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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
“Impossible!”, I murmured, after a deep gasp, as I removed from my braziers in preparation to soak after a short but intense workout, not the stone I had with intention placed in my bra, but another.
“Magic indeed!” , I thought to myself.
I had in some fell swoop of blessings been by any luck or wishes sake, gifted a heap of new books, and new furniture—the latter of which I really hadn't needed, however, with a newly refreshed idea of reimagining my studio and living space entirely, I had shifted into preparation for a lost bed anyhow, and thought that with any foreshadowing, I perhaps might have one by winter, with the space below the bed provided to be tented and shielded off from the rest of the world, so that I could record vocals in a more secluded and intimate setting. I had originally intended to use the closet or my apartment as a booth, but upon arrival found that the closet had been fitted with an unremovable shelving at around chest level, which couldn't be in any way practical for recording without some heavy discomfort, not to mention the closet faced a wall I was sure my neighbors telivison and speaker system was fitted against.
After my right headphone died, and the unwelcome company in the gym which granted, had been there before me had left me feeling for some reason like I had lost something—anyhow somewhat paranoid, as I had caught not just one, but two people what looked like taking pictures of me with no doubt in my mind, or reasonable cause that I was indeed being groomed for something steadily but surely— I felt the need not only to vacate the gym rapidly, but feeling as though I had a reason to return to the work I had been toiling away at since the early morning.
Entering the lobby, and having to open the door for a pair of men headed outward appearing to move, one of which smelled like onions and raw, baked sour pickles— I spotted a mound of nearly new books and furniture in the area in which people often left free to take items no longer needed— alongside two tables—one hardwood coffee table and a smaller round one which matched, and a water kettle, all in good condition, and favoring the factor that I only ever picked up new or nearly used items anymore, as my apartment was technically full, I quickly gave a second-second thought to rearranging my apartment entirely, growing almost painfully bored of its current layout, and awestruck with the tinges of cabin fever, the stagnancy of being unable to move about the city freely— being as financially limited as I was and having been stopped by police several times already for not having the subway fare, even so just in nessecary errands—to the grocery store, or otherwise; and I had been in all corners deadlocked for an entire summer, almost unable to move at all and the world moving around me resulting in being outfitted almost entirely physically ill. The honking horns, motorcycles, and trash-wielding pedestrians of the busy corner—the unparalleled aversions to whatever unrest and chaos that lived out of view and luckily out of sight—but never out of mind, with its intrusive exhibition of technological sonic torture.
Still, I was not altogether displeased—now having returned from the gym almost all the way worked out, having left early having realized that though fasting yesterday, I had spent the entirety of this day sipping on coffee and in complete hyperfocus, just finishing the final proof of the first edition of the printed version of Enter The Multiverse, and though with limited supplies, I felt that it would carry on in this way until somehow, I found a way to complete the process of taking The Festival Project as a label and now, The Collective Complex as a philanthropic non profit, onto higher grounds.
Though I saw more the new furniture and books as a stroke of luck and some magic than necessary financial compensation for the time and energy I had drawn up into creative contributions and endeavors to society—I saw it as this— a looking up and forward from something that had once been only some strange form of compulsion and raw emotional expression, into a platform that could grow to help others overcome and survive hardships such as I had.
(™
©
Illusions of whisper
Simple mirrors
(Doppelgangers)
Chains of charity
Cat and mouse
Misery
What a waste when you've spent your time making
Unparalleled judgements
Unparalleled judgements
No lack of gratitude,
Confusion of movement
(Gratitude)
Suffering, of course
Wanting still,
But unwanted
Moreso
Misery
Careful as it's closing in,
They'll call your bluff now
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
'damaged goods'
Collection 1.1 - 'actuality'
Track 01. 'damaged goods'
Prod. By Blū Tha Gürū
(as Happy Accidents)
Listen—
—motherfucker—
You should—
Know—
I don't —
—give—
No
—kind of—
—fuck—
Whatsoever
I love my own
—but not the other
Something - something son
Get a gun and blow my candles out
White power now bout
Building towers up
To tear you down
—I don't give a fuck about flax; seek
Black seed, back seat black candles
Black cat, relax,
Atticus.
I don't give a fuck about a Fallon,
I bought a gallon of water for two jugs,
And a quarter
On my daughter.
Get it?
(Fuck you)
Or should I go back to spending
Spin class looking at candid camera
I could buy a mountain before I sit down on mounds
White Diamonds, 9 time champ
I'm just like ET, don't mind that
I'm a dead beat dad camped out in a van
With a 30 second tan on, oh man
Redact that one
—FUCK—
YOU.
Power play
I should wait an hour
For the Amazon van
If the Amazon man can't hit this
What makes you think you can?
I just too fan(dom) (dumb)
I drew fandoms on your
Blū Barrymore,
Don't carry that backpack,
You might fall back
I called my song
—but I can't call back
…fuck you,
(Goddamn)
If you don't believe me,
I just scored two degrees
Just from pleasing people
Three of you count me,
My MBA in saying
I buy NBA team
Damn.
Can't even get an Instagram account
Without getting hacked
Just for being a half black
Half Uncle Sam smashing red/*ted man
Don't call red man,
Just call Meth/ Seth back
METHOD MAN
…hello?
Flip the bitch right back
I flip the whip
And grip the script,
I pistol whipped Bristol back
To — camp
Oh, That's not Jimmy Fallon.
It's not?
No.
That's Sim Jim.
Sim Jim?
Uh huh. You see,
Sim Jim took over for real Jim a long time ago.
Oh…I really like that guy!
Everybody likes Sim Jim; he's just like the real Jimmy, but takes care of everything The Real Jimmy can't.
…that's making sense.
They're nearly completely identical—Sim Jim is just more — available.
Wow! He must be really famous.
Yes, exactly.
So—what about The Real Jimmy?
What about him?
What does he do?
At this point, I knew there was no way I could really get around it—getting the Festival Project ™ off the ground and running—actually into production—seemed almost impossible.
The shell and ghost of Jimmy Fallon seemed to be everywhere, plastered on walls and screens in all this time and at every turn —but the real masked man/-The Real Jimmy Fallon—was a mystery— the mask he wore, his own face, and his entire namesake, his own address.
What would you do?
I would probably never see him again on the material plane, but he had instead soaked my dreams in mystery in illusion—his shadow figure having become enchanted, whispering with ease as the voice of my own subconscious. Like any celebrity, he was untouchable—-and like any of them before or sense the seven years time, had come and gone into my quarry of philosophies and cosmic murmurs, only leaving behind the pondering of thoughts, now dwindled down into a reconciling judgement that perhaps I was, after all, somewhat broken. Perhaps, once, I had fallen asleep only to never wake up—perhaps I had died in all truth and not known it and had become the ghost myself. Shattered mirrors and references to time only left me with more truth and less overall knowing—that something had happened here—something strange and otherworldly; Something mystical and cosmic that had left me in audacity and crumbling inwardly in calamity, though my outer spoke with the calm outpourings of a humbled and collected but weary traveler, once, too made of dust—but now seeped in skin and rushing with blood—at least, I thought…and I thought far too fondly and far too often of Mr. Jimmy Fallon to care at all without being frustrated, or giving weight to the reality which was simple, in that he had become a galaxy in his own, so distant that it seemed to rival any coincidings of rampant thought which might be logical in any sort of way or make actual sense at all. The Jimmy Fallon I knew was the Jimmy Fallon everyone knew— and nobody knew The Real Jimmy Fallon. Three entire solid decades of fame between my world, and whatever his might have been fashioned as— fabrication, any means—and none of my actual business, besides the business—I crept into a sacrificial surrender with the hopes of never being further harmed—the ritual torture of those around me fading into rupture; the rapture of all mankind had gathered at my doorstep, and outside my window, and rather than to wait and watch, I crept and closed into my fortress of servitude, in solitude, silently keeping the records of what I had known.
“The Untouchables”
Episode 1
‘The Wrath of Stanhope'
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
blink. (instrumental)
Collection 1.1 - 'actuality'
Track 05. 'blink' (instrumental)
Prod. By Blū Tha Gürū
“Wonderful”, I mouthed silently, without the voice or the actual words for movement. I needed the laughter, and it had been long since I had actually laughed, or done much at all besides cry and wonder what the fuck I was going to actually do with my life, or what was to become of me.
I held the book out to my side with one hand, the page still held with my thumb at the end of the chapter and beginning of the next, contemplating reading more— it would be an unknown amount of time before I would be here again—having fasted and walked the equivalent of what might be about 8 or 9 miles, worked out for an hour, and sweated out whatever might have been left with a soak in the tub. I was empty, closer to the divine than not, and feeling okay—not painfully hungry, but I knew that forgoing food would mean missing out on work that needed to be done, that I had been promising for months would be done, and finally was, however at a pace which only further exacerbated my anxiety further; I would only be able to focus on getting some soul-sucking, meaningless dead end job once I knew it was finished—otherwise, I knew it would be impossible to do anything; the algorithm had deemed it so that whatever I was doing, whatever I was writing, was more important than money.
“That was it.” I confirmed with another silent thought, grasping the rose quartz in my left hand and raising the book with me as I crossed into the kitchen—the new addition of the couch saw to it that I had an actual living room, and though not separate from the kitchen, it was in fact a place that I could sit and read the many books I had collected one at a time—or two, for the moment. I couldn't wait to finish the page-turner I had been unable to put down for something like a week before I started this one.
The frozen banana that I had forgotten I removed for the teeter in preparation to eat after a day of strenuous exercise and fasting had melted—luckily, I had frozen two of them at once, suddenly with the life force of something forgotten after my first cup of coffee in nearly three days—three days too long, and I realized my dependence on caffeine was just about as unhealthy as what was normally a constant roar of illegal immigrants on even sufferably equally illegal mopeds, as so said by the NYPD themselves, who had been blatantly useless at actually apprehending the assailants—nevertheless, at least I knew that there was a reason for the heavy exhaustion in the first place, overcompensating from the noise and civil unrest below with additional pots of coffee throughout the late afternoon and even evenings, in an attempt to sort though what would even take some writers rooms weeks or maybe even months. However, my writing and various works were even yet unfit to behold by the eyes of others—that is, besides my shadow of a podcast audience, the cult following I had gained piggybacking shamelessly uncrossing a line that had been crossed by the notorious entertainment industry itself, probably as a foreshadowing of what potential I could have, if left alone, fed, and sheltered for the right amount of time.
I might have even finished by now if it weren't for the motorcycles; maybe that was the point. Maybe there was no point besides that most men are immature, useless babies; that their pride in destruction and chaos serves purpose for them to just as well be destroyed eventually themselves.
Either way, I had at the very least gained a few wholehearted laughs—and now it was time to break fast. 10:00 PM, prime time for making music, but there were other important tasks at hand in order to be able to do so—and I needed the focus of a full stomach and peace of mind to do so. The peace of mind, I wasn't sure where to find—but my fridge was stocked full of food to ease the ache of an empty stomach with fruits I had been craving for days and vegetables I had collected throughout the week; errands which tasked me even further with the time to sort through the massive endeavor of making my work somehow out of thin air create an income; I had been working tirelessly for months when my food stamps were cut for ‘not complying with worth requirements' without notice. I only had one pair of wearable harems and a closet full of fashionable outward I refused to walk around in; I was fussy, and looking for a mate, not some crispy fuckboy buzzing around on a motorcycle; those days were over. Besides, the guys on Harley's were potbellied slags at best—someone else's problem, and also mine, at least sometimes. Men and their incompetence had surely set the world into a state of imbalance so deep and so heavy, it would have to take God being a woman to correct it.
Nature needs Nurture.
Now 30 rock was the obvious choice.
—-
It's getting deeper.
Now I had to keep Tina Fey's book in the bathroom— the bathmat I ordered was actually more yellow than gold and differed drastically from the picture in the description, and it looked cheap and bizzare in contrast to the classy shimmering sequins silver and black curtain and stainless steel trash can which matched perfectly. I wasn't sure where it would end up—it did have the same yellow, and so I placed the book and the rug within sight of eachother, so that it gave the illusion of being matched.
The curtains I bought but had used separately for window coverings and as garnish for the makeshift bookshelf in the studio—I hadn't any real curtains—the windows and walls were lined with sound absorbing audio panels, even in the kitchen where I seldom recorded, but had been plummeting through assortments of other work nonetheless, not to mention my resting recipes which were meant to be entries into an eventual cookbook, which I'm sure would come together now more quickly. The cover of the book matched the strange yellow, and rather than silver and gold it was now mismatched and looked cheap; but the bathmat could at least stay until I finished the book— which would admittedly probably be quickly; I had made it to halfway through the first book in less than a week—my first near cover-to-cover read, which if I hadn't picked up Ms. Fey's book— Ms. Fey? It sounded weird— wasn't she married?
She did seem like some sort of a fairy though— a teeny, tiny pixie type lady with Godlike powers. She was some sort of God, to me, at least, I was sure of it—and probably to others. Weeks, or maybe even some months now before, reading tentatively though her Wikipedia page, I scanned over her numerous accolades—some which I hadn't even heard of, and within the first few chapters of her book, which I had picked up on an extremely strong whim to scoop out the little local library down the street, which I had admittedly decided to clear out the last two days selfishly so—but also according to Wikipedia, people weren't really reading anymore; besides that, the books seemed almost meant for me, intentioned at me with titles and colors that leaps out from the covers and pages, and some brand new. I took love in all the ways I could get—and this was one of them.
It was certainly yellow and not gold. I was disappointed, but otherwise didn't care much. Now I had a reason to keep the book in the bathroom— as there certainly wasn't really any room for anymore books anywhere—and this book was special. I just didn't know why.
I wondered often enough what makes someone so explicitly famous— sometimes, as it turned out, it was the effect or affect of hard work, talent, sheer grit, and an unknown amount of luck which seemed to vary from person to person.
With Tina Fey, though she had been written into my own project primarily as Liz Lemon some years ago, I never knew exactly what I was looking at— but now that I was reading word for words a book first handedly written by one of my own favorite people, I knew that it had been something of a personal favor from God herself— something I didn't know I wanted or even knew existed at all— and laughs I needed.
I shamelessly dangled and gushed at the book, and split my attention between the two I had so far been captivated by most— the other, memoir written by a twenty something uptown drag queen. Now I could try to collect myself into a proper person somehow, reading these works alongside writing my own, and conspiring to somehow finish not just the two originally intended music albums, but something that was actually altogether more like 4 or 5, if I could wrap my brain around counting them. I couldn't, though, right now. All I could do was soak in the tub, chugging water and reading a book, trying not to cry that the only money in the world I had were two crinkled up dollar bills in a coffee can and some change inside of a beautiful wooden box I had found on a jog through Brooklyn.
{Tales of a Superstar DJ}
Oh My, God—Tina Fey! Hi!
I—uh—yeah.
It's so nice to finally meet you.
Hm.
I—I was the hot water heater in your book!
what's that supposed to mean.
Did I read it.
Working on it.
Am I in it?!
Why would you be?
I don't know! Am I?
Just— give me a few—
How long is that?! What's a few?!
How about a montage?
CUT TO:
THESE BOOTS ARE MADE FOR WALKEN.
And that's—JUST—what they'll DO!
And—
One of these—days—
These boots—
Are gonna WALKEN
Ova U.
Nancy Sinatra is still f#cking weird.
I must admit, i feel personally attacked.
OH, GOD.
OH NO.
This is certainly the thing you do not want,
When trying to erase someone entirely from existence.
Or at the very least…
Jesus fucking Christ.
…thinking about something in any sort of way.
This.
…and again.
Is most certainly what you don't want.
My walls are closing in,
full figured artifact of closure,
And in fact I exaggerated the fact of circumstance
Because I had to
Because I had to
What, am I on in the other room?
Supersonic as we all were,
By the millions and by the numbers
The simple heart attack was won,
The hearty breakfast,
Stripes were earned
And not a one tear shed after
–but my head hurts
But my head hurts.
You started it.
I did not; but I most certainly will finish it.
Quiet, they're coming.
Quiet the children;
Ready the talleys,
Count all the votes,
And stable your alters;
Didn't I warn you?
(I warned her!)
Didn't I warn you?
(I was warned)
Didn't I warn you?
(Why didn't you warn us?)
Cause I wanted to
I wanted to
I wanted to hurt you.
Well–dammit!
What. what happened?
#villain battle
I can't kill you.
What? Why not?
It's–it's in my contract.
lol damn what kind of contract did this dude sign?
Lol idk tho.
This could be progressive,
But instead it's cynical
A wizard and a mystic
should make some interesting kids, though
Another lesson timber, timbre all the violinists
And the brass section is fascinating,
Rather–
More percussion
DId you mean this?
I meant everything I ever–
*sneezing*
*DIDN'T*
Say.
Gazuntite.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
no vocals yet :( still having major issues with the noise. hopefully will be able to record soon- actual music lol more than just talking. hopefully.
take car tho. ^.^ more mixes coming soon.
Get away from me.
I'm a hologram.
Far away, please
I am very far from you–
Well get further.
I'm in another dimension actually.
What do you want, dude?
I always finish what i start.
What the fuck does that mean?!
How should I know?! You wrote it!
Then how are you gonna finish it?
That's not what I meant.
Then what did you mean?!
Look! I don't know! All I know is, I did a movie and you wrote it!
Just one movie or a whole saga!
I don't know! Just write it!
So you know some things, but not the most important ones.
If I could see through all the plot holes, there'd be no drama
It's all drama.
It can't be.
Yes it can.
NO! There has to be some comic relief in it.
What would that consist of.
I don't know! I am a HoLoGrAm.
A hologram, huh?
Uh huh.
So what happens if I touch you?
I wouldn't do that.
Oh yeah?
*poke*
Ok…
YOU'RE NOT A HOLOGRAM AT ALL.
Hm.
I'm sick of subliminal images
encrypted with ignorant messages
Suggesting the supremacy of the caucasians
And how blatant it is that they hate us
Illusions of diversity and inclusions to get your money: the usual
But the truth is, you're just a tool to them
Employee discounts, of course
Just so they can get some of their money back
Or all of it
Owners of corporations
Your landlord is probably related to the people that you work for
And so forth
I'm sure that's why they're trying to push me to suicide before I record this
And move forward with
Something other than working for them
Unless it's at banana republic, a luxury brand
Cause i'm sick of looking like a poor foreigner in my own country
When the reality is my ancestors are unhappy
Karen, Becky and Annie are all happy with nannies
And the rest of us are out here taking naps on ou break
And unpaid mental health days
It's Hell for the unwealthy
And wealth is health so good luck eating what you need
On an hourly
Or salary under 150,000
But what do I know?
I'm suicidal eating whole foods
That i stole
The whole story is longer, but honestly I been trying to get a job
That doesn't involve me jumping off of something or
Counting someone else's money as they siphon all the energy from me
I gotta wonder how much The Roc was auctioned off for
Cause landlord and employer are just the modern words
For “Slave Owner”
DANE COOK: “I WANT A DIVORCE.”
But that was a long time ago,
I heard he was in love with a 20 year old or something
So much for the rest of us:
Here's to Tiesto and the rest of em
Guys are so fucking lucky for never having to grow up
Guys like girls that comb their hair constantly
I like guys with blue eyes and blonde hair
Not so suddenly,
But i should have learned my lesson a long time ago:
Now i”m crying my eyes out to Claptone
WRiting rap songs trying to take my mind out the trap
Rats are assholes
Watch coffee run just to be closer to someone or something i love
But haven't talked to my son in a month or over,
Cause i”m sick of hearing about his father
It's all he talks about
It's like I don't even know em
So morbidly obese I can't even hold him
I think
I guess i could have stayed in it
And kept getting my face caved in
Hoping a rave day every now and again would save me
Ironically i don't believe in a white savior
But i find caucasians savory,
Every shade and flavor
But rocky road hits close to home
THrow me a milk bone and let me sober up
Before I start to open up about Sonny or something
Just another figment of my pigmented imagination
Lived in pigpens beggin pigeons to grant my wishes
Which is a kitchen–can't be a Grammy Award,
I give in
I lost interest, i'm just not skinny enough for
Nevermind, don't need another reason to cry
On the upper east side, avoiding the housing projects
Just wanting to be discovered
Or finish the festival project
Or for someone to love or want
Anything other than money or energy
It's infinite,
but with every cough i forget
coughs must be a witch and just as obsessed with Skrillex as
Everyone is
He lives in my head
I would say my bedroom, but
I'm a permanent resident at Hotel Hell No
–knowing that last line would be funny if I didn't have to cover 3 burroughs just to
get old food
From whole foods
Cause nothing adds up in a cold room,
that's renovated, which makes it easier to take it all in,
Until i realize I'm the problem, and the coffee stains are setting in
And i just wish the whole world would start over again
With me on top of it
Instead of at the bottom
Of a pyramid
With a flat top
I took off from
Upon discovering
The entire human race is
Racist, and they just
Don't get it
I'm the Great Spirit,
But hate hearing my mixes
Cause it's irritating
I'm not gifted
enough for INsomniac to sell tickets
To any event
Forget it,
I'll finish this salad and knock myself unconsious
for as long as humanly possible
Leave my body
At the hospital
And listen to Gospel with God
Then watch Kim Possible in awe of
The long lost
Christy Carlson Romano
I love Broadway
Or did once
–then wake up
Put a fake smile on
Like i ate mcdonalds
Then ran ten miles to get it off of me
Like it isn't impossible
It's not at all,
–but in my body?
Lol
stop .
What happens when you give a mouse a cookie?
What happens when a legendary artist turns into a hologram
And comes for you?
Uhhh.
What happens when you have no food and go to whole foods with one dollar?
I don't know.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū
want to know! (she's the queen) [interlude]
Collection I- 'better off dead'- Track 02.
'want to know.' (she's the queen) [interlude]
Prod. By Blü Tha Gürū
I live in a luxury building, but there's still a pest problem.
The thing about segregation and racism in New York City is that it's blatant and quite obvious.
The nicer areas are well kept and clean, quiet; areas for the whites.
The dirty, trash strewn and dilapidated, overcrowded areas–for the blacks, ad anybody who looks like them.
That's not to say that there aren't some of whichever on either side–
But for the most part–
If it looks like a dump, everyone's black.
And if it's clean and well kept, everyone's white.
So much for progression.
You could say my neighborhood –or, the neighborhood itself–is kind of in the middle:
But the pest problem persists at ground level.
I keep my apartment sparkling clean.
–but some how–these things keep trying to force their way in.
Or simply–force me out.
Either way, I'm moving up.
The Complex Collective © is committed to serving the independent artist community by providing a safe and welcoming environment, performance opportunities, rehearsal spaces, and outlets in which they can grow, enhance their skills and master their craft, and create bonds with one another, by providing a community and protecting the mental health, promoting health, fitness, and wellbeing, while committing to improving the livelihoods of struggling artists by means of providing access to clean, organic nutrition, (The Starving Artist Foundation temporary emergency shelter and resources for battered women (Off The Map), and allowing safe, tech-free and low-tech spaces, chill out rooms, light and sound therapy during winter, and seasonal theater productions, live showcases, and art exhibits and installations by at-risk, homeless, independent and full time artists committed to the passionate perusal of their unique dreams and goals, in every artistic endeavor imaginable.
The complex collective is open to writers, musicians, graphic and visual artists, filmmakers, fashion designers, spiritual enthusiasts, world travelers, and others seeking a safe space to bond, heal, and create through collaboration, exploration, and self improvement.
Created as a warehouse project based in Brooklyn New York, The Complex Collective as a non profit seeks to encompass a large warehouse space which will serve as a multi-use facility which includes a kitchen and food pantry, dance floor/event space, black box theater, cafe/ small stage, fitness spaces (Yoga/Dance) Boxing Club, and media room designed to open the minds of artists to a bustling Mecca of creativity and opportunity. The space will be used to hold flea markets, host seminars, community meetings, and lectures, as well as provide an operational and practical multimedia space to screen films, stage plays, musicals, and other theatrical productions, as well as host musical events and artists, such as DJs and live bands, poetry readings, dance recitals and other community geared events.
[The Festival Project ™ ]
You smell like a dental office.
Must be my oral fixations.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. ©
She's a practical genius-
An actual genius, they say,
—but she'll never believe it.
There's no more star struck
Clouds strung together
With bruises
All the lies and all the lairs
The layers of cake
For birthdays missed
A Christmas present,
In lessons learned
The Devil wishes
For her to suffer
Surely, she'll come around at some point
But today, of course
To her dismay,
It's just attention deficit
And jelly fishing
Was the straight jacket really necessary?
You said you were going to kill everybody.
I was Skrillex!
Sure you were.
Silence, children
I'd rather than to kill you
Have to feed you forever,
From my breast and my loins
A sour milk gon totten
Than to give you all
To Television dinners
And seat you at Tom's Restaurant
In the smoker's section
Rather now I die and here
Than go on knowing
I may never know my whole God again,
God
Thereby and there I go,
Open and world over closer
They simply shouldn't bother
With such fragile and delicate a flower
That she truly has
Become carnivorous
There, now children
I shall feed you from the fertile soil
Of another world.
Not forgotten, but hidden from forsaken
Shallow souls of pestering man animals
The shallow souls of man animals
To seed the sigh of senders promise
Never worth fortold by nature
Never less the sounds of science
Never less control of masses
The masters in distress,
The makers of madness
The masters of distress
The makers of madness
The makers of chaos
Worth, running
For, follow
Tear, sacred
Tears, sacred
Take her
Take her
Again to the way now
Take her
Take her
Again to the fortress
Take her
Take her again to the world now
For even in a pit of snakes,
A wolf is bitten
For even in a tank of sharks, the ocean
The lion would never triumph
Take her,
Take her again to the fortress
Take her again to the world now
Take her, take her to forests and fire
Take her again to betrothed, nature
Nature
Nature
Fall short shadow, will you
Will call it
The one who comes
Is also myself!
O, lord!
The one who calls
Is also myself
Oh, My Gos
The one who wakes,
Is also my self
No, God,
Foreshadow my mark
Foreshadow this kindness unto man,
My shadow hath quaked in the dusk
Lurking in all the, mine crevices
Mine shadows,
Mine evils,
Mine darkness,
Mine envy
My death
Falling under water,
Here I am breathing in
The deep of salt,
The dault of man
The dusk and dawn
The fortress
Wait here, dear shadow,
For I must creep low to supply you with light
Wait here, dear captor
The world you have burned from our kindle
Wait here, dear mountain
For many years from now,
You too shall again be the ocean floor
Hear now, dear birds
The words of our feathers,
With hands that made wings,
And voices of songs,
You were born
Wait here, dear shadow—
For I am making you heat to nourish
Wait here, dear shadow,
For I must lurk and creep low
To supply you
Wait here, my dear shadow,
For truth is only in essence,
Your eyes now
Wait here, my dear captor
For shadows have waited much longer
I pray you
Every fucking Friday!
I almost skipped today, you know—
Just as I realized
The Devil would attack at the moment
I might have anointed my arrival
To the oncoming
And the devil is mine again
As he has no power at all
But my own
Control your wits, captain!
CONTROL MY WHAT?!
There's a storm a foot and we're at the helm of it!
I'M AT THE HELM OF IT!
AYE! AND WE!
I'M THE CAPTAIN!
AS I SAID, CONTROL YOUR WITS!
WHO'RE YE YELLING AT?!
[lightning strikes closely as the waves begin to tower aside the ship— thunder rumbles.]
{Enter The Multiverse}
Oh My, God—Tina Fey! Hi!
I—uh—yeah.
It's so nice to finally meet you.
Hm.
I—I was the hot water heater in your book!
what's that supposed to mean.
Did I read it.
Working on it.
Am I in it?!
Why would you be?
I don't know! Am I?
Just— give me a few—
How long is that?! What's a few?!
How about a montage?
CUT TO:
THESE BOOTS ARE MADE FOR WALKEN.
And that's—JUST—what they'll DO!
And—
One of these—days—
These boots—
Are gonna WALKEN
Ova U.
Nancy Sinatra is still f#cking weird.
I must admit, i feel personally attacked.
OH, GOD.
OH NO.
This is certainly the thing you do not want,
When trying to erase someone entirely from existence.
Or at the very least…
Jesus fucking Christ.
…thinking about something in any sort of way.
This.
…and again.
Is most certainly what you don't want.
My walls are closing in,
full figured artifact of closure,
And infact I exaggerated the fact of circumstance
Because I had to
Because I had to
What, am I on in the other room?
Supersonic as we all were,
By the millions and by the numbers
The simple heart attack was won,
The hearty breakfast,
Stripes were earned
And not a one tear shed after
–but my head hurts
But my head hurts.
You started it.
I did not; but I most certainly will finish it.
Quiet, they're coming.
Quiet the children;
Ready the talleys,
Count all the votes,
And stable your alters;
Didn't I warn you?
(I warned her!)
Didn't I warn you?
(I was warned)
Didn't I warn you?
(Why didn't you warn us?)
Cause I wanted to
I wanted to
I wanted to hurt you.
Well–dammit!
What. what happened?
#villain battle
I can't kill you.
What? Why not?
It's–it's in my contract.
lol damn what kind of contract did this dude sign?
Lol idk tho.
This could be progressive,
But instead it's cynical
A wizard and a mystic
should make some interesting kids, though
Another lesson timber, timbre all the violnisits
And the brass section is fascinating,
Rather–0
More percussion
DId you mean this?
I meant everything I ever
*sneezing*
*DIDN'T*
Say.
Gazuntite.
Daggers and daggers and
Daggers and
I'm sorry what happened to your mailbox;
And your mascot.
I got ass, God.
I told you.
Now, what?
Be strong.
Okay. I'm strong.
Cause here they come.
Here they come what?
[The lust monkeys enter rapidly.]
Ah, God. The lust monkeys.
The lust monkeys.
The lust monkeys!
Dammit!
Why can't it ever be like,
The trust-fund monkeys.
(Sometimes it is.)
I feel sick to my stomach,
And made of straw;
Hey scarecrow–
Comeback to the Wizard of Oz
Hey, scarecrow–
Come back to the Wizard of Oz
Hey scarecrow–
Come back to The Wizard of Oz
The sun don't shine on
Anywhere else
Like it shines on california
–it shines on California,
Los Angeles
DAMN. LOOK AT LOS ANGELES DUSTY ASS.
DAMN.
LOS ANGELES?
…what ? yeah!
LOS ANGELES! GET YO' DUSTY ASS OVER HERE.
Look at the starlit purple sky;
Always follow your mother's advice
Water is boiling, toil and strife;
Follow your mother's advice
Standing on the Rock, Aretha Franklin
Don't you know I missed
All the good years
Cause someone hates me
Cause someone hates me
Don't you know I missed all the best years
Cause no one loves m
Cause no one loves me
Cause no one loves me
Your Love Keeps Me Waiting, Joey Diggs
In some other city somewhere,
The traffic still stops all the same
All the while, I still look out the window
Wishing, watching
Tops of buildings
thinking
INT. FAIRY WORLD MARKET
Oh Wanda–you look horrible.
Why thank you.
“Son of Sam”
So wait, I–
Hm?
Who does she think I am?
Whoever you are.
[beat]
Well–who am I, then?
Indeed.
You know, ever since Cosmo left, you haven't quite been the same.
Nobody's really “the same” as they ever were….
I heard he's been drinking.
He's–
[another flashback]
All my Love Phil Perry & Renee Rapp
–always been drinking.
MAN,
I CAN'T GO NOWHERE IN THIS BITCH
NOW I GOTTA WAIT
TILL THE END OF OCTOBER
TO MOVE AROUND NEW YORK WITHOUT SEEING
THIS
[Hello]
NIGGA .
I told you that was niggly nigga.
—and I told you, you were starstruck.
I'M NOT STARSTRUCK.
Somebody! Get him on ice!
Ice, Ice Baby…
What the hell is this?
Your uh –
It's the paperwork you asked for.
These are murder charges!
Manslaughter, technically.
“First degree murder.”
Oh, that one.
Yeah.
THIRD degree murder?
I thought that was separate–
What is even the difference?!
Did you get my–
QUIET. You shriveled old coon!
SO AM I UNDER ARREST?
No ,sir–
What?!
I mean, yes, but–
What is going on?
You're like–
You're filthy rich.
Yeah, but.
So like…
So, like–I'm not going to jail.
Oh.
No–yes.
No, you're definitely –
Definitely like eventually–
Definitely eventually going to jail.
Dammit!
But like–not today.
Oh…
Yeah, see.
So is it like.
I said that.
So is it–like–
I don't know.
On a wire?
I don't know, man.
Fuck fast fridays.
I'm right there with you.
This is the last one.
Yeah man.
Forshure. “Full figured”
Telepathy sucks.
He was my muse
By many man
For no other reason
Than that I cherished him
I was at fault
But none to blame
The wiser sense
that lied beyond
My reckoning
The wildest thoughts
Bloomed as fruit from trees
The nourishment
Of a greater cause
to die with forward
blinding light
Towards eternity
My music
Nothing greater shadow felt,
Some sense in tears,
Which would not fall
But rain, did, somewhere
Knowing that
I loved him
–and in my ways,
This was our world,
The meaning of it
Strewn to words
With listens;
Crafting tides and stardust
Out of wonder and confusion
lying scattered on the tracks
As I'd imagined,
Disrobed and also dishonored
A horror movie,
And no more judgements,
For it was over, and drunk
The water I had poured into hearts
The shadow that hung over
Like a gliding
::||pause.
–well wait, what kind of bird is that?
…A big one.
Alright, unpause.:||
Sparrow, with wings
that fly only so high,
for a while, as reminders
That all we,
Are earth bound,
And by beauty and with time,
Bound to one another.
(Respectively.)
I
V
Moonlight Becomes You, Johnny Mathis
This is getting pathetic.
Pathetic on my part, or the Illuminati's?
What's the difference.
–MONEY MONEY mO
NOBODY'S PAYING ME.
Yo, first of all–
[Hey.]
FUCK YOU,
CUT TO:
What did you say your name was again?
I want to thank you for your love, The Emotions
CHRIS ROCK
I THOUGHT I WAS NIGGLY NIGGA.
{Enter The Multiverse}
[The Festival Project ™]
The Complex Collective ©
#fastfridays
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū
I smell testosterone;
The taste of nostalgia
Thought of a tune
From a tune
I had wondered before
That i'm better alone,
But no worries
I call california
No resignments
I had assigned myself this watch
From a throne
I could tale the tune, adorner
My attention,
I have no more artifacts
He don't hesitate, no!
She don't want no primetime players!
He don't call her back, Oh no
Lord,
She don't give him no false numbers
It's at a standoff,
No calls, no texts
Shit,
He's on a roll, doc!
She don't want no more one and onlys
She don't want no one and onlys
Only good times!
Unh!
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
For the first time in a long time,
Or at least sort of a long time,
I seriously considered suicide,
And all jokes aside, it almost seemed like the only option for someone in my predicament
In my mind—
I would never be white,
I would never be liked—
And I would never have the chance of getting my projects into the right eyes
Or heard by the right ears.
The sounds of motorcycles made me want to die.
I didn't want anything at all-
Not music, not even love
That is,
Besides being quietly held from behind.
I felt like I was suffocating.
Exercising was no longer enough.
There was no such thing as love or time.
I wasn't losing my mind, so much as my patience for mankind.
Money ruins everything. Especially not having any.
I just be fun to torture.
How many versions of the Truman show are running right now?
My entire generation under the guise of the American Dream, fighting to be famous,
stars in our eyes and fame for sale at a certain price:
What was the price?
For some, precious bodies would prove to be fare fortune.
For others, sheer luck—
—and some—
Inherited funding provided by l the indoctrination of the inequality and social warfare —not so simply just black and white, but rich and poor.
(™)
SANTA MONICA. (Instrumental)
GOING COASTAL. (EP)
Prod. By Blũ Tha Gürū
Be careful of curses,
For all you curse
Shall come onto you tenfold each time
Four each wish you made
To destroy another
I sent him out of my mind;
I've shattered glass in my eyes
My ions
Lions, Wild
An exact science
Biology
Below me
Open world
Horror show
Broken mirrors no more
Costs for the show
I'm making arrangements to end it all
I'm sick and deranged sacred
Now all my scars are fireburns
And markers, highlighters
Words
Breaths of reason
Fears
For galaxies of angels
prayers for
Freedom
Sacred tongues
Of north
Summer stones
Fall for Auguest
Love for all
The broken
shatters art
Glass it is
Tears in my
All
The heart is silent
Now but
Sould does sing
When finished weeping
Keep this secret close
and hold to hide
The tides of red
Ions, mars
tears of broken glasses
Seonces
shattered
Glass
Tears of
Blood
After all,
I loved him
I pushed him from my mind
-forgotten.
I should stop lighting candles.
Fuck that, I should order more.
What do you think that one was?
What it always is.
What it always was, I guess.
You called the comics.
I asked for–
Nevermind.
Sometimes it's best at all to do nothing,
“The indifference doesn't matter.”
–but it has to.
(then it never mattered.)
…and wish to belong,
knowing all the well you won't
And that it all is,
Temporary.
It never used to be this shifty.
I actually never had a reason to believe in the paranormal.
It's all paranormal.
I took apart each dimension carefully,
Sector by sector,
And let it remain as it was–
Tactile.
I became complacent
In knowing that all of death,
‘The Grand illusion”
Was also just more of life,
In another way–
And wherever the previous thing was,
‘The Past'
Was another place.
We're gonna need new windshield wipers.
Why's that.
I think it's raining blood.
…that's strange.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
I'm thinking maybe we should end tonight early, while everything's still on a high note.
You call that a high note.
Everything is high to me.
You said it, not me.
You may as well have said it.
I supplemented it.
You,
Are a temporary fix for a permanent problem
Art on my wall,
And a star on my walk—
A room full of boredom,
A clause in a contract
No more than just
Four words,
All of four letters,
All perfect.
Why the pause?
I've been
Looking at this show
As if it were a box of darkness
Waiting to be unlodged
From my corpse,
Or rather, even
Sarcophagus,
As it were,
The words and characters had formed
Over me, more like a storm
Though I had submerged under the surface
Only to learn that I had
Learned that somehow
I could breathe under water
And stay there forever,
If I wanted,
A shadow of showmanship,
The fear of being further pursecuted
For having infinitely discovered such inspiration
In such an offhand
Person
Sure, not as eloquent as my usual entries,
But this soliloquy,
I beg of you—
Is more of syllables
You see?
I have hatred in my heart
That has flowered into my mind
As some sort of algorithmic cursemark
Where hereunto
Even Google taunts me;
Reminding me of my own failure,
Sure of all my debts,
Ugliness, and lack of money
Assuring that I will
Probably never
Make it in show business.
I'm drained just sitting here, still and surrounded by
The working clsss cotezens
Who parade around as if
Doing something noteworthy
By feeding the machine
And playing along
With the recfomensations
Of doctors
Sponsored by pharmaceutical companies
And invested in politicians
With racist policies and intentions
To exterminate psychologically
Only the brownest and brazen enough
To know better than
To follow the orders of
A robotic and problematic
—I'll stop you there
It's three syllables. What are they
I'll think on it under warm water
And hope that this 8 year old scar
Is unswollen
By nightfall tomorrow.
—it's a curse, or what?
No, it's the government .
The laws of karma affect all power and control beyond a magicians natural limitations and inhibitions.
Just for shits and giggles,
They planted the demons
The shamans,
And all of the actors
They bought out
The psychological terrorism
Began when she had indeed
Fallen by his hand—
A fist at best
But may have as well been
The bullet of a gun.
She spoke openly of social reform
And affordable housing,
Equality,
And economically priced produce.
—so they tried to murder her—
On numerous occasions
But couldn't.
They started a war
With a mother
Who never believed in nothing
And had lost
Children
To God itself.
They waged war with an army of robots
Using telephone service
And terms of agreement
They sent stalkers
Who spoke of shamans
And acted like demons
Agents who
Remembered
The names of people
Past
And present
None forgotten
Witnesses to what had happened
Burned notebooks
And credibility clauses.
God never forgot her
But often brought warnings
Of those that had come for her
They painted a picture of mental illness and poverty,
And with every hope,
Forced the suicide
Knowing that she'd leave her son a fortune—
—but had not known,
The gold was of the fools type—
As was his father.
The barrel of the gun
Was the punching bag
And the thinking horns
The slamming doors
$49 Dollar whores
And interceptions of brainwaves
The assasination
Was purely a psychological thriller—
The will had an omen
That no money
Would fall to the hands of
The man
Who had hurt her
In front of her sons.
So the world went on
Without a mother
Or without a God
As they all had worshipped
The opposite for so long
That true love
Has become
Obsolete
—like an old iPhone
With a broken screen
As a metaphore
For generation Z
Her body was the equivalent
Of the thing you don't need
But once used daily
And couldn't have gone anywhere
Without it
A suicide seemed
The only way
To escape the debt
And the only thing
She used to love
Was music
Now,
Just like her son
It was just a job—
And the worst part was
Both things
Cost too much
To afford it
The legend continues
With having to record everything—
When the recording stops
The world attacks
And anxiety takes over everything
Once she starts to sing
The people start coughing
The lights start flashing
The doors start slamming
And the name of her son's father
Whispers over and over
Like the sound of her mother popping gum
And sighing eggaderatedly in agony.
It's a competition
On a planet
With 8 billion people
Who all believe that
(((Whatever they believe))
And it must be true.
It's a competition
On a planet
With I billion people
Who all believe that
(((God)))
It must be
-Ū.
I didn't come here to be a messiah
Or leave tire marks
With my scuffed up Nikes
Rounding the corner
Out of Whole Foods market
Like I stole something
Only to come
Back to the office
To be greeted by shopping carts full of garbage
Bad music on low quality speakers
And trash under
All of the ugly parked cars
On the sidewalk
White girls will boycott this series
Because of how honest I am
About how toxic they are
With their microexpressions
And arrogance
In public.
(It's just race-relations.)
Where am I?!
Apparently, I'm a vegetable in a coma.
Right…
So you won't just mind if I—
No, not at all.
Focus shifting is an aspect of multidimentionality in which a subject becomes perceptionally hyper focused with a seperate intention from previous projects or interests in order to better develop the consistency and understanding of the overal idea or process of creating, designing, building, or adding to various tasks and projects, with the overall realization that focus shifting to enhance the quality or oucome of one process may increase the likelihood of success in another— a more long-term of understanding multitasking, the in depth nature of focus shifting requires the extention of a project within the circumstantial purpose of completing or building on another, with the intention to return to the original task or subject with further tools, understanding, and conceptual awareness of the completed concept on a broad spectrum.
vent, baby keem
(Happy Accidents Remix)
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 |
THE COMPLEX COLLECTIVE. ©
ALL RIGHTS RESERVED. ©
-Ū.
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.