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In this episode Gary Mansfield speaks to Natalie Chapman (@nataliechapmanartist)
Natalie Chapman paints portraits that engage with family identity and issues based around dysfunctional relationships and social documentary. She is influenced by the work of photographers Richard Billingham and Nan Golding, and have similarly focused on spontaneous snapshot- compositions, saturated colour space and incidental objects in order to set a scene of everyday life.
She has returned to the same old photographs of her childhood, to re-arrange her memories and work through family history and its daily struggle. Natalie wants her work to feel edgy and to seduce the viewer into contemplating ambiguous tension, a sense of emptiness, boredom and anxiety.
Her process involves capturing memories using small collages of family portraits with interior scenes recalled from childhood. These studies are scaled up on large canvases to create presence and intensify personal stories using gritty expression and garish colour. She wants to create images about human relationships that are simultaneously tender and dysfunctional.
For more information on the work of Natalie Chapman go to
https://nataliechapmanartist.co.uk
To Support this podcast from as little as £3 per month: www.patreon/ministryofarts
For full line up of confirmed artists go to https://www.ministryofarts.org
Email: [email protected]
Social Media: @ministryofartsorg
Hosted on Acast. See acast.com/privacy for more information.
By Gary Mansfield4.6
99 ratings
In this episode Gary Mansfield speaks to Natalie Chapman (@nataliechapmanartist)
Natalie Chapman paints portraits that engage with family identity and issues based around dysfunctional relationships and social documentary. She is influenced by the work of photographers Richard Billingham and Nan Golding, and have similarly focused on spontaneous snapshot- compositions, saturated colour space and incidental objects in order to set a scene of everyday life.
She has returned to the same old photographs of her childhood, to re-arrange her memories and work through family history and its daily struggle. Natalie wants her work to feel edgy and to seduce the viewer into contemplating ambiguous tension, a sense of emptiness, boredom and anxiety.
Her process involves capturing memories using small collages of family portraits with interior scenes recalled from childhood. These studies are scaled up on large canvases to create presence and intensify personal stories using gritty expression and garish colour. She wants to create images about human relationships that are simultaneously tender and dysfunctional.
For more information on the work of Natalie Chapman go to
https://nataliechapmanartist.co.uk
To Support this podcast from as little as £3 per month: www.patreon/ministryofarts
For full line up of confirmed artists go to https://www.ministryofarts.org
Email: [email protected]
Social Media: @ministryofartsorg
Hosted on Acast. See acast.com/privacy for more information.

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