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In this episode of Art Wank, we sit down with one of Australia’s most respected – and at times divisive – voices in the art world, John McDonald. Known for his decades-long career as an art critic and columnist, John brings sharp insight, dry humour, and a deep knowledge of art history to the conversation.

We discuss the role and relevance of art prizes in today’s cultural landscape, including whether they truly reflect quality or simply reinforce trends and institutional biases. John shares his candid thoughts on the Archibald Prize, among others, and questions the criteria by which we measure artistic merit in competitive formats.

Our chat turns to the shifting state of the Powerhouse Museum and the controversial changes that have sparked public outcry. John offers a well-informed perspective on how institutions like the Powerhouse serve (or fail to serve) their communities, and what’s at stake when decisions are made without proper consultation.

We also touch on public art and the recent Lindy Lee sculpture installed at the National Gallery of Australia. While acknowledging her important place in Australian art, John questions the processes behind major commissions and whether spectacle sometimes overshadows substance in large-scale public works.

This episode is a lively, thought-provoking conversation about the state of the Australian art world — its politics, pitfalls, and potential — from someone who’s spent a lifetime analysing it. Whether you agree or disagree with his views, John McDonald is never boring, and his insights are well worth a listen.

 If you'd like to read more of John McDonald’s writing, subscribe to his Substack, Everything the Art World Doesn’t Want You to Know.