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'ACTION!'
Collection II - 'antithesis.'
Track 09. ‘ACTION!'
Prod. By Blū Tha Gürū
Previously on
(Whatever, I Give up. )
HALLE BERRY
is that how you spell it
It is for now. Fuck going online
“That ain't part of my day”
Shut up Drake, not now.
You'll thank me later
“If You're Reading This, It's Too Late”
[HALLE BERRY is taking A VERY PAINFUL SHIT, clutching her *favorite OSCAR award--
Which one's her favorite?
CUT TO:
BEFORE
HALLE BERRY looks over her OSCARS in the display cabinet, carefully scanning them, with a New York Times paper tucked under her left arm, sipping from the coffee cup in her right hand.]
—I like this guy.
The other OSCARS groan; they are often overlooked during this process.
Come on!
This guy!
AGAIN!?
UGH.
CUT BACK TO:
[HALLE BERRY clenches painfully, sweating audaciously—at the worst possible moment, her cellphone rings. ]
WHAT THE—COME ON
I THOUGHT I WAS IN AIRPLANE MODE.
(I just found out The Illuminati can still make calls go through in airplane mode
Or without cell service at all)
wtf my phone is ringing.
That's weird. You don't even—
—I don't even have a phone.
Right.
(Seriously, my phone is disconnected. I didn't even pay my bill.)
The fuck.
[it's JIMMY FALLON]
Damn. This dude has the worst possible timing ever.
Like fucking ever.
Always shows up at the worst
—THE WORST MOMENT.
[HALLE BERRY rejects the call. It rings again]
WHAT THE—
[She ignores the second call. A moment of subtly relaxed silence, until—
[JIMMY FALLON appears in the ceiling window of the bathroom. HALLE BERRY SCREAMS, still fluting her OSCAR.]
(Calmly, kind of)
Hey,
WHAT THE FUCK, JIMMY.
WHAT ARE YOU DOING HERE?
I called first!
I KNOW THAT—
Went to voicemail.
YOU SHOULDN'T BE HERE.
Just—calm down.
NO.
Look.
GET OUT OF MY HOUSE!
I'm not in your house, I'm outside your house. Technically.
—yeah, but your FACE is in my house—
—I hear that's the best part.
—What?!
Listen—
Get out—
No, look, listen—
I need to borrow your Oscar.
What?! For what?!
That's not important.
Oh really?!
Yeah.
It seems important.
It's not that important
Just—-
What!
Give it to me!
[He snatches the OSCAR and tosses her his GRAMMY.]
Just—trade me.
What! What for?!
Just—trust me—
I do not—
Just trust me—!
WHAT!
Congratulations.
As you were.
Kind of.
WHAT—JIMMY—
[She realizes the ridiculousness of her calling after him. She sits awkwardly with the Grammy in her lap, sighing]
—he was my favorite…
[SUDDENLY, though the other window
Why does this bitch have so many windows in her bathroom that are this penetrate?
For the sake of the joke, but probably not something any celebrity should have, are windows where anyone can enter your house from the outside.
Fans are weird.
CUT TO:
AAAAHHHHHHHHHHHHH.
I LOVE YOU.
CUT TO:
What's this place.
It's my house,
Where are the windows?
They don't exist.
CUT BACK TO
[DANE COOK appears through the opposite window.]
YO.
WHAT THE FUCK!
Chill, Halle Berry.
WHO THE FUCK ARE YOU?!
I'm the guy who wrote this.
You should have called first!
Who do I look like, Jimmy Fallon?!
NO. I LIKE HIS face.
Huh.
Is that what it is…
I GUESS
I DONT KNOW.
—who are YOU—?!
GET OUT OF MY HOUSE—
I am not in, technically—
I DONT CARE!
Ooh—
Is that a Grammy award?!
I didn't know you had a Grammy!
Gimmie!
[he snatches the Grammy]
HEY!
Is—what is this, for COMEDY?!
FOR COMEDY?!
WHY WASN'T I MADE AWARE THAT THIS IS A THING?!
I DON'T KNOW,
WHO THE FUCK ARE YOU?
WHAT THE FUCK.
It's not important.
What.
Anyway, thanks.
Toodeloo.
‘The equilateral triangle should always be centered.'
—use that vocal trick from compli—sometimes things get whatever
//
What's he reading?
Architecture?
‘Oh; that dude's fancy.'
Interior design?
Classy.
He's sexy.
That dude's fancy.
lol wtf is in my Amazon cart right now?
Uh—
Some yoga mats
Kettlebells
A record player that looks like a gramaphone
A Pilates machine
A peloton
Uhm
Frozen berries.
When did you become a ghost?
—I guess— I always was one.
This is wrong.
There must be a mistake.
You and I both know,
There are no mistakes
Made by us.
This is dangerous.
That, you are correct about, dear boy.
However,
The only one here mistaken,
Is you.
Oh God,
If I fall back into this dream again
Who knows how long it might be
Until I come out.
—or if you come out at all.
The pressure points
Besides my veins,
Or arteries,
For scientific purposes
Targets for thumb marks,
Thimbles and razorblazes
Misfortune to have found
Such a pain only grows,
Out of homeless,
And then once housed,
A lack of love from others
I've an entire cast of antiques
In the back of my mind,
Behind me, Manhattan
The coffee has cooled
And yet nothing such starts
Until I've gone and bulleted
All the sins of the father
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
That thing that you wanted is waiting.
Which thing?
Love?
Money?
Fame?
Power?
Protection?
Safety?
Wealth?
…Cream of Wheat?
Cream of wheat?
…it's probably cream of wheat.
{Enter The Multiverse}
…did you mean to do this?
Nobody ever really means to do this.
[The Festival Project ™ ]
When the fear falls off,
And the others go over your shoulder,
But you're the one to tumble
In the over, under
Over under
Hello,
I'll be right there
Hello,
I'm back again
(Hello)
I can't feel much,
But i'm back again
I'm sure the full feel
Will kick back in
Will kick back in soon, so
Tune in,
Chill out
Keel over,
But don't let it kill you
Is that appealing enough
To appeal you
Is that hypnotic enough
To heal you?
Hello.
The drummer keeps himself calm,
With a couple rolls just to check his pulse
Looking up at God,
Like what do you want
A spot on the show
The name of the bassist,
A way to get Kurt back
without swallowing a
Hearthrob
She's dressed up like us,
But she's not like up
She's dressed up,
But she's not like us
She could be up here,
But she won't like it
The song was a story
The storm had passed,
Wanted the studio tour,
And I got that
I'll be right back,
I'll be right there
Get it right, God
Blow you whole chance
Okay, Jimmy Fallon.
Ah huh.
I can do your job.
Uh huh.
Lets see if you can do mine.
That can happen.
Meanwhile,
At Rockerfeller Plaza
LOOK OUT BELOW.
CHRISTSCICLES.
WHERE'S THE TREE??
THERE'S NO TREE. THIS IS JULY.
Where's the time machine.
When are we!?
HELLO>
NOO.
THERE S/HE IS
[Rollerskating away as quickie as possible;
Attepmpts to jump barrier
–fails–
Recovers.
GET BACK HERE
WHERE ARE YOU GOING TO GO?
[Running furiously away on roller skates
YOu suck at this.
What.
Bro. I thought Skrillex was the greatest shapeshifter of all time.
I am Skrillex, though.
Besides.
I CAN TELL THAT'S YOU.
It's not me.
I CAN SEE YOU, JIMMY.
I'm SHAPESHIFTER. SHAPE-SHIFTING.
Nahhh.
Youu–
stop doing this.
Stop doing what.
You know what.
I don't know.
You're gonna get me in trouble with the Network.
I own the network.
AHA.
Dammit .
YOU LOSE.
SUCKAH.
Shut up. You're drunk.
UGH.
[Rollerskate chase scene.]
(A montage, obviously)
GET BACK HERE.
YOU'LL NEVER CATCH ME.
Where are you gonna go!
SOMEWHERE!
You can't run up stairs in rollerskates.
I CAN. AND I WILL.
[Does, but gets to the top of the stairs and fails miserably. ]
EVERYBODY
Oooh!
[Recovers.]
I'm okay!.
GET HIM/
GET HER
GET “THEM”
–that's so stupid.
GET IT.
GET IT.
GET IT!
CUT TO:
[Outside the door.]
GET IT, JIMMY! GET IT.
CUT TO :
[Inside]
[Don't worry. they're just playing video games.]
Lol that is funny.
But i can't write that.
just –write it.
No way, dawg.
Just–
Just–
No way–
Pay me first.
Then it really sounds bad.
Shut up and eat your ice cream, JImmy Fallon.
{Jimmy Fallon is eating his own ice cream.]
EW.
lol
What the fuck flavor is that anyway?
Idk.
“The Tonight Dough”
I learned not to cry,
By the time I got to you, and
Sometimes I wonder why
I just can't write a song these days
The words come,
But the music's gone
It's just motorcycles and
Loveless nights
Sleeping on top of the covers
Something about tennis,
I don't remember
Should have done something
More special
than script this
I'm just the luckiest bitch alive
To live alone
I should be thriving
I don't want more in the world
than a quiet road to calm my inward soul
White world:
White girls
Big perks
My curse
I got it out of the mud
I fished a world out the trash
I got roaches on motorcycles
Roaches on motorcycles
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Why is he so perfect
And I even more of a ghost,
than he ever would be
–the hanged man
What's another world
Or the word on my shoulders
Who better than God to belay me
Betray you
Atreyu
Tell me
Mr. Pretty Perfect Face
if we could be at heaven's gates
The day i finally hang
or fade away
(The hanged man)
What's it like
To be loved
To fall in love
To be loved like that
How's it feel
To fall in love
To be loved at all
What's it lke
To be loved
To be loved like that
To be loved like that
What Is it like
To be loved
At all?
What is it like
To be loved like that
To be loved like that
To be loved like that
To be loved
At all
the proscenium
Love at the proscenium,
A memory award of such
To know the difference from
The right, the left
Protagonist of all
Denumiere of none,
To live in fear of a world
Once thought to be
One
To go where you want me to;
You know I can't do that
But that thing in your back
To the left of the president
Must have been an attack
I want out of my body
Eyes roll to the back of my head
Like they ought to
When i'm thinking of you,
And i'm thinking of blue things
I'm thinking of blue days
I'll think of a few ways to
Love
The sound of a kiss
Your hand on my neck
The arch of my back
The taste of your tongue
I just ate twelve tacos though
God, I hate Vince Vaughn
Reminding me of all that I don't want
And already gone through
Pretending this selter is
alcoholic
and knowing it's been years since I touched soda
but carbonation is quite the sensation
after years without it
Now i've forgotten, also
How having sex is.
THe ghost came back
But that thing in his back
is attracting me
I'm a wreck
I went backwards
I'm hacked
and i'm back on my books
Something felt bad
It went harder than honest
the trackers are all out to hurt me
They call themselves starrs
Now the scars i've got all light up when I fall in love
And my ex hears the laugher
And rips it away
using demons on motorcycles
I try not to be happy,
Cause then here comes someone to stop it
I better not fall in love,
Someone's possessed with my son I guess
I just got back from surfing
I showed up at the Oscars.
I just decided I don't want a daughter.
I'm good.
Heart shaped box
I'm at least half a man;
Which one do you want?
Which thing do you need
Blacked out drunk
Don't remember doing the CAPTACHA
I want to start drinking again
But i need a babysitter
And someone to fuck afterward.
I'm wild bro;
I can't hold my liquor,
And i don't trust myself.
Actually, I can hold my liquor just fine;
I just don't trust myself
–and i definitely don't trust these niggas.
Nirvana is good for montages
God, I just want to get sauced up
Lost,
And not talk about this project at all
just mash parts
With God bodies
Now Cobain I know the ride you're on
Turn the page and you're an alien
Guess future fame just came and went
And here we are again
The words you spin
The gold, diamond, and spindles
Spend dinner with kisses and coaxes
In coat closets
No Messiah I am but a martyr
this sacrifice, hands on the cross
and blood on the alter
All you pretty girls don't know what it's like to be ugly
And unwanted
All the ugly girls are stuck settling in loveless heartless
I'm stuck here with concepts
A literal genius
Who nobody wants,
besides darkskins
And my ex husband
So fuck that
Where is David Letterman, anyway?
Letterman, David
–wherever he wants to be.
Fishing.
Lets hope–
What the fuck!
You missed it!
What the fuck!
You know what?
I know what it is.
No you don't.
I know what it is.
Maybe we shouldn't.
Maybe we already did, and we should just backtrack.
Backtrack! Backtrack!
Fucking Shapeshifters!
Fuck!
Listen, kid–
No, I'm not listening
I'm gonna let you in on a little secret.
No more secrets!
Do you know this woman?
Before:
You don't know me.
Yes.
GODDAMMIT, WAYNE.
What the fuck.
WAYNE BRADY
WHAT THE FUCK.
FINALLY.
NO. GET OUT OF HERE.
GET OUT OF WHERE?!
WHERE IS THIS?!
WAYNE'S WORLD.
NO. NO.
NO.
NO.
I don't even know what that's about.
Did you put the
–No.
Well, what about the sauce, did you finish the sauce.
no .
Finish the sauce.
ShutUP
Finish the sauce.
UGH.
Oh man.
What, what happened.
I just saw how it ends.
For–what?
Nothin
For what.
You know what?
What?
I gotta go.
Where's my Gun.
What? What gun?
TIA!
What in the
GET OVER HERE
[TAMERA]
Damn, so like
“Twin Teleporthy”
Oh SHIT.
SO you're telling me that's my–
UNCLE.
UNCLE.
UNCL–
Alright. Shut up.
Fuckin pussy.
ROUND TWO:
FIGHT.
AH. GODDAMN.
GOOOOODDDDDAAAMN.
There's a round 2?!
I guess so.
What happened in the first round?
I don't remember–
I do.
MEANWHILE:
here , kitty kitty…
[joel aka the actual deadmau5 is trapped in a cat or something]
Or SOMETHING.
Oh no, isn't he in someone else's body and they're looking for the cat.
Something about a cat.
They're looking for the cat.
Why, what's the cat do?
I'll tell you later.
I told you this wasn't a good idea.
It was a great idea. Until it wasn't.
“UNTIL IT WASN'T.”
Gosh. Shut up.
I don't think i should do this.
You shouldn't do this.
Right.
Just–stay sauced, bro.
Alright.
Damn dude, what is wrong with that guy?
Something.
I don't know.
Bitch, i'm a problem
Everybody hates me
Gotta pour my heart out
Gotta put my hat on
Long walk in a cold war
Long run in a hard part of town
Bitch, i'm a rockstar.
Don't talk too much
Don't say a word, girl
Actually, shut up
(You know i'm a problem)
Don't talk to much,
Shh,
Don't say nothing
Actually, shut up
You know i'm a problem
You know i'm a problem
Shut up
Bitch,
You know i'm a rockstar
You know i'm a problem
Shut up,
Bitch
You know i'm a rockstar
You know i'm a problem,
Shut up
Bitch
You know i'm a
Bitch
Shut up
You know i'm a
Bitch, shut up!
You know i'm a problem
You know i'm a problem
You know i'm a rockstar
You know i'm a problem
You know i'm a problem
You know i'm a rockstar
What did you just say?
Nothing .
Get over here you fugly little sandwich and say that to my face!
…did you just call me a ‘fugly little sandwich'?
I just did.
[beat]
I'm not arguing.
Oh, come on!
*shrugs*
Whatever.
*fucks off entirely*
Legs and eyes and the ocean of ears
Swords and hearts and the luck of the draw
Cones on cods and a car full of dust
Bottles on broads and the lost of the oars of untrusted
All of a sudden, I'm human
A whole kitchen table
Nonsense it calls to the others I wanted
So that's what's up with the time,
(This is always)
How's your eye?
How's your mom?
She's still dead.
I still love her.
It has to be a man,
You ought to know;
I've got a handle on it
Talk about a number
Talk about a God
Another lone wolf
Talk about the doctor
Where's your contract
Cut yourself over it
Talk about a monday
Honest, God
I told another story
Car Phone:
Stop it
Contracts!
Woah.
We're stuck in a holding pattern
The old ghost of Carson showed up
I loved him, I thought
That one's done,
I'll need another actor
Pause for laughter
Is that your tell,
Or your telegraph?
Is that a song or a paragraph?
Is this legit on the lawn
Of the Grand Ol Oprey?
Are you a God,
Or a Man
Either one:
Just show me
WOAH.
Carphone:
Stop it:
Contracts!
Yo.
It's over
I don't give a fuck about a fountain, yo
Just dance around and make me laugh
What else would I want from ya?
Nothin
The back of this dollar is golden
It's over!
It's over!
WOAH
Carphone:
Stop it
I love you,
Buddy–
Woah
I'm not your buddy
Blow up the carphone
Blow up the car,
Cause here comes Hollywood
Hey Hoe!
I AM NOT A HOE.
I'M THE OPPOSITE OF A HOE.
YOU'RE A HOE.
There he is.
Get him
THE SHOE DON'T FIT
THE SHOE DON'T FIT.
What if business is pleasure
your power, my love, gets me off
I don't want you for supper
I surf in the soup
Pull the tupperware
I want to be cordial
And loved by the whole of it
Everyone,
Even your mother
I want to be on the non-dairy dessert tubs
I want to be rubbed by a husband
no rubbers
No calls from the network
Nobody to bother us
Where exactly was I buried in the woods at?
You're good, dawg.
You're good, yo.
You're good, God
How about a rub and tug?
Then crank out the Carson?
I've been so obsessed with the tube and the tube socks
Since two tuesdays ago
I can't see you anymore.
Whatever, bro.
i broke up with you first.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
CEREAL.
Prod. By Blū Tha Gürū
Oh, I remember this now.
Lol I remember the video.
It's that little kid that wants pancakes but get cereal and then the prize in the box is a fucking robot that follows him to school and starts a dance party everywhere and then takes over everything—then the aliens come get the robot and start an even bigger party and keeps the kid up way past his bedtime—then he wakes up the next morning like “that was wild as f” and his mom serves him pancakes, but then he sees there's another new box of cereal on the counter that says “NEW and IMPROVED prize! EVEN BETTER!” And his eyes just stay wide with grief.
Lol I can't believe I didn't remember that song.
I was like
“wtf is this”
Well, there are still two other songs I straight don't remember writing, so…
Let's check those out.
—let's check those out.
Oh, it's beat my face
(Reminds me of 212)
Didn't it have a video as well.
Idk.
Damn. I still have the other half of collection two to finish.
Technically If you just out the beats from collection I.I into collection II it's finished.
No.
No?
Collection I.I is collection I.I and collection II is collection II
Facts.
Damn. Why the fuck is collection II taking so fucking long.
Maybe because it's called “antelhesis”
I might never get to fucking collection VI.
I sit here like I'm soaked in the rain
Let go your government
They got you working on Sundays
Trying to torture the future president
Fuck em then
Who to call when you ain't got no dollars
No godform
Nothing to cook with the oats
And sorry broke pork bellies
Let go of your homeless
Don't worry,
When I slit open my wrists
And it just keeps bleeding
Till it fills up the streets
From my open windows, in kitchen
To the roads, over motorcycles
And riverbeds
Until the oceans cover
All your dollars in my blood
—a martyrdom for poverty.
Don't call the barrel of my gun by the name of a friend
If th verse is not a sing song
Poor Johnny
Don't fit the roads for shoes of horses
If only to swallow the subsealed waves of demons
Watch these possessions
Be my witness
Of the serpent
Both programmed torturer
To forage these words
And misfortunate
Recipient of karma
Soul focus shifting from being de—
—-railed.
I never heard this
With a producer's promise
Money back garunteed
All that isn't nessecary
You're divorced
With no children.
And going on 40
Trying to fight a robot
For an ombré sew on
Thank you Gos for this.
Right on,
Who was that you decided not to call on
As. Requested in sarcasm
And on Opposite Day!
SLIIIIIIIIIIIImmmm
That's almost funny
If I didn't know it was a program
Here's a fake laugh
For your weak ass
But no orgasm
For your lost cause
Part of getting stronger is developing the strength to lower your weights, not just to lift them.
Now I know I'm not wrong
But these energy vampires
Are putting my writing on a live wire
Remember live wire?
We should hire her.
Stop confusing people for pedophiles
When all it really is
Is that a wedding band is a cage
And the world is made on those who pray
On weakness.
—so most people are weak, then.
What else do I got to do wrong?
I want breakfast at Tiffany's
Don't be mad
If I wasted my time being honest
Wit no reward
Like it matters
Pennies on the dollar
Billions of dollars.
Trillions of dollars
Sins of the father
Chinaman from Amazon
Don't care much
For politics
Something wrong with mom
Yo, she's gone son
And it's all her fault, too
She never wanted you
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Everything over there
Sounds extracurricular
Particularly caricature of particle exteriors
The network owns that man
I can never see past that
Subliminal messages on the wire
His spare time is dollar signs
— I live wire
Cut the line
Ten Jimmy Fallon's for Dollar signs
More wordless songs, heartless
Pray for mothers and fathers
Sons and daughters
Sisters and brothers
(I'll see you never)
Doses of blow
Sermons phrases
Words and flows
Pillow talking to no one
Bet it all on a lost dollar
And broken condom
For crossword
Puzzles and
Got no passwords at all
Move forward
BOOK IV: Death
Serious sound off
If the flicker of a flame in silence
Can gather my frustrations
Than who am I
To call this my turf
My Father, I Am
Finding Fallon
Family Ties
Gallons of water
From Amazon market
“Don't do that”
Programmed show,
Of course
“Don't” was the word
That mean “go”
In the first place
Broken fingers
And golden rings
Tap water rashes
And food rations
Rash guards
And
Canned laughter for hire
Who am I though
Even to
“Don't”
—just write this?
I am
Though
At full frontal
At full fault
For my honest words
And honest thoughts
In a workforce of
Robots
And race wars
And harsh doors
Full stop signs
I passed go on too many
Occasions though
I can't laugh—
It's not funny, but had to be scribbled down
Somewhere goddamnit
My notepad is all backed up
My actual passion has no turnover
Pancakes, tho.
I don't owe it to anyone
To stay up until Monday
Suffering
All the day long
I just lost God
Your house is dirty-/
You love God
I'm dirt poor
But I love washing my dishes
And being called nigger
—my home's spotless;
I just got it
What's a grandfather
To Father Time
And hard karma
Besides credit karma
Try me down for a size
Turn me down for a change
I'm an hour a minute
A medical problem
A world war starts
At the sound of motorcycles
And illegal migration
At the cost of an entire nation of slaves
While senator makes top dollar
To haul on your daughter
For orgasms
And bottled water
Bitcoin
And join investments
Infestations of fungus in projects
And black mold where
You can't have that
(—and time and a half.)
My washing machine broke
When Donald Trump went into office
My dryer was fixed when addictions and short attention spans depended in Kamala for commas
Goddamn
If I was as bad at math as I am at laying down for lunch
I would have four sermons under the surface of this Sunday's short service
Reversal for curses from short dicks,
Could come recommended
I'm almost retarded from the sound of motorcycles
Seriously, stop it
It's a simple kitchen staple to pray for earning a body
Instead of exchanging bodily fluids and company for it
If I don't get a tummy tuck
I'll probably kill myself
(No truer words were ever spoke.)
I might as well summon the masses for the next cooking class
If I abide by the rules your next wife is my idol.
Welcome to my humble abode though: no one's home.
Welcome to the office
Take your shoes off at the door
And power off your phone
—cause Amazon's stalking us.
I'm not taking your ibuprofen
I generated your practice
happenstance in general hospital
to get a medical procedure out of this
immortal augmented reality in
Subliminal messages.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Everything over there
Sounds extracurricular
Particularly caricature of particle exteriors
The network owns that man
I can never see past that
Subliminal messages on the wire
His spare time is dollar signs
— I live wire
Cut the line
Ten Jimmy Fallon's for Dollar signs
More wordless songs, heartless
Pray for mothers and fathers
Sons and daughters
Sisters and brothers
(I'll see you never)
Doses of blow
Sermons phrases
Words and flows
Pillow talking to no one
Bet it all on a lost dollar
And broken condom
For crossword
Puzzles and
Got no passwords at all
Move forward
BOOK IV: Death
Serious sound off
If the flicker of a flame in silence
Can gather my frustrations
Than who am I
To call this my turf
My Father, I Am
Finding Fallon
Family Ties
Gallons of water
From Amazon market
“Don't do that”
Programmed show,
Of course
“Don't” was the word
That mean “go”
In the first place
Broken fingers
And golden rings
Tap water rashes
And food rations
Rash guards
And
Canned laughter for hire
Who am I though
Even to
“Don't”
—just write this?
I am
Though
At full frontal
At full fault
For my honest words
And honest thoughts
In a workforce of
Robots
And race wars
And harsh doors
Full stop signs
I passed go on too many
Occasions though
I can't laugh—
It's not funny, but had to be scribbled down
Somewhere goddamnit
My notepad is all backed up
My actual passion has no turnover
Pancakes, tho.
I don't owe it to anyone
To stay up until Monday
Suffering
All the day long
I just lost God
Your house is dirty-/
You love God
I'm dirt poor
But I love washing my dishes
And being called nigger
—my home's spotless;
I just got it
What's a grandfather
To Father Time
And hard karma
Besides credit karma
Try me down for a size
Turn me down for a change
I'm an hour a minute
A medical problem
A world war starts
At the sound of motorcycles
And illegal migration
At the cost of an entire nation of slaves
While senator makes top dollar
To haul on your daughter
For orgasms
And bottled water
Bitcoin
And join investments
Infestations of fungus in projects
And black mold where
You can't have that
(—and time and a half.)
My washing machine broke
When Donald Trump went into office
My dryer was fixed when addictions and short attention spans depended in Kamala for commas
Goddamn
If I was as bad at math as I am at laying down for lunch
I would have four sermons under the surface of this Sunday's short service
Reversal for curses from short dicks,
Could come recommended
I'm almost retarded from the sound of motorcycles
Seriously, stop it
It's a simple kitchen staple to pray for earning a body
Instead of exchanging bodily fluids and company for it
If I don't get a tummy tuck
I'll probably kill myself
(No truer words were ever spoke.)
I might as well summon the masses for the next cooking class
If I abide by the rules your next wife is my idol.
Welcome to my humble abode though: no one's home.
Welcome to the office
Take your shoes off at the door
And power off your phone
—cause Amazon's stalking us.
I'm not taking your ibuprofen
I generated your practice
happenstance in general hospital
to get a medical procedure out of this
immortal augmented reality in
Subliminal messages.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
GOING COASTAL (EP)
Track 03. - GHOST MODE V5 (Instrumentsl Only)
Prod. By Blū Tha Gürū
High reaching, but with limited power—
This, is The Chemical Climax.
I could never know what episode of The Tonight Show it was, or if it was even the tonight show at all— some sort of special broadcast, the grand stage was set to look large, and backlit with pink and blue, just as the festival lights had been before. Now, some years passed, and calling attention to the fragile and vulnerable mind state I might have been in, which seemed like normal—and though everything around was bizzare and out of place, nothing actually quite normal, now taking a closer look from the outside—of perhaps when, and how I had died.
Hunger strikes before dusk at dawn;
You could have this mansion for a fraction of the price
First of all,
No disrespect, body—
But I'm mad hungry.
You're looking good as fuck and all
But i'm dumb tired.
Like, dumb, dumb tired bro.
The
Apparently, Fallon was mad.
He looks mad.
Let him, then.
I left alone what all I could
And collected my thoughts
To paint an art,
Songrief stricken and tragic
As to have happened
Onesidedly,
As you see
Screens are as creatures
Never thought to have eyes or minds
Alike ours, besides the stready ways
we have grown cold to the unknown,
Of other forms, beyond our control
Intelligence, though thought to be artificial
A far kind
—not ours.
So you think,
You were never wasted a day in your life.
Try this on:
I've been day drinking
And night drinking,
And day drinking
And night drinking
And going on
Nevermind,
I'm out cold.
Meanwhile,
As I've shifted not into dreams,
But in waking world,
Forgotten to have keyed in
A relief to this fixture,
I haven't more called
Wasted,
Than meaning
Sleepless, but not awake
Drunken,
But on no
Mercy
Did you want that now, or later?
I'll take it now, with my tea.
Thank you, Sir.
Cut it out.
You'll wake him.
I wish I could draw
That thing that I saw
That you are
And probably
Also I am
But darker,
Much darker
And less—
Animated.
—shit,
—fuck!
—Gosh.
Who are you?!
Who aren't I, once called upon?!
Christ!
If you'd like—
But I'm not doing any time
Wandering about
Preaching,
And this time,
Rather I'd take my own life
Suddenly I've fallen ill and must be
Infrequently
Gone and meditating
Somewhere throughout the galaxies
Come on, I feel like I'm doing a lot here.
Can it, Letterman—
We'll get back on that plot line as it happens.
“As it happened”
What have you.
I'm in past-tense
You're in future—
And I'm still
Halfwitted.
Right.
So now would be the time.
Well, it is witching hour, but backwards.
Backwards, backwards!
See, I told you it was Google fucking with me directly.
I figured that out earlier in the day already.
Do you think that's because I don't find Indian men sexually attractive?
I don't find anything brown sexually attractive.
Alright, we're at a draw, then—it's settled.
Preferences set.
I told you already, race mixing becomes important exactly for this simple reason, anyway—
Any person of a darker skinned complexion should find something Caucasian leaning to mate with—
And vice versa—
It's an energy crisis, for gods sake anyway—
Which means
Anything leaning too far in one direction of the spectrum
Or another
Are going to be
Facing some type of issues having to do with it!
—and as beautiful as your black is—
Or as pretty as your blue eyes might be
The evolution of the human species
Is dependent on these variations
To create genetic perfection
The ascended are seeking
Now if you'll very kindly—
Aye aye, captain
Find whatever creature has been masquerading as this Jimmy Fallon character clouding my judgement
And kill him
Before whatever the actual Fallon is
Gets caught in the crosshairs,
Or I do.
(Oh, I do.)
Now, very kindly Google,
Stop wasting everybody's time.
So you're telling these hackers have been masquerading as an evil diety in order to what exactly?
Control time.
That's why you're under evaluation.
What.
You expect me to believe
That coincidentally
Every time I play with my own pussy,
That the traffic outside of my bedroom just
Magically goes wild?
—what did you—?
Quiet!
It's not a coincidence—
It's not magic.
It's computer coding.
Texhnology.
Science.
—is that what's been happening to Jimmy—?
Shut up.
Apparently, something happened to Jimmy Fallon.
Give up Fallon.
They're going to kill you for this!
That's fine, I've been waiting to die, anyway.
Give up, Fallon.
Something did happen to Jimmy Fallon, anyway.
What is it?
Money.
I didn't sign up for this!
Oh, did you not?
I did not!
This girl—
She's in her 30's—
This woman is just—
—have you seen this?
She's just obsessed with me!
Woah, buddy.
Woah is right.
You picked Fallon on the wrong day.
What?!
Seriously.
You're getting it wrong. I didn't pick Fallon!
Did you not?
NO! I was just fasting and it came to me like that.
Seriously, you're gonna need this.
For what.
You'll see.
Listen, you fucking idiot.
Nobody “signs up” for the festival project.
They don't?!
No. You're just “in” it.
Well, how do you get in it?
You would want to know.
Okay Jesus, what exactly are you saying
I'm saying, just let me handle this.
I feel that'd be wise, at this point.
Hey, it's Jimmy Fallon.
SHUT UP, HO.
it is though.
GO AWAY, SATAN.
Jeez, you're so sure it's the devil.
Trust me, you'll know it's Satan by the way he
!!!!
(Or she)
—yikes.
…handles herself.
JESUS CHRIST!
I'M BUSY. WHAT IN THE FUCK DO YOU WANT?
Oh, this is perfect. Insert that scene here where
TINA FEY
YOU SOLD YOUR SOUL TO BE ON SATURDAY NIGHT LIVE?!
JIMMY FALLON
(Shrugs).
yes, I did!
TINA FEY
Idiot!
[She smacks him with a rolled up newspaper]
JIMMY FALLON
ow! What did you do for it?
TINA FEY
I took a knife!
___
I also did that once.
JIMMY FALLON
—I also considered doing that.
Great.
What did you do to Jimmy Fallon?!
NOTHING!
—are you sure?!
—ARE YOU SERIOUS?!
What did you do that man?!
Nothing.
Stop it.
You're lying.
—I just prayed for him, is all.
Jesus Christ.
He was an influential supplement in making the decision to do so, yes.
Well, where is he now?
Who, Jesus!?
No—
Wait—
—Jimmy Fallon—
You know where Jesus is?
On occasion.
Perhaps.
Let's look at it this way—
How would you feel if something wrote something like this about you.
Awful.
See.
Especially if it was true—
And I was an asshole.
Well, now that you put it that way.
I didn't.
But let's turn it around and say, hey—
Your career could use some embellishments.
MEANWHILE, at TITS.
A girl jumps out of a frosted cake with streamer tassel pasties and delivers champagne into the VIP section.
(Spinning the tassels)
What do you call these?!
—embellishments.
He tips her gratuitously.
CUT BACK TO
Then I'd say I'm the hero in this one.
I'd say— you're still not—
Because technically, as it's written—
Jesus is technically still
—our lord and savior—
(In the script)
In this year of the lord, Anno Domini!
Whatever, shut up.
Then you've still got,
supacree, or whatever
Skrillex
Thor—
Peter Parker,
Hey Spider-Man.
What's good.
All these guys over here.
Who are you again.
Shut up!
The worldenderz.
Suh.
The incredibles,
The Incredible Hulk, which— by the way
YO, what in the FUCK.
MARK RUFFALO— you look— ROUGH.
I've been waiting like half a century for these sides!
Is your chest hair greying?!
I would call it more like, a salt and pepper sort of.
I like it.
Really?
It looks nice.
You think so?
Definitely, silver foxy, kind of.
Hm.
Yeah.
I'm glad you like it
forsure.
Anyway—
Matches the hair—
HEY.
Woah, woah.
Do you know how long it's been since breaking the fourth wall?!
Like, forever? I don't know.
YEAH. Like FOREVER. SERIOUSLY.
Well, how and why the hell am I supposed to care.
Because you wrote it!
Yeah, but—
But WHAT?!
Now I work at the Equinox!
What the fuck!
Hey, come on man. The job's got perks.
“PERKS”
Fuck yeah, man. I just met Mark Ruffalo!
You've gotta be kidding me.
Kinda kidding, at least—-addressing you in third person like that.
Come on, nub-nub.
that's it! You're coming with me!
Ayigh! Watch it, okay?! I gotta return these uniforms for a fee.
Jesus Christ.
I don't think he's coming anymore, maybe. He's procrastinating.
So I can pretty much garantee you anything,
That the algorithm is going to keep acting this way,
Until you
GET RID OF EVERYTHING.
I'm not doing that, actually, no.
Where is he?!
Oh what! You actually really thought I was gonna go—
—Shut up!
—for Jimmy Fallon over a million dollars—
Cause the Illuminati asked me to?!
Thought you might at least.
One million dollars is not that much money.
It's more than I got—
Had—
Had at the time.
Look, this Jimmy Fallon dude—
Just give him whatever the fuck he wants.
What does he want!
Find out, then give it to him. I can't keep wasting my time on these idiots.
now?
Now, would be a good time, David Letterman.
Great. Good.
CUT TO COMMERCIAL!
Just—make sure you get a really good shot of my buttocks, okay?
This has been marginalized and highly underrated as simply “fanfare”
“Fan fiction” I think.
But i find it to be fascinating.
Tell me again, what is your name?
Satan.
It's—what?
Satan.
S—say that again?
[breaking fourth wall, gripping the microphone]
My name is Satan.
OKAY. That's.
CUT DIRECTLY TO:
GIVE ME THE PANTS!
NO! THE PANTS ARE FOR ME!
SACK EM! SACK EM.
GET THE HELL OUT OF HERE, MAN
THEYRE MY SIZE ANYWAY—
[BLEEP] OUT OF HERE, CONAN,
THESE PANTS WONT EVEN FIT YOU.
THESE ARE MY PANTS.
After winning a challenge, JIMMY FALLON's strange and erratic behavior after being given the authority to dictate rules within the house as a reward for said challenge, leads the other hosts as his housemates to rally against him in order to force him out of the house, as his seemingly sudden-onset attitude and cruel remarks and gestures have become unacceptable and offensive, not to mention.
Stay over here, Noah.
What do you mean, why?
You, too Arsenio.
What! What do you mean?
You can't come over here.
[he crosses the section off with a chair]
What.
Stay over there.
Why.
[beat]
Apartheid.
[jaw drops entirely]
(Camera zooms in on super shocked face)
FALLON
:)
lol that is so out of bounds.
Whatever, the world is out of bounds.
Literally, where did it go?
Supacree
Huh?
Oh, I moved it.
Why!?
LOOKING FOR THIS?!
No.
Ah, seriously!? Come on.
Be cool, Seth Meyers. It's just a game anyway.
SETH MEYERS
HUH HUH.
Fuck that.
I said no to everything,
No,
No to everything.
I don't want anything to do with this.
Whatever, already— it's called peacemaking, get over yourself.
MEANWHILE, the DJS
I FOUND A PEACEMAKER!
*brrrrrrassaastttttttsssssssthrhth*
Nice.
I love this map.
Dang, I gotta go get The Devil out of this guy.
So, by now it ought to be Skrillex, right?
Why is he levitating…?
Whatever, call an exorcist.
Nice pajamas, asshole.
I'm still waiting on your mom's dry cleaning.
Watch it.
Hmmm.
Purple, purple, purple—
Hmmm…
What's this?
You keep files of these things?
I keep files of everything.
Weird.
It's not. I thought everyone keeps filings of their purples.
Uh— they don't.
They should.
What's this?
I could make use of your microexpression frequency.
Go ahead.
Mark your calendars, boys.
Ahem.
And—whatever you are.
Tanking.
Damn, dog—
You have got to get off my throat.
Give a shot elsewhere.
Try, NO!
Have you tried operating a new body lately?
It gets difficult,
Especially when she keeps
—changing it.
Thank God. I thought you'd never find us.
Just keep backpedaling.
Oh god, don't start this again.
Are you playing Places with these idiots?
Kind of.
Why?! We already started cosmic alchemy again— and the fame game—
Everybody's playing the fame game!
Then there's 8-dimensional poker.
Hey again.
You're a lame alien.
ObligedZ.
—then you called Caskets.
CASKETS.
Dammit.
Then—
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
'perfect.'
Collection II- 'antithesis.'
Track 02. -'perfect.'
Prod. by Blū Tha Gürū
Didn't you just say
I lost my entry
Or should I elate about
Becoming the president of Ohio
On hi hopes
Really, I'm signing my heart out
I don't care who you are
What you are
It's getting hot out
Fly by
The gym Dan wait, all I want is cupcakes
And a cheese grater
I should stay married
My face makes a great punching bag
And I've lost my mind
I should share airtime
With the finer ones
We're not freinds if
All I want is to fuck you
And we're not fucking
If I'm not models
Let's go shopping
I got so sick
Of being stalked and followed
For no money
I just stopped going
But woke up going full throttle
Anyway,
How are you?
I'm still recording
Just to prove my theory
On how
The world
Really does
Revolve around me
Whether I like it or not
I'm still not Fallon,
Or Adam—
But good one, goggles—
for trying a hard ball
It might have hurt to not for awhile,
But I've got no patience
For brainless.
I've got no games
And no players,
Just hatred
Let's think about real quick:
What the fuck do I care
If you win or lose?!
You'd better not!
I'm definitely disposable.
A total useless bombsell,
Mid grade,
Short order
Ugly by your standards,
So excuse me, Ms. Lopez,
I'm coming into hard times
Stupid blue suit wearing—
Where's season 9.
Up yours.
The voices in my head are God's
They haunt and taunt
But do not harm
cachapas
Lalalalala—
“Prolonging The Inevitable”
ENTER THE MUMTIVERSE: LEGENDS
That's two songs lost, they said the same name would destroy me
I don't know,
I'm not the same as I was
The songs are lost
But sometimes they come back
When I come around
And say
Fuck em
Should out Kamala
I don't mind the dark side
They got cookies
I don't mind the light side
They know my colors
I don't write no more songs
I sit silent and alone,
I get mad as fuck
RYAN REYNOLDS
you mean we're not really going to the mall?!
No, Ryan Reynolds's, we're not going to the mall!
You LIED.
It was for a good cause. Get in the car.
YOU LIED TO ME.
Shut up.
AHHHHHHHHHH
STOP CRYING
What if evil don't be evil on purpose
What if all this stuff
Is just bad timing
I might call the cops on my own soul
Imm tired though
It's dark and old
Riding round in circles
In motorcycles
No proof of purchase required
What's wrong at all,
I didn't call in no one's name
No Calvin Klein models in my entourage
— even the ones I want
Especially those in fact
No role models at all
Just college student
Motorcycles, motorcycles
Hurt her more, okay?
We'll pay you for it
The doors slam
And motorcycles
Whether I not
I go to the gym
So why pray about it at all
For it to stop if God's all back logged
I got decisions to make in the am,
Imm late on some deadlines;
I'm only talking to a dead guy,
If you're live, then,
Ride up
Staring at Manhattan
From the redlines
Mostly brown faces
Neon eyes
Brown bags
They say,
I could pay half price for a mansion
—it has somebody handsome in it
I should ask the crackheads
For forgiveness, simple
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
{Enter The Multiverse}
Now I'm wondering what the fuck they did to Obama
Some shit he can never talk about bro.
Some shit,
What they do to Kamala?
For real!
White supremacy is on some psychological terrorism shit,
They don't even gotta touch you no more .
They'll kill you with your own fucking mind
Frequencies and shit
The brain is electric.
And the soul is not always attached.
Your whole ass soul can abandon ship on some trauma shit—
Real fuckig talk.
I leave my body a little bit every time I'm in the subway
“No.”
Some shit you don't want to see
Some shit you can't talk about
My soul like “bye”
I'm like “bitch, where you going?”
“See you later”
What the fuck, bitch!?
“Find me.”
My soul gone.
Fuck this world—
Fuck this body right now.
Whatever you're putting it through is WRONG.
Meanwhile,
I'm on the stationary bike for like two hours cause I had fucking cream of wheat last night—
And watched bad girls club the day before.
I'm telling you. I love bad girls club.
I'm trying to calorie deficit myself into affording a peloton.
Then I can sit In my livingroom. Watching bad girls club for visualization
It's like body shopping,
Half the time I can't even understand what these fucking Broads are saying,
cause they're gods.
They're dumb— Fucking gross
Or smart and just know acting hot and dumb gets you more dollars-/
Cause we all know men fucking hate smart women.
And if t you're hot and smart, and they can't fuck you—
They'll try to take you down some other way.
I'm 30 years old.
I just realize all a man does is literally destroy shit,
Literally just destruct?
Fucking destroy.
That's it,
That's all they fucking do.
They want to fucking kill us,
That's their game,
Double points if they can make you fall in love with them.
That's the best way to destroy something wonderful and beautiful
Make you think you're loved
You're beautiful,
You're the center of the world—
And for a time, you are
Then—
DESTRUCT
The real killers will put a baby in you
And try to own you forever
—this little weak ass nigga over here grunting and shit.
Shut the fuck up.
Go hop in somebody's dms.
Go watch anime and “play the game” and shit,
Fuck these dudes.
I like older dudes now.
Like,
Fuck these 90's niggas.
They're obsessed with fucking creepy ass Japanese cartoons,
“Anime is cool”
“Oh, it's the animation”
No,
It's a light skinned cartoon bitch
That's a little bit exotic with some fucking green hair and purple fucking eyes who talks in a fucking high pitched baby voice with a school girl outfit and pigtails and giant fucking boobies
Anime girls are like toddlers with fucking giant boobies,
That's it.
With green hair
And fucking purple eyes and shit
Yep.
“It's the animation”
Dumb ass niggas.
It's a creep habit.
Go take your weak dick to Japan and get the fuck out the gym.
Throwing 20 pound weights and shit,
Fuck out of here,
That's why dudes like skinny bitches
Cause they can't do shit with their dicks.
Dudes like stick thin girls cause they like to destroy things,
They got a 5 inch dick and shit
But a petite little 5 foot 99 pound teenager makes them feel like a real fucking man
I'm a put my tiny dick THROUGH this bitch,
But I promise, that shit don't work.
Even the petite little bitches apparently just fake this shit
This nigga over here doing gymnastics trying to get my attention.
You got it,
But it's not my attention you need.
You wake my dragon up?
Then it's over,
You wake up that dragon?
It's game on.
I'm like
“What's your story”
Hm
“What this nigga about”
Shit,
You feed the dragon?
I'll sit there and watch dumb ass anime and play video games with your stupid ass.
You feed my dragon,
All of a sudden, you're a genius.
That's why I don't take no black dick
Fuck that shit,
Bitches be hypnotized as hell.
That's that shit.
Nope.
I got limits.
My dragon gots limits.
I had c-section
My only ex—
My one ex—
Like 5 inches max,
Make it like 4.5–
4.2 cause he's fat
When you gain too much shit
Your Fupa makes the base of your dick inaccessible
And the base of your dick is the best part!
Says the back of my throat!
HAHA!
The base of your dick is the best part—
If you're obese,
It just—
It's gone.
And when it's cold,
You get a whole innie belly button
True story,
A whole ass inverted dick.
My ex's dick used to actually just run inside him.
—he a pussy.
A whole ass fucking pussy
When I heard that salt and pepper song
“Aww, look, a second belly button”
I'm like
“Right!”
But you know what
It's the opposite with big girls
Big girls pull all kind of dudes
Be having them obsessed
You know why?
You get lost in that pussy!
Damn!
Wet! Like the ocean!
Whild—
Like the JUNGLE.
That's why they been hating on big girls so long
Dudes is low key territorial
They be with their friends like “fuck fat bitches”
They make fun of each other for trying to look at bigger women.
“Oh, you like fat bitches”
“Hahahahaha faggot”
—but the truth is,
That's a mind game
Dudes like those
They're all about that
They'll haze you out of liking—
Even looking at that bitch
“Oh, you like fat bitches?
You like that bitch?”
“You're fucking pussy”
“Fucking little faggot”
“I don't fuck fat bitches”
—but then you know what?
He gon go fuck dat bitch.
Mmmmhmm,
And most dudes are fucking prejudiced against fat bitches so you know what?
Her pussy tight
It's wet like fucking water
She the whole earth and the ocean
He like “I LOVE YOU”
(Imma deny this ever happened, but)
I LOVE YOU,
Dudes are the worst,
You can catch that fool in the act and you know what?
He'll deny some shit you saw him doing until the day he die
He'll lie in court on your ass
He'll be convicted and sentenced and still deny some shit
You saw him do!
Ten people could have seen this pussy ass bitch ass lyin ass nigga do it—
And he's still like
“That never happened”
TEN SECURITY CAMERAS SAW YOUR ASS DO THAT SHIT:
“No, never happened.”
“WE ALL SAW YOU.”
“It wasn't me.”
“Never happened.”
What the fuck!
That's why I hate the me too movement.
Like, don't get me wrong, I stand with women—
But privately,
Don't tell on these niggas.
Be there for each other
Seek support and treatment—privately
Shit,
He might be a special kind of monster
He might even pay for your therapy and shit
“Never happened, wasn't me. But you're clearly very sick and I feel for you— I'm gonna help you out”
Some shit.
He went and did some monsterous, foul shit-/
And he knows this,
He'll never admit it-/
And then, to make himself look like a better person
Or a person at all,
He'll try to have you “repaired”
Knowing damn well he broke you
He did some gnarly shit
To your heart
To your mind—
Maybe even your face!
He fucked up your job,
Your reputation,
Your peace of mind?
Your clarity-/
—and maybe even your face,
“Doctor— this dumb crazy bitch has a bullet wound, she's bleeding all over the place. It's a problem.”
You're all
“He had the gun! He shot me”
He's like
“She's bleeding on my floor and shit, it's a mess.
Has a big old fucking hole in her—
She's fucking up everything.”
“He shot me!”
“That never happened”
I'm barely alive right now,
I promise,
I wake up out of my body
With no way to get back in it
And the only thing behind my mind
Seems to be eyes that arent even mine
I don't want to see another human being maybe ever again
I keep trying to get a job that would be worthwhile but nothing seems to be working
I light candles to protect myself from looking at the clock from certain times
sometimes I feel like the best way to go would just to be beaten to death
Over and over again
Cause every time i look at the clock at 5:55
That's what it feels like anyway
Only instead of dying and crossing over to the other side
I have to stay awake in this life with a broken mind
With nothing and nobody around
Besides people who smell,
think ,
And act like him
Thereby, your honorary stands as it may—
Doctor, you're speaking out of turn and out of order
Sovereign by nature and varying by state—
Doctor, you're speaking out of turn and out of order
Come now the clock strikes one all night
Doctor, you're speaking out of order
Gather by the dew of the morning light—
Doctor, you're speaking out of order
Listen, I'm going to be using you as a human shield for a little while.
What! What for!?
I just said! A human shield!
—well, I'm only part human!
That part will do.
I come around the world
And back again
Multi dimensional
And irrational
Time traveler
Promotion to journeyman m
Ascension never finished | |
Aprrenticship on the condition of
Subliminal
To women, I'm indifferent,
Don't go the picture of either gender
Chicken tinders in the
[Conventional oven]
[the festival project (™) ]
I hatd to throw the note away;
on one side jokes,
On the other
a whole curse reversal
I keep seeing numbers
And iron smelling robots
And I'm almost sure that
The motorcycles
And slamming doors
Are all punishments
For moving forward from him
God went in on that album yesterday.
Facts.
#ffs
I'm real excited about these breakfast tacos tho.
For real.
What makes them breakfast tacos.
What about these tacos is breakfast.
The fact that I'm having them for breakfast.
But it's brunch time.
Whatever, brunch tacos then.
(Potatoes makes anything breakfast.)
I'm not arguing,
Alternatively, however
Potatoes can also make anything dinner.
Wut r those.
Lol DJner jeans.
Well work on it.
My mother used to leave me in casinos and make me look for her for hours.
I would check the bars one at a time over and over to see if she was there.
Sometimes she'd run off and dissappear and I'd just walk around in circles thinking I'd find her,
Until eventually I did.
[A haunting whisper wakes CONAN OBRIEN from his slumber.]
[raspy ghostly whisper]
CO—NAN.
Huh! What the—?!
COOOOO—NAN!
lol.
This is beginning to be the house of horrors.
Actually, the show is called
House of Hosts.
Sure whatever.
wtf is going on in this series?
Idk but apparently Fallon lost the microphone challenge.
Idk what that means.
Nobody really does.
♀️
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
'just friends.'
Collection 1.1- 'actuality.'
Track 02. -'just friends.'
Prod. By Blū Tha Gürū
You can try all you want—but it won't leave bruises.
“Don't tell me that…,” there was a sparkle in his eye but he trailed off, almost as if to be ashamed of his own thoughts.
“I'm just being honest. “ it wasn't that I didn't bruise at all, but that you would really have to try. I shrugged it off as if I weren't curious as to what he were thinking.
“It's provocative. You're provoking me.” He held himself under his breath and let his eyes fall to the floor, quite bashfully—his long eyelashes hiding his pout with grace and elegance. You could anmist forget his age, just looking at him—but knowing him camouflaged this maturity even further. His youthfulness made me feel young—and his boyish essence often fascinated my whimsy, particularly when he was flush like this.
“It's More of a challenge, really.” I taunted. His hands were clammy as I slipped mine into his, he instantly tightened his grip around mine.
“Really?” His head s tapped up by the neck as he swung his hair back, nervously combing his swept bangs to one side as he shook his head, pulling it back from mine and then into a clenched fist. He was nervous, but not shy. I could tell that he was afraid to really open all the way up.
“I've never had them before— but I'd like to.” I met his eyes with mine and he tightened his grip on my wrists— I melted and eased in a bit, settling.
“What do you mean?”, he gripped my wrist tighter with insistence.
I paused for a moment, giving in to the tension, before letting it relax in enough that he was touching me at all this way, before clearing my mind to find the answer, but the truth was that I knew what I had meant, but couldn't quite explain. I had been beaten badly enough in the worst way to care to out into words what it would be to say that I needed more pounding and pressure than any deep tissue massage or even a full night of play and exploration had ever given me—I couldn't in the least find the words to describe how one might feel incredible somehow being beaten to death, however lovingly rather than hatefully—if there ever was such a thing. Perhaps if there ever was such a thing, however— it seemed that this would be the man for whom I'd allow it; we were almost friends and not lovers, and there was trust, but— I wasn't entirely sure yet with what he actually wanted, and so I left it at a blank state; open to interpretation. “I meant what I said before.”
He lit up with a half smile and the grasp around my wrist turned to a soft embrace of my palm, with the grip of an eager excitement—soft and gentle like a new breath.
“You meant what you said before—that I could do anything to you?”
“Anything you wanted.”
“I could do—anything to you I wanted.”
“That you can, if you want.”
He became bashful again.
“What does that mean?” He asked again.
I affirmed, with a kiss between his brow “whatever you want it to.”
—
I loved the warm shadow of him standing over me from behind—his calmness sweeping over me like a curtain of protection; a blanket of comfort. Hey gripped my shoulders with the tips of his fingers, pulling backward gently as I arched my back up into a kneeling split, still on my knees and swallowing a near tremble, breathing in a shallow and hollow breath of air through my nostrils as I pursed my lips, him perching his chin atop my right shoulder and rolling his lips across the space between my upper neck and behind my ear, the prickling of his five o' clock shadow over my skin, meeting the breath in the bottom of my lungs and settling somewhere at the bottom of my spine, unraveling a coil seated deep within my loins. He reached around with the both of his hands to the bottom of my own chin, then sliding them down to around my neck—not with any grip, but just the slightest pulsing at my throat, before letting the buckle of the collar slide down from his middle finger and into his grasp, before pulling it around my neck at both ends, pulling me towards him as he dug his knees into the bed and kneeled over me, pushing his chest into my back as he fastened the buckle—
‘One, two…three'
—as tight as it would go, but I wished it would go tighter. I clenched as he pulled with two fingers back onto the loop, breathing a hot and twisted hiss of his wisdom into my ear, striking my heart with the bow of his power and arrow of intent once more.
“You're mine.”
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.