Aladdin is a crowd-sourced paper mache fever dream. It’s both completely singular in Adam Green diverse portfolio of work and perfectly representative of an artist who has made a career or tearing down the barriers between conception and execution. After first making the scene as one half of the seminal anti-folk act The Moldy Peaches, Green has released a steady stream of terrific solo records, marrying a crooning singing style with often hilarious stream of conscious lyrics. In 2011, he made his feature length directorial debut with The Wrong Ferrari, employing an impressive cast of contributors, including Macaulay Culkin and Alia Shawkat, along with fellow musicians Devendra Banhart and Har Mar Superstar — all of whom also star in Green’s latest. Green and I met in his Brooklyn art studio, surrounded by hundreds of his paintings, to discuss the film, his music career, and the nature of creativity.

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