My guest again this week is the noted journalist and theater critic Laurie Winer, who returns for part two of our conversation about her book, Oscar Hammerstein II and the Invention of The Musical.

If you missed part one, you may want to catch up with that before listening to this one.

Following the triumph of Show Boat, during the 1930s Hammerstein experienced a very challenging decade of devastating flops on Broadway and very limited achievement in Hollywood. And that’s where we pick up our conversation.

Topics included in this episode include the musicals Oklahoma!, Carousel, and Allegro! as well the the stark differences between the personalities of Richard Rodgers and Oscar Hammerstein, their working methods, and their fruitful collaboration and contentious relationship with choreographer Agnes De Mille.

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