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Listen to the new album here:
https://modernclassicalx.lnk.to/BachCompleteKeyboardWorksVol4PartitasPtOne
Today I’ve released Volume 4 in my “Complete Keyboard Works” of JSB. This album contains three pieces by the master:
Partita no. 1 in B-flat Major, BWV 825Partita no. 2 in c minor, BWV 826Partita no. 3 in a minor, BWV 827
Bach’s Opus One—the six Partitas of Clavier-Übung I—were first issued individually from 1726, with the complete set published in 1731. Bach pays homage to his Leipzig predecessor, Johann Kuhnau, who established the model in 1689 with his own Neuer Clavier-Übung. Even the title pages show Bach’s awareness of Kuhnau’s legacy:
Here is (an edition based on) the all-interesting source G 25, with its crucial revisions to the 2nd and 3rd partitas. These tempo indications, for example, withheld from publication in the Neue Bach Ausgabe, greatly affect this transitional passage in BWV 826:
Finally, the episode covering the most dramatic revision in this source:
Many thanks to Bonnie Barrett, Aaron Ross, the YASI team in NYC, and Armand Hirsch for their help in this release!
We Rely On Listener Support! How to Donate to this Podcast:
The best way to support this podcast, is to become a paid subscriber at wtfbach.substack.com
More paid subscribers = monthly merchandise giveaways = you in WTF Bach Swag.
You can also make a one-time donation here:
https://www.paypal.me/wtfbach
https://venmo.com/wtfbach
https://cash.app/$wtfbach
Thank you for listening! Thank you for your support.
Reach us at Bach (at) WTFBach (dot com)
By Evan Shinners4.9
5353 ratings
Listen to the new album here:
https://modernclassicalx.lnk.to/BachCompleteKeyboardWorksVol4PartitasPtOne
Today I’ve released Volume 4 in my “Complete Keyboard Works” of JSB. This album contains three pieces by the master:
Partita no. 1 in B-flat Major, BWV 825Partita no. 2 in c minor, BWV 826Partita no. 3 in a minor, BWV 827
Bach’s Opus One—the six Partitas of Clavier-Übung I—were first issued individually from 1726, with the complete set published in 1731. Bach pays homage to his Leipzig predecessor, Johann Kuhnau, who established the model in 1689 with his own Neuer Clavier-Übung. Even the title pages show Bach’s awareness of Kuhnau’s legacy:
Here is (an edition based on) the all-interesting source G 25, with its crucial revisions to the 2nd and 3rd partitas. These tempo indications, for example, withheld from publication in the Neue Bach Ausgabe, greatly affect this transitional passage in BWV 826:
Finally, the episode covering the most dramatic revision in this source:
Many thanks to Bonnie Barrett, Aaron Ross, the YASI team in NYC, and Armand Hirsch for their help in this release!
We Rely On Listener Support! How to Donate to this Podcast:
The best way to support this podcast, is to become a paid subscriber at wtfbach.substack.com
More paid subscribers = monthly merchandise giveaways = you in WTF Bach Swag.
You can also make a one-time donation here:
https://www.paypal.me/wtfbach
https://venmo.com/wtfbach
https://cash.app/$wtfbach
Thank you for listening! Thank you for your support.
Reach us at Bach (at) WTFBach (dot com)

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