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This week, we're continuing our quest for the best stories to use in a creative writing course, with pieces that incorporate magical elements: "The Healer" by Aimee Bender versus a trio of very short stories by Etgar Keret.
We talk about what the term "magical realism" actually means, and how we introduce it in the classroom. We also discuss ways to open up a fiction class to a diversity of styles and genres while still assuring that students are challenging themselves and trying new things. Plus: Are magicians creeps? And Tom revisits the work of Jim Harrison, mostly out of spite.
If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.
By Mike Ingram and Tom McAllister4.4
267267 ratings
This week, we're continuing our quest for the best stories to use in a creative writing course, with pieces that incorporate magical elements: "The Healer" by Aimee Bender versus a trio of very short stories by Etgar Keret.
We talk about what the term "magical realism" actually means, and how we introduce it in the classroom. We also discuss ways to open up a fiction class to a diversity of styles and genres while still assuring that students are challenging themselves and trying new things. Plus: Are magicians creeps? And Tom revisits the work of Jim Harrison, mostly out of spite.
If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.

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