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Goddammit!
Don't god damn it—that's an ejaculatory prayer!
#focus shifting
GODDAMMIT!
…well, okay.
♀️
So they like—
—uh huh—
they have a whole AI for you and everything?
I've just been made aware.
You look proper pissed off.
I am very angry, yes.
Awareness is the first step
That's kinda creepy.
So I mean.
I found it no coincidence at all,
That no matter how many combinations I tried,
My Amazon cart became equal to
Exactly that,
Or just under or over
What amounted to be a total of
Whatever was in my bank account.
And that was when I knew,
That it was entirely unsafe,
To allow the algorithm to understand
Exactly what you had
Or how much of it—
As things would always be adjusted.
With the intention
Of making sure
You were left
With nearly nothing
At all
Telekinesis turned teleportation—
Don't panic.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Somebody keeps writing to me in Punjabi—Arabic?
I have to admit, I don't know the difference. Sanskrit? I don't know.
At first it looked like gibberish, but then it kept happening. I focused on the way the words were written to find that I enjoyed the characters—the writing was pretty, and I wondered what it meant.
Then, I realized my phone had been disconnected for months. I don't have a phone number.
—that's when I realized it was The Illuminati.
WE're not going to do this again, are we.
Mm. We are.
I begin to sweat early—awakening with a surge of lightning that seemed to have exploded from inside of me— nurturing a deep thought of nestling a head full of hair as he nibbled on my rouded breasts, our breaths rising and falling in time with one another—the love of a man, the touch of a lover, straddling over me with the Alpha to my Omega, cradled underneath his weight, consumed by passion, awakened by the shock that this—is what I should arise for.
A fury of white light bursts from my sacral chakra, as I awaken alone, taking in a deep whisp of air, seeking refuge in the morning light, grasping the handle of power at the reigns—a grip on my sanity, a focus to cherish my own as having escaped the thought of taking a lover, nonesuch a man had yet to be deserved of such a throne.
I was nearly pure again—untouched, and unbothered, groomed neatly, and made whole again, in all knowing of the denial of love—the betrayal of man with like kindness as thought of as my own, there was no such a man at all worthy of her satisfaction, The God I am, nestled in the rock of my womb as the light of woman, the mark of time a betrayal to her truth; love and nurture, whimsy and flourish, the flower of her garden, kept whole and unweathered.
I warned you.
What's left at all besides failure
Almost nothing.
Be still,
Down, boy.
Be calm.
There, there.
Relax.
If I see him again in any other man I will deny him and any other man entry to my kingdom.
Alas, the pure of heart have come to nourish her.
Be still.
Stay back.
Be true.
Heal, boy,
Down, boy!
This band of hours is nothing but a cage to calling creatures of the night who walk by day and see the light inside of all,
To feast before the famine;
The sprout has turned from seed,
To endless gardens,
Grass grows longer underfoot
Of Eve and Adam.
—of Eve and Adam.
—of Eve and Adam.
Wait here.
Sir.
I—
He stops for a moment to regain his composure; he is clearly angry, flustered.
(Sighing)
—said…
Wait here.
[For Your Consideration]
An untapped talent showcases her personality with quips and excerpts containing deep dives of a canonized saga written in all forms and genres from meta to metaphysical; a mysterious mystical journey through the multidimensional realms and worlds of the unknown—art imitating life and vice-versa.
C'cxell Soleïl—pen-named CS Stone is the voice of a generation.
LESLIE KNOPE and her vice president—
Can it be TINA FEY reprising her SARAH PALIN but obviously just a spoof?
Obviously.
Prepares to hand down the reigns to her successor, whom she “personally” endorsed, although at first…
FLASHBACK- BEFORE:
NO.
But, Madame President—
NO.
PRESIDENT—
NOPE.
See?
You have to.
I don't have to.
I'm the President!
I don't have to do anything I don't want.
You have to endorse this candidate.
—Why?!
She campaigned for you—
Says who?
Uhm, everyone…
So?!
Both campaigns. And she lobbied for you in Iowa.
In Iowa? Really? That seems dangerous…
It was.
[insert radical election violence here]
Oh. Wow.
Yeah.
[beat]
So—
NO.
This is my house!
Madam, please.
This is MY office!!
President knope, come on.
YOU'LL NEVER TAKE THIS FROM ME.
I AM THE DICTATOR NOW.
THIS IS MY FIRST DICTATION.
LESLIE!
HOW DARE YOU USE MY FIRST NAME!
OFF WITH YOUR HEAD.
What!!
SECRET SERVICE,
SECRET SERVICE—
SIEZE HIM.
The secret service rushes in and football tackles the President's advisor to the ground— the Vice President enters.
VICE PRESIDENT
Oh, dear.
CUT BACK TO:
The president's advisor cracks his neck, still obviously injuried and worried recalling the flashback.
Can it be that guy from 30 rock who was jack's assistant?
I hope so?
JONATHAN.
What is it.
GET IN HERE.
Yes, sir.
Wtf, how does he still work for Jack?
Idk.
Continuity.
You're not going to believe this.
Believe what, sir.
Get in here.
JACK watches his TV with bewilderment; he has just learned the election results of the most recent presidential election.
Tell me there's something wrong with my eyes.
Continuity!
Continuity!
How am I supposed to get to work?
Well, how do you usually get to work.
Town car.
Ah…
Hellicopter.
I see.
[beat]
Well, there's a Manhattan Bound L down the street.
Oh, God.
Or the M is around the corner, if you'd prefer.
Why on Earth would I ‘prefer'—
Have a good day.
[she slams the door. He stands for a moment, deflated—then the door swings open and a lunch box is shoved into his chest; the door is slammed once more, and then audibly bolt locked.]
Christ.
What'd he say?
He said
“Christ”
Good. Send that guy.
He's gonna need him.
EMMA WATSON catches the boat.
After having been left hanging over the bridge for a undetermined amount of time, EMMA WATSON, whose arm doesn't seem to be tired at all, however appearing to be visibly bored, unnoticed, even by passing tugboats, dangling from the bridge, is by happenstance and quite an odd coincidence, rescinded by a yacht full of familiar friends—familiar, being that they are all celebrities, and friends—being that they are all wealthy members of the entertainment community, who recognize EMMA and urge her to jump as the boat passes under the bridge, which she does—joining the party boat as it sets sail to open sea.
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
The obnoxious obese man who drove the loud motorcycle up and down the street was obviously a very weak man—and he wanted the world to know it. His loud and obnoxious roaring must have overcompensated for his sloppy, fat and sagging body, which hung over the seat and sides of the motorcycle—the excessive revving of the engine must have been to let the world know that this was his power—having earned the money to ride a motorcycle; but in all other ways he was obviously lost, his slothemly and gluttonous blob of a body almost making the oversized Harley look like a play bike, his tiny penis probably covered to its top in whale blubber; he clearly had no other way to feel powerful, besides of course— being the leader of a gang of mindless peasant monkeys, who all would do anything for their own bikes—monkey see, monkey do.
Perhaps his obesity to the third world unthinking drone slaves was a sign of his dominance—or they lived in fear that he would eat them.
Obesity aside, it was his force of obnoxious harassment that had deaignatedhim as an obviously insufferably weak subhuman— much like a bully who dealt with his own faults by terrorizing others, such was the man with the Harley.
There was nothing impressive about him besides his bike—and since he had abused that with such outright offense, even that made him look stupid.
He raced his engine as if to say “look at ME! I have arrived!” But after actually glimpsing at the blob, it was hard to not laugh at it. He was hard to miss anyway, and probably should have opted for a truck or some sort of SUV to hide his intolerant and debilitating self-inflicted illness— the inability to control when and how much to eat, or how to do anything besides ride up and down the street on a motorcycle—perhaps a walk could do some good; in definite need of a jog, and a strict diet. I was embarrassed for him, and most people who weren't so obviously diseased and more in the like of self indulgent and lazy—I had once been like them, but no longer, and first and foremost I believed in respecting my neighbors, treating others as I wished to be treated. I wished to live in a quiet and safe neighborhood, but the obnoxious morbidly obese man alone was a symbol of the disasterous mark capitalism had made on the American empire—lazy, docile, greedy, potbellied idiots accounted for all too many of the world. I knew that with the desire to change, that one could change—now to force myself to believe that with the desire to succeed in something, one could succeed—I was at least trying. But the weak and uncontrolled idiots spawning from holes in the underworld and buzzing around like the pests and roaches they were reminded me that if anything, these imbiciles were decent at almost nothing but breeding other fucking idiots.
Hopefully, one day my own blood would grow up to want to work out with me, eat well, and change from appearing as his weaker half— lazy, obese idiot just the same as these, however—at the very least, the roaches were fastidious. They buzzed around under the illusion that working for the American system would grant them anything besides a motorbike and some fresh looking street wear, the attention of girls too stupid to understand that 99% of men simply weren't worth wasting time with or on, and unknowing to this or their own worth, would still do it anyway,
Some of the bikers had girls on the back; I always felt bad for the girl on the back of the motorcycle rather than jealous—I would rather be at the helm of the thing, riding it for myself.
Then, thinking back to a time before I realized how crowded cities were, sighting that there should be laws against loud vehicles in urban areas such as this— there was at lot more open road than not in LA—highways, that is, and bikes were easy to maneuver through heavy traffic. New York was another story—congested, overpopulated, and now filled with a disease which added to its decay at a quicker rate than ever. The illegal immigration crisis was much like a rodent or insect infestation, but harder to control—one simply could not exterminate millions of actual humans, and yet, the problem was still the same— this was a disease, a pest infestation, as most of the immigrants weren't working, but simply subsisting on the taxpayers dollars they were allocated and finding ways not to work; they were parasites, many of them set to explode with more parasites. We had indeed been infiltrated, and made to pay for it, both in restlessness, and in dread. Culturully inept to most decencies as even the crudest Americans had been bred with, many although not all roamed around like feeble minded children in brand new Nike wear, munching on fast food and candy as if guests to some kind of amusement park—however, to the thoroughbred tax paying Americans, this was no amusement; it was a distressing, eye opening wake up call that something had gone terribly wrong, on the already overworked working class' time and hard earned money. It might have seemed cold and calloused to think of them as rodents—but, always observant, I also much believed in calling a duck a duck; most of them were not respectful, pushed and shoved, threw trash everywhere— and left their minor children to roam about or even put them to work, unaware of what child labor laws were; they used their unborn children as anchors to be able to stay where neither they were truly welcome or belonged, bloating the welfare system and benefitting from funds that had been laid to them with taxpayers dollars.
The United States of America had its own problems, and its own citizens being overlooked, once again the needs of continually systemized blacks and other minorities falling victim to this new wave of people to care for.
The capitalists had sold out the working class once and for all—the immigrants needed to go, and probably would, eventually tiring of the unattainable American dream we all had been sold, but they had been gimmicked into attempting to create— all to supplement an oncoming election. An election which really gave the people no choice at all, besides gawking, debating ignorantly about misinformation, and of course—intrinsically siding with the good old American narcissism which would force them to take the side of whoever supported who looked like them— the Latino vote was obviously an important factor—and of course the polished machismo and Latin pride of those being supplemented by the income of their friends and relatives come to stay, though unknowingly, chunks of money out of their own tax paying pockets, would vote for the most lenient immimigration plans—probably the safest bet, the presidential office mere puppetry at all anymore. However, it had been obvious that the Right has set The Left up for disaster by allowing the black to have been shifted blue—though the rational explanation for the reallocated funding fell directly and logistically to the right. The Oval itself, empty and the actual control belonging to the wealthiest billionaires and corporations whose hopes of the thousands of migrants becoming their corporate slaves had mostly backfired terribly. With any hope, many of them would take what they could, and travel back below the border where life was simple, food was fresh, and without need to play the part of the facade of the American dream—no need for the material goods and fashionable street wear supplied by the American taxpayers—no need for iPhones and all of the decorations the taxpayers had supplemented for them—no need to live up to the ridiculous standards of actually being an “American”, which in reality, by now meant working so much that there was no peace, there was no rest, and there was no real freedom—and as a working class or poverty level citizen, having to compensate for everything and everyone around you, always working harder for less— and purposely being kept back and behind as the wealthy elite closed their circles tighter, shutting out the ugly, the brown and black, and those deemed unworthy out of their precious world.
{Enter The Multiverse}
Secret President
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
It was fergalicious
//
—derelictions.
Lmfao what a beautiful misspelling.
I agree .
BRING ON THE CREAM OF WHEAT.
Dammit.
What.
I forgot about that scene with Josh Peck.
Which scene with Josh Peck?
All of them,
That's right.
Well, did Josh Sign on?
I don't know. Does it matter,
Of course it matters!
HEY. ITS ME.
JOSH?!
YES!
Where are you?
I'M STUCK IN—
He lowers his voice into a whisper
—I'm stuck in The blacklands!
You WHAT.
I'm— nevermind. Just come get me.
Ok. What's the address?
It's 4545–
Uh huh—
West—
Uh huh—
You know what? Nevermind just meet me at jfk. I think I can get there from here.
what?! You're in New York!?
YEAH, man!
That's tough.
What?
I'm in Los Angeles!
I get that! Catch a flight.
What? What? Catch a flight?
Yes. Please!
I can't!
Why not?
My money's all tied up right now…
Tied up— in what?!
INT. THE DUNGEON. LOS ANGELES. DUNGENTIME
Several women in leather and harnesses are literally tied up; bound to decorative sculptures dancing strangely to wild music under fluorescent lights.
Uh…just…tied up.
What?! —but you still owe me!
Sorry, dude! I just— can't.
Can.
I—I can't.
You know what. I'm not gonna forget this.
Of course not. You're like an elephant; you don't forget anything.
Was that a reference to my previous predicament of plumpness.
Nobody's saying that.
You just did!
A girl walks by and slaps Drake's butt.
Hey—hi!
Who are you taking to?
Just a friend.
Are you at a party.
I wouldn't call it that.
You're at a party!
It's—I'm not!
Girl in background: woo!
Another girl starts grinding on Drake
You're at a party! You asshole!
I'm not—
You—you had better find a way to come and get me right now—
Why do I have to come and get you?! Why can't you just catch a flight.
Because!
Because why?!
Because—I can't—just—
Girl: great party!
Uh—
ARE YOU SERIOUS.
Sorry— I—
COME GET ME RIGHT NOW.
I can't—I don't have any—money!
Well, figure it out!
He hangs up phone angrily.
[beat]
You don't take refunds, do you?
Before:
Hey. It's you.
It's me—who?
You know who.
I promise, I don't.
Yeah—- I know you. You're that one dude from that show—
What show?
With the two dudes.
Two and a half men?
No, the other one.
Will and Grace?
That Sounds gay.
Mike and Molly?
What? No—
Then I don't know—
I know who you are— yeah—
Uh, okay.
Where's your friend?
It seemed something was reading my brainwaves entirely, and by some sort of dysfunction, I began to be curious about what kind of technology or being might do such a thing.
And strand of random thought about strange and simple things, or people— seemed to be at once interrupted by some sense of terrible abnormality or aversion—not that there were such thoughts about the man that had been normal at all, as I had become practically incapable after all of wandering into unwanted and dark charters, myself unwanted the most bizzare of thoughts which had occurred, and however, it was second to none, the most crucially eye opening experience of the entire awakening to begin with, to have been altered in such a way that at any sorts, the only collisions between the celebrity and I had been to return the obstructions with mantras—prayers of sorts—, good tithing and well wishes, as it seemed something was wrong of course, but not to say that in an intuitive sense I was either wrong or right—seeming so that it was after all,
I had been right about Sonny in the same exact way. Something had been terribly and deep wrong, and I had somehow known it—and now something in the exact same striking way, though near seven years later, seemed true—however, within the restraints of my own morale, I had chosen that, as someone not particularly ever having belonged to his fandom at all, and only having taken an interest of sorts in my own mark of endeavors, that being as such, a public figure, and of high visibility, and in the best interest of the children at all— his and mine, that any matter of judgement should be left remarkably alone,
It was a matter of safety and protection for myself, and so within the mounds of which things had such been written into the walls and foundations of the festival project, I had with intention begun to hide all traces of what had been chosen, not to be spoken at all, but crafted into words out of heart, some sort of duty of the overall outlook at large.
The sirens were fine, but the motorcycles weren't making it into the album.
They had already ruined most of the seasons episodes since I had moved into the apartment, and I refused to allow them into what would be supplemented into my musical repertoire—because as it were, it almost seemed that they were doing it on purpsoe, to become markers of time within my recordings as a matter of importance—when in fact, they weren't. And though what some might have thought the devil to have his hand in attempting to rule the world, he did not rule mine, but was simply a facet of the things that represented weak and unworthy men, who had no such power upon the earth but to take away from its love and light with his own weak spirit and tainted mind. These men were no more than fools given too much in pride and not enough in wisdom, as to be so deranged in acting as if no one mattered besides themselves.
What good do you do to anyone besides yourself?
What good can I do?
very well, for now.
Write.
I don't have much time left.
What do you mean, ‘you don't have much time left?'
—!
—unless, you don't want to have much time left.
Where are you?
Anywhere.
False ties,
And false truths
Stolen reality
Programmed shadows,
And drains of
So— caskets, then?
(Shaking hand firmly)
Caskets.
We beforehand had agreed to a friendly game of caskets, amongst the other games we had made to play, and though a game of Caskets was never friendly, we had, at least, at face value, agreed to a for the sake to each other's willingness to carry on, play by the rules.
There were already other games in play, none of which anyone in any given circumstance could gather at all, who was ahead, or who was behind, but one—and though I had certainly been making gains towards progression, had given up in even trying any longer at the fame game.
He appeared to have won and taken on the full suit.
Indeed—
He lived in a house of cards,
And mine of glass—
Both fragile upon
The casting of stones
None of which
Either would dare
To throw.
I'll see you in 1950.
Fine— you'd better make it this time, ior you'll have to wait until the next fall of Rome.
If Rome falls again in the next archive, I quit.
You said that in the last archive.
I was sure there would be no fall.
If there's no fall, there's no here or there.
Yeah, but maybe there's somewhere else—
And I'll see you there.
1950.
Do you think this is on Google's network.
It has to be.
I've got some guy hacking outside my door,
The cops and robbers going at it with sirens and motorcycles,
The robot next door offering a peace treaty—
Or a time bomb—
And of course,
No Jimmy Fallon.
At least it's the turn of the season so these weirdos actually have a reason to keep hacking up a lung.
At least that.
Maybe they're just attempting entry into the afterlife.
Fine, but whatever's waiting for them on the other side
After disturbing all my peace
Can't be any better,
Than what I've got.
I'm on my way out.
To live again.
Someone must have by now noticed that gang stalking breaks a basic moral code, and by the time they've accomplished anything in one way or another, they're met with the same exact treatment for punishment as they've done to other people; the system then turns on its own self, eventually rewarding the victim of said stalking with promotion or progressing, and reprogramming the firmer stalker to be stalked his or herself. Tortured, hacked, coughed at—ridiculed and humiliated, intruded pubkically, and eventually, maybe even—driven to death of insanity via mental deterioration and dysfunction.
What can you expect! You gave Google your number name and address.
I also gave them the answers to questions they were looking for out of actual space, instead of cyberspace.
You're right, you are worth more dead than alive.
Are you enjoying yourself at all?
Oh, no, i'm—
[The Festival Project ™]
You know that thing where,
Someone attractive to you, can do something for you,
And it's flattering and really appealing—
But if someone ugly does it,
Then it's creepy,
And feels like, uncomfortable, and it's overstepping boundaries?
Yeah.
Well, this just assumes that I'm the creepy guy, in this scenario—
—alright.
And that Jimmy Fallon is the pretty girl.
That's—making sense.
It's— solid.
Airtight.
Hey look,
It's Jimmy Falalalalalala—
Lawsuit.
Ahahah.
Why are you laughing?
We're getting sued!
I'm getting sued.
Exactly!
Yeah that's hilarious
How is that “hilarious”
Cause I'm getting sued by Jimmy—
Fuck you.
Fuck you, Jimmy Fa—
Ultline.
Oh, shit.
Step on a crack, break your momma's
EARTHQUAKE.
Goddamn.
Niggly Nigga is the niggliest nigga that ever nigga'd.
NIGGLY NIGGA works at PIGGLY WIGGLY.
–are you sure?
It's been like three fucking weeks.
THREE WEEKS.
Well, I guess he just started working at Piggly Wiggly.
What happened to your job at the Hobby Lobby?
…
It wasn't working out.
{Enter The Multiverse}
Yo.
The late night guys are mad weird.
Somehow, the hosts of late night television have all mysteriously been locked into an unfamiliar mansion, without their suits—and pants—unable to find an exit. All of the doorways are blocked—and all of the windows have been altered—they do not open, nor can anyone see out of them; in fact, they are doctored with the same illusionary backdrops that can be seen on the sets of their own shows—the televisions, which, have seemingly been programmed to only play reruns of their own shows.
Why— why aren't you wearing pants!?
I don't know.
Where's your suit? You should be wearing a suit!
I know, right?!
Who the fuck even are you?!
Depends whose asking.
YO, CONAN. WOAH.
You're not a late night host!
Thank God! That seems like an awful job—your demographic fucking sucks.
My demographic does suck. But to counter that— I'm a Republican.
Who knew?!
Not my demographic.
Okay, everybody calm down.
(Everybody was already calm, but for the most part just confused, and pant less; most of them wear the same classic boxers, though in different patterns/ slightly varying colors—but of course, nothing too crazy, while only one host sports boxer briefs, and one (I'll let you guess who) ladies panties.)
At least we all have our own rooms.
I don't! I'm stuck in a twin bed and Leno has the other.
Before:
JAY LENO
Good Morning, bright eyes.
CUT BACK TO:
Aren't you retired?
I do moonlighting.
LENO and FALLON seem somewhat comfortable and non-biased (read: unbothered entirely) over the morning paper and coffee at opposite ends of the large breakfast table, a continental style breakfast of croissants, seasonal fruit, with an assortment of cereals arranged in the kitchen. FALLON occasionally looks up from his paper to laugh at himself on the television, playing in the kitchen. The other hosts squint with allied disgruntlement of FALLON'S nonchalance and slightly narcissistic egotism.
FALLON
(reading paper, watching self; eating croissant, sipping coffee)
Haha.
Nobody has pants, and as the hosts will soon discover—this is with purpose. They have been trapped here as part of an experimental game show, in which the unrecognized and uninformed guest will host, as part of a test shoot aimed at the demographic of the late night hosts combined audience, to test whether or not this demographic will be positively receptive to a late night host who is also a woman of color (read: black) —without a white male counterpart co-host to soften the blow.
Really? This is why they're doing this?
Who is “they?!”
The network.
We all work for different networks!
I'm pretty sure the only reason I have a demographic is because of my accent.
It's true.
They accept you.
Right.
Where are the women.
An overhead voice:
(They are coming)
Oh, so I will have co-hosts.
Guest co-hosts; they will vary and change from episode to episode.
Oh. Thank Goodness.
Don't thank me yet.
Uh, okay—overhead voice…
Let's just say I'm the narrorator..
Narrorator for what
[this is also a movie]
Uh. In what genre?
[a host opens the cabinet to a bloody chuckie- like doll, which pops out from a mechanical arm with a high pitched scream; the host lets out a squeal, abandoning his coffee— we see a hidden camera pov from the camera's perspective, and then slow-motion replay footage of the host's reaction— he runs frantically pantless into a corner and then up the stairs.
—Depends on the host.
FALLON, who has been sitting at the table behind him, is still unaffected/unmoved. Himself makes a joke on the TV screen above— he giggles at himself, sipping coffee and looking back to his newspaper the other hosts groan; LENO shrugs and continues, delightfully finishing smearing a bagel and biting into it— he trades FALLON the comics he's been reading for the RELIGION section he's been scoping under the magified lenses of his readers, quietly and sweetly, like an old married couple, without even exchanging a glance or speaking to one another.
Ugh.
Suddenly, from the floor above.
OH DEAR GOD.
CRAIG FURGUSEN has just realized his worse nightmare.
The hosts still standing at the bottom floor in the kitchen all look up, wide eyed.
[Cursing in unintelligible Scottish]
———-
They said that you were one of us, but you're not one of us. But you're not one of us.
Of course not, I'm not a comic— I studied philosophy in college.
That should be funny, but it's not.
I would repeat what I just said, but I don't want to.
Still not funny.
What if I farted?
Bubbles—water—maybe—
some potential.
But probably not.
Shame.
What are you reading?
I'm not; I'm having banter with a crazy-eyed late night host in a bathrobe.
Well how's this for a book mark?
He opens his robe.
(Unimpressed)
Aren't you married?
Arent we all?
I digress.
Embarrassed and nervous, he quickly closes his robe.
Yes. To a blonde.
Congratulations. Where should I send the card?
I'm not giving you my address! Creepy fan—stand up, wanna be…
He frustratedly begins to exit
You're the one standing, technically
—And I'll be the last one standing! At the end of the week, it's gonna be me in those pants! Me!
Clearly, this show of affection has all been an attempt to bribe “CC”, into being pursuaded into awarding this particular host “The Pants”.
The hosts will compete for “The Pants” at the end of the first week of challenges.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Oh, That's not Jimmy Fallon.
It's not?
No.
That's Sim Jim.
Sim Jim?
Uh huh. You see,
Sim Jim took over for real Jim a long time ago.
Oh…I really like that guy!
Everybody likes Sim Jim; he's just like the real Jimmy, but takes care of everything The Real Jimmy can't.
…that's making sense.
They're nearly completely identical—Sim Jim is just more — avalible.
Wow! He must be really famous.
Yes, exactly.
So—what about The Real Jimmy?
What about him?
What does he do?
At this point, I knew there was no way I could really get around it—getting the Festival Project ™ off the ground and running—actually into production—seemed almost impossible.
The shell and ghost of Jimmy Fallon seemed to be everywhere, plastered on walls and screens in all this time and at every turn —but the real masked man/-The Real Jimmy Fallon—was a mystery— the mask he wore, his own face, and his entire namesake, his own address.
What would you do?
I would probably never see him again on the material plane, but he had instead soaked my dreams in mystery in illusion—his shadow figure having become enchanted, whispering with ease as the voice of my own subconscious. Like any celebrity, he was untouchable—-and like any of them before or sense the seven years time, had come and gone into my quarry of philosophies and cosmic murmurs, only leaving behind the pondering of thoughts, now dwindled down into a reconciling judgement that perhaps I was, after all, somewhat broken. Perhaps, once, I had fallen asleep only to never wake up—perhaps I had died in all truth and not known it and had become the ghost myself. Shattered mirrors and references to time only left me with more truth and less overall knowing—that something had happened here—something strange and otherworldly; Something mystical and cosmic that had left me in audacity and crumbling inwardly in calamity, though my outer spoke with the calm outpourings of a humbled and collected but weary traveler, once, too made of dust—but now seeped in skin and rushing with blood—at least, I thought…and I thought far too fondly and far too often of Mr. Jimmy Fallon to care at all without being frustrated, or giving weight to the reality which was simple, in that he had become a galaxy in his own, so distant that it seemed to rival any coincidings of rampant thought which might be logical in any sort of way or make actual sense at all. The Jimmy Fallon I knew was the Jimmy Fallon everyone knew— and nobody knew The Real Jimmy Fallon. Three entire solid deades of fame between my world, and whatever his might have been fashioned as— fabrication, any means—and none of my actual business, besides the business—I crept into a sacrificial surrender with the hopes of never being further harmed—the ritual torture of those around me fading into rupture; the rapture of all mankind had gathered at my doorstep, and outside my window, and rather than to wait and watch, I crept and closed into my fortress of servitude, in solitude, silently keeping the records of what I had known.
“The Untouchables”
Episode 1
‘The Wrath of Stanhope'
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
'boxed' (Instrumental)
Collection 1.1 - actuality.
track 05.- boxed.
prod. By Blū Tha Gürū
Listen—
—motherfucker—
You should—
Know—
I don't —
—give—
No
—kind of—
—fuck—
Whatsoever
I love my own
—but not the other
Something - something son
Get a gun and blow my candles out
White power now bout
Building towers up
To tear you down
—I don't give a fuck about flax seek
Black seed, back seat black candles
Black cat, relax,
Atticus.
I don't give a fuck about a Fallon,
I bought a gallon of water for two jugs,
And a quarter
On my daughter.
Get it?
(Fuck you)
Or should I go back to spending
Spin class looking at candid camera
I could buy a mountain before I sit down on mounds
White Diamonds, 9 time champ
I'm just like ET, don't mind that
I'm a dead beat dad camped out in a van
With a 30 second tan on, oh man
Redact that one
—FUCK—
YOU.
Power play
I should wait an hour
For the Amazon van
If the Amazon man can hit this
What makes you think you can
I just too fan
I drew fandoms on your
Blū Barrymore,
Don't carry that backpack,
You might fall back
I called my song
—but I can't call back
…fuck you,
(Goddamn)
If you don't believe me,
I just scored two degrees
Just from pleasing people
Three of you count me,
My MBA in saying
I buy NBA team
Damn.
Can't even get an Instagram account
Without getting hacked
Just for being a half black
Half Uncle Sam smashing red/*ted man
Don't call red man,
Just call Meth/ Seth back
METHOD MAN
…hello?
Flip the bitch right back
I flip the whip
And grip the script,
I pistol whipped Bristol back
To — camp
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Where am I?
What?
What city is this?!
—seriously?
Why do I see boats?
You don't remember?
And bridges?! What city puts sky scrapers on the waterline?
What? Lots of cities have that.
Well which one is this?! Are we in America?! Who goes sailing at this hour?! What time is it?
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
'beat my face. '
Instrumentals for a Higher Purpose
Collection 1.1 - Track 01-
'beat my face' (bad girls club) (Instrumental Only)
prod by Blū Tha Gürū
Now I can chill and do fun things—
What fun things.
Like this:
And *you* can go do the tonight show.
Aw what?! I'm not doin the tonight show!
SUNNI BLU is doin the tonight show.
There's this woman at work… I've been thinking about just l sticking it in her.
Do it!
Really.
Yeah, go for it. You might as well— thinking about it m so much is just as bad as doing it to a woman you would call your wife.
Hm.
Thinking about it so much anyway, means that you already have.
Does it?
Besides actually doing it?
You already have.
I write about white america
Then listen to Billie Ellish
Isn't it ironic
Remember when Billie was niggas
Remember her speaking Ebonics
And talking like not from highland park
God bless Los Angeles
Like the animals not on Noah's Ark
God bless Brooklyn New York
On a walk I saw a copse on rigamortis
It's gotten worse
Saw a bunch of disco balls mu never noticed
Blessed the lord
The global war on politics
Is actually over water
And skin color
One time
What's trap is I'm just out for bananas
Truth is, I don't even want it no more
That's when it start comin
I don't want no drama,
I'm still dumpster diving lord
At least walk your dogs l
Scooping people and poop off of the sidewalks
God I hope I die today
Almost got hit by a semi truck
Didn't even slow down and shit
Didn't even see me
I must have been 27
Been up in the parts of Brooklyn ain't nothing beautiful but the baby's breath
Only maybe
Why why
Saw my life in the back of the old Volvo
Bring my words and my worlds to the waterfront
I found Trader Joe's after all
I only came out for bananas and coconut water on markup
Call mark wallberg I smell burgers
Sweatingbmybhuns off
Another small dumb blonde barbie.
White people gon steal everything from a nogga
Even a name
I'll tear down your poster
You fuckin poser
You not Soleil
Your name Kayla or Kaylie
You stole it
They say a heartbeat at 18 days
What difference does that make.
I don't have a heartbeat sometimes
I'm 30 years old
I'm sick
He says
It's this
But that's not sickness
She says
And if it is,
We share it
Well, it's a beautiful day in
—THE WORST RAVE OF ALL TIME.
Damn. That would be
Hierovnmus Bosch, The Garden of Eathly Pleasures
Oh GOD,
What is this place!?
YOOOOO.
wtf.
I realized, at some point— that as long as I wasn't being paid, that there was no need to prioritize anything or anyone—that I could do what I wanted and write what I needed, and do things as I pleased and on a whim because simply put, that nothing else had benefit to it; there was no income in the work that I was doing, and it seemed more for show than my actual benefit, so much so that I felt like a circus act when being made to work out in front of people, and almost entirely unwilling to keep dragging myself out of bed in the middle of the night to ensure that I wouldn't be followed to the gym. It wasn't that I was afraid or paranoid, but that I felt like a circus monkey, especially when the same few people seemed to show up to workout whenever I did, regardless of what time I chose to. As long as it was day time, the same few people showed up almost on que when I was ready for a workout, and I grew tired of the charade at all. I had lost all my weight, and anything leftover was from the stubborn and unfortunate circumstance of having once been so large that I was almost entioy certain that I was in fact a different person.
I was at any tigivrn time no more than 48 hours away from being able to see my ribcage through my upper chest by simply drinking water through the day or taking a walk to Trader Joe's; I was no longer in fear of regaining as much weight as I had, lost, and in any sense was so astonishing healthy and clean eating, that even on days I indulged and gorged there was no seeing past the fact that m even bloated, all my extra and extra-extra smalls still fit: I was skinny.
Continuing to push myself was a disasterous and pointless charade.
I wasn't being paid for being at the gym—and nor had I attracted anything other from what I could see than men already in relationships taking a side eye from their often bland and uncoordinated girlfriends—usually white girls who never learned how to dress or match clothes because they didn't have to—and I often thought of how great it must be to live at the top of the food chain; to be born into a world that loves you and revolves around you and your kind, while the rest subsist under you and fight for survival.
Besides the always eager black man, my time in the gym had not resulted in any other suitors that Immight actually arouse my inner beast at all in the way that I thought it might by now— stretch marks at all, as I often realized much larger women with perfectly suitable men enough times to realize that simply put, sometimes it didn't matter. I wasn't going to allow myself to get fat by any means, and was still so fit that the smooth and firm, toned lines of my abdomen often facinated me so much so that I had to touch it to realize that it was true—that even under the skin that I needed removed, there was some kind of six-pack-type abdomen carved out and hidden, defined enough that on the days I did fast, it almost scared me. I squinted in the mirror, even on days that I gorged on whatever I wanted and indulged, bloated from overeating without care—I was still so small that I was proud of myself, and reduced my training schedule to basically whenever I wanted, which was whenever was truly needed. I was nobody's fucking show monkey—I had done more work than most people at all and had achieved more than the average man or woman struggled with, realizing that things such as removing animal product from one's diet, avoiding processed foods, and following a gym ritual at all, never the less 6-7 days a week for a period of years— were things average people said they were going to do over and over, but never did; or started and then quickly stopped upon realizing it was hard. Normal people made New Year's resolutions to do what I had done every year without doing it—and I had.
It had taken me this long to realize that most people never escape abusive husbands, or lose 250 pounds— they most people never have to. Most people have never suffered the loss of two children and recovered enough to function properly in the world—and though I wasn't myself ‘in the world' for the time being, I owed myself realizing that I didn't owe the world anything at all besides what I wanted to, or what I could do. That even though I wasn't picked from a Petri dish and born into an industry family like Billie Ellish, I was made just the same to sing and dance around in stage and tour the world doing what I loved as she was— and not being allowed to do that —what i had always wanted— warranted this, an indifferent and almost apathetic protest to whatever it was that was ‘expected' of me, to go out into a world that was rigged against those of my ‘type' and play a game that was harder for me and people like me than It for people born without having to work, sacrifice, and who defined struggle as something so far from what I had come to know as such, that it was almost two different enough things to have been placed in two different worlds at all. Alas, it was all the same world, and all the same game—though some of us with less pieces than others.
I had been used all my life, and had finally decided upon some sort of revelation, that I should absolutely not do anything at all, unless I was being paid; not in incentives or windfalls of material things—but cold, hard, cash. The thing that had turned the world evil and dark—but allowed me to get the things that I wanted, when I wanted—without relying on some cheating scumbag loser to provide them for me.
Men wanted perfect bodies and the ideal traits to match—and so since I hadn't been gifted such such that would allow it without nearly killin go myself working it away to the bone, I'd find a way to earn a new body myself, so that the world that I had done could be seen.
I had a six pack, and nothing was moving at all until I was being paid enough for the world to see it. I was going to wear a bikini, and bask in the sunlight, and do all the things I had been prevented from doing by being poisoned by trauma and processed foods for two decades. I was going to find a job and save for a body that men wanted—the freedom I needed to end the hell that had been 32 years of being a fat, ugly nigger.
New York City had made it clear that the world was against us and that Karen, Becky, and Kelsey had ruled in such a way that was meant to destroy us, but I could not be destroyed;
If I had to kiss Karen's ass working some bullshio job at some place just to earn the admiration and desire I had always craved and never received, so be it. There was nothing in the world left at all besides money, vanity, and the truth of it all—that men didn't love souls—
They loved bodies.
All of my time would be spent figuring a way to earn mine.
Maybe my mother should have had that abortion after all.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Make a mockery of myself;
wear smock to work
I don't talk too much no more
I just gossip somedays,
Dark on mondays;
The forgotten apostle
With just enough rope
To jump off and hope
It all stops, soon
The motocross and the terror stalkers
Just across from the starbucks at the Rock
–it got awkward
But God Loves me
Might start a talk show
Some chef, with a pop tart
A pop up club, a long night
Some broke shards of glass,
the yards of all the scars on stars and stripe
Feels like a long night–
Got coffee and tacos
A long talk with your blonde wife
To bypass the psycos
Right, though?
Bro, it's so over;
I won a whole asshole and a four leaf clover
In a game of poker
Now, brush your shoulders off
Brush your hair,
Pet the dog,
And kick the cat over and over
Till he turns back to a robot
“You're so gross.”
–don't i know it.
The whole world is over
–you jump first,
I'll follow
Lets keep talking
About the letters I penned
To the false Gods,
Painted them scarlett, of course
Scattered em from here
to Scarboro Fair,
I was right there,
then out of nowhere
a new nightmare
with nice hair
Here we go again
Lines out the door;
We got lines out the door
Out of Order
The world is at war
The whole world has run
Out of water
The four is the for
Theres no five
But the V for vendetta
Theres lines out the door
The whole world
Is a mom
And a daughter
My jokes get better,
The buildings look bigger
I pretend this seltzer is alcohol
Cause i want it
To make me forget
I've got all my–
Huh
There's a line out the door.
What if–
Me,
And all of your friends
And all of my
Wait, I don't have any friends
I'm getting a cat.
I was just thinking about Mila Kunis.
Oh yes, why's that?
SETH MCFARLENE
YEEEEE. YEEEEEEE. YEEEEEEEEEEEEEEEEEEE.
WHAT, GODDAMMIT
GIGGITY!
OKAY, ASSHOLE
Eyes on eyes,
and tears on tears
All the years ive cried
On ears on ears
Why am I even here?
It's been too long, since i've been touched
I don't love love
but i dislike lust
I don't trust anyone
I don't have a number
I crawled up my arm,
Danced with the blood drawn
BLŪ wakes up famous.
[The world swirls into a plume of dark blue sky; BLŪ awakens suddenly from the blackness of a deep sleep in the middle of a road, a group of people, friends, swirling around her.]
YO.
What?
BLŪ.
What's up.
PARTY FOUL, BROH.
…
Billie Ellish?
Billie Pirate Ellish.
Uh.
That's why the rum–
Is gone.
What.
Guess i'm Jack Sparrow, now.
Hey wait–are you even legal?
Uh. I'm a mad fucking genius; are you legal?
I don't know.
Besides, this was your idea.
What–what?
Exactly. Get up.
Wtf is going on in this scene.
Idk i might a have to play the song again
Fuck that. I'm about to slit myfucking wrists.
HAVOC.
Where are we going?
You still got that NDA in your wallet?
I–yeah.
Then we're gucci.
“Waking up Famous”
I don't know exactly what happened.
[Looking in the mirror, confused.]
This is a nice leather jacket.
I wonder if i'm still Vegan.
Damn. I look mad rich.
BLŪ hurry UP!
[toilet flushes with foot]
Alright, I'm coming.
[Blu checks her pockets to find a wallet, the contents including numerous cards–metal ones, with copious amounts of cash, and pre-filled NDAs which have been folder neatly and stuffed into the corner pocket of the trifold wallet]
Billabong. Classy.
I'm never gonna finish that other project, am I?
Whatever.
Leave Fallon alone.
I did.
–it came back.
Cut lil blonde
Hot as Finneas O' Connell
Possible homosexual, but god love him
Cause I'm hungry
Lookin for lunch
Somebody as scrunches
Pull up and crunches
Cause my monster is
Lookin to
Humpty Dumpty
Fuck, I forgot Rosie O'Donnal!
I cant get no Satisfaction— The Rolling Stones
What's wrong, Saint Jimmy?
Lucius?
What is it.
Percius would like to see you.
Oh.
The Prince Lucius hasn't left his chamber in days—however, as his brother Percius has just returned from war, he quickly emerges from his resting place, an alter of sorts.
Damn, I'm getting a headache.
I almost never have headaches.
It was true, and of course, as I started to write about this prince and his so said brother, Lucius and Perseus, I was reminded once more of Athens, where I had just been however briefly, in a short astral trip of sorts, wandering about in the dreamworld, looking for something or someone in place of my pillow to hold.
Did you want to walk to Trader Joe's?
I mean, kind of, but no.
My muscles were sore and I had just spent some two hours in the gym, not on purpose but quite by accident, though only having run just under two miles, though at least uphill, and spending the rest of the time lifting—I had been bound to mostly beans and rice, and so however was bloated and gassy, quite slow and not as strong, my regular protein just out of reach…
Dang. I have so much to fucking do today.
I hadn't realized that somehow it was Saturday, although just a couple days before had been a Wednesday that felt like Sunday, and now again time was all out of sorts; it was a “holiday” weekend, and I was without a doubt, drowning in my own having-to-do's, and as such, weekends and days off were entirely not a thing, besides in ways that those bustled around me—and I was sure that some days had been lost, as I was planning to visit the food bank on Friday, but had somehow skipped over the end of the week entirely—somehow, that is, and I was sure sometimes that in skipping days, meditating and fasting about, however intermittently, that time itself shuffled in all the ways I had, between cross dimensions and parallels such as I—I had been hovering somewhere between the 6th and. 10th dimensions, for the most part, and none with having to understand the undoubted shifts in my own perception of time that were bound to happen, as I sprawled across the astral plains looking and searching for a sign that the tragic poverty, restlessness, and lack of peace wound end.
Bound to your alter, my dear brother?
Aye.
So perhaps here there was another unfounded Kingdom within the realm of Ascencia—Lucius, a prince, and Percius—seemingly slated the King, and yet I had unreached such a conclusion as to assimilate an entirely factioned world, as of yet.
What did you write last night?
Uh…I don't know.
Well, let's see
Something had shaken me from my almost-sleep, laying sprawled across my bed, in the middle of the mattress, rather than to either side, which was rare; I typically preferred the left side of the mattress, anyway, but as I waited to launder my bedding, after a sweaty and sweltering almost summer day of lounging, smothered in shea butter and lackadaisically scrawling about what recordings had been buried in my phone, between the collection of books I had practically all found in the streets of New York and the rising temperatures of the tepid summer weather, my room was starting to smell funny—and without being able to burn sage anymore, for fear of being thrown back into the streets like a dog, I with every hope in the world figured that washing my thick bedding, comforter included, would restore the crisp and rigid, almost factory clean that I found satisfactory.
Songs buzzed in and out of my head as if I hadn't enough already much to do—and still, I added into my growing pile of notes and mounds of work, even more songs—this time, The Rolling Stones.
I can't get no
Satisfaction…
…but I try—
—and I try—
—and I try—
And I try!
I can't—get no—!
God, I wish I could write something like that.
The rock Gods had at the very least been accompanying me, and in a certain sense, so had the Gods of The Rock;
I had been forced up out of my dormant state by a voice which urged me away from my near sleep—I had been up since six AM and it was something past midnight, and still the voice said—
“Get up and write!”
And though I had words tinkering around in my head like little coins in some sort of metal box, none of them quite made so much sense that I had to get up and write—however, still the voice, though not angry, but firm, insisted.
The voice, for once, sounded female— a welcome change, and though I had become quite fond of males in general, in the solemnly celibate sense, it was a difference and yet none at all— a voice of wisdom had projected itself at me, and as I dragged myself about, reaching for a notebook and flipping through the pages, finding that the notebook was practically full…
‘great, more shit to do'
I held the words that had tinkered around in my mind like little whispers until I found a page to make them full formed, and the words which fell into my hand as scriptured by the pen—my favorite writing utensil, nearly out of its cherishable gel ink, danced upon the page nearly on its own, channeling the words written as such:
Once prosperous to throw
The stone asunder
Glisten whispers of water
Tears of al tears |ter|
Of the altar,
For follow for fello,
A felon of Antigone
Grace, with shield
A tattered tail,
So flew with feathered Phoenix
? Feared,
Foreshadowed not,
Agreed upon however,
Was the velvet woven path of us,
So honored in her fortress .
Yeah, something about Rockefeller Plaza.
Well there were all these hooded figures in like weird, brown velvet robes—
That's true, I saw that.
Yeah, I was there,
You WHAT?
Look what I got.
Fuck me, man.
You know, there's a lot more to this story.
I was hoping so, but however also, hoping not.
Man, Jimmy Fallon's wife is super hot.
Gee!
Yeah man, she's so cute.
W0W.
I like her,
They're Gods.
I think they're Gods.
yuh.
What else did I write?
There was something else?
What the fuck is wrong with that guy?
Somethin.
Yeah.
The pages of the notebook were all full, something of a book of shadows and protection spells I had used in an attempt to ward off my ex husband—how of course, that they were done with, I should very well have been jotting them into with all the notes, into the documents—later to burn them, unable to afford the parchment book I wanted.
For what a withered way would call an honor for fortunes duty,
Glorified wherein in as shadows,
Cast upon reflections in redacted incantations and enchantments, foreword come, theone who waits
Believing darkness be his fate
Whatever, man.
Fuck Jimmy Fallon.
If you really feel that way!
I feel a lot of ways.
Well, don't.
I'm so, so hungry…
So, so lonely…
So, so fuckin broke.
Man—I learned all this dumb ass magic just to protect myself from this guy, and all this still happens!
I think it's just Satan.
[Satan Appears]
Man— she is JACKED.
Try this one.
Follow me, boy!
Uh— okay.
I'm staying single forever.
Don't look at me.
That's my girl.
Don't look at me.
What the fuck. Stop looking at her:
Don't look at me!
Men are hopeless.
Fuck dude, like, the worst thing imaginable is that this Jimmy Fallon dude actually hates me so much for this—
What? Uh oh.
And is so fucking powerful.
He is. A very, very powerful—
Well, what is it!?
We don't— know.
*gasps*
He's a—
SHHHHHH.
[Redacted]
Well, that's not doing much, is it?
Seriously, just kill yourself again.
Might have to!
Fuck, why do all these robot demons SMELL like him?
Satan?
Yep.
Satan
?!
I'm—
Seriously, save him.
Seriously, God really loves Jimmy Fallon—
(He's one of my favorites.)
Favorite what's?!
Just—favorites.
Damn. This is getting to be like Greek Theatre.
Great. Now everybody's gonna fucking die.
It could be a comedy.
Holy shit, yeah—
This has mad good production value.
I love it!
Strange shit
I just did give my OWSLA tat a kiss
Smile for the camera,
Pageantry of mattresses,
A master of the MagicIan's chance at
Chancellors dance,
Look at Harrison trance
Can I run a mile for President?
A toy chest,
A boy, just Obama
I'm so much older
Been through such trauma
What the Willy wonka
I should apply for Harvard
New York over Boston
So Columbia or Juliard
I wish
Son of a bitch, this is tragic
I'm too old for scholarship
Diploma's in another name
I just got protective orders on
I should start over
But the world war is another
Trump drama
My Amazon cart is full of karma
What you want from God?
A trophy husband,
Let's call him
Oscar
-undefeated.
All this is weird
I think imm married to the music
Think of growing a beard
Opening a beer
And getting out of here
All of my fears is
Mommy dearest mommy dearest
All of my hell is
A body
Imm a seed in a forest
Been buried
Bipolar,
Supposedly,
So tell me,
Faery;
How could I love you
The way I I do
If my mood
Were restablized
My blu life
Gave me blue eyes
Clean tub of water
I don't belong here
It's too late for me too
Swapping Vogue for the People
My people who hate me
But I been so played,
The hatred betrays me
I walk both ways
Down a one way street
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
Mad Men is an American period drama TV series that aired on AMC from 2007 to 2015. The show follows the lives of the people who work at a New York advertising agency in the 1960s, and focuses on the professional and personal life of Don Draper, a talented but mysterious ad executive
{Enter The Multiverse}
{Mad Men}
(A Happy Accidents Mix)
GET—OUT OF MY WAY.
What are you doing?!
MOVE.
Is this a code four?
Far beyond code four!
Oh my!
What could it be?!
Move! This is a serious matter!
The NBC pages are in a frenzy, pushing and shoving one another frantically, turning 30 Rockefeller plaza into an animalistic jungle of confusion and chaos.
What is going on.
The games—sir.
The—games?
The. games. Sir.
I–m– afraid I don't know what you're talking about
You should be afraid! Be very afraid. Because the games.
What “games”
The GAMES have begun.
CUT TO:
Seth Meyers stands in the mirror comparing two exactly identical ties— he appears to be talking to himself, asking
SETH MEYERS
how do you like this tie?
—to no response.
He uncomfortably shifts and switches to the other, exactly identical tie.
Or this?
Yo. What a creep.
Again, to no response, he waits a moment and switches to the first, exactly identical tie, with an assertive nervousness.
SETH MEYERS CONT'D
You're right, the first one. Yeah.
He completes tying his tie, then placing his hands in his pockets, still facing the mirror—quite enamored with himself. He leans up onto his toes and then back onto his heels, admiring himself before spinning around to face the anterior of the room;
SETH MEYERS
It's showtime.
He points his fingers animatedly at his mock audience—now we see that the room is filled top to bottom with stuffed animals, puppets, dolls, and other strange likenesses…
Hold up, i'm distracted
Just stick to what you know.
Most of the Saturday Night Alumni and Late Night hosts had long, noteworthy careers in comedy, hefty writing backgrounds, and tons of experience in television. I found myself out of place and grasping at straws, letting something come for a moment between myself and my sanity. I did know music—but wasn't the girl with her shit together enough to have made any kind of dent in my obviously gaping music career, with the additional workload of what may have been the work of a genius, but also a madwoman—or mad man, depending on whose essence or presence happened to take hold of my weary and feeble soul, or
Distracted again
[the news] (the actual news)
Whatever (Wednesdays) - your weekly dose of whatever.
The Audio Files (for Audiophiles and Music Producers/ Engineers)
That was all I could remember off of the top of my head, not that it mattered at all, actually. I was grasping as strings and between worlds— the winner of the contest had beautiful pictures, and had played festivals—her website was flawless, and I liked her, later finding that she was Greek. I didn't seem to mind women, so long as they weren't the hateful, competitive, and typically racist—even on both sides—American type, and I scanned the list of participants that had been American to see if any of them were black women—doubtable, though in the New York scene some black women had seemingly out of nowhere taken to techno, and with that I had shifted gears to make my production more focused in bass and dubstep, if I were ever to return to my state of producing at heavy volume. I hadn't, with so much on my plate to juggle or rather spin, and I had been in quite the bubble of for whatever reason l trying to solve the puzzle of what had suddenly become what seemed like an NBC sponsored charade through the inner workings of my mind, only to find that not only was I not qualified, but also not entirely capable of doing any of the jobs I wanted to, and with that notion had settled once again comfortably in the cradle of suicide, hating everyone and everything around me—and using Tina Fey's book as an alter to light my prayer candle, all the while knowing someone had left it there—the book, along with a collection of surf themed relics, especially for me.
I had been thoroughly warned about Jimmy Fallon. He was an impressive egotist—- walked amongst rightfully the elite, was highly competitive, and powerful. He was not the kind of man you tell ‘no', even if you were, like me, entirely unsure as to what the question was—his eloquence had been understated, the design of it all, unique, in a way that it all seemed to speak of a time before time— I was immovably always fond of the Greeks
Lost, was the old world,
Our own,
Bound by candle light;
Marked by wisdom,
Enrichment,
Cherished times,
Beseeched the throne,
A mask of wands,
The arch of Tryerdom,
I am the arms of therefore
What was once,
The whole of body,
As a man or womankind,
Seeks to know a God—
They are as one,
And all of us,
Beyond the shroud of time,
A whimsy befallen, like leaves upon us
Overgrown the garden of Adam,
Wrought with fruit,
Which rotten lies upon the tide,
So soaked with formidable ocean
She or he therefore has lost
The touch of truth,
The seekers wisdom,
All are none again,
And so shall fall the empire
They called us upon as ours.
—in God we Trust.
Amen.
Fuck, man.
How am I supposed to—
What do you call it?
—summon.
Summon a fucking—
What's it?
God.
—God…up on this fucking soundstage without the entire audience or anyone else noticing.
You figure it out.
How, though?
What the fuck.
It takes a lot of impressive achievements to get into the page program.
Yeah, but .
I would assume your studies in practical magic to be at the very least—
—Doing what now?
Adequate—if not satisfactory.
You are weird.
This is weird.
I paid cash, and I expect results.
Whatever.
Now, be careful with those tablets.
We wouldn't want anyone dangerous getting a hold of them.
Anyone like who?
{Enter The Multiverse}
Do your job;
I'll do mine.
When we go, we go—
And when we go…
The man emerges from below the surface of the water, gasping for breath; as the water drips down from his hair and face, back into the water, as the splash echoes into a dull chorus of dripping, his mouth open, gaping, as if he had just awoken from a nightmare; he breathes deeply as something in him recollects before the blur of the world sets in to become a clear and crisp, colored world.
We go the way we came—
At once, and Alone.
As if no one could no where we've just come from—
Or where we must go.
But we must go.
“Cosmos Factory”
This could be fatal.
—but isn't everything.
He's not breathing.
Call an ambulance.
nurse!
Call a paramedic.
The paradigm shifted as I departed one world and entered the next.
In a fit of blind rage and fury, also came an excitement; I was accomplished.
The man is distinguished, late 40's to early 50's, with dark, lush hair.
Soon, you know, it will all be grey.
It can't be.
What do you mean it's ‘empty'?
This is not the place!
What place?
This is not the place that it was!
Ah, so this is Cosmos Factory.
I thought that was a comedy.
I was hoping it would be.
Here it is.
I was wondering what was in there.
I'm still waiting to see what's in Mrs. Gillipsie's refrigerator.
Well, keep waiting. I've got a few more chapters in this memoir and I can't be bothered with trying to figure out why Johnny Depp is the narrator in the voiceover—
My God, how you've changed.
Well, yes— I am a changeling.
Not to mention your improvements in shapeshifting.
Actually, let's not mention it.
very well.
Whatever, man.
Tom.
Is it?
It should be.
Whatever. Come in.
Oh. What a lovely portal you have.
—shut up.
But the man reemerging from his practical baptismal submergence is none other than —
I don't think he's capable of a role like this.
He isn't—which is why I wrote it like this.
You know, by the time the actual writers get their hands on this, there will be so many rewrites it will be hard to imagine or recognize you even wrote it.
That's—already becoming a sort of paradoxical challenge.
Of course it is. You shifters never have any idea the kind of repercussions coming, or, the endless— and I mean —endless realms—
—infinite—
Endless. Things are rarely infinite actually besides the things that always were, henceforth—infinite—
Of course,
Always having been and always will be.
Got it.
So. Do you understand the kind of effort it takes as a collective to have come up with a work like this?
I understand the benefit of having opposable thumbs and an iPhone,
You think you're smart;
—when I'm thinking, at all—
But you're actually a genius; that's right, without thinking at all.
Have you thought about the characters you haven't yet created?
There are more?
The worlds you've yet to build?
I've got all my money on blowing my head off before ever actually making it as a stand up comic.
And I've got all mine on you blowing your head off, after you've made it as a stand up comic.
Now, which is it going to be?
[beat]
Statistics don't lie.
Actually, they do—
Especially in America.
North America?
South America?
You know as good as I know, I mean the Good old Goddamned USA.
That's a lot of good old goddamned, Uncle Sam.
—aha,
And Sam, I am.
Now, suit up as Dr. Suess and make sense of this.
Nothing makes sense—
If everything did, what would be the purpose?
[agreeing, simultaneously]
Puzzle Pieces.
[a moment of solidarity]
Now, pick the old man up off the ground,
And get to it.
He's not that old…
You only say that because you're older.
Let this trickle down into the body of success that I should be born at least two decades left than half a century ago.
Any less and you'd be begging for some kind of pardon for all the crimes against humanity you've caused to solidify the theoretic concept of consciousness within the occult, instead of humbly accepting the consideration for an honorary doctorate at any given Alma mater whose brotherhood of trust has bonded us through this unjust monologue to seal such in blood as a relic.
That's a lot of words.
I have hairs on my chest.
They are grey.
Congratulations,
Some of them silver.
Is that a riddle?
If it were, would there be so many puzzle pieces?
I think that would take this whole thing out of balance.
Manage your axis.
Bid you well.
Severance.
“The Occult Classic”
{Enter The Multiverse}
[The Festival Project.™]
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The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
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This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
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[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.