The Sixties are about to begin and we’re feeling the change of the guard.

We briefly recap the first Golden Age of Rock N Roll: 1956 to 1959. A lot happened, and fast. Too fast to last.

We skid perilously into a new decade. As we open the sixties, all the big players are offstage, and a lot of folks are saying Rock N Roll is dead.

We open in a police station in St. Louis, and Chuck Berry is in big trouble with the law. We detail Chuck’s legal fight to its conclusion in early ’63.

We also catch up with the disc jockey Alan Freed, who is going through some legal problems of his own—legal problems that are part of a larger story.

We take a look at the state of mainstream popular music in 1960. It’s grim. But the R&B charts are looking good, lots of great songs and artists. Black America is reasserting itself musically.

We will get to that…but first, Rock N Roll is about to become BIG Business. So we unpack that a little bit, and devote a big part of the show to an examination of the record industry.

They were slow to catch on, but the corporate labels—The Big Six—are now in the business of Rock N Roll. We use humor to make our point, but we also have some caustic, tough things to say about the industry.

Ever seen these acronyms: ASCAP and BMI? And what wondered what the heck they mean? We answer that question, and explain why it’s important.

We tell a tale of two Disc Jockeys: Alan Freed and Dick Clark. That tale is a metaphor for what happens in the music business from 1960 on.

For the last act, we go back to discussing great music and great musicians and we meet the Godfather of Soul: James Brown. It’s a true rags-to-riches story.

Finally, we grab a cab in front of the Apollo Theater, and head down to Greenwich Village. There we will briefly meet an up-and-coming folksinger, and set the stage for Episode Five.

This show is part of Pantheon Podcasts.

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