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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
A shiver up my spine
I don't really mind,
I'm still trying to find the word for it—
But tongue in cheek it is
That's—if it fits
You bit me once,
And I liked it
Come bite me twice
If you buy it;
Alright, Ryan—where is it?
Where is what?
You know what I'm talking about.
I don't know anything!
“Ryan Remembers Everything”
Goddamn it, wake up.
I need silence.
GET UP, GODDAMNIT.
Okay—
Okay—
—I just need you to tell me where it is—
Where what is?!
I don't think this is very funny.
This got serious.
Ouch.
I don't want to watch TV anymore ever again.
I really wish you'd tell me
Oh, you wish?
Watch this.
I'm sorry, Ryan.
Hello.
I—hello.
I'll have a tall order of whatever's in that box.
You want what's in that box?
Yessir.
What is happening?
I dunno.
I'm afraid that's going to be a problem.
*gasp* can we have ninjas?
*NINJAS*
NINJA FIGHT.
—oh sht rly.
*lmfao*
Sometimes imm set in my ways,
Sometimes days go by—days,
In the blink of an eye,
Ever since I decided,
I might have had love with you.
I think we have some things to figure out, about it
—it being ourselves,
And washing my hands never felt so right
In my life
Somebody told me the stars in the sky were spirit guides,
And it stuck,
I'm up all night,
But i'm the only star I see
In New York City
Don't look up to see me—
Don't look up to me please, kid, really
I mean, why, my baby?
I mean,
Hi lady—
You so fly tonight, just my delight
I —
Like the way I look by you
I—
You know,
If I sit in the city every night like this,
And write,
It just might
Be the end of me
Be the end of me
Be the end of me
You know,
If I did get the limelight,
Right on time to soothe and
Satiate my need to be an idol LC
Even this late in life,
Like—
—fuck
‘I just want him to like me'
I shouldn't even think about
Superstardom like that,
But I'll be right back,
I gotta get the rabbit out the
White hat,
What a habit to have, huh
What an idea that we might all get along
Or a lot done
Or be better off alone
Than just to fuck off
And write another song—
Because the audience will like it
But we're all over it;
It's all done, isn't it?
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
S Ū pA c R E e has been in a coma, and through very limited states of consciousness, has only woken merely to speak the word “Skrillex” — after waking to appear to have a totally normal conversation, after the star is flown to Alaska by a secret organization * ahem lol— in an attempt to wake the sleeping poet from her deep, deep...coma, Supacree falls back into her coma, triggering a series of apocalyptic extra terrestrial phenomena, which leaves the world asking for answers—and drugs.
...and water…
And food.
And, the Empire State Building.
And, the Empire state building.
SUPACREE
And the Empire State Building.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
“Always be on time—especially in New York.”
The words rang around in my head like a lesson— a lesson I had learned in high school, coming from theatre.
“If you're not 15 minutes early, you're late.” I regurgitated--something I honestly had stood by in all my years with it— my high school theatre teacher, Andy, probably my favorite teacher ever, if not a close second to my middle school English teacher, Mrs. Davis, or even a tie for first, since they came from different eras in my school years. Of course, my next favorite, Mr. Tucker, my middle school music teacher—a multi- instrumentalist and expert—some of the only happy blue eyes I had ever known— who had seen something musically gifted in me, and would at random pull me aside and stuck a new instrument in my hands, instructing me to play. I had enamored him with drums, playing out a copycat pattern by ear after watching it once, and seemed to continue to amaze him as I quickly repeated tunes or improvised on the guitar, bass, and clarinet—and though I had wanted to play in the drum line—with the cool kids who often bullied me, hoping desperate somehow to mix—he insisted that I take band, first playing saxophone, and then switching to trumpet, for my adaptability and ear for harmonies—I wanted of course to play first trumpet, but was assigned to the contrasting harmonies of second trumpet— also eventually joining the drum line, where of course I was still bullied and competed for the best-fitting harness, which would keep my Quads at waist level instead of around my hips—my body, then, now looking back, that of a stout young woman—I was maybe 5'2, with double -G breasts and no bavksidevworth mentioning-I was more wide than round at the rear with thugs, but no hips to accentuate—and though my body was strange for that of a middle school girl, leaving me miserable and disproportionate, compared to the white, frail and thin Mormon girls—and the long haired, pretty faced latinas— the only blac at school besides a couple of Mormon kids—who has a white mother, who had been abandoned by their obviously very black father at or near birth, as they were a couple grades apart—and besides actually knowing it, you wouldn't have known they were white at all. The girl, who was in my grade, might have been about 6ft tall by middle school, and her hair always disheveled and unkempt— which didn't seem to bother her white, Mormon friends—the popular girls who made my life miserable enough, and though she herself was for the most part neutral, her high status in the pecking order had been long established. The town was split into two by both class, which equated to race and religion—a Mormon establishment, the deeply rooted white and wealthy, conservative Mormons had huge houses on one side of the freeway—the lower-class, casino working Mexican immigrants and their l first generation children on the other side of the freeway; this was the place I had learned to hate myself the most, a foundation first implemented at home, and then fortified at school— where my skin was too dark, my hair was strange, though always well done— and my ill-fitting clothes, mostly boys clothes, as my mother had become impatient with attempting to find “cute” or pretty clothes, and the American obesity epidemic had not yet grown to the norm; plus sized clothes were expensive and hard to find—and so without being said, middle school was harder than it had to be for several reasons—but it was also the first place I had been called or considered a “genius”, at least musically. I had always excelled in academics, at least until middle school, where my life became dark and I first realized that my body was strange and unwanted.
Fast forward to now, a 30-year-old loser sitting in the Manhattan glass office of a Sales professional and her counterpart, whose distaste in my apparel I could feel just sitting there— I quivered and became nervous, trying to hide my unmanicured nails between my crossed legs, however revealing instantaneously how vital they were to using body language, speaking with my hands and inwardly screaming “I'm poor, just look past this and hire me!”
But it wasn't just my apparat that had more than likely cost me the job—though somewhere inside I still desperately hoped that they would see past my downfalls— I was desperate to stay at Equinox, and only had 20 days left in my reinstatement before the dues would set in—and the “free” month that I had been granted and had allowed me to access the club once more had not at all be “free” The elites had flaunted their ability to control everything remotely, through the use of cellular phones and satellites— which had spun me into a suicidal spiral at best for the last week, at least pushing through to get as much of a daily workout as possible— I had spent every possible waking moment at the club, writing, unloading the angst I had gathered in the brutality of homelessness, poverty, and blackness, summoning some way to land a DJ gig looking as classless ans haggard as I did.
But they wouldn't look past my lateness— a whopping 37 minutes, and I blamed myself entirely, as I should have known that with both phones on and out of airplane mode in order to marinate, that I would be the center of a targeted attack.
“Stay in the hood, nigger!!!l”
The bus usually ran on time at the time of day when my meeting was, but of course didn't even show up at its scheduled time, and all though google had read that it had left on time, the family standing at the stop said that they had been there for at least 10 minutes, with no bus in sight. I had been up much earlier than usual, especially after a strange dream in which my ex husband taunted me; I hated seeing his face, hearing his voice, and being reminded of all the havoc he had caused on my psyche and sanity— I had spent the morning off, and in search of a case worker who could print me extra copies of my resume, which I had been asked to bring, but of course ignored by the time I actually arrived at the meeting— I ran downstairs to the locker rooms to use the bathroom, stashing my tattered backpack and decaying gym bag in a locker downstairs, along with my skateboard, before heading back upstairs and into the waiting area, which I was only in for a moment before a beautiful Asian woman greeted me, with immediate disappointment in her voice and a look of overall disapproval in her eyes.“Hi, CC…”, she said, almost pitifully. I stood up to greet her, shaking her hand “You're so late…”
“Hi, Allison, I mirrored with self-doubt and disappointment—“I am so sorry” and I could feel it already that I was doomed.
But I had always been doomed. Since leaving my now estranged ex, it had seemed that the curse he specificallytold me he had set onto my life was true
“You know I control all demons” he had once said— and though I had argued, “I control my own demons”, he had snarled some smart ass remark in his cruel and evil tone, which still followed me in dreams, often taunting that he had someone new with him—someone better than me, and in the most recent dream, an Asian girl—but in the previous dream that he had haunted, a blue eyed blonde haired girl— and while in waking life I didn't care at all where he was, what he was doing, or who he was with, as long as he wasn't with my son—and even with my son, so long as whoever he was with was clean and happy, and loving towards my son —I didn't actually care at all. But the curse had other astonishing effects—the more my life would improve, the more drastic things would happen—those around me often becoming consumed with some sort of devil or demon themselves and eventually seeking to dismantle my well being, usually psychologically, often bringing up things from my own past without me having mentioned them—dead babies and other specific details from my past life, as If having been divulged to them from some sort of script. Then, there were the coughing people, who would surround me anywhere I went—and especially public places, but sometimes even in private, coming to the outside of my door, and standing there just coughing. Almost remnicent of the men who had been outside my window in Alaska, who had been screaming “Kill yourself! Just kill yourself!”
And I wanted to—I thought about it all the time, dancing with the trains and praying for the bravery to leave behind the cursed, shattered world. But, with each passing day at Equinox, the suicidal thoughts had seemed to fade, although the gang stalking had not—there was a psychological game being played, and my dedication to Equinox made the perfect ploy to allow the attack to unfold.
“Always Be On Time, Especially In New York.”
I awoke the next morning with the words ringing in my head, alongside my own
“FUCK NEW YORK. I HATE THIS PLACE.”
And though I was in love with Manhattan, I had now been broken down into the disgusting and hood ridden ways of the people of Ozone Park, and the surrounding Jamaica Queens, materialistic and hypnotized, brainwashed, programmed slaves who had been bred to work, still poor but attempting to look rich, as if they ever could under their bad weaves and wigs, scrolling through social media on the way to and from their corporate slave owners, or to buy the goods of the even higher corporations—and it was all just “what you're supposed to do.”
But I would rather die than do so, and had only applied at Equinox because I spent all my time there anyhow, and knew it would be easiest to sell something I actually believed in. But of course, I had been passed over the job, and wanted to die—in fact, it seemed I already was dead, in a way; My own hair and clothes in ruins, my body unloved, my mind shattered. There was no love here, just money and pain.
The Equinox interview would be my last. I had failed the test of time and wouldn't even attempt another. I had fallen out of alignment: I was doomed to be trapped in the ghetto, with the hood rats and slaves, and in 20 days would gain be cast out of Equinox. But I wouldn't return to planet fitness, or LA fitness. Or any of the other, dirty packed gyms Queens had to offer. Even Blink, although owned by Equinox was riddled with high school children and always packed. Queens was only “diverse” in the blacks-and-browns, and the longer I stayedthere, the lower my vibration fell. Now I was off my path entirely, and though I had tried desperately to be on time, I just wasn't. It had cost me a job that started at 30K a year, plus commission I know I would have easily earned—now I had nothing, $5 to my name and with no one to blame but myself.
“I hate myself, I hate my life.”
It was too late to change. I was a 30 year old loser, and I migh as well have shown the Illuminati itself the very reasons why I was unfit to succeed at anything at all—Equinox especially, but also in music, or perhaps just life itself.
I prayed for God to take me out of this hell, but it seemed my life was just some airy of cruel punishment altogether—a rotten busy no one would ever love, the inability to be on time— I felt the doors of opportunity just shut in my face.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Thank god
It's like a storm is passed
I gotta keep it up
I would never touch another man
If I could front the cost
All on my own
No wonder ma and pa
Gotta open up shops
It's a long long long way up huh
Took a long long long long walk in the park
2 boroughs I crossed
Just to be remarkable
Ok! I got Dillon Francis.
That's a pigeon.
Well, yeah—he's a pigeon.
Wow! He's a pigeon!
Yeah!
Pigeons are fast! How'd you catch him?
Well, he's a New York pigeon, so he's fat.
Wow.
We gotta change him back!
Ah, we should keep him like that.
I half heartedly agree.
SHAWN EVANS has two strikes in a game where you don't need three.
wtf does that mean.
I don't know about this
Sorry, boss
Okay, you ready?
Yh.
Now you're supacree
Ugh WTF. What for!
A GIANT DISCO BALL
I'm way in over my head now, I think
If I fall all out of love
Then that might be a bad thing
For both of us, I think
But I think too much
And I should be drinking,
But I just washed up on shore
With the rest of us, huh
I'm way in over my head
Like waves over my head
Or gravy on bread and potatoes
—how I miss the others, but
If I fall all out of love now
That could be bad for the rest of us,
All of us, aren't I
Or was once
Was once
It's all by design
The decider resigned at the diner—
But maybe this time we can find her
Dying to write
She's still colorblind
A reminder of all of the limelight
She finds in the mind,
She decided defined her
Lil biiiitzzz.
Alrigtt huh, so fuck Queens.
I had to get out of Queens, you know?
I tried every gym in queens and you know what?
I hated it.
Every fucking gym.
It was gross.
Not as gross as the Bronx—
But it was Bronx-remnicent.
So I'm like, alright, fuck this. I'm gonna save up and go back to MY gym.
MY gym is in Manhattan.
Yeah bud. *rubs fingers together*
I love it.
It's fucking clean.
It smells good.
It has everything—
—Except the rotary torso machine.
But that's okay!
Fair trade.
It's all good.
That's MY gym.
In Manhattan. Yeah.
But I was stuck in Queens for so long, you know what—
I hadn't even been to Manhattan.
I forgot one thing about working out in Manhattan that I didn't have to worry about in Queens.
White dudes everywhere.
Yeah.
Never in Queens.
I totally forgot.
In queens I'm like Man of Steel;
I walk into a gym, all I see is family—
Eyes up here, Daquan.
What up, Matumbo.
Nice Locs, Troy
I go to the gym in Queens, I'm calm.
I go to the gym in Queens, I see non potential mates.
I am STONE.
I walk into a gym in Manhattan?
UGH.
My body's like
“What's that smell?”
My uterus is like
“LOOK OVER THERE.”
I'm like “huh?!l”
Nothing but hot white dudes every damn where—
“Ugh, fuck this”
So what I do, to combat this, is I just find the first hot girl I see—
It's not hard. It's Manhattan.
I'm an androgynous ape-like person— every actual female that exists is in some way somewhat more desirable than I am by far—
—out in public, anyway.
“The socially acceptable prototype”
Meanwhile,! behind closed doors I can take anyone of these motherfuckers home—
—their home—not to queens—
Which also isn't my home—
—or anyone's really—
—but let's just say I've stayed there—
—I've gone to the gym there—
—what up JerOde
—T-Jiggles.
—I've kept my stuff in Queens.
But the publicly—socially acceptable “girlfriend” archetype does not live in Queens.
Nobody “lives in queens”
No. So what I do is I direct all of my sexual anxiety, my lady blue balls—all my deep seated envy for not being that girl —at that girl, as a reminder that she exists and I'm not what they're looking for.
And being honest, I know deep down in my lady blue balls that none of them are really what I'm looking for, either.
No—and though almost all of them are perfect in every single way imaginable—
Especially for my vagina.
I know none of them are my man.
Yeah.
You know why?
My MAN has a home gym, morherfuckers.
Yeah.
Got that bowflex .
Got that peloton. All of it.
And you know what?
He's not even in it!
NO!
He's traveling the whole wide world right now—
Looking for ME.
—(I'm in Manhattan)
MAAAAANhattan.
Yeah.
Dudes on the east coast are hot as fuck.
Like next level attractive.
Chiseled.
Delicious.
California has ridiculously remarkable women.
California's the only actual place I've ever seen whole ass people look like a brand new actual Barbie doll out of the box.
WHAT?! GO AWAY.
I'm not getting NO DICK cause of YOU.
But the dudes here?
Yo!
*slurps*
TINA FEY
You are wasting time!
SUPACREE
I'm not wasting time.
[working out]
SUPACREE CONT'D
I'm getting Trim.
TINA FEY
How trim are you trying to get?
AMY POEHLER(*sp?)/fuck it
Ya! You look fine!
SUPACREE
Like Fran-Fine-Fine—
TINA
What's that mean
AMY
It's the 90's, I think.
SUPACREE
Or Jennifer Anniston.
TINA / AMY
Like Jennifer Anniston!?
SUPACREE
Yeah, on Friends.
AMY
Speak of the Devil….
JENNIFER ANNISTON ENTERS, being super hot.
TINA
How does she DO that?
JENNIFER ANISTON
I do everything.
SATAN has merged with JENNIFER ANNISTON, as SUPACREE continues to keep accidentally summoning THE DEVIL without first understanding how—
But the charges from THE SACRED STONES against the magical charge of her amulet has created a chronically gaping time home in which various entities (and the bampheramphs) are using to travel quickly in between timelines.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Humbled from entitlement
Ashamed of my own displacement
I'm on a tear
I'm on a tangeant
I was just here.
But where have I been
Most this year has passed
And I'm still here,
I still don't get it
A divine circumstance
Souls—
So long,
So gone,
Almost
The time has come to walk
The time has come again to rise,
Rise up
The time has come to walk, come on
The time that's come is ours,
From now on
Give me time to walk,
An. Hour or so
A trot, the fox
Time to run
An hour or nothing
The founder of the establishment
The Tower of Babel
Another arrangement
The flounder, the fox, the horse
Come one, come all,
COBE one, come now
The walk or a run
A gallop, or trot- the horse
A crown for a gallon of water
A gallon of water
A gallon of water
I know who you are my son;
Come one, come all
Come mother, come father
Come dog, and come brother
A sister, another
All for a walk in the park
I lost it
All for a gallon of water
A gallon of water
Persons//Archer
Action/comedy/ mocumentary
The precinct assigned to the high traffic high transit and high crime area of Jamaica center in Queens, New York City is equally as devious and criminally minded as it's high populous counterparts- parson//archer follows a hilarious variety of NYPD officers from recruits to veteran officers assigned to patrol every facet of law enforcement from transit, to traffic major crime investigations—murder and robbery, All taking place within the 6-block radius of the Parsons Archer neighborhood near JFK International airport
JOSH
You are giving me angina!!
DRAKE
angina?
JOSH
Yes!
DRAKE
With my MUSIC?!
JOSH
YES!
DRAKE
SHH.
JOSH
DONT “SHH.” ME. YOU “SHH”!!
DRAKE
SHHHHHHH! Here she comes.
Express my discontent
To discontinue the unamusement
More water, more water
Your system is suffering.
‘Kill all of them, all of them
Calls from the governement
It's all a spectrum, a construct
Divorce is unnsesscary
Once he hits you
All institutionalizations
Become null in void, in fact
Under attack from your ex—
It's an exit strategy
After he comes to your dreams, you just laugh at him
Pull all his hair out
Congratulate the girlfriend, cause
As it starts over for him
You find ground in a brand new dimension
Where he can't get to you
The land of bad parenting, man
Ma'am, there's a bathroom over yonder
If you were wondering
You've exposed your daughter in the park
Amongst all of us
I like to go for a walk or a run
But unfortunately have become. Quite predictable under the circumstances
Of hummus sandwhiches
And garlic mashed potatoes.
(But it was delicious,
I've got no regrets here)
The dragonfly asked me to write this
As I admired them
I give God all the love
Even coming from Hollywood
Where I haven't mattered.
I finally got a new skateboard
Thanks for the manifestation
Or maybe just payment for being
Tape recorded without my permission
Or kept in the neighborhoods where restrictions on nutrition are strictly enforced—
Of course, can't have the American workforce with too much energy
There's just no money in that;
No escape from slavery, but suicide
Or two nice, blue eyes and pale skin
No! You can be dark skinned—
That is, if you're skinny and pretty
With all the right connections
I just can't fight this
It's flight facilities all over again
-A call to adventure
Don't get too close to the monarch—
Because you might scare here
And she's the only one you've seen here,
Like that
So glad that part's over, I'm being honest—
All my prayers were answered,
As just yesterday morning
I woke up with a song in my head
In your voice
And your words on my heart,
But they're all gone now,
Just as you are
And—
Not that I ever wanted to know anything so awful
But I'm glad for your island—
Now onto the next one
No more crossovers, Illuminati.
Sounds like it was all what I was caught up in
Writing my story
But nobody's on my side,
Not really
It's something like
Humanity and sapiosexuality
All rolled into one
And the role I was playing
Is all done
So glad for your family
But mine has unraveled
I'd like to travel,
But so far,
Still stuck in the poverty;
A horrible mother—
And my husband's haunting me
Not that I've ever been married or anything so far,
It's just all a nightmare
I haven't woke up
To be born yet
Goodness
For Goodness sake
Hollywood, and all the fakes
I'm slightly superstitious,
But that's as attractive as it gets and,
I just can't have it
It's only a habit,
This sapiosexual game we've been playing
With fame
And the music you're making is
Shaming me for praying
For this exact answer
Now I'm just sick to my stomach
There's no Whole Foods market in Flushing
But I've still got half a chinstrap and
All of the sermon of words I've been swallowing
Translating the rules of the game into Spanish
And I might be celibate forever
But that's irrelevant
And probably the cause of
Whatever happened
In downtown Los Angeles
Downtown Los Angeles
EXT. DTLA SMOKE SHOP. NIGHT
I could be alone and poor forever l,
For just thinking I will be
According to the secret
I could be alone and broke forever
For just being constantly surrounded
By people so miserable
And jealous of talent, creativity, and musical ability
According to the secret
Pretty white boys and their secrets—
But for the most part, I believe him
Predominately, anyway
I'm non binary enough to know
Females are pretty vengeful
Especially once you ghost them
And Hollywood is evil l
So it only costs $10 for a favor
And $10,000 for someone to dissappear
$100,000 for a single with Skrillex
And about half that for 10 million followers
Cause everyone's a robot , for the most part
And sex starved
Ticketmaster
I could be broke and lonely forever
Just for being caught up in this Illuminati nonsense
Cut!
—luckily the trains are coming faster and
All the skyscrapers are very high up, plus
It's all synonymous,
According to the secret
I could be secreting words as easily
As preaching sermons,
Or reading scriptures
Sucks being right about everything
Sucks being right about everything
sucks being right about everything
Cause everything is everything
And honestly,
I was just hornet
Not retracting my statements, at all l
Pretty white boys and their secrets
And I could manifest one, according to the secret
But what good would that do
When white women hail over everything
Such as the firing of Mr. Justin Roiland
For scribbling penises or
Amber Heard, for lying on Johnny
I give up on everything,
Especially my certainty
For now I'm just a bigot
Reciprocating hellish experiences
Overall, though
No matter how non-bianary I am
I was always and still am a woman
And men don't just want one
They all cheat on all of us—
According to science,
It's just how they're wired.
and wives are just trophies
(Especially the white ones)
Just look at John Legend
Or John Mayer, never married
But look at the track record
Or track list
Nothing darker than a brown paper bag, then
Is there
So, what have we, Disney
A black frog princess
And a black half-fish rendition;
Cause black girls aren't human,
Not really
“Not MY Ariel!”
Although,
The whole world is now filled with color
I've been too fat and too dark to be pretty
For too long to be reprogrammed
Sorry, not sorry
God,
I'm so hungry
And I've still got half a ciabatta, but
I just want someone to love me
That isn't as traumatized
As I am
God,
All I want is a dog and a daughter
But I've still got nails in my arms, from the cross
And a scar on my heart, which is turning to stone as I turn over another
Chapter in
The festival project.
{Enter The Multiverse}
[The Festival Project.™]
c o l o r s TM All rights reserved
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
…..
….
……..
So, whats's in Pasqualle's Pop-Tarts?
…
….
……….
…Nobody?
(It's Plum, by the way—
With nutmeg and cinnamon)
Check the hat and glasses;
Yeap,
That's a bampheramph laughin at you
Not with you
Highly unusual and peculiar, sure
Dad hats: the lowest level of bampheramph—
These bamphers show you what not to do, how not to act, and just how not to be in general
After bampheramph camp, the graduates are ranked by performance —typically— “bad” “very bad” or “what the fuck”, and very rarely even “what the fuck, dude” or “I don't even know”, the average graduate being given the “Classicl bampheramph” status, and typically wear “dorky sun hats” regardless of location, placement, or time of year
Reserve bamphers may wear backwards snap backs after once having served as captain; other reserve bampheramphs may present SnapBack forwards or even sideways, before having served as captain or during service as captain, if any other hat is not needed or called for
The motherfuckers, a special branch of bampheramphs dedicated specifically to
DJs
The 7 aliases
7 alieses
5 Guys
Two Dudes
Codename.Blū.
c o l o r s.
Happy Accidents
Dillon Francis is atop the roof at the Wynn/Encore, preparing to meet his untimely death.
Dillon Hart Francis! You come down from there this instant!
He looks below to the Las Vegas strip, a bustling blur of lights and traffic.
DILLON!
Chak Chel
Let him jump.
Chak Chel!
What! Let ‘em.
Chak Chel, come on!
The Little Motherfuckers are—
Well—
A group of young children are causing a ruckus on their bicycles. None of them are wearing helmets—of course—eventually to become motherfuckers
Smells like fire to the west
Yes, I still have eyes for you
I guess there's still some time between us
Guess I still have ties to you
Do my eyes deceive me or
Is this make believe
Believe me
All I see is you, sometimes
Even— especially in my dreams
I keep your secrets,
I feel scared when your hands touch my hands
But feel good when my lips touch your lips
I feel sad when your heart touch my heart—
I feel love with your hands on my hips,
I'll be getting it all done and over with, for the most part
Give me a call,
When you're all done, at the mortuary
I'm so sorry
I'd bend over backwards, for you
Even eat meat, if you told me too
Or cheese, Jesus
You'd better believe it
Mission impossible
Even stevens
The rest of the things
As seen on TV
The rest of the evening.
My ex fucked me up so bad
I might never be right again
He used to say l”I'm a champion”
He was a loser—
He punched me in the face so hard, I actually apologized for it.
He decked me out.
Not once—
But like 5 times.
In a ROW.
Teeth went through my lip and everything
Came out on the other side,
I was like
“Oh, awesome I was thinking about getting a piercing—
Now I don't have to!
Saved me $30 and the cost of saline!
Phew.
Fucked me up.
To this day if I see you in champion sportswear, I am immediately convinced you're an idiot.
No take backs.
If I see you in champion sportswear,
I just automatically assume you're stupid
Not sorry.
Oh well.
If I see you wearing champion sportswear,
I just assume you're a lazy, retarded idiot.
*shrugs* not my fault.
I wear Nike.
—but it I see you in white Nikes that are supposed to be white, but they're all dirty and gross and caked in whatever—
I'm just gonna assume you're a fat dirty asshole that's gonna punch me in the face,
And walk away.
Clean your shoes!
Lol I'm so fucked up
lil biiiiiiiittzzzzz.
YOU GAVE DILLON FRANCIS YOUR NAME?!
no!
Well thank god
I gave Dillon Francis your name.
ARE YOU CRAZY
No. But he is!
Exactly!
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Drown (Phoenixx Skyy) [Unmixed Unmasted Acoustic]
Em
Settle down,
My love
I know you've had
Enough
And I'm all out—
Of Love
And I'm still drowning,
In your…
I'm still drown…(ed)
…in your…
And time stood still…
—-If only for a moment.
And time stood still—
If only for a moment…
—but I'm still drownin'…
In your…
I'm still drown(ed)
In your…
Settle down
My love
I am only
In your mind
And I—
Invented
Time—
Didn't I?
But I'm still drowning—
In your…
I'm still drown…(…)
…in your…
And time stood still…
—-If only for a moment.
And time stood still—
If only for a moment…
—but I'm still drownin'…
In your…
I'm still drown(ed)
In your…
Music and Lyrics by C'cxell Soleïl
Copyright [The Festival Project] 2023
All Rights Reserved
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.