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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
Is it ironic
To eat your
Whole foods
Hot lunch
At starbucks–
While your phone charges,
Watch the homeless bums get kicked out;
But not you–
You're undercover
You're the one let,
Just a shelter dog at central par,
No lost;
Just not gone,
And not God, yet
Just not God, yet
Not God yet
(But God to someone, prob'ly–
I promise.)
So what?
In the longrun,
We're all God –
Then all GOdless
Suddenly, but
Not sudden
All you are
Is
All Gone Again
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
When I first watched the coffee run- deadmau5 was just deadmau5
Deadmau5 is still just deadmau5
Keep telling yourself that.
So what's the plan here.
There's a plan.
Haha. Very funny.
I thought so.
Where am I taking this thing?
Just keep driving.
“Just keep driving.”
Don't act like you're not enjoying it.
I really am—
“Mad as Rabbits”
Professor Pancakes!
Yes.
What have you done to this portal.
Hehehe. ><
Who are these sketchy ass comics.
Idk heroes I guess.
God, this show is cringe.
Yeah.
Have we gone through the title sequence yet?
Why on earth would you study this.
I'll study anything that holds my attention.
Here, hold this.
What is it.
It's my attention.
Make me a sandwhich.
Okay. What kind.
Any fucking sandwhich.
Just—any sandwhich?
Yeah.
Oh, dear.
What.
It's another infinite realm.
Oh, wow.
Which means.
It's all the same—
Same thing.
I want this to swallow this pill, and swallow it whole
What does it do??
—nobody quite knows.
Perfect.
We knew you'd be the one for the jo.
My whole world is full of “God, she's beautiful…l
And
“I don't want to be here anymore”
But at least I came, right?
At least I got you right here in my heart
—you're in my head again
I can't go to sleep
I take medicine
I don't take advice, or compliments
If it's wrong and such,
Hey,
At least I'm honest
(Or was)
It's got to all count for something
I've been embarrassed by it
Careless, I guess
It's just another chance to be brainwashed
Let me tell you what my whole brain does
Lights up when I think of you
Just keep doing,
What you been doing is,
Being blue,
You're just being
Blū
That is a flex.
Huh.
They used my name in a song.
Wow.
They even spelled it right.
Okay.
In the heights
Far Regina Spector
Far
Now I don't want to dive In;
I just want to close my eyes for awhile
Maybe I'm ‘it'. —
—but right now, I'm in it
Disentreswe in such
Unholy matrimony.
Wtf is this.
Holy shit, I got 2 stop listenin to dis music.
die.
This is horrible.
Yeah, this is a disaster.
This is perfect.
X_x
It's actually perfect.
[actually on fire]
Why. Why would u do dis.
u did this.
I did this.
I is U.
Oh,
Well fuck it.
No vowels then.
Wut.
Why.
Wut.
Do something cool.
[
Your interview at Equinox is today between 9:30 AM and 10:00 AM (US/Eastern).
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Do you like how it feels?
Do you like how I am—
Well yeah then
So go ahead;
I'll tell you the answer,
But you don't like it, and
None of its random
—none of it matters, none of it can
I don't mean to vanish
But I'm a phantom
(And I'm just a fan)
“Oh well”, I thought broadly to myself;
I wasn't quite ready either way to be
— nevermind.
Back online:
Guess I'm an insomniac tonight
Surface level scrolling and what do I find
The whole world of mine
Putting a spark in my eye
Just a glimmer, I simmer in the limelight
I might die trying, I might just
Turn off the light, roll over
Paint myself white—
I'm just being polite,
How's the sacrifice going
Um, the what
The virgin sacrifice.
What?! We don't do that!
Who is ‘we'?
…nobody.
Aha! Illuminati!
That's not a thing!
I knew it.
You know nothing.
I know everything.
No you don't; cause then you'd be in the Illuminati!
Aha!
—which isn't real!
Damn, I want you so bad;
—damn, I want you so bad
Damn.
—I want you so bad.
Damn,
(God damn)
I want you so bad
Damn,
I want you so bad
Damn
(Damn!)
I want you so bad.
Damn, I want you so bad
Damn, I want you so bad
Right now
Well, that's too bad, cause you know what?!
Fuck it, I wanna get drunk.
That's not a good idea.
Do you have a better one?
I got it.
What's up.
I'll just throw the rock—at his face.
That's not a good idea.
It's a grand idea!
Spectacular.
I really want to look at Dillon Francis's Instagram.
For what.
I don't know.
You know what I want?
Huh.
A peanut butter and jelly sandwhich.
That sounds good.
Yeah.
Lol that's it?
That's the whole scene.
Are you sure?
Yeah.
Oh shit, I knew I'd eventually revisit this.
What is it.
“Three Assholes In A Car Getting Coffee”
BEFORE:
which one do you think is the most attractive.
You want me to rank them?
Yes. Rank them.
Um, okay.
That was a dark day.
All the days are dark here.
You know, God.
Sure—
I'm extremely bored.
Bored with what.
Here's a portal
Where's it go?
Absolutely nowhere.
MEANWHILE, IN ABSOLUTELY NOWHWEE
Oh God, it's getting hot in here.
Well, yeah, dude.
Oh fuck.
What.
We gotta turn around.
What'd we leave.
My best friend.
Your best—
Yeah!
I'm your best friend.
You're nobody's best friend, Dillon Francis.
Where the fuck's my fucking sandwhich my
Jesus's that's a lot of fucks.
Yeah, a lot of fucks and zero sandwhiches.
You have to put this in his hand.
No.
That's where it goes. In his hand.
That's the game?
That's this game.
How many games are we playing?
All of them, Liz.
I'm not—
LIZ LEMON
I HATE THIS GAME.
I LOVE THIS GAME
IS IT OVER YET?!
Oh check it out, he does look like Skrillex.
Oh shit, so this is season 7
It is?
Yeah, there's Drake Bell.
Where.
Timmy, I have to tell you something.
Not right now.
No, yes, right now—
Remember that scene on the—
FUCK DILLON FRANCIS
I WIN MOTHERFUCKER.
YES. GOD IS REAL.
I asked God for Dillon Francis to show me his girlfriend on Instagram and he did it.
YEA BITCH.
I WIN.
Well, that's one game.
What's the other one.
Fuxk,
What up dude.
Now, I just realized something.
FUCK.
WhatS.
We gotta burn all this Dillon Francis
How.
I don't know, I never printed it on paper.
Well, that's fine: I got something else for you to do.
What.
SUCK MY DICK.
Ok.
Okay.
Okay.
Why doesn't this hurt as bad as last time—.
LAST TIME:
You know what?
Fuck this.
Oh shit, now what do I do with this thing?
…
…
…
Wait dude, if I give him this stone—
Uh huh
And this stone has powers—
Yes it does.
Then won't DILLON FRANCIS GET ALL THE POWERS.
No.
No?
Not “all the powers”, just the ones in the stone.
This stone has a lot of powers.
Yes it does.
You should give it to Skrillex.
I was going to.
And then what.
BEFORE:
fuck, there's no fire escape.
There is, it's just on the other side.
IMm not gonna risk seeing Sonny to see Skrillex.
I don't care how much sense any of this makes, that makes the most sense.
Let's change the narrative on this.
What's the narrative.
What is your motive?
That's the narrative?
I—yea.
::||puseZ
Sunni, you're drunk.
I don't careZ .
LookC.
Remember this scene:
THIS AINT A SCENE, ITS A GODDAMN ARMS RACE.
No, it's a scene.
(It's two, actually
Something forced my eyes up and onto the LCD screen on the partition of the subway platform, in perfect ancroniciry i read the word “EASY” as it appeared on the screen, as the same word poured through my headphones from the sounds of Queen, the last song of a mix I actually liked, but had yet to do anything with—
I had yet to do anything with anything—though, perhaps that was the point. I had been in an elusive state of withdrawal and cyclical imbalance, and though this morning had been planned for ages, it had only just now happened.
Overwhelmed with sadness, I had realized reading the first lines out of a book by Madonna's brother that I hadn't the energy for superstardom—and with as little of the energy I did have left, had become otherwise deflated and unmotivated—Yet, for some reason, having spent the morning scrolling through Dillon Francis's instragram, I was on an A-train bound for Manhattan, or maybe even—Washing heights, as the words to my once-favorite musical had been of course clamoring around in my head with all the other things that were in there—even DillonbFrancis and now his girlfriend, their two dogs, and his mother, who had appeared to me just-so in a dream just weeks earlier; though I had thought to have made her up in my mind, there she was, supposedly—alongside Dillon and his horrible haircut—though nothing he could do ever seemed to change my mind or the way that I felt about him, even confirming his relationship publicly; I still rather liked him, and he still had a way of setting me in motion merely through emotion—perhaps, this was the lone standing function of Dillon Francis after all. Now, I was headed to the gym, perhaps after a touristy detour to visit what I imagined to be a now-gentrified Washington Heights
“You must take the A-Train!”
Usnavi sings in the Title Opener, and though I had taken in the entirety of the shows lyrics around a decade earlier, becoming a fanatic of akin Manuel a Miranda long before Hamilton or Moana, or the rest of the world knew who he was—I had never once imagined myaelf actually attempting to visit Washington Heights, my overall lifelong aversion to New York probably a residual trauma from the last lifetime I had spent in this incarnation—I knew for certain more than once I had lived in this existence—I remembered well Dillon Francis and the lifetimes I had spent with him—and now I wondered exactly which one this one was; I had gotten what I had wanted
“Show me your girlfriend.” I thought, upon waking up from a dream I had spent with him
“I want to see.” I thought loudly, smirking to myself and stepping into the shower, where I often— for some strange reason thought about Dillon Francis.
But this particular morning—I thought about Dillon Francis, his girlfriend, their two dogs, his mother, and my ex husband—the latter of which I cursed silently, mumbling something under my breath about “whatever, fuck it” and wondering if I should spend the evening after working “being Sunnï Blū”, which meant sitting down with a tall can of bud light and chasing it with a Truly or two, sipping on something even fruitier like a Mike's Hard Lemonade and sifting through beats entirely too drunk enough to create any of my own (but just drunk enough to rap something funny and fall asleep sad as fuck….) only to wake, undoubtedly even sadder, very sleepy, and dilapidated—but at least with a rap track worth spinning into my sets, or not—the more I became a DJ the less I actually wanted to be a DJ.
Now I just wanted a husband, a baby—or maybe just two dogs and a Dillon Francis, and I couldn't imagine why or how I had become so twisted up in my overt attraction to the man that it had actually become continually devastating to have to think about him with someone else—and though even from the beginning I knew it could have never been someone like me—I wondered why someone like me even existed, when the type of men I was attracted to always had Kayla Laurens.
Always.
I was learning from everything I was taking in—things I wanted and needed to know. I had only just earlier asked God for “closure with Dillon Francis”, and God had in fact been showing off with a fierceness at how quickly it could work to fulfill my every request, prayer, and wish—and how instantly God acknowledged any of my thoughts, wants, and needs.
“Okay.”
I had never really been up and about so early In New York, but could in no way wrap my mind around a wink of sleep, the strangeness of having been dead-on looming in my chest and wrapping into a sensation of arrogant ritghteouaness—the deep burning hardening into a pungent sting in the confines of my abdomen
“Fuck this”, I muttered, thinking to myself
“I don't want to be a superstar DJ. I want to be a housewife.”
I had used Dillon's Instagram as an EDM Newsfeed—it was the safer bet above anything else, as I knew wandering off into DJ land would produce even more hurtful images of skinny girls prancing around promoting their horrible music—or even worse—pretty boy DJs and their pretty white girlfriends on private jets or backstage at festivals, rubbing noses with the other wealthy socialites my own poor choices had excluded me from being allowed to become; at least I was finally willing to take accountability for just being shitty. It would be embarrassing for a man of such prominence to dip below his social class, especially to one that had already been used, abused, and broken—such as I.
“Get off at 181st”, and take the escalator—“
As it turns out, Lin Manuel was an excellent controller of sorts—or had at least given accurate enough directions, and though there was no actual escalator—at least that I found upon the exit, I felt as if walking up the accessible ramp through the arched tunnel, I was perhaps entering itself the 4th dimension—and though I had learned of the ascended realms and dimensions beyond the 4th, having finally accessed how to fluidly travel between them—or to differentiate one from another as they often crossed and intersected, gliding amongst them, I had been shaking myself loose from being tricked in any way into believing anything I had dreamt up or written would ever be more than what it was—a one-sided blind-eyed attempt at success from the back way in.
It seemed everyone was getting married or already was—even Porter Robinson, which seemed bizarre, as though he was older than me, maybe even by only a little—I still thought of him as so young; then again, most people my age were also married—and here I was, finally divorced and why in the world I wanted so badly to do it all over again—but better. It really was true what had always been said—the first heartbreak being the worst, and that once a woman gets over the father of her children, almost anything goes; I. Oils no longer be worried with whether or not I would be cheated on again, as I probably would l—and it didn't matter. It took 30 years to figure out that society was made by and for cheating males—our responsibility as women learning as best we could to swallow the truth whole; that men craved youthful, tiny women most their lives—and the rest of us, well…
“WHATEVER.”
WHATEVER.
What—
Ever.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
It's weird shopping for sex toys to Miley Cyrus in one ear and deadmau5 in the other.
I don't know how to feel
I definitely don't feel okay.
I'm not okay.
Where the fuck is sunni?
I don't know
Well, call him.
Phone rings
Uh—hello.
Where are you?!
I'm doing meth in your bathroom.
Oh, come on.
[toilet flushes] sunni appears from inside the bathroom
I'm just kidding.
What the fuck, man—
It's just coke.
—Of course.
You want some?
I—no.
Yes you do.
How did you get into my house?
*snifs* With the remote
You stole the remote control out of my car?!
No!
—?!
I duplicated it.
“LIL BITZZZZ”
I guess I'm a few of these dimensions, I'm a stand up comedian.
INT. COMESY CLUB. NIGHT
This probably isn't fair, it
Every time I see a belligerently drunk person,
I think of Skrillex—
Or Sonny.
Whatever.
It is what it is.
Probably not fair,
But every time I see a tiny, angry, drunken man
I'm like:
“Lol, here he comes”
Lol I think that's just his spirit.
“The Spirit of Skrillex”
Lol what kind of fucked up cruise ship is that.
TICKETS ON SALE NOW:
“CLICK.” Done. I'm in VIP. See you there.
Lol
You would think it's like HOLY SHIP or EDSea but it's high key Titanic II
Set sail!
THIS IS ONLY FUNNY TO EDM FANS.
It's probably not even funny to them. Skrillex fans are the equivilant of Taylor Swift fans, but more violent.
You can't say bad shit about Skrillex. He's too respected in the industry.
Why do you think that is.
Idk. Master hypnotist—mass mind control expert. Huge dingaling—you name it.
I'd rather not.
RYAN
SUPACREE!
No—Kaskade! No.
RYAN
ITS NOT KASKADE! It's just me! RYAN!
Hm.
Supacree—
Where's Kaskade?
I don't know!
And why isn't he with you—?
That guy's going to kill me!
I believe that.
I need your help!
Uh— no.
Please!
Hm.
…
…
Ok. Where's Joel?
We don't know.
We?!
DEADMAU5 Enters rapidly.
Jesus Fucking Christ.
Oh, Heavenly Father!
I prefer “neither”.
Deadmau5!
Obviously.
Where's your controller?
…
Well. Where's Skrillex?
SUPACREE
FUCK.
RYAN
Darn it.
#ALTEREGOS
L E G E N D S
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
It's him again.
Oh, it's you again.
Yeah. And I wore long socks just so you could suck my dick in them!
Woah!
Below the belt.
Hold up! What!
If I ever sucked your dick I'd roll those ugly motherfuckera right off, you weird sonofabitch.
Mixes for my exes
-Complications.
The ‘-complications.' mixtape compilation series which focuses its internal monologue on the ideology of exploratory existentialism, using simple and classic mixing techniques into smooth transitions which mirror synconocities in time, musical elements, and lyricism to illustrate a vortex of collisions in cosmic omniscience, theming its recurring dominant soundscapes into a singular foundational focal point, and centering its multidimensionality into a gripping pull to return its emphasis on reflecting at checkpoints as if to reiterate a greater hidden meaning; the highs and lows of falling in love, it's consequences, long days and nights, missed connections, lost and unrequited love—capturing overall the rock and roll darkness of the neo-moden dance music scene—moving about from world to world—night after night, song after song—bodies on bodies and the escapism of rave and dance floor culture, connected through the pulsating and throbbing heartbeats bridged by light waves, and spread across neon skies across the globe.
Featuring dearly beloved hit and dance classics alike from global and legendary super-artists and masters of the dance floor, deadmau5, Kaskade, kx5, Skrillex, Fred Again.., Claptone, and more—featuring new music by and mixed with heart & soul by underground swamp creature and ancient rave God ‘- Ū.' as she explores the outer realms of dance music pre-and-post existence in the guttural haze of the afterlife.
ENTER THE MULTIVERSE
Ain't no complications, baby
Make a pact,
A family, then
Abandon that for
Half an hour;
That's just grand
You stranded Lonnie Anne
How can you
Call yourself a
Man?
You can't, now
Can you, Dad?
The other batch
Of crack was
Just a task;
The plan was hatched
They traveled back
into the past
To find the answers,
Asked the questions
Half the planet
Dreamed and danced to—
What was that?
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Bitch you mad?
Mad at what?
I'm still making money;
I don't give a fuck
Get my bag;
Count it up
I'm a dog—
And you know I like it rough
(Ruff ruff ruff)
Where you from?
Where you hood at?
Keep it clsssy
But I'm acting like a hood rat
I'm a playa
I got boss racks
Call me north
Cause I'm pointed where the moss at
(Money)
I am from Los Angeles
I got all these fans and stuff
I smoke on dat tangle
I be at PINK buying bras n stuff
I still shop at hollister
The Bronx ain't got no Rosses
Or hot topics
But I bought this floss
To drop it like a thot n stuff
Bitch you mad?
Mad at what?
I'm still making money;
I don't give a fuck
Get my bag;
Count it up
I'm a dog—
And you know I like it rough
(Ruff ruff ruff)
I show up
Play some ratchet music
I show up
Play some ratchet music.
In the booth I'm eating waffles.
Had to force quit my serato
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
You make me feel out of my body;
You make me feel out of my mind—
You make me feel out of this world
I feel like we've run out of time
It does get worse, you know.
What is WORSE.
The fame.
Whatever that means.
It means, at some point, the money doesn't matter.
It does matter. Cause at the end of the day you can lock yourself into a nice shiny box with nobody else to fuck you over.
But it's still a box.
Yeah, your box.
I stay offline
Fuck these motherfuckers
My time is my time
So look how filthy rich I am
Suddenly, I was constantly surrounded by toxic masculinity—starting with Luke and culminating into an all out horrible revelation—the cost of being a female, surrounded by bad weaves, fake eyelashes, and acrylic nails, the hundreds of thousands of dollars women—especially women of color, impacted by white supremacy to the extreme of buying straightened hair, hiding the locks and curls of nature, because it was presumed ugly by the man-ruled society
I popped into the stop and shop
Like put your arms up,
It's a robbery
But all I wanted was some gum
And a safe deposit box to put it in!
What?
We all make bad decisions
Bad choices
But I haven't thought bad about you just yet
Even if you're just like them
You're just like them
Music with no words,
So I can't be reminded of the hurt
And how worthless I am
And how I don't deserve you
Just tunes with no lyrics, for me, please
It's easier to listen to nothing
Than to listen to “she”
And she needs you
More than I do
Jump off the Eiffel Tower,
Just to remind you
That I fly higher next lifetime,
My idol
Don't practice idolatry
I just sit beside you and write
Look up why Lisa Vanser pump is famous
Look up nyc bartending license course/ see if there's a free program
Firefighter trainer
Lol vanderpump rules
Personal trainer cert
Ugh what else can I do for money
Lol
You can have all of em
The Annie's
The Natalie's
The can have anybody's body
But want you temporarily
For the stardom
Or the money,
Then they're off and done with ya
And I'm still wondering what's wrong with me
Cause I always wanted ya
Regardless
You smell like palo santo and shame
So you know where I've been
Deadmau5 audio engineering tricks
Put a gate on the riser
And/or
Pan the risers
I have a billion guilty pleasures
From TMZ to deadmau5
From A-Z
It's getting loud
So let me out—let me out of here
Here's a weird thing that happens.
How come some dudes wait until you fall asleep to have sex with you?
That's weird, right?
Some would call that —
Whatever it's called.
But I call it weird as fuck.
Like—
You're gonna wait until i'm all the way asleep to fuck me?
Why not ask?
—when I'm conscious!
Obviously if I'm falling asleep around you, we probably spent the entire day together or whatever- now I'm tired, I want to go to sleep.
We can't exactly call that the “r” word.
Well, it is retarded.
But the other r-word nobody likes.
We can't exactly call it that, can we? Cause it's like
Maybe I wanted to have sex-
Before I went to sleep.
But now I'm asleep!
Unless we're like actually in a relationship don't do that shit to me!
I'm asleep now! Wtf.
If you're my husband or my actual boyfriend or whatever, sure.
Then it's hot.
But if it's like the first date, or we're just hanging out or cuddling or whatever—
Don't wait until I'm literally asleep,
And then jump on top of me.
No. You fuckin creeper. That is weird.
Can't call it rape though—
Cause then rapists get mad.
And nobody likes when rapists get mad.
They won't rape you.
They'll just raise the cost of living and call it inflation.
Hm.
They'll just—
Pass a new law that makes your life harder and call it “freedom” and “justice”
Lol.
Shhh. Shut up.
I'm not worried about anyone trying to kill me
I'm a black woman.
Everyone hates us.
Even US.
Other black women are so fucked up to black women.
Nobody's going to kill me.
I'm already dead.
Residual Skrillex-
The Skrillex leftover in your head after listening to Skrillex
Man, what the fuck day is it?
Right.
Does it matter?
Nah. Nothing matter.s.
Like, at all?
Like. At all.
I had never had such horrible baby fever in my life—even trying for my son, but perhaps it was because at least then I knew I could always have one. Now, divorced and without much direction at all of how to pull myself up from the bootstraps, even though somehow micraculously I had been given the opportunity
I'd rather lemon than lavender;
I'd rather be in here than out of here
Life's Been Weird.
I've been off the map since I got here.
Where's here?
Between somewhere and nowhere's
Right between aomething and nothing.
But if nothing is the opposite of something—
What's the opposite of everything.
Couldn't be “anything”
Anything is all of it.
All of it is everything.
So, what's the opposite of Everything?
Calculating…
I've been off the map for days
Not totally off the grid;
There can't be such a thing these days.
Especially in New York City
The Big Apple
Here's the thing about an apple so big—
Some parts are rotten.
To the core?
Maybe not.
But here's something:
V.O. GOD:
Hold that thought.
BUS DRIVER
LAST STOP!
A spell starts working the moment you decide to do it—
Much in the same sense, a book can be considered read if you've already decided to read it.
It was was more than just a dream,
I fiend, I fall for you
I come to grieve,
Believe me,
Evil seeks no need—
No things, no bleeding;
Clean;
Decline to eat
And cease to be,
At least a week
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Captain.
Fuck! For what?
Well, duty calls.
Where have you been.
“Away.”
For how long?!
“Forever.”
Ugh.
Well.
[beat]
See you never.
CAPTAIN.
WHAT.
I have news.
Where's my coffee.
Here.
[Hands off coffee.]
This is cold.
Well, it's old.
How old exactly.
[shrugs]
About—100 years.
[sips coffee again]
This is awful.
—but not instant.
Here's to that.
[sips coffee again]
Ugh.
[beat]
…
…
Ugh.
Yeah.
—the morning report.
It's 3:40 in the afternoon—
—ahh—
Sir.
Mmhmm.
The captain of the bampheramphs, whether male or female, is always called “Sir.”
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Never felt so alone1-
But got God on my shoulder
She's got art on her;
Better send him packing.
I'm not asking you for a favor
I'm not asking for anything l l
Call it a theatre or maybe insanity
Cathedral or sanctuary, actually
Maybe I'll finally be happy l l l
Be between the lines
Can't imagine what I'd find in you.
Cover my eyes
Is it over yet
Calling me out
Or I'm over it
Under the Sun but another one,
Wonderful world is unconscious
The come up from nothin is morally deceptive
Almost loveless, unless God exists
Unless I'm God again
—wait, who is this
Houdini?
Another stream of conciousness.
Another scream,
Another seemingly endless dream
Or nightmare, of circumstances if
Circles dance in corner's
The coroner's report read: m m m
A chain reaction,
A form fitting fortress that falls apart, marginally
I can't imagine anything I haven't like let seen
I stand corrected;
God bless your blue eyed girlfriend;
As if God already hadn't
Having fun yet?
Never have an never did
And I couldn't never wish on falling stars,
Cause I don't believe in them,
A symptom of a syndrome,
Paliondrome, a solar plexus
Another social deficit—
‘At least he's not in special Ed'
An inspiration
On your mark,
And on my honor
I'm still partially retarded
But you started it, God
What an awful deposit
I wanted just to sit on the crosswalk
And not exist
Aww, don't cry Kelly— mmm—
I gawked at what I thought was a fararri.
But it's not, it's a Porsche
And I still want it —m m —
What if all I want was
All that you were born with
And all I ever worked for was
Something that just happened
What a trip
What inequality is
Tranquility, nah fuck it
Born and bred Brooklyn,
And stopping on Sutphin,
Taking to Satan
Crushing his cigarette
Yes, I remember
I'll always remember
The infinite immigrants
Multiple languages
And how I hate
Cause I just speak English and Spanish
And music
But I'm still homeless and lonely and gross
But I'm focused on fitness
WTT is this dude wearing
A Muscle shirt
Uh huh
With no muscles
Okay
Some— what are those—
Dry fit swimming trunks
Lol
And—
Oh shit! With matching crocs!
HAHA.
Even the socks match!
He is luxury.
For certain.
Take it easy;
I'm up in a tree—
But you can't see me
If it don't make money;
Then the can't make time
Fuck Brooklyn
Too many white girls
I should stay out in queens;
Where everybody is a nigger like me—
And iMm only getting bigger by the minute, man mi asked to be the King,
Chowing down on a pizza
Like fuck it
Nobody loves me,
I'll probably be mean for the rest of my life
If she looks at me one more time all spiteful
I'mma die tonight
—but at least I'll die an idol
Or icon
Come on, God—
Why you follow me
Looking like a blonde
And I'm just a hippopotamus
Never woulda thought of this
If I didn't have my heart
In the bottom of my pocket
Next to pocketbook,
I keep instead of wallet,
Full of business cards
Just another day at the office
Demoted from Equinox,
—but all the dollars go to the number one
Anyway
“Don't get hit by a bus”
That's all that God told me.
Before she ran off
It was the strangest and quietest subway ride of all time—even more strange and more quiet than usual; like a silent movie, the entire world seemed muted, and thought I had my headphones tightly over my ears, nothing played and nothing would, at least for the moment; it was
Put your hands around my neck —.
I'll sign all the proper paperwork;
This is my consent,
Consignment, or resentment—
Never would have guessed
For a pleasure better than this.
Cross it off my wishlist
Sealed it with a kiss,
I might remember to forget
If you forgive
Me
Hunger with a pitchfork
I love to love New York
I was a big fish in a little pond before
Get the picture;
Now I'm a dolphin getting bigger
Better yet a shark
It's better after dark
I love you harder in the car—
Be careful,
(((Fear)))
Why'd you have to be a star?
Why'd you write love on your arms?
Are you a martyr
Here it is again,
The infinite sadness
Rush hour— Manhattan
And I never had it
So trapped in my mind;
Rewind just to find
The cue point
It's you right?
Cupid, or Balcazar,
Whatever you are
Whatever I was
Whatever
Here it goes again
The automatic writing
The undercover cops
In New York
Are up to something
What is it
I'm having a really hard day;
I'm having a really hard time
I'm having a really hard time—
Yeah, I've lived a really long life
Sometimes the truth is just.lies,
Sometimes, I can't close my eyes
I'm having a really long day
I'm having a really long life
I wanted to sleep early and rise closer to dawn, to of course get the most out of my day and make up for the one I had lost, wandering around hungrier than usual, dehydrated, and spinning round, wound up and feeling more than anxious, not quite manic as I was wholeheartedly drained, but still off—and undoubtedly the reason why had to of course have been my surroundings—I wasn't entirely yet a product of my environment, but on my way to it; it had been 17 days of disgusting toilets, cold and shivering nights dressed in layers and covered in blankets, but still cold enough near the window that my nose was always cold, unless I suffocated myself covering my face; everything was dirty, everyone was sick and tired, and the misery of homelessness had settled in long enough now that I couldn't care any less about myself
‘Are you capable of keeping this nation's secrets?'
‘Probably—but I wouldn't want to.'
Deathwish>< Secret President
I beg your pardon?
You already know enough of them that you should be dead by now.
So what's your excuse for keeping me around?
You realize you're just a front-man for all this crazy shit we do around here?
I—don't care.
Are you drunk?
No, I'm unconscious
Living in this multidimensionality had allowed me to continue writing in such a way that everything I did and said held it's purpose, even if it was uncomfortable or terrible—not that I was exempt from suffering a guilty conscience, as I had still been raised with a sense of good and bad and right and wrong, and even upon understanding that these are just contrucfs, the bitter truth of the matter was that I, or any man, could only truly be trusted with the well-being of one's self and one's own interests, which might as well have been the best interests of this nation, my own stolen country —the American way had always been to escape oppression, only to run elsewhere and take what was needed to ensure one's own freedom; ‘so what of the spirits of the indegenous, then', whose blood continued to run through me no matter how cold or relentless.
It's a trap.
It's all a trap.
I had been crucified in a number of ways, triggered, kept awake, left out in the cold, toyed with and trapped, psychologically terrori
Now I'm confused
(I'm so confused)
Now I'm confused
I'm so-confused
Now I'm confused
(I'm so cofused)
Now I'm
“I'm so —
What the ruck am I looking at right now?
Uhhh…..
What are you doing?
I don't know
I'm so confused
I'm still confused
I'm confused
8'm still confused
IMm so confused—
I'm still confused
Well. If you wanna come back for your shot, I'll be here.
What are you doing.
Can you not
LOOK
I'm just so sick of myself
I'm just so tired of this world
I don't wanna wake up no more
No money, no problem
More money, more problems
Promise
Got a soul full of woes
Got no eyes on the prize
Got no home
And no hope for the world
Gotta go on
Still got my feet on the floor
Gotta go on
Still got no road to the coast
Gotta go on
I guess I'm still a ghost
Gotta go on
I got no love left no more
Gotta go on
Jesus Christ and all the sauce.
ALL THE SAUCE.
Not all the sauce.
I want ALL OF IT.
Lol he's like foaming at the mouth, right?
I—
Check it out.
I told you the government could time travelZ.
What. So they used Skrillex to —
To do what.
UNCLE SAM
I WANT YOU—
ALL OF IT.
UNCLE SAM
—
what. What does Uncle Sam want?
Idk. The charges dropped? Idk.
If he thinks you're lying—he's lying
If he thinks you're cheating—he's cheating
If he thinks that you're leaving—he's thinking of leaving
If he thinks that you need him; he probably needs you
If it feels like you're dreaming, you're probably dreaming—
If it feels like a fairytale, keep make believing
Too good to be true will always have a meaning
If you think you're his only;
Then there's at least three
There's no loyalty, here
Men don't have no monogamy
Men get fed up with the same thing,
Monotony
Being a man is just making monopolies
No propositions, proposals or probablies
God got you fucked up when you're ugly
God got you fucked up for the fun of it
God might make promises,
But it's no wonder,
There's love in her eyes
But there's nothing left under
No wonder.
No wonder
No wonder
No love left
No love left
No love left
No love left
No wonder
All out of water and oneness
All out of reasons to smile
All out out running the mile
And thinking you add up to something g
No wonder
No wonder
No wonder the world's out of water
No wonder
No trophies for breaking the cycle
Unless you become one
And still, you end up in the cycle
Unlikely you'll find the one
You might as well just go back
To the one that owns you
Who's dragging your son through the mud
Yeah
But he's crying for you
No wonder
No wonder
No wonder the worlds out of water
No uncle, no aunt, and no cousins to clothe you or house you
You might have a mountain, if you could just tell the whole world that you come from here
No hope for the humans
No wonder no water was left here
The ocean was rust and the tides had subsided
The water receded
And LA was left on her own
I don't owe an explanation for this insanity
I haven't had a man in a million galaxies
It's not that bad,
Now I dress all in black
Take it back for the countryman
Nobody loves me, man.
I'm just alone and befuddled,
I wanted to love,, but—
Somebody's coughing and keeping this contract of nothing and loveless and homeless;
And there's where I've been, man
How's Paris?
I should be embarrassed,
But really I'm just regressing again,
Depressed as I've ever been,
But taking a lesson in mischievous methods
And Devious determination to get back to LA
and say
“I finally made it”,
And get my makeup on,
And my hair fixed,
And pay off my high rise apartment
Where the AC ain't on, cause
I like it hotter than heaven
Cause Hell is a cold ass, lonely
Soapless, hopeless, homeless shelter
Where nobody loves you
And nobody calls you on your birthdays anyway
So you moved it to August
Cause you'll never see Skrillex or Jimmy Fallon in person,
But for some reason,
You think of them
Fondly.
—For Whatever Reason.
Fuck this.
Somebody's onto me;
Wrote a letter to God,
But God's not answering
Trust me,
You don't want this ugly thing
Under you
Don't offer me a house key
If you give a mouse a cookie;
You probably outta poison it
Oh!
In a world of smoke and mirrors
Everything gets clearer, clearer
He really is rare though,
Really— a limited edition
Genius, Edison
You don't deserve him
I don't want to be the president,
Don't want to be the President
Hey,
Oh!
It's still hell here;
I'll never be perfect
Can starve, but won't be there
Woah!
It's trauma every night
And
Drama every morning
This is not a warning
It's a lesson that you're learning
And a song that you're writing;
You can't write this wrong, no—
You don't belong in this world,
So get off it
Oh,
Woah,
I don't do this often
But I just don't want to go home,
That's just loveless
Ten broken marriages,
Coffins and caskets
And lions and scarecrows—
He won't take me back for this basket
I don't wear a bonnet
I'm done being honest!
It doesn't get you ahead in this
Better off dead and
I'm still just a nigger—
I've always been lost;
But I've already been here
I've already been here
Caught it on camera, eh
Undercover tape recording
Never in the locker room,
But never in my own roomX either
I'm just another one of those
Broken,
Homeless
I don't want to
I don't want to
Want to be the President
YOU CONTROL THE POLICE—
—I RUN THE AMBULANXE,
BITCH,
I RUN THE AMBULANCE
BITCH,
I RUN THE AMBULANCE
Fuxk a phantom
Fuck your Grammy's mammogram
Fuxk you ambivolance and nonchalance
You're just the ops,
I run the ambulance!
I just saw
Johnny wirh the two dogs,
At the shop and shop
Pop-pop,
This ain't no pop-up,
lol
My whole surfboard is taller
This is what you want
This is
This is what you want
This is what you want
This is
This is what you want
This is what you want
This is
This is what you want
This is what you want
This is
This is what you
Don't waste your time
Asking for adderall
They don't want help for you—
MedicicineMa meant to destroy you
All the black skin
In the streets
In the shelters
On the trains and
On the busses
The niggers on seroquel
They will not help you
They want to kill you
Don't take the medicine
If you have black skin
They will not help you
They want to kill you
Adderal, xanex;
It might be addictive—
But those with blue eyes
Are the only ones who get
—they don't even need it
They turn around and sell it
If you have black skin;
They'll give you seoquel
They want to kill you;
You'll think you're all better
But you're out in the streets, in the gutter
Talking to yourself
Pissing on yourself
Scratching off your black skin-
All because you're colored!
If you look like Elohim,
Go ahead, take the medicine;
Yes, you'll feel better;
You'll get to work with Skrillex
They'll give you an amphetamine,
So you feel less pathetic
Finish projects,
Transcendence
Don't take the medicine
If you have black skin
They will not help you
They want to kill you
But if you've got black skin
You're only a nigger/**trigger to them
Take the medicine
To kill you faster
Kill you faster
Finally an ever after
That makes sense to you bastards
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
[CC launches a ficus across the room, narrowly missing D,
J, shattering against the wall
The neighbors in the apartment next door can be heard muffled through the wall.
What the fuck was that?!
AGAIN?!
They're going to kill each other.
DJ
—I think you should go.
CC
I think you should go!
DJ
It's my apartment.
CC
Yeah, but I live here.
DJ
With me.
CC
Well, fuck you.
DJ
[staring at the shattered ficus vase and heap of miracle grow]
Ugh.
[CC hurls a small carry on suitcase in his direction]
CC
BYE-BYE DJ.
DJ
WHERE AM I SUPPOSED TO GO?!
CC
—To your parents.
DJ
They're outta town!
CC
Go with them!
[CC locks herself into the master bedroom; DJ deflatedly shuts off the lights and attempts to curl up on the couch—which explodes]
DJ
YOU PUT A BOMB IN THE COUCH.
CC
It's remote controlled.
DJ leave the apartment and walks down the street, still smoldering and dripping fire extinguisher foam; he arrives at his parents house to find that they have removed the spare key from under the mat, having replaced it with a note that reads “stop coming over uninvited.” He then opts to climb through the most acceible window, two stories up—and after a couple extremely unsuccessful attempts, finally managed to get through the window—his father emerges from the closet dressed as Superman
DJ?! What are you doing here?!
Me and CC got into a fight.
What did you do this time?!
What did I do?!
It's always your fault.
Why do you always take her side?!
Because— you're an idiot!
Yeah, thanks dad.
Goddammit, Dillon. Why are you here?!
Why are YOU here!? You're supposed to be out of town!
THAT'S none of your business!
And why are you dressed like Superman.
Shhh! Lower your voice.
And where's Mom?!?
SUPERMAN! SUPERMAN!
[DJs mom wearing a terrible wig and strange lingerie costume comes running into the kitchen over dramatically—she sees DJ and stops short]
SUPER—DILLON!? What are you doing here?!
I'm staying over!
No you are not!
[A large masked black man with his arms out playfully runs into the room—stopping and standing up straight as he approaches the family, staring in an awkward silence]
Who is THIS?!
…
OH MY GOD! MOM!
—well, we weren't expecting you!
WHAT THE FUCK, DAD.
—we told you to stop coming over uninvited!
YOU WERE SUPPOSED TO BE “OUT OF TOWN”.
How did you even get in here?!
THROUGH THE WINDOW—HOW DID YOU NOT SEE ME?!
We did see you!
We just thought you were our friend!
What—your “friend?!” WHAT?!
[ A man enters through the window dressed as a robber]
Oh—hey—I, uh—thought it was just the three of us.
It was supposed to be—
This is our son, Dillon; he had a fight with his girlfriend.
So—will he be joining us, or—?
OH MY GOD! NO! GROSS.
DJ, you're 40 years old.
I'm 35!
So grow up!
—so is this—party over— or
Should we reachedule?
NO
No—we'll just.
[wagging her finger] Dillon, Go to your room and do not come out and I don't want to hear a peep from you — not a peep; do you understand.
…yes.
Good! Now go.
DJ trails up the stairs bewildered, still covered in ash and with tears in his eyes.
DJ sits in his old bedroom attempting to drown out the sounds of his parents' weird shenanigans, crying softly to himself.
Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
I'm having a really hard day;
I'm having a really hard time
I'm having a really hard time—
Yeah, I've lived a really long life
Sometimes the truth is just.lies,
Sometimes, I can't close my eyes
I'm having a really long day
I'm having a really long life
I wanted to sleep early and rise closer to dawn, to of course get the most out of my day and make up for the one I had lost, wandering around hungrier than usual, dehydrated, and spinning round, wound up and feeling more than anxious, not quite manic as I was wholeheartedly drained, but still off—and undoubtedly the reason why had to of course have been my surroundings—I wasn't entirely yet a product of my environment, but on my way to it; it had been 17 days of disgusting toilets, cold and shivering nights dressed in layers and covered in blankets, but still cold enough near the window that my nose was always cold, unless I suffocated myself covering my face; everything was dirty, everyone was sick and tired, and the misery of homelessness had settled in long enough now that I couldn't care any less about myself
‘Are you capable of keeping this nation's secrets?'
‘Probably—but I wouldn't want to.'
Deathwish>< Secret President
I beg your pardon?
You already know enough of them that you should be dead by now.
So what's your excuse for keeping me around?
You realize you're just a front-man for all this crazy shit we do around here?
I—don't care.
Are you drunk?
No, I'm unconscious
Living in this multidimensionality had allowed me to continue writing in such a way that everything I did and said held it's purpose, even if it was uncomfortable or terrible—not that I was exempt from suffering a guilty conscience, as I had still been raised with a sense of good and bad and right and wrong, and even upon understanding that these are just contrucfs, the bitter truth of the matter was that I, or any man, could only truly be trusted with the well-being of one's self and one's own interests, which might as well have been the best interests of this nation, my own stolen country —the American way had always been to escape oppression, only to run elsewhere and take what was needed to ensure one's own freedom; ‘so what of the spirits of the indegenous, then', whose blood continued to run through me no matter how cold or relentless.
It's a trap.
It's all a trap.
I had been crucified in a number of ways, triggered, kept awake, left out in the cold, toyed with and trapped, psychologically terrori
Now I'm confused
(I'm so confused)
Now I'm confused
I'm so-confused
Now I'm confused
(I'm so cofused)
Now I'm
“I'm so —
What the ruck am I looking at right now?
Uhhh…..
What are you doing?
I don't know
I'm so confused
I'm still confused
I'm confused
8'm still confused
IMm so confused—
I'm still confused
Well. If you wanna come back for your shot, I'll be here.
What are you doing.
Can you not
LOOK
I'm just so sick of myself
I'm just so tired of this world
I don't wanna wake up no more
No money, no problem
More money, more problems
Promise
Got a soul full of woes
Got no eyes on the prize
Got no home
And no hope for the world
Gotta go on
Still got my feet on the floor
Gotta go on
Still got no road to the coast
Gotta go on
I guess I'm still a ghost
Gotta go on
I got no love left no more
Gotta go on
Jesus Christ and all the sauce.
ALL THE SAUCE.
Not all the sauce.
I want ALL OF IT.
Lol he's like foaming at the mouth, right?
I—
Check it out.
I told you the government could time travelZ.
What. So they used Skrillex to —
To do what.
UNCLE SAM
I WANT YOU—
ALL OF IT.
UNCLE SAM
—
what. What does Uncle Sam want?
Idk. The charges dropped? Idk.
If he thinks you're lying—he's lying
If he thinks you're cheating—he's cheating
If he thinks that you're leaving—he's thinking of leaving
If he thinks that you need him; he probably needs you
If it feels like you're dreaming, you're probably dreaming—
If it feels like a fairytale, keep make believing
Too good to be true will always have a meaning
If you think you're his only;
Then there's at least three
There's no loyalty, here
Men don't have no monogamy
Men get fed up with the same thing,
Monotony
Being a man is just making monopolies
No propositions, proposals or probablies
God got you fucked up when you're ugly
God got you fucked up for the fun of it
God might make promises,
But it's no wonder,
There's love in her eyes
But there's nothing left under
No wonder.
No wonder
No wonder
No love left
No love left
No love left
No love left
No wonder
All out of water and oneness
All out of reasons to smile
All out out running the mile
And thinking you add up to something g
No wonder
No wonder
No wonder the world's out of water
No wonder
No trophies for breaking the cycle
Unless you become one
And still, you end up in the cycle
Unlikely you'll find the one
You might as well just go back
To the one that owns you
Who's dragging your son through the mud
Yeah
But he's crying for you
No wonder
No wonder
No wonder the worlds out of water
No uncle, no aunt, and no cousins to clothe you or house you
You might have a mountain, if you could just tell the whole world that you come from here
No hope for the humans
No wonder no water was left here
The ocean was rust and the tides had subsided
The water receded
And LA was left on her own
I don't owe an explanation for this insanity
I haven't had a man in a million galaxies
It's not that bad,
Now I dress all in black
Take it back for the countryman
Nobody loves me, man.
I'm just alone and befuddled,
I wanted to love,, but—
Somebody's coughing and keeping this contract of nothing and loveless and homeless;
And there's where I've been, man
How's Paris?
I should be embarrassed,
But really I'm just regressing again,
Depressed as I've ever been,
But taking a lesson in mischievous methods
And Devious determination to get back to LA
and say
“I finally made it”,
And get my makeup on,
And my hair fixed,
And pay off my high rise apartment
Where the AC ain't on, cause
I like it hotter than heaven
Cause Hell is a cold ass, lonely
Soapless, hopeless, homeless shelter
Where nobody loves you
And nobody calls you on your birthdays anyway
So you moved it to August
Cause you'll never see Skrillex or Jimmy Fallon in person,
But for some reason,
You think of them
Fondly.
—For Whatever Reason.
Fuck this.
Somebody's onto me;
Wrote a letter to God,
But God's not answering
Trust me,
You don't want this ugly thing
Under you
Don't offer me a house key
If you give a mouse a cookie;
You probably outta poison it
Oh!
In a world of smoke and mirrors
Everything gets clearer, clearer
He really is rare though,
Really— a limited edition
Genius, Edison
You don't deserve him
I don't want to be the president,
Don't want to be the President
Hey,
Oh!
It's still hell here;
I'll never be perfect
Can starve, but won't be there
Woah!
It's trauma every night
And
Drama every morning
This is not a warning
It's a lesson that you're learning
And a song that you're writing;
You can't write this wrong, no—
You don't belong in this world,
So get off it
Oh,
Woah,
I don't do this often
But I just don't want to go home,
That's just loveless
Ten broken marriages,
Coffins and caskets
And lions and scarecrows—
He won't take me back for this basket
I don't wear a bonnet
I'm done being honest!
It doesn't get you ahead in this
Better off dead and
I'm still just a nigger—
I've always been lost;
But I've already been here
I've already been here
Caught it on camera, eh
Undercover tape recording
Never in the locker room,
But never in my own roomX either
I'm just another one of those
Broken,
Homeless
I don't want to
I don't want to
Want to be the President
YOU CONTROL THE POLICE—
—I RUN THE AMBULANXE,
BITCH,
I RUN THE AMBULANCE
BITCH,
I RUN THE AMBULANCE
Fuxk a phantom
Fuck your Grammy's mammogram
Fuxk you ambivolance and nonchalance
You're just the ops,
I run the ambulance!
I just saw
Johnny wirh the two dogs,
At the shop and shop
Pop-pop,
This ain't no pop-up,
lol
My whole surfboard is taller
This is what you want
This is
This is what you want
This is what you want
This is
This is what you want
This is what you want
This is
This is what you want
This is what you want
This is
This is what you
Don't waste your time
Asking for adderall
They don't want help for you—
MedicicineMa meant to destroy you
All the black skin
In the streets
In the shelters
On the trains and
On the busses
The niggers on seroquel
They will not help you
They want to kill you
Don't take the medicine
If you have black skin
They will not help you
They want to kill you
Adderal, xanex;
It might be addictive—
But those with blue eyes
Are the only ones who get
—they don't even need it
They turn around and sell it
If you have black skin;
They'll give you seoquel
They want to kill you;
You'll think you're all better
But you're out in the streets, in the gutter
Talking to yourself
Pissing on yourself
Scratching off your black skin-
All because you're colored!
If you look like Elohim,
Go ahead, take the medicine;
Yes, you'll feel better;
You'll get to work with Skrillex
They'll give you an amphetamine,
So you feel less pathetic
Finish projects,
Transcendence
Don't take the medicine
If you have black skin
They will not help you
They want to kill you
But if you've got black skin
You're only a nigger/**trigger to them
Take the medicine
To kill you faster
Kill you faster
Finally an ever after
That makes sense to you bastards
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.