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Weirdly enough, there were well over a dozen new releases this weekend, even if it a few of them made anything resembling “money” in terms of domestic grosses. Nonetheless, this episode offers a slew of tangents including…
* The comparative cultural rehabilitation of Chris Nolan’s Interstellar, at least in terms of online nitpicking versus critical and real-world approval
* The value of putting old(er) classics back into wide theatrical release
* Why Y2K was DOA
* Bruce Willis’ complicated 2010s filmography
* Our critical complaints with Gladiator II
* Michelle Kisner (and Lisa Laman) raving about The Brutalist
Oh, right, Michelle Kisner, a card-carrying (and founding) member of the Michigan Movie Critics Guild, stopped by as a special guest as Jeremy took the week off. So this week it’s Scott, Lisa and Michelle in a conventionally unconventional episode that somehow found more to talk about in regard to those Johnny English movies than about Moana 2.
By Scott Mendelson4.5
1515 ratings
Weirdly enough, there were well over a dozen new releases this weekend, even if it a few of them made anything resembling “money” in terms of domestic grosses. Nonetheless, this episode offers a slew of tangents including…
* The comparative cultural rehabilitation of Chris Nolan’s Interstellar, at least in terms of online nitpicking versus critical and real-world approval
* The value of putting old(er) classics back into wide theatrical release
* Why Y2K was DOA
* Bruce Willis’ complicated 2010s filmography
* Our critical complaints with Gladiator II
* Michelle Kisner (and Lisa Laman) raving about The Brutalist
Oh, right, Michelle Kisner, a card-carrying (and founding) member of the Michigan Movie Critics Guild, stopped by as a special guest as Jeremy took the week off. So this week it’s Scott, Lisa and Michelle in a conventionally unconventional episode that somehow found more to talk about in regard to those Johnny English movies than about Moana 2.

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