It's that time of year again: our annual holiday episode, where we invite several members of the Barrelhouse editorial team to read and discuss a very sexy holiday-themed novel. This year's book is SKRUJ: Holidate with an Alien, by bestselling author Honey Phillips. The book is a retelling, of a sort, of the Dickens Christmas classic, but starring a grumpy alien man with a weird (and gigantic) penis, and his human lover.

Our guests this year include: Chris Gonzalez, Becky Barnard, Dave Housley, Erin Fitzgerald, and first-timer Christina Beasley. Plus our regular hosts, Mike Ingram and Tom McAllister.

Note: This will be the last episode of the podcast on the regular feed for a spell, while we work on our next season. But we'll continue to post new episodes for our Patreon subscribers: for $5/month, you can get those episodes, plus access to our entire back catalog. https://www.patreon.com/c/bookfight

Thanks for listening, and happy holidays!

We wrap up our noir season with one final episode, this one discussing the 1963 Peter Sellers movie The Pink Panther, and the series more generally, which spoofed many of the tropes of the noir/detective genres. We also look back at the season--what we learned from diving into the noir genre, and our favorite books.

If you like this episode, we've been doing an entire series on noir films over on our Patreon, which you can access for just $5/month. We'll also keep posting episodes over there in the new year, leading up to our next season of regular episodes: https://www.patreon.com/c/BookFight

Thanks for listening!

We welcome Nadira Goffe (culture writer for Slate) to talk about a Black, Southern noir from S.A. Cosby. We learn about Nadira's love of the Fast and the Furious franchise, her fear of actual driving, and her mixed feelings about an over-the-top metaphor. Plus: Mike gets pedantic about dialogue tags, and Tom realizes there's a limit to how many car-chase sequences he's willing to read in a novel. Vroom vroom!

Note: this is the eighth (and final) episode in our noir-themed season, but there's no reason you need to listen to the episodes in order.

If you're enjoying the podcast, and want to help support it (while getting yourself some sweet, sweet bonus content) please consider subscribing to our Patreon. For $5 a month you get two monthly episodes, which could also help tide you over until our next season: https://www.patreon.com/c/BookFight

As always, thanks for listening!

We welcome back best-selling crime novelist Tod Goldberg to talk about one of his favorite books, by one of his favorite authors. Daniel Woodrell's 2006 novel was the basis for the 2012 film of the same name, which netted Jennifer Lawrence an Oscar nomination at the age of 20. The movie is a pretty faithful adaptation of the novel, though the book's musical language and rich detail make it worth a read even for those who've seen the film. 

We talk about the book's fresh take on a familiar story structure--the "hero's quest"--and how it both fits and doesn't within the "crime" genre. We also talk to Tod about his own work, how he develops the plots of his novels, why he no longer gives readings, and lots more. Including our first-ever Book Fight blind item!

You can learn more about Tod, and his many books, at his website: https://todgoldberg.com/

And check out the Hannukah noir anthology he recently edited for Penguin Random House, Eight Very Bad Nights.

Thanks for listening!

We're joined by novelist and high-school music teacher Daniel DiFranco (Panic Years, Devil on My Trail) to discuss the Margaret Millar novel Do Evil in Return, a staple of the noir genre. We talk about the line between serious and campy, how to move plot forward in a novel, and the difficulty of endings. 

For more about our guest, including where to find his books, check out his website: http://www.danieldifranco.com/

If you like our podcast, and would like more of it in your life, $5 gets you a couple bonus episodes each month plus access to our huge backlog of bonus content: https://www.patreon.com/c/BookFight

Thanks for listening!

Note: This episode is part of our ongoing season on noir novels, but you don't need to listen to the episodes in order, and you don't need to read the books to enjoy the discussion.

We welcome Joanna Pearson (author, most recently, of Bright and Tender Dark), who makes the case that we should put Mary Gaitskill's short stories in the "noir" category--or at least mark them as noir-adjacent. We discuss two specific Gaitskill stories, "The Other Place" and "The Girl on the Plane," as well as the particular darkness of the Gaitskill universe.

We also talk with Joanna about readers' expectations for genre books, and what it's been like to have her own novel placed in various genre boxes. Plus: what's the right way to organize one's bookshelves?

To learn more about Joanna, and her work, visit her website: https://www.joanna-pearson.com/

If you like the podcast, and would like more of it in your life, subscribe to our Patreon ($5) to get two bonus episodes each month: https://www.patreon.com/c/BookFight

Thanks for listening!

We're joined by Steph Cha (author of Your House Will Pay) to talk about a famous California hardboiled novel none of us had ever read. What will it took us about tramps, insurance fraud, and the relative difficulty of staging a fake car-related murder? And what's the deal with that postman, with his infernal ringing? 

Steph, who has written several acclaimed crime novels herself, helps us to understand the genre we're exploring this season, and its evolution over time. 

To learn more about our guest, and her work, check out her website: http://stephcha.com/

If you like our podcast, and would like to help support it--plus get access to two bonus episodes every month--check out our Patreon: https://www.patreon.com/c/BookFight

Thanks for listening!

(Note: this is the 4th episode in our Noir season, but there's no reason you need to listen to them in order. Also, you don't need to read the book to enjoy the show.)

We're joined by comedian and writer Charlie Demers to discuss a novel that the famous crime writer Donald Westlake finished in the early '80s but which wasn't published until after his death. At the time, he apparently worried that the plot--about a famous comedian kidnapped by a Weather Underground-style group of revolutionaries--was too similar to the Martin Scoresese movie The King of Comedy.

We talk about the book's take on politics and comedy, which may have some echoes in our current cultural moment. And also Charlie's relationship to these characters, since he's a stand-up comedian and someone who's quite active in progressive politics. Plus: beatniks, Bob Hope, the fragmentation of popular culture, and our pitch for a show about a detective with ADHD.

To learn more about Charlie, and follow his work, visit his website: https://www.charliedemers.com/

If you like our podcast, and want to exchange a few bucks for two montly bonus episodes, check out our Patreon: https://www.patreon.com/c/BookFight

Note: This is the 3rd episode in our Noir season, but you don't need to listen to the episodes in order to enjoy them.

The 1947 Dorothy Hughes novel In a Lonely Place is considered a hallmark of the noir genre, and also something of a feminist reimagining of those genre's tropes. We're joined by Isaac Butler (author of The Method: How the 20th Century Learned to Act) to talk about some of the book's narrative tricks, including an unreliable third-person narrator, and how it subverts the genre's "femme fatale" trope, among others. Plus: What made Dorothy Hughes think that 'Brub' was a good name for a character?

In the second half of the show, we learn about Isaac's relationship to Halloween costumes, which Muppet could play a hardboiled cop, and why Isaac thinks he's too old to read Slaughterhoue Five for the first time.

If you like the podcast, consider joining our Patreon. For $5 a month, you get two bonus episodes, plus access to our entire back catalog of bonus content. During our current season, we're watching and discussing noir films, both classics and newer entries to the canon. https://www.patreon.com/c/BookFight

Find Isaac on Instagram: https://www.instagram.com/theisaacbutler/

Or on Blue Sky: https://bsky.app/profile/isaacbutler.bsky.social

You can subscribe to Mike's Substack (for free): https://mikeingram.substack.com/

Anc check out the newly revamped Barrelhouse newsletter, which now features an original monthly essay (writers writing about their non-writing obsessions): https://www.barrelhousemag.com/ (scroll down to the bottom of the page)

Thanks, as always, for listening!

Note: This is the second episode in our Noir season. But there's no reason you have to listen to the episodes in order.

We're back! This episode kicks off a new season of the podcast, and this one's all about noir. In our first installment, guest Sarah Weinman (author of Scoundrel, and The Real Lolita) joins us to discuss a Patricia Highsmith novel, The Blunderer, about a rather hapless man who, despite not actually killing his wife, manages to convince nearly everyone that he has.

If you like the show, and want more of it in your life, consider subscribing to our Patreon, where during this season we'll be watching a series of noir and neo-noir films, including Double Indemnity, The Third Man, Blade Runner, and more. Five bucks a month gets you those bonus episodes, plus access to our entire back catalog of bonus material: https://www.patreon.com/c/BookFight

Thanks for listening!