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Yes, it’s a little odd to spend the majority of our conversation discussing a movie that barely topped $2 million over the Fri-Mon Labor Day box office, but them’s the breaks. After all, when Hollywood’s biggest new release is a 50th anniversary reissue of Jaws, well… we can only salute Weapons so many times.
Anyway, Luke Y. Thompson and Michelle Kisner, both affirmed B-movie experts, offer their thoughts on the extent to which this specific (comparatively kinder and/or gentler) Toxie makes sense in terms of the property and what’s popular in 2025.
Yes, there is some chatter about the shark movie — and how a handful of very successful rereleases tie into a desire for tangible experiences and the kids’ genuine interest in movie theaters *because* it gets them off of their smart phones for 2-3 hours.
We briefly wonder out loud whether Austin Butler is slowly building his brand as an old-school (smaller budgets, fewer expectations, etc.) butts-in-seats leading man, and lightly debate whether The Roses is “thing good” (a remake that isn’t selling itself as a remake) or “thing bad” (still a remake that went out as a Searchlight flick instead of as a 20th Century Studios release).
And, yes, we again note the “Occam’s Razor” notion of the box office being below even last summer (especially for in-season newbies) because there aren’t enough movies and too many of those films are IP-for-IP’s sake revamps aimed at folks my age. When Netflix is getting KPop Demon Hunters and movie theaters are getting This is Spinal Tap II, well, that’s your problem right there.
4.5
1515 ratings
Yes, it’s a little odd to spend the majority of our conversation discussing a movie that barely topped $2 million over the Fri-Mon Labor Day box office, but them’s the breaks. After all, when Hollywood’s biggest new release is a 50th anniversary reissue of Jaws, well… we can only salute Weapons so many times.
Anyway, Luke Y. Thompson and Michelle Kisner, both affirmed B-movie experts, offer their thoughts on the extent to which this specific (comparatively kinder and/or gentler) Toxie makes sense in terms of the property and what’s popular in 2025.
Yes, there is some chatter about the shark movie — and how a handful of very successful rereleases tie into a desire for tangible experiences and the kids’ genuine interest in movie theaters *because* it gets them off of their smart phones for 2-3 hours.
We briefly wonder out loud whether Austin Butler is slowly building his brand as an old-school (smaller budgets, fewer expectations, etc.) butts-in-seats leading man, and lightly debate whether The Roses is “thing good” (a remake that isn’t selling itself as a remake) or “thing bad” (still a remake that went out as a Searchlight flick instead of as a 20th Century Studios release).
And, yes, we again note the “Occam’s Razor” notion of the box office being below even last summer (especially for in-season newbies) because there aren’t enough movies and too many of those films are IP-for-IP’s sake revamps aimed at folks my age. When Netflix is getting KPop Demon Hunters and movie theaters are getting This is Spinal Tap II, well, that’s your problem right there.
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