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Tom hates metafiction. Mike tries to get him to love it, or at least appreciate it, using John Barth's 1996 collection On With the Story, linked stories that play a number of narrative games and call attention to how stories work, and how we expect them to work. We also talk about about the false dichotomy of sad stories vs happy stories, and why Tom's students want him to cheer the hell up.
By Mike Ingram and Tom McAllister4.4
267267 ratings
Tom hates metafiction. Mike tries to get him to love it, or at least appreciate it, using John Barth's 1996 collection On With the Story, linked stories that play a number of narrative games and call attention to how stories work, and how we expect them to work. We also talk about about the false dichotomy of sad stories vs happy stories, and why Tom's students want him to cheer the hell up.

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