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The BTS team discusses 28 Days Later's stylized aesthetic, how the alternate endings help contextualize the theme, and how the film walks the line between a high budget blockbuster and a B horror movie.
🚀 Sign up for MUBI today using https://mubi.com/beyondthescreenplay to get 30 days of great cinema for free.
🎬 Join our community! Head to the Beyond the Screenplay Patreon: https://www.patreon.com/beyondthescreenplay
☕️ LFTS Merch: https://standard.tv/collections/lfts
Find us on Twitter
Beyond the Screenplay: https://twitter.com/BTScreenplay
Michael Tucker: https://twitter.com/michaeltuckerla
Tricia Aurand: https://twitter.com/TriciaJeanA
Brian Bitner: https://twitter.com/BrianBitner
Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: [email protected]
By Michael Tucker4.8
540540 ratings
The BTS team discusses 28 Days Later's stylized aesthetic, how the alternate endings help contextualize the theme, and how the film walks the line between a high budget blockbuster and a B horror movie.
🚀 Sign up for MUBI today using https://mubi.com/beyondthescreenplay to get 30 days of great cinema for free.
🎬 Join our community! Head to the Beyond the Screenplay Patreon: https://www.patreon.com/beyondthescreenplay
☕️ LFTS Merch: https://standard.tv/collections/lfts
Find us on Twitter
Beyond the Screenplay: https://twitter.com/BTScreenplay
Michael Tucker: https://twitter.com/michaeltuckerla
Tricia Aurand: https://twitter.com/TriciaJeanA
Brian Bitner: https://twitter.com/BrianBitner
Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: [email protected]

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