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This week on the Cultures of Energy podcast we do a deep dive into a fascinating project, The Climate Media Net (https://theclimatemedia.net), which seeks to make climate change a bigger part of television comedy and drama in the UK. First, Cymene and Dominic brainstorm their own climate TV ideas. Then (18:45) we’re joined by one of the architects of the Climate Media Net, producer Nick Comer-Calder, formerly of the BBC and Discovery Networks Europe. Nick takes us behind the scenes of television making in the UK and talks about the challenges the issue of climate change poses from the perspective of commissioning programs and project development. Nick explains why he nevertheless feels that climate change represents one of the greatest creative opportunities of our era. We discuss the limitations of the documentary form in terms of changing opinions, the need to create emotional stakes and attachments regarding climate change, and why he thinks turning toward comedies and dramas might be the route forward. He shares the surprising results of his research on how much UK citizens actually know about climate change, his thoughts on bringing climate change into weather forecasts and the reasons why he is generally wary about dystopian narratives. If all this TV talk gets your synapses firing, let us know! It’s time to Trojan horse this whole Golden Age of TV thing :)
4.9
5454 ratings
This week on the Cultures of Energy podcast we do a deep dive into a fascinating project, The Climate Media Net (https://theclimatemedia.net), which seeks to make climate change a bigger part of television comedy and drama in the UK. First, Cymene and Dominic brainstorm their own climate TV ideas. Then (18:45) we’re joined by one of the architects of the Climate Media Net, producer Nick Comer-Calder, formerly of the BBC and Discovery Networks Europe. Nick takes us behind the scenes of television making in the UK and talks about the challenges the issue of climate change poses from the perspective of commissioning programs and project development. Nick explains why he nevertheless feels that climate change represents one of the greatest creative opportunities of our era. We discuss the limitations of the documentary form in terms of changing opinions, the need to create emotional stakes and attachments regarding climate change, and why he thinks turning toward comedies and dramas might be the route forward. He shares the surprising results of his research on how much UK citizens actually know about climate change, his thoughts on bringing climate change into weather forecasts and the reasons why he is generally wary about dystopian narratives. If all this TV talk gets your synapses firing, let us know! It’s time to Trojan horse this whole Golden Age of TV thing :)
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