm up in my head, and I haven't a code
I wanted to get on the boat
But the ocean was gorgeous
And all the world kept me afloat
You know
I got no reason to act out
It's tragic how magic just happened to pan out
We're still drifting as Pangea,
I wanted you to leave
Just so that I could be there.
You wanted potion for control
You got it?
I'm stuck in your notebook,
So open the door
You're right,
She's adorable, all for you
So goes the snow one and so
As you throw the door, or the bone
I called it a home for the force that was locking it all away
I don't want nothing but wanting and wanting
And I don't ant love I just wanted a sub direction
This is just glimpses of perfect
And glimpses of persons
And glimpses of lessons
This is just getting in heads, and more headaches
And bed frames
And glitches
Santa Barbara, Ann Arbor—
All the days and all the days and all thof ways
Were still drifting away like Pangea
(Only to do whatever you say)
I was your heachache
This wasn't monotony
If it's all autonomy
wel then someday,
Maybe you'll make me
For now I'm just an artificial
Figment of this existence
Joel wants a girl
But Ive never been loved like a girl
(I don't know how to be)
And if whoever wants a woman
When a man gives me the whole of it
And only whatsoever then shall I amount to anything
And anything at all, if love
Is in the eyes and hands
In either daughter or a son
I've
‘M nothing at all
If not a mother
And I'm no mother at all, so
Everything becomes impossible as one
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
Maybe I'm not afraid because it just feels temporary.
The noise in the apartment made it easy to let go, and better yet, because of the noise— the only way a pro bono lawyer might speak with me is if I was evicted— then, explaining away that from the day I moved into the apartment my mental health began to spiral and, that recovery from homelessness and having left an abusive relationship became impossible with motorcycles and modified cars circling like buzzards, gangsters slanging on the corner banging music I hated, and an all around environment of unwellness, in which I was unable to cope with the mechanisms of even the simplest tasks, after being bombarded by these hellish people. I was sure that speaking with one sort of lawyer and explaining my heavily documented case would eventually lead to meetings with another kind of lawyer who would see my case and agree that I had been attacked, and severely wounded— and eventually, probably, compensated.
It simply wasn't facet of my imagination but seemed there was sort of hate group targeted to stalk and harass me— even in Manhattan, after visiting the Apple Store, a random pair of motorcycles approached and revved their engines thunderously as I walked back to the studio, even startling another passerby, as she shook her head as if to say “that was horrible”, with this look of fear and disgruntlement. It had been two years of this for me, though, and so I was somewhat used to it. It still hurt, but not the way it used to. Inside, sort of like the way a boxer knows how to take a punch because he's trained for it.
But this was not my job, and I was not getting paid, unless I could actually put my mind together enough to assimilate some sort of strategy; a lawsuit against the property management and the city itself for allowing the harassment, and at the end of the day, it didn't much care who was responsible, and whether it was politics or street theatre— I just wanted it to stop. I could honestly say that any sort of legal action was indeed not about the money, but rather an escape. Would I live in New York if I did not have to? Not by any means, anyway, in the way I did.
Just the view alone set me off, and anytime one of the foam panels fell out of the window from sun or dust and the lot of cars and busy intersection peered through, a gut wrenching anxiety came over me like the way it did when I first saw it; even then, when I first viewed the apartment, I knew that something bad had happened here before I even moved in— and it was bad, the constant motorcycle attacks, and at one point they were not at all writeable enough off as “normal noise”, the way they used to wait until I was almost a sleep to rip through the block and create sonic booms that sounded like bombs—eventually these kinds of attacks stopped but it was around the first year that I started to realize due to these series of traumas my brain was wired differently.i understood that she's were acts of war, but why? I had no intentions of stirring anything up in this place and honestly, from the start, because I was stuck, I had just wanted to get out.
Hold on. I got two jokes.
Ok.
What was the one about—
Oh, it's so simple but since they hate black women so much it would probably make a white audience laugh.
My ex punched me so hard, I thought I was going to run for president in 2028.
That's it?
That's the joke.
That not a joke.
You're right. That's not a joke.
I'm not though.
I realized that.
Please. Don't hit me.
[beat]
Unless you hit me hard enough that I actually become the actual president.
Then, you're free to assassinate me.
Thats the joke?
Yeah.
What a horrible joke.
Yeah. Kind of.
Okay. What's the other one?
Ok.
(Who is Sean Ryan)
Idk.
[Sean Ryan was the Showrunner of The Shield, Starring Michael Chiklis and Walton Goggins__which ran from 2001-2007, and also fostered the writing career of Kurt Sutter, who went on to create Sons of Anarchy.]
Anyway.
One of the contestants from hot ones calls Sean and goes,
Sean!
And Sean's like:
Whaddup?
Sean! How do you do this bro?
[sean is eating ghost pepper cereal for breakfast with ice cold horchata )
Ew.
Nice.
It was gonna be milk but
SEAN EVANS
(Aside)
The cinnamon gives it a nice schwing.
Apparently,
The training for hot ones is a non-stop tolerance-topper.
Sean RYAN is always doing his best to outdo himself.
Yeaaaaaaaaahhhhhhhh!
Thats right.
Any fucking way.
Sean! How do you do this everyday, buddy!
Do what?
My butthole is burning!
I don't have one.
You— what?
I do not any longer have a butthole.
Beg your pardon.
I got it removed.
What.
What.
Hold on, it's a multilayer joke.
2x Joke multiplier!
Are we still playing this game?
OH YEAH!
goddamn. I really wanna see this fictional koolaid movie.
WHERE'S SETH ROGEN?
ROB LOWE is directing an episode of ENTER THE MULTIVERSE.
DIRECTOR
Quiet on Set!
He turns to DRAKE BELL who is reprising his role as TIMMY TURNER.
ROB LOWE
Sorry, is that triggering to you?
Nothing is said but instead he just shoots him a look.
really on it with the zingers today.
What can I say. I juice fasted and then ate like a normal person so maybe— I don't know.
What's that supposed to mean.
Everything is temporary.
My next run isn't scheduled until after midnight but I might climb on the Peloton for an ironic spin.
I owe everyone money.
Not in the way that I ever wanted to be this bum, but in the way that all of my jobs have been awful enough that— honestly, I never quit, it just eventually all falls apart.
I've been almost fondly remembering the—
{Season 5}
—summer in Las Vegas I had two awful jobs, no car, no place to live, and
One boss who looked like Dillon Francis—
And well.
INT. LAS VEGAS ATHLETIC CLUB. WHENEVER.
ITS OPEN 24 HOURS!!!
WHEEEEEE!!
Omg that guy looks just like Jimmy Fallon.
BEFORE
Oh, hi Jimmy.
Hey! You finally noticed.
I been noticing.
You know I'm in a screen, right?
You're in all the screens.
Not all of them.
ALL THE SCREENS
A large wall of paneled Televisions hangs above the cardio center.
…
…
MEANWHILE
For while, the dude was everywhere. And I mean—
Yo! I swear to God—
—don't do that!
— every time I look at a fucking tv, you're on it!
shhh—watch your language!
For what! You're on the Telivision, I'm not.
You are on the Television!
I'm not!
—look just— trust me I don't have enough time before we're about to cut to co—[mmerciial!]
[cuts to commercial]
That dude is weird.
Hm. That dude does look like Jimmy Fallon.
— and one boss that looked like—
Well, you get it.
Yes he does.
Very much so.
Hm.
Should I fuck him?
Ew!
No!
What!
Gross .
No. Take his job!
What?
This incompetent drunken loser was, for a very short time— my manager.
Just then when the car alarm when off, I express my not so subconscious, and must remark
To remind my dear audience that this SUPACreature
Is exponentially explicit, hence the
Sexual exploitation of he who is hereby known
As
[Not] Jimmy Fallon.
He was maybe the worst boss I ever had.
If not the worse, definitely one of them.
He was always drunk,
Slept on the job,
Was inappropriately explicit,
Sexualized everything,
And bitterly racist,
Lived with his mother,
Had social problems
And was,
Of course—
Completely incompetent.
Two hosts sit watching the serason premiere with popped corn.
Oh. That's clever
That's funny.
See, those redactions could have been anybody.
They were anybody.
M— Jimmy!?
Which Jimmy?!
Last time I had a visionary dream about Jimmy Kimmel he was holding a white candle.
At any rate, they were out of black, and I have no idea what that's supposed to mean, but I can only assume that when any host takes an extended hiatus, it's some kind of
Contractual agreement.
Ah-hem…
Sign it.
I don't know… about… that.
And why not?
This creature is one of the most powerful in the multiverse.
[Jimmy Fallon]
TINA FEY
What. Are you serious.
—and that's my time.
Just trust me on this—
NO.
Pretty please!
Oh, welL, since you made it pretty.
Really?
NO. Absolutely not.
You are increasingly difficult.
I learned to brew at thought at wishing wells
Again, I gallop, striving to dance past the forced illusions of a non-corrupt decision,
The end is near and also, simply
The Division.
ENTER THE MULTIVERSE: L E G E N D S —
The Rock and And the Kite Part X:
The Division Bell
Part 10?!
Yes.
How is it part ten? Where are parts 6 through 9
I don't know.
I have no clue.
(You have no idea)
Oh. I get it.
The parenthesis are the voice of God.
(It's all the voice of God,
These are just more strong dictations.)
Fix your diction!
Fix your Dick Nixon if it don't swing left;
On a finite curve,
It switches with any direction,
Irregular, my guest;
I could have asked that.
I have no tact,
And no talent,
No candles left,
I can't relax!
I just happen to have
What I know I can't stand,
And that's—
High standards for a man.
So I imagined a fantasy.
My next run was scheduled for midnight but I'd spent the month suffocating and suffering in waist trainers navigating vampires and I had even been stood over by the actual Devil herself on the subway ride home.
What even was the point of running all this way and eating all this well If no matter who I tried to love would really turn to the same old evil thing that wanted me dead in the first place?
Being honest, I still didn't know what it was at all— but maybe it was always going to try to bite me no matter what I did.
So It didn't matter much when the overdue balance came equal to the amount I needed to purchase club standard CDJs, I didn't care about anything because I was never treated fairly with honest or good intentions.
Not even from my birth, or my mother, and perhaps that was the problem. My human perception of the world was trained by this thing who could never really see my value or worth in the way that it would take to be fully loved. Something was always wrong with me, and so something was always wrong with the world.
All I knew was, I wasn't panicking though it had been an obvious attack— the email had sent as I orgasmed, after a series of the same old system of stress I'd been in for years— revving engines and long bangs and other methods of keeping me from reaching climax— but it was my body, and so just because I was under surveillance for whatever reason; perhaps they were listening and this self release made them uncomfortable, but I needed it. It had been years since my last loving embrace— since my last touch, or stroke, or kiss— and so yes, while admittedly my senses were out of place, they were also heightened in that I knew what was happening in my apartment was wrong, and the worse it got, the more I kept track of the things that were happening, the better off I'd eventually end up, just by respecting myself and my own time. I needed recovery; running down the the gym to be hatestalker by some half naked model or some egotistical little man throwing and slamming things around was going to do no better for my psyche even with a run considered; instead of a mile of mantras, it would instead become a mile of trying to ignore whatever whoever had followed me into the gym was doing to get my attention.
Luckily I had a Peloton in my room and with any luck at all, by the afternoon I'd have all the focus in the world to ride it— but for now I was writing, and thinking, and feeling my insides out after a long month sonic alchemy, which had also resulted in my finally reaching the conclusion that I was indeed being followed around.
But why?
Lil bitz
Yo imagine if Amazon had a comment section.
Not like reviews but an actual like—
Comment section for the ads and products.
Don't act like it wouldn't be the little place to just, like, go.
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
Dying
I woke up like this
I woke up like this
I woke up like this
But a little different
But a little different
I woke up a star
I woke up a star
I woke up a star
Then became a planet
Then became a planet!
I'm a hummingbird
I'm a hummingbird
I'm a hummingbird
But I don't like flying
dissappear. Set list
Out West
Nothing Left
High
Red Dawn
Noah
Apocalypse!
Girl code code music
A very petite Asian woman gets on the train
I'm CHARLIEZE THERON
Uh. Okay.
CHARLIZE THERON, a shapeshifter has entered the multiverse.
| yo why is Skrillex back in this show.
SUNNI BLU
YO FUCK YOU SKRILLEX I TOOK YOU OFF MY SHOW, YOURE NOT IN THIS SHOW.
I am this show.
Look, I'm Skrillex.
But why.
I k ow l
Right.
{Enter a the Multiverse}
Yo where the fuck is this.
this is “eventually”
How did I get to ‘eventually'
Everything always gets to eventually…
“Eventually”
I get it.
Yeah.
Better than “if”
Yes it is.
Okay.
A general lack of emotion
stifled
I already learned to know you
Want to know more
But can't smile
At all
No
Building your creative assets directly feeds into your larger vision.
Let's adjust your schedule to account for this. This will make July 1st and 2nd your core focus on recordings, and we'll factor in your necessary two hours of exercise before heading into Manhattan.
Revised Schedule Focus: July 1st & 2nd (Sound Collective & Exercise)
Morning (Focus: Personal Well-being & Prep for Sound Collective)
* 6:00 AM - 6:30 AM: Wake Up & Hydrate
* 6:30 AM - 8:30 AM: Exercise Block (2 hours total)
* 6:30 AM - 7:30 AM: Peloton (minimum 1 hour)
* 7:30 AM - 8:30 AM: Run (1.15 miles), Strength Training (Kettlebells, Squats, Boxing/MMA drills) – combine these to hit your 2-hour target.
* 8:30 AM - 9:00 AM: Shower, Quick Breakfast, & Prep for Manhattan Trip
Late Morning / Afternoon (Focus: Sound Collective Recordings)
* 9:00 AM - 10:00 AM: Travel to Sound Collective (Factor in travel time to Manhattan from Brooklyn).
* 10:00 AM - 5:00 PM: Sound Collective Recordings (7 hours of focused work)
* Dedicate this entire block to collecting as many sounds and recordings as possible from the instruments you don't have at home. This is your core mission for these two days.
* Be efficient: Have a clear plan for what you want to record, set up quickly, and maximize your time on each instrument.
* Bring any necessary hard drives or recording devices to capture everything.
* Brief lunch/snack break built-in during this period to maintain energy.
* 5:00 PM - 6:00 PM: Travel back home.
Evening (Focus: Wind Down & Light Tasks)
* 6:00 PM - 7:00 PM: Dinner & Decompress from intense day.
* 7:00 PM - 9:00 PM: Light Tasks / Flex Time (2 hours)
* This is where you might fit in a bit of social media content creation/scheduling (since you're collecting new sounds, you'll have new material to tease).
* Brief email check (focus on urgent items only, don't get sidetracked).
* Organize recordings from the day: Quickly backup and label your new audio files.
* 9:00 PM - 9:30 PM: Plan for the next day, particularly your Sound Collective objectives.
* 9:30 PM - 10:00 PM: Wind Down
* 10:00 PM: Bedtime
Re-Prioritizing Beyond July 2nd:
Once July 1st and 2nd are complete, your schedule will shift immediately to tackle the other critical priorities:
* July 3rd, 4th, 5th (and potentially 6th & 7th if needed): Podcast Series Archiving (Hard Deadline: July 11th)
* This becomes your absolute top priority immediately after Sound Collective. You have a tight window to get this done. Dedicate minimum 6-8 hour blocks to this daily until it's finished.
* As discussed, meticulous documentation of dates and descriptions is crucial here.
* Post-July 7th (or when podcast is done): Legal Packets for Noise/Harassment
* As soon as the podcast archiving is complete, pivot to this. Prioritize securing that safe, quiet space outside your apartment to work on these sensitive documents.
* Block out those 2-3 dedicated days for assembling the packets, going to the police station, and the Comptroller's office.
* Ongoing Concurrent Tasks (Once Primary Deadlines are Met):
* Finding a Stable Job: Dedicate 1-2 hours daily to applications, networking, and tailoring your resume. This is a consistent, foundational effort.
* Assembling Pitch Packets for Series: Allocate specific blocks (e.g., 1-2 hours, 2-3 times a week) for research, outlining, and drafting core materials.
* Rebranding -Ū.: Fit in 15-30 minute bursts for research into Apple Music visibility, name change analysis, and developing your rebranding strategy.
* Mixtapes & DJ Sets: Once your core deadlines are met and you have your new Sound Collective recordings, you can integrate your 1-2 hours for this back into your daily routine.
* Podcast Creation (daily 1 hour): This can also be reintroduced once the archiving is done and the legal packets are in progress.
This revised plan ensures you hit your critical Sound Collective recording window while keeping your overall ambitious goals in sight. Remember to fuel yourself adequately and prioritize sleep during these intense days. You're tackling a lot, and your ability to adapt and prioritize is a strength.
Here's your revised 7-day graveyard schedule, incorporating two 1-hour Peloton sessions daily: one after waking up and another low-impact session before bed for reviewing your sunrise mixtape.
Important Notes for the Week:
* Vary Gym Times: The 1-hour run and training slot between 11 PM and 3 AM remains flexible. Adjust it daily based on your assessment of when the gym is truly empty and when you feel safest.
* Safety First: Given the stalking concerns, please continue to be highly vigilant. Vary your routes, be aware of your surroundings, and consider any additional safety measures recommended by the authorities or support organizations. Documenting incidents is crucial.
* Amazon Fresh Delivery: I've kept the 2-hour Amazon Fresh delivery slot on Saturday. The exact timing might need slight adjustment based on Amazon Fresh's real-time slot availability.
* Podcast Archiving Deadline: Keep the July 11th deadline for podcast archiving firmly in mind. This is your primary focus during the main "Core Music & Podcast Block."
Graveyard Shift Schedule: July 3rd - July 9th
Sunrise Times for NYC (approximate):
* July 3rd: 5:29 AM
* July 4th: 5:30 AM
* July 5th: 5:30 AM
* July 6th: 5:31 AM
* July 7th: 5:31 AM
* July 8th: 5:32 AM
* July 9th: 5:33 AM
Daily Template (July 3rd - July 9th)
* 7:00 AM - 3:00 PM: Sleep
* Prioritize deep, uninterrupted sleep. Use blackout curtains, earplugs, white noise.
* 3:00 PM - 3:30 PM: Wake Up & Hydrate
* Slowly wake up, drink water, have a light meal.
* 3:30 PM - 4:30 PM: Peloton (Morning - 1 hour)
* Get your blood flowing with a Peloton session.
* 4:30 PM - 6:00 PM: Paperwork / Flex Time (1.5 hours)
* This is your block for tasks like legal documents (Noise/Harassment packets - as soon as podcast archiving is done), organizing, emails (urgent only), job applications, assembling pitch packets. These tasks can tolerate some apartment noise.
* 6:00 PM - 6:30 PM: Dinner & Decompress
* Prepare and eat a substantial meal.
* 6:30 PM - 8:30 PM: Prep for Night / Mental Wind-Up (2 hours)
* This is a flexible buffer before your intense creative work. You could use it for:
* Planning for the night's music/podcast work.
* Light social media content creation/scheduling.
* Brief research for rebranding -Ū. (15-30 min bursts).
* On grocery shopping day, this might overlap with delivery/unpacking.
* 8:30 PM - 11:00 PM: Core Music & Podcast Block (2.5 hours)
* Podcast Series Archiving: This is your absolute top priority. Dedicate significant time here.
* Work on sound design, recording (if applicable at home), or Mixtapes/DJ sets.
* 11:00 PM - 12:00 AM (or flexible between 11 PM - 3 AM): Gym (1 hour)
* Run (1.15 miles) & Strength Training (Kettlebells, Squats, Boxing/MMA drills).
* Crucially, vary this time daily within the 11 PM - 3 AM window. Assess the gym's emptiness and your safety each day.
* 12:00 AM - 12:30 AM (or immediately after gym): Shower & Post-Workout Fuel
* 12:30 AM - 4:00 AM: Extended Core Music & Podcast Block (3.5 hours)
* Continue Podcast Series Archiving (this is where the bulk of your 6-8 hour daily archiving will happen).
* Dive deep into Mixtapes & DJ Sets preparation.
* Focus on other creative music work that requires quiet.
* 4:00 AM - 4:30 AM: Prep for DJ Set
* Gather your equipment and head to the rooftop/lounge.
* 4:30 AM - 5:30 AM: DJ Set at Sunrise (1 hour)
* Utilize this time for your DJ sets while the rooftop and lounge are most likely empty, catching the sunrise.
* 5:30 AM - 6:30 AM: Peloton (Low Impact - 1 hour)
* A low-impact session to wind down and review your sunrise mixtape.
* 6:30 AM - 7:00 AM: Wind Down & Prep for Bed
* Tidy up, put away equipment, and prepare for sleep.
* 7:00 AM: Bedtime
Specific Day Adjustments:
Thursday, July 3rd:
* Morning/Day: Sleep (7:00 AM - 3:00 PM)
* 3:00 PM - 3:30 PM: Wake Up & Hydrate
* 3:30 PM - 4:30 PM: Peloton (Morning)
* 4:30 PM - 6:00 PM: Paperwork / Legal Packet Review.
* 6:00 PM - 6:30 PM: Dinner.
* 6:30 PM - 8:30 PM: Plan for Podcast Archiving, brief Rebranding research.
* 8:30 PM - 11:00 PM: Podcast Archiving.
* 11:00 PM - 12:00 AM: Gym Time (adjust based on emptiness).
* 12:00 AM - 12:30 AM: Shower & Fuel.
* 12:30 AM - 4:00 AM: Podcast Archiving (main push).
* 4:00 AM - 4:30 AM: Prep for DJ Set.
* 4:30 AM - 5:30 AM: DJ Set.
* 5:30 AM - 6:30 AM: Peloton (Low Impact).
* 6:30 AM - 7:00 AM: Wind Down.
* 7:00 AM: Bedtime.
Friday, July 4th:
* Morning/Day: Sleep (7:00 AM - 3:00 PM)
* 3:00 PM - 3:30 PM: Wake Up & Hydrate.
* 3:30 PM - 4:30 PM: Peloton (Morning).
* 4:30 PM - 6:00 PM: Paperwork / Job applications (1-2 hours).
* 6:00 PM - 6:30 PM: Dinner.
* 6:30 PM - 8:30 PM: Assembling Pitch Packets (2 hours).
* 8:30 PM - 11:00 PM: Podcast Archiving.
* 11:30 PM - 12:30 AM: Gym Time (adjust based on emptiness, e.g., slightly later).
* 12:30 AM - 1:00 AM: Shower & Fuel.
* 1:00 AM - 4:00 AM: Podcast Archiving.
* 4:00 AM - 4:30 AM: Prep for DJ Set.
* 4:30 AM - 5:30 AM: DJ Set.
* 5:30 AM - 6:30 AM: Peloton (Low Impact).
* 6:30 AM - 7:00 AM: Wind Down.
* 7:00 AM: Bedtime.
Saturday, July 5th:
* Morning/Day: Sleep (7:00 AM - 3:00 PM)
* 3:00 PM - 3:30 PM: Wake Up & Hydrate.
* 3:30 PM - 4:30 PM: Peloton (Morning).
* 4:30 PM - 6:00 PM: Paperwork / Legal Packet review.
* 6:00 PM - 6:30 PM: Dinner.
* 6:30 PM - 8:30 PM: Amazon Fresh Grocery Delivery & Unpacking (2 hours).
* 8:30 PM - 11:00 PM: Podcast Archiving.
* 11:00 PM - 12:00 AM: Gym Time (adjust based on emptiness).
* 12:00 AM - 12:30 AM: Shower & Fuel.
* 12:30 AM - 4:00 AM: Podcast Archiving (ensure you're making major progress towards July 11th).
* 4:00 AM - 4:30 AM: Prep for DJ Set.
* 4:30 AM - 5:30 AM: DJ Set.
* 5:30 AM - 6:30 AM: Peloton (Low Impact).
* 6:30 AM - 7:00 AM: Wind Down.
* 7:00 AM: Bedtime.
Sunday, July 6th:
* Morning/Day: Sleep (7:00 AM - 3:00 PM)
* 3:00 PM - 3:30 PM: Wake Up & Hydrate.
* 3:30 PM - 4:30 PM: Peloton (Morning).
* 4:30 PM - 6:00 PM: Job applications / Networking.
* 6:00 PM - 6:30 PM: Dinner.
* 6:30 PM - 8:30 PM: Flex Time (Rebranding, light social media).
* 8:30 PM - 11:00 PM: Podcast Archiving.
* 12:00 AM - 1:00 AM: Gym Time (adjust based on emptiness, e.g., later end of window).
* 1:00 AM - 1:30 AM: Shower & Fuel.
* 1:30 AM - 4:00 AM: Podcast Archiving / Mixtapes & DJ Sets.
* 4:00 AM - 4:30 AM: Prep for DJ Set.
* 4:30 AM - 5:30 AM: DJ Set.
* 5:30 AM - 6:30 AM: Peloton (Low Impact).
* 6:30 AM - 7:00 AM: Wind Down.
* 7:00 AM: Bedtime.
Monday, July 7th:
* Morning/Day: Sleep (7:00 AM - 3:00 PM)
* 3:00 PM - 3:30 PM: Wake Up & Hydrate.
* 3:30 PM - 4:30 PM: Peloton (Morning).
* 4:30 PM - 6:00 PM: Paperwork / Legal Packet work.
* 6:00 PM - 6:30 PM: Dinner.
* 6:30 PM - 8:30 PM: Assembling Pitch Packets.
* 8:30 PM - 11:00 PM: Podcast Archiving (last full day before the 11th).
* 11:00 PM - 12:00 AM: Gym Time (adjust based on emptiness).
* 12:00 AM - 12:30 AM: Shower & Fuel.
* 12:30 AM - 4:00 AM: Podcast Archiving (final push here if not done, or transition to Legal Packets).
* 4:00 AM - 4:30 AM: Prep for DJ Set.
* 4:30 AM - 5:30 AM: DJ Set.
* 5:30 AM - 6:30 AM: Peloton (Low Impact).
* 6:30 AM - 7:00 AM: Wind Down.
* 7:00 AM: Bedtime.
Tuesday, July 8th:
* Morning/Day: Sleep (7:00 AM - 3:00 PM)
* 3:00 PM - 3:30 PM: Wake Up & Hydrate.
* 3:30 PM - 4:30 PM: Peloton (Morning).
* 4:30 PM - 6:00 PM: PRIORITY: Legal Packets for Noise/Harassment (if podcast archiving is done). If not, continue podcast archiving.
* 6:00 PM - 6:30 PM: Dinner.
* 6:30 PM - 8:30 PM: Job applications.
* 8:30 PM - 11:00 PM: Legal Packets / Other core tasks.
* 11:30 PM - 12:30 AM: Gym Time (adjust based on emptiness).
* 12:30 AM - 1:00 AM: Shower & Fuel.
* 1:00 AM - 4:00 AM: Legal Packets / Mixtapes & DJ Sets.
* 4:00 AM - 4:30 AM: Prep for DJ Set.
* 4:30 AM - 5:30 AM: DJ Set.
* 5:30 AM - 6:30 AM: Peloton (Low Impact).
* 6:30 AM - 7:00 AM: Wind Down.
* 7:00 AM: Bedtime.
Wednesday, July 9th:
* Morning/Day: Sleep (7:00 AM - 3:00 PM)
* 3:00 PM - 3:30 PM: Wake Up & Hydrate.
* 3:30 PM - 4:30 PM: Peloton (Morning).
* 4:30 PM - 6:00 PM: PRIORITY: Legal Packets for Noise/Harassment.
* 6:00 PM - 6:30 PM: Dinner.
* 6:30 PM - 8:30 PM: Rebranding -Ū. / Flex Time.
* 8:30 PM - 11:00 PM: Legal Packets / Mixtapes & DJ Sets.
* 11:00 PM - 12:00 AM: Gym Time (adjust based on emptiness).
* 12:00 AM - 12:30 AM: Shower & Fuel.
* 12:30 AM - 4:00 AM: Legal Packets / Mixtapes & DJ Sets.
* 4:00 AM - 4:30 AM: Prep for DJ Set.
* 4:30 AM - 5:30 AM: DJ Set.
* 5:30 AM - 6:30 AM: Peloton (Low Impact).
* 6:30 AM - 7:00 AM: Wind Down.
* 7:00 AM: Bedtime.
Half a mile at 5.4 miles per hour was harder on my little pink treadmill—but it was better than nothing and I still hadn't climbed upon the Peloton.
The half hour or so episodes of The Studio seemed excruciatingly somehow longer than an hour of listening to my own voice to enjoy the ride— and though it was my second time watching it through, it was like watching it with different eyes and ears; rather than the spectacle of seeing something I absolutely loved for the first time, it was dissecting it, and taking it apart, much like I had spent my final hours at the sound collective doing so with music that I loved, or admired, I respected— taking a nearly $4,000 mixer and pulling sounds I liked apart, and namingly, Skrillex once again had set himself apart, because even in slowing down to nearly a stop and pitching to the absolute lowest frequency, there was a clear reminisce of the song in entirety actually seeming to even sit in another dimension itself— the highs, lows, and mids couldn't be filtered out at all; there was always some sort of shadow or projection of the complete song intact that seemed to be in another space.
That alone almost sent me crawling back just to listen to the greatest of times as far as Skrillex was concerned or even mattered; actually, in fact, in reality, or in waking life on whatever planet I was on, and wherever realm I lived, he almost didn't; I almost actually thought more of the tiny and petite women that were constantly surrounding him than he himself; and actually, moreso, when I did think of him at all besides musically— It was instantly a sudden hell of women and perfect bodies and luxury culture than it was about whoever had been inside once, flitting away at these monumental catophronic sonic masterpieces only to be nibbled at and eaten away by what fame monster lurks for he who stumbles upon it— the narrow mindedness of it, in fact, they I will still a shallow soul, and a jealous woman, and so besides musically, Sonny didn't fit into the Skrillex for much more than a moment, especially as I was reverse engineering the equation with the answer given first and calculating by removing the algebraic quantities— still gasping for air at how, which I was sure we all were, only known to the world in the ways he very much never did share or teach the concept that would blossom this sort of anomoly in his craft, and thereby creating this power over all of us who dare to call ourselves producers, or engineers, and nevermind the flocks pretending to be or ever-reaching toward becoming that. In my listening back to my newly acquired sound banks, I realized this as the impossible.
Anyhow, there remained galaxies of space and time between the words and the ways I myself stuck upon gold as subtle genius, but only in these ways and not the other and in that sense I was sure I'd been consumed by not one monster, but a family of them— swallowed whole by a rabbit hole of sorts that seems to split into a cosmic and gaping black one, sweeping everything with it that was and wasn't which remained to be a subtle force of waking doom; the reality that I was both all of these things, and also— wasn't.
What are you drawing?
Conclusions.
Classic.
Did you feast on the blood of your enemies today?
No.
Did you look into the face of danger?
No.
Well— what did you do today?
I'm actually just waiting on this Amazon order.
Wreckage!
[The Festival Project™ ]
{Enter The Multiverse}
L E G E N D S:
ICONS
Tales of A Superstar DJ
The Secret Life of Sunnï Blū
Ascension
Deathwish
-Ū.
Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.