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Welcome back to Trve. Cvlt. Pop!, on this weeks episode we look at movie scores. It was the Oscars a few week back, with Oppenheimer winning the coveted best score award at the ceremony, and so we have decided to dedicate this episode to looking at what makes a great score, rather than soundtrack, in the movie world. We chat about everything from 60's free jazz improv, groundbreaking early synth, the rise of immersive D&B and electro scores and more, including chat about everyone from Daft Punk to John Williams, Tangerine Dream to Danny Elfman and... er... the Police Academy score.
There's also live reports from recent shows in London by The Chemical Brothers and Young Fathers, plus we look at a lost classic from "troubled" UK reggae sensation Finlay Quaye.
By Stephen Hill5
44 ratings
Welcome back to Trve. Cvlt. Pop!, on this weeks episode we look at movie scores. It was the Oscars a few week back, with Oppenheimer winning the coveted best score award at the ceremony, and so we have decided to dedicate this episode to looking at what makes a great score, rather than soundtrack, in the movie world. We chat about everything from 60's free jazz improv, groundbreaking early synth, the rise of immersive D&B and electro scores and more, including chat about everyone from Daft Punk to John Williams, Tangerine Dream to Danny Elfman and... er... the Police Academy score.
There's also live reports from recent shows in London by The Chemical Brothers and Young Fathers, plus we look at a lost classic from "troubled" UK reggae sensation Finlay Quaye.

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